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Topic ClosedHow difficult for the oldies to get into new prog?

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Rednight View Drop Down
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Direct Link To This Post Posted: December 23 2014 at 19:35
Originally posted by Slartibartfast Slartibartfast wrote:

Unfortunately I lost my original post.  Punk didn't kill prog but got absorbed by  it - Cardiacs for example

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Direct Link To This Post Posted: December 23 2014 at 20:12
I've had no trouble.  I'm far more accepting of diverse music now than I was as a teen. 
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Direct Link To This Post Posted: December 23 2014 at 20:29
I'm still pretty young, but I find the same thing happening to me. The older I get, the more adventurous my tastes seem to get. Adventurous not only meaning strange avant twisted sounds but pop, disco, hip hop, electronic - basically everything I hated as a teen
Still, it's got to have some fire, heart, soul whatever you want to call it, it needs to make me feel something, make me go crazy or transform me into a melting knob of butter. Anything really.

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Direct Link To This Post Posted: December 23 2014 at 21:15
No problem at all as long as it suits my tastes and I think my tastes cover a lot of styles. Although right now i'm listening to Terje Rypdal's debut from 1968.LOL  It's strange though that i'm not into most Proto-Prog because it's before my time and feels so dated. There are exceptions to that rule but anyways i'm still into adventerous music of many types.
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Direct Link To This Post Posted: December 24 2014 at 01:26
To answer the host of this thread, I imagine that the pendulum really does swing both ways in regards to your question. I believe it's hard for a seasoned person to find and get the quality new Prog bands of today exposed generously for the listener and it is equally as hard for a youngster to find the classics.
It all comes down to timing, quality research and even a bit of luck to achieve and to know what the best of old and new Prog have to offer. Also, you have to discover for yourself what YOUR sound really is. What works for you? Where will you want to gravitate to? The Prog sphere is huge and diverse with over 20 different sub genres of musical style.

All I can say is that PA and Internet research are great sources of education and direction.
But anyway, if I may help to field the modern question of what new Prog bands are quite good, well established and on the rise.
Here are a few bands/albums that have really got my attention.

LEPROUS-- start with COAL and Tall Poppy syndrome. This band has many creative avenues they unleash including a King Crimson meets Coldplay at times.

Haken-- this band is probably at the top for modernized Prog metal at the moment. I'd go with THE MOUNTAIN.

Threshold--an established band for over 20 years, but since 2004 this band has been creating some of the best modern music around. Threshold's main gift is that they can create very sophisticated music build around unbelievably catchy/accessible/ clever sounding choruses. I'd go with CRITICAL MASS and MARCH IN PROGRESS.

Fields of The Nephilim-- the masters of atmospheric goth metal clearly stand alone in creativity and uniqueness.
I would definitely give 2005's MOURNING SUN a solid listen.

As for non metal, a couple have caught my attention for being boldly different

Tim Bowness-- abandoned dancehall dreams (crossover Prog)
Unreal city-- la CRUDELTA de Aprile (RPI)

Hope this helps spark some modern love.


Gimmie my headphones now!!! 🎧🤣
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Direct Link To This Post Posted: December 24 2014 at 02:27
In my early fifties my main difficulty is identifying what is 'modern'.There is a lot of modern retro music which I slip into very easily. A good example is Wolf People who make modern festival rock straight from 1969. I guess however that is not what we are talking about. Really it comes down to whether its any good not whether its modern. I like some Mars Volta especially Amputecture which to me is their best album and gives me a lot more enjoyment over say Frances The Mute. But then Wish You Were Here gives me a lot more enjoyment than Dark Side Of The Moon so really can we just seperate music taste from the whole discussion? I think not so that makes the question hard to answer properly.
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Direct Link To This Post Posted: December 24 2014 at 07:56
I think Nogbad _The Bad is my type of guy!  I am 48 years old, and I love a variety of contemporary prog bands.  In fact, a lot of what I listen to these days has an strong element of extreme metal in it.  Leaving out bands that sound a lot like traditional prog (Ozric Tentacles for instance), a couple of my favorite bands at the moment are Leprous and Dream the Electric Sleep.  So, the oldies can definitely get into new prog if they're motivated to!
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Direct Link To This Post Posted: December 24 2014 at 09:08
Originally posted by richardh richardh wrote:

In my early fifties my main difficulty is identifying what is 'modern'.There is a lot of modern retro music which I slip into very easily. A good example is Wolf People who make modern festival rock straight from 1969. I guess however that is not what we are talking about. Really it comes down to whether its any good not whether its modern. I like some Mars Volta especially Amputecture which to me is their best album and gives me a lot more enjoyment over say Frances The Mute. But then Wish You Were Here gives me a lot more enjoyment than Dark Side Of The Moon so really can we just seperate music taste from the whole discussion? I think not so that makes the question hard to answer properly.

