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micky View Drop Down
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Direct Link To This Post Posted: June 29 2007 at 11:57
excellent....  sorry we both sort of had disappeared and didn't let you know our plans.  We would have loved to have seen you and Andrea again.  We expect to see you both in Milan for Rush...if not sooner hahhaha.

Have a great time!
The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Direct Link To This Post Posted: June 29 2007 at 12:11
Originally posted by Mandrakeroot Mandrakeroot wrote:

NEW TROLLS

Concerto Grosso, The Seven Seasons

(Studio Album, 2007)
Limmagine%20“http://www.progarchives.com/progressive_rock_discography_covers/583/cover_504492962007.jpg”%20non%20può%20essere%20visualizzata%20poiché%20contiene%20degli%20errori.

Track Listings


1.The Knowledge (Overure) (1:34)
2. Dance With The Rain (Ballata) (4:24)
3. Future Joy (Scherzo) (2:50)
4. High Education (Cello Cadenza) (1:43)
5. The SeVenth Season (Ostinato) (5:31)
6. One Magic Night (Larghetto) (5:52)
7. Barocco'n'Roll (allegro Brioso) (2:57)
8. Intro and Canone (1:34)
9. Testament Of Time (Andante) (4:27)
10. The Ray Of White Light (Rondò) (4:35)
11. To Love The Land (Adagio) (4:45)
12. The Season Of Hope (Piano Preludio) (5:00)
13. Simply Angels (Suite) (6:25)
14. Ethix (Canzona) (3:07)

Bonus Track:
So Che Ci Sei (Italian version of "Dance With The Rain") (4:24)

Line-up/Musicians

New Trolls:
- Vittorio De Scalzi / Voice, Gran Piano, classic guitar, traverse flute
- Nico Di Palo / voice, keyboards
with:
- Alfio Vitanza / drums, voice
- Andrea Maddalone / acoustic and electric guitar, voice
- Mauro Sposito / electric guitar, voice
- Francesco Bellia / bass, voice

With the partecipation of:
The White Light Orchestra:
- Roberto Izzo / 1st violin
- Raffaele Rebaudengo / 1st viola
- Mirko Foschi / Oboe

Hosts:
- Stefano Chiabrera / cello (in 4)
- Shel Shapiro / narrator voice (in 5)
- Martino Coppo / mandolin (in 6)

Special host:
- Madelyn Monti / soprano voice (in 6)

Releases information

Aerostella/ Edel 018291AER

Executive production by Franz Di Cioccio for Aerostella.

Review by Mandrakeroot (Andrea Salvador)
Collaborator Italian Prog Specialist

— First review of this album —

5%20stars My review is produced using this release: Aerostella/ Edel 018291AER

My Rating:10/10 PA Rating:5/5

June, 2007 29th... Baroque Day!!! "Concerto Grosso, The Seven Season" is in shop!!! And immediately I bought a copy!!! Boys... I don't know you... but that to say? It believed to have listened to all... above all for how much pertains the album "group and Orchestra" but... sh*t!!! A new standard is here!!! Franz Di Cioccio decides that "Stati Di Immaginazione" was an album... Already, like a lot... And appearance that put the hands on an album of Le Orme... Because this is the real sentence. Baroque Symphonic Prog Metal in the song more Rock and Baroque/ Symphonic Prog in the song with orchestra... Ok, this is the formula of "Concerto Grosso Per I New rolls"... And Believe me... "Concerto Grosso, The Seven Seasons" is 1.000.000 times better. Not only for record, because "Concerto Grosso Per I New Trolls" from this point of view was a lot more adventurous, but also for the music. In my opinion "Concerto Grosso, The Seven Season" is a new standard for Italian Prog... But also for all of the Classic Prog because conveys the Prog Metal in Classic Metal absosporbing he (and done not come to to say me that the Dream Theater are more brilliant in this sense)). Adventurous album? Well... No!!! This because the songs are simple, damned immediate and all exciting. Yes, this is another damned 70's album. But, this is the beautiful news, played so new... Too new... Also if the start ("The Knowledge") is a photocopy of the "Concerto Grosso Per I New Trolls" this new "Concerto Grosso" is more varied and powerful. Also because the production puts in stand out the power. Also a piano of "The Season Of Hope" is in possess of a war power that leaves to open mouth. The orchestra will be not it "The Royal Philarmonic Orchestra" or the "Wiener Philarmoniker" or the "Berliner Philarmoniker" or "Orchestra Sinfonica della Scala (milan)" but "The White Light Orchestra" and Stefano Cabrera isnt Muti or Mazel... But isn't fundamental because finally the orchestra and the Rock group are an only entity. The only orchestra part in "Simply Angels" seems copied from "Concerto For Group And Orchestra" (Deep Purple) but here have... More power. And in general the air that it is breathed in the songs is that of a big family that cannot betray. And in fact it doesn't betray. Another annotation: The parts vocal have the same echo that the New Trolls used in the 70's. And too the same harmonies. Ahhh, the orchestra isconducted by Stefano Cabrera, historycal collaborator of New Trolls, specially in "UT". And not a case the more Rock songs they seem gone out from "UT" (specially the bonus track "So Che Ci Sei", Italian version of "Dance With The Rain").

