Hi,
Davesax1965 wrote:
Believe it or not, I'd go for a pair of studio headphones. Flat response, no treble or bass boost. That allows you to hear exactly what the producer intended you to hear. ...
|
I sooooooo agree with this. In the old days, the main reason why the music sounded so good on the new FM dials of the late 60's and early 70's (BEFORE it went corporate 5 years later!), was exactly that ... the music was adjusted on the station side, and the split FM signal helped make a lot of the music deeper, heavier and better than it really was.
I have tapes of several shows from as far back as 1974, and some of the music on LP's and CD's STILL does not sound half as good, or as strong ... and a pair of headphones like that, might not have all the shine and the blahandblah, but you will KNOW what you have ... and if something gets done to it later, you already have the "source" and know your OWN music better!
So, in terms of enhancing your experience of listening, that is another story ... but by the time you hear 6 versions of Beethoven's 9th, I think you will find that the headphones are not helping the music in most examples, since each maestro tends to emphasize different elements and details.