I agree completely about the taste thing as I prefer Dark Side and Frances over the ones you prefer and i'm in my early fifties as well. So yes taste is probably a bigger factor than age.
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Direct Link To This Post Posted: December 24 2014 at 09:36
I'm very young (almost 18), and I've no great problem in listening some new prog (like Porcupine and Haken), but I find many of them very depressing Cry, and sometimes too look alike each other. Maybe I haven't heard too much. I'm more used to the classics...
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Direct Link To This Post Posted: December 24 2014 at 09:37
I like a lot of the modern prog, but not as much as the stuff I grew with, since I have a lot of memories attached to it. I'm not so much into the metal stuff, but don't dislike it either, except for the extreme, growling, out of control stuff that's around these days. I prefer more melodic and well orchestrated music in general, with fine melodies and interesting musical/instrumental arrangements. 
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Direct Link To This Post Posted: December 24 2014 at 10:47
Originally posted by progbethyname progbethyname wrote:

Threshold--an established band for over 20 years, but since 2004 this band has been creating some of the best modern music around. Threshold's main gift is that they can create very sophisticated music build around unbelievably catchy/accessible/ clever sounding choruses. I'd go with CRITICAL MASS and MARCH IN PROGRESS.
 
I'm more of a fan of the albums with Damian (and Psychedelicatessen with Glynn, too), but there are many fine moments with Mac. I love what they've been doing since Damian's return. These guys are my favorite progressive metal band, bar none. They far outweigh Dream Theater in the vocals dept., and even though they have a guitar tandem, I like that they refrain from "the w**k" and push songcraft to the fore of their agenda. Everybody should listen to Threshold.
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Direct Link To This Post Posted: December 24 2014 at 11:45
I'm 54 and love new and old prog alike. I just wish I had time to keep up with the great mass of new stuff that is out there. 

I listen mainly to Prog, Classical, and Jazz. My classical collection has nearly reached saturation, so I don't add much there. I find that jazz has more or less stagnated in recent years, which is a shame. I have found so little recent jazz that breaks any serious ground, so I find myself digging deeper and deeper into '50s and '60s bop.

IMHO, Prog is where a lot of of challenging new music is being made. I just wish the economic scene was a bit more vital for innovative musicians so they could give up their day jobs and create and tour like madmen.


Edited by RockHound - December 24 2014 at 11:46
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Direct Link To This Post Posted: December 24 2014 at 11:50
Originally posted by RockHound RockHound wrote:


IMHO, Prog is where a lot of of challenging new music is being made. I just wish the economic scene was a bit more vital for innovative musicians so they could give up their day jobs and create and tour like madmen.


ClapClapClap

Not likely to happen, unfortunately, but I agree with you that it would be great if it happened. Some of my very best concert experiences have involved modern bands and artists, and it is a pity circumstances make it so difficult for them to tour on a regular basis.

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Direct Link To This Post Posted: December 24 2014 at 13:24
Too hard to generalize, but I l just look at it as music.
As far as metal, if I am in a metal mood, I just listed to straight up metal.  I don't need prog mixed in with that.

I feel I need the music to hold together conceptually.  If there are lyrics, then the lyrics and the music need to work together.  If I sense the band is trying to impress me with chops void outside of context of the song, I lose interest quickly because the band comes across as immature.  I'm not a fan of showboating, and probably steer away from a lot of jazz from that reason unless the soloists are REALLY something special. 

With the classic bands, there was more cohesion for me.  Gentle Giant was complex, but they never did 20 minute opuses. Yes always had a lyrical and musical marriage that kept my interest.  I think if Wakeman's Six Wives" which creates a visual mood that instrumentally described the Wives and their personalities.  It works well for me.

Genesis stayed in a a surreal folklore mode and Tull had that satirical edge and the music supported it accurately as did Steely Dan for that matter.  Floyd kept me thinking deeply about self and humanity with it's flaws and difficulties. 

Dream Theater epitomizes everything I don't like about music.  Nothing stays together for me.  The vocalist lacks proper lyrical interpretation.  It's trying to be heady and impressive musically but just dies on my ears.
It sounds like they are trying to outdo Rush with an 80's hairband glam metal singer who is just singing words he doesn't feel or understand.  The music is filled with fast chops that have nothing to do with anything other than hoping people think what they are doing is amazing. 