Welcome New Trolls. But I didn't think with an album like this. Because the years are passed... It haven't more nothing to show... But, in fund, other return would not have had sense. My friends... The New Trolls is here!!!

 
Great review Mandy, i am very interested in this album i believe your 5 star rating cant lie.
 
Have a good evening in the concert!

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Direct Link To This Post Posted: June 30 2007 at 09:42
Memo see my thread: (that I have catalogue like CryJethro Tull...: Rain and tears

Edited by Mandrakeroot - June 30 2007 at 09:43
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Direct Link To This Post Posted: June 30 2007 at 14:43
I really liked Black Jester.
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Direct Link To This Post Posted: July 01 2007 at 06:04
Originally posted by spo1977 spo1977 wrote:

I really liked Black Jester.


With pleasure I read in an insert of an Italian monthly (Metal Hammer) (in 2000) that it recommended this album:

BLACK JESTER

Welcome to the Moonlight Circus

(Studio Album, 1994)
Limmagine%20“http://www.progarchives.com/progressive_rock_discography_covers/42/cover_2853152082005.jpg”%20non%20può%20essere%20visualizzata%20poiché%20contiene%20degli%20errori.

Nevertheless this was the sole contact that I had with Black Jester!!!!
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Direct Link To This Post Posted: July 01 2007 at 20:06
"Welcome to the Moonlight Circus" is a good cd, Mandrakeroot. 
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Direct Link To This Post Posted: July 02 2007 at 04:14
Originally posted by spo1977 spo1977 wrote:

"Welcome to the Moonlight Circus" is a good cd, Mandrakeroot. 


Thanks for to have confirmed that it is a good beginning with this band. 

Unfortunately it is available only how used from collection since The label is dead and buried and the Black Jester is one of the points of diamond of the Neoclassical/ Prog Metal, genre that saw in the Italian bands to exercise a really absolute monopoly!!! 
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Direct Link To This Post Posted: July 02 2007 at 08:21
Today on BTF:
 
 
 
1) Corte Aulica - Il temporale e l'arcobaleno
 
 
 
The progessive rock band Corte aulica starts playing on january 2006
with the objective to create music which reminds to the Canterbury
setting of the seventies, Camel, Caravan and Hatfield and the North
above all, but at the same time keeping its strong originality both
in the composing and in the sound. On December 2006, after only a
year from the birth, the group records 9 pieces of its own composing.
 
 
 
2) Obscura - Le città invisibili
 
 
 
A band produced by the guitarist of MOONGARDEN and SUBMARINE SILENCE
presents a music in neo-progressive mellotronic style with some hard
rock influences here and there.
The singer played with Moongarden.
A great discovery!
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Direct Link To This Post Posted: July 02 2007 at 08:31
You participate numerous to this thread!!!:  

25 Essential RPI albums... by the fans...
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Direct Link To This Post Posted: July 02 2007 at 10:08
Other excellent reviews lately:
 
BANCO%20DEL%20MUTUO%20SOCCORSO%20Darwin!%20%28original%20version%29%20progressive%20rock%20album%20and%20reviews Italian Symphonic Prog
(Studio Album, 1972)
Avg: 4.40/5
from 94 ratings

4%20stars This is a fantastic album and is solely responsible for introducing me to Italian symphonic prog. I decided to go out on a limb and challenge myself with something different long ago after hearing great things about this album. It starts off nice and slow with the epic l'evoluzione with some gentle yet ominous sounding synth and then it builds adding guitar and drums and other instruments before ascending to becoming a prog freakout. At this point I was immediately hooked and decided that BANCO DEL MUTUO SOCCORSO were a fantastic band and as the song went on I was amazed I had delayed for so long in listening to this and I was enthralled as the song traversed emotional and atmospheric landscapes through the dark to the grand to the contemplative to the uplifting and finally to the mellow yet fitting ending, a very underrated prog epic and the perfect song to start the album with although unfortunately not all the songs are as good.