When I listen to Close to the Edge I feel like the band is really taking me somewhere musically and conceptually.  Same thing with Tales.  It's very powerful and compelling music.  It actually got me to read Yogananda's Autobiography because I was so moved that I had to have some idea what could have inspired such an innovative creative work (whether or not Jon actually read it entirely or not)

Rush brought me to Ayn Rand literature.  The Doors brought us into a world of avant guard poetry and visuals not found in other music.  Led Zeppelin had you believing they knew something we didn't.  I still think that.  King Crimson and Mahavishnu made huge statements about possible directions of instrumental jazz.
Frank Zappa was just an amazing composer and demanded so much from his cast of characters putting it forward in a silly fun way to get you to listen to what he was doing artistically. 

The older bands had a conceptual framework that allowed them to keep things together and gave license for fresh innovation.  Look at what Santana did for Latin music.  It was just so ground breaking.  Still is to me. 

I do find some of the newer stuff good.  But looking at the whole genre it just sounds overly derivative, often too much showboating, and lacks conceptual cohesiveness.  But I also think a lot of that has to do with the times in general and how things are being gone about with young musicians spending too much time on their computers and not working together as a band.


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Direct Link To This Post Posted: December 24 2014 at 13:37
I need to amend that post.  I first got into progressive rock around 1978.  There are many new bands out there that I totally enjyoy - Perfect Beings, Anubis, Umphrey's McGee, Knifeworld, The Pineapple Thief, Pymlico, Electric Orange, Fractile Mirror...  get on progstreaming and you will be pleasantly surprised. Big smile

I would also like to add that we don't three prog metal subgenres, someone made a somewhat compelling case for it when it first happened but I still agree to disagree.


Edited by Slartibartfast - December 24 2014 at 13:45
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: December 25 2014 at 09:54
I qualify for being an oldie at 55 I guess. Sure, I do listen to a lot of the modern Prog. My beloved Italia has been going through a Prog resurgence, and quite a lot of it is fantastic. The only genre I feel bad for is Progressive Metal. Why? A lot of reviews suggest a lot of these bands sound like Dream Theater, and yeah, I do hear the influence often.  Seems like D.T.set the bar up a bit too high, but somewhere a band will climb over that bar. Nevertheless, as much as I prefer the classics,  there is a lot of good stuff coming out. 
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Direct Link To This Post Posted: December 25 2014 at 09:57
Originally posted by ginodi ginodi wrote:

I qualify for being an oldie at 55 I guess. Sure, I do listen to a lot of the modern Prog. My beloved Italia has been going through a Prog resurgence, and quite a lot of it is fantastic. The only genre I feel bad for is Progressive Metal. Why? A lot of reviews suggest a lot of these bands sound like Dream Theater, and yeah, I do hear the influence often.  Seems like D.T.set the bar up a bit too high, but somewhere a band will climb over that bar. Nevertheless, as much as I prefer the classics,  there is a lot of good stuff coming out. 


Welcome, paisano! I am a full-blooded Italian who moved to the US 6 years ago, and am thankful for the kind words about my native country. The US prog scene is no slouch either... Many of my favourite bands of the past few years are American, and many from the Tri-State area. Incidentally, I feel the same way about the DT clones, though there are a lot of bands in Progressive Metal that are doing something genuinely innovative.
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Direct Link To This Post Posted: December 25 2014 at 23:43
I'm 59.5, so I qualify as an "oldie!" 

Progarchives and the members have been fantastic resources, I've learned a great deal about new music being made worldwide that I likely would not have known about otherwise. 

I'm in the "if it is good music, I enjoy it" category!  

Cheers and Happy Holidays from Chicago, one of the great music capitals of the world!  
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Direct Link To This Post Posted: December 26 2014 at 00:54
Mid 50's. Answer, EASY…. Good Music is timeless…….

And that every tongue should confess that Jesus Christ is Lord to the glory of God the Father. Phillipians 2:11
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Direct Link To This Post Posted: December 26 2014 at 01:19
Originally posted by JesusisLord JesusisLord wrote:

Mid 50's. Answer, EASY…. Good Music is timeless…….
And that every tongue should confess that Jesus Christ is Lord to the glory of God the Father. Phillipians 2:11


Christian Prog?

Merry Christmas everyone by the way!


Edited by Skullhead - December 26 2014 at 01:20
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