Next up is la conquista della posizione eretta which is another great song, which within the confines of symphonic prog is a remarkably heavy piece with driving rythmn similar to zeuhl in a lot of ways and a brooding atmosphere (and great use of tympani) before near the end tapering off and becoming more mellow and melodic. From here the album lose a lot of steam unfortunately and it's mostly downhill from here to the jazzy laid back la danza dei grandi rettili to the more typical Italian prog of cento mani cento occhi to the emotive lamenting piano driven 750.000 anni fa...l'amore. The next song Miserere alla storia is another highlight of the album with more of the dark tones featured earlier on in the albums with some fantastic memorable melodies, unfortunately once again the album loses steam into the final song which is fairly uneventful. The good part though is that even though there is a fairly big disparity between the decent songs and the great songs the less prominent tracks all have some great bit in them and are fairly memorable

I like the instrumentation on this album a lot, the album is heavily reliant on synths, they the main meat and potatoes of the music and they are used very effectively from heavy distorted organ sounds to sawtooth sounds to vibraphone sounds to straight up piano with all kinds of different sounds in between, my favourite being during the middle quieter part of l'evoluzione. The guitar is fantastic, it's not dominant at all but it comes in at all the right times with a furious fuzz tone and there are several parts with some amazing harmonised guitar passages a lot of the time though it's well down in the mix and it's hard to know it's there - not that this is a particularly bad thing as this approach is perfectly suited to the music. The bass has a pretty good tone but I tended not to notice it much to be honest. The vocals are okay, I don't like the guy's voice very much but he suits the music and sings in tune and that's all I can ask for really it doesn't detract from the experience at all.

Overall Darwin is a great album from a great band, recommended highly to any fans of symphonic prog (not just Italian either).

Posted Monday, July 02, 2007, 07:50 EST
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FAVERAVOLA%20Contea%20Dei%20Cento%20Castagni%20progressive%20rock%20album%20and%20reviews Prog Folk
(Studio Album, 2006)
Avg: 3.82/5
from 7 ratings
FAVERAVOLA — Contea Dei Cento Castagni
Review by Finnforest (James)

3%20stars A pleasant journey.

Many of us listen to albums that are “foreign language” to us personally and speaking for myself, I am generally able to enjoy them as much (or more) than albums in my own tongue. Italian albums are some of my favorite prog albums. But there is an important distinction that applies to this album. When listening to prog in a language other than our own, the music must really touch us since we are missing out on the story and lyrical content.

Faveravola’s “La Contea” is a hugely ambitious journey of an album with 12 tracks spanning 73 minutes, a large team of musicians, and a wonderful booklet detailing the story. The problem for those who don’t speak Italian is that we cannot understand the unfolding story through the continuous vocals and narration, and we cannot read the lyric booklet which is in Italian only. That is not usually a problem for enjoying an album because with most Italian albums the music is great enough to win us over anyway. In fact on most of the many non-English albums I love I am quickly won over and don’t really care that the lyrics are lost on me, the music is the big prize.

Not so in this case, I’m afraid. This album is really about the story with the music being secondary. Don’t get me wrong. The music is pleasant, well played, and easy going. But it’s just a background for the story. Most of the music is just nicely done soft rock with a steady beat and safe, somewhat generic new-agey mood, and really not that remarkable. Occasionally someone will break out with a lovely interlude or an impressive guitar solo but those moments are few and far between. It’s just not going to knock you out like your favorite PFM or QVL album. Now if you are looking solely for that mellow, pastoral experience to relax to then maybe this will work for you. But even for that objective there would be preferable releases to this one.

I am not dissing what seems a perfectly pleasant piece of work by dedicated artists. But I am suggesting that if you are looking for the best Italian progressive and you do not speak Italian to get the story being told, then there are literally many dozens of other titles that should command your attention before you buy this one. But you have to love the fabulous cover art!

Posted Sunday, July 01, 2007, 20:59 EST
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DELIRIUM%20%28ITA%29%20Delirium%20Live%20progressive%20rock%20album%20and%20reviews Italian Symphonic Prog
(Live, 2007)
Avg: 3.67/5
from 3 ratings
DELIRIUM (ITA) — Delirium Live
Review by andrea (andrea parentin)
Prog Reviewer

4%20stars Delirium was an excellent band of the early Seventies Italianprog scene. After many years of silence and thanks to Pino Di Santo’s initiative, in 2003 the band was born again with a new line up featuring, along with Di Santo on drums, the veterans Ettore Vigo (keyboards), Martin Grice (flute and sax) and two new members, Fabio Chighini (bass) and Roberto Solinas (guitars). This live album, "Vibrazioni Notturne", was recorded in 2006 and “captures” a performance in Trento.

Anyway, this album is not a process of self-quotation or self-imitation; it seems more like a new starting point... “Opening” is just a short introduction to the instrumental “Villaggio” from Delirum’s second album... Delirium are surprisingly fresh here and they seem to be perfectly fit, alive and kicking... The sound is definitely up to date and the band re-elaborate their old pieces giving them a new life... There’s ample room for electric guitar (an instrument that they didn’t use at all on their first two albums of the early seventies, “Dolce acqua” and “Lo scemo e il villaggio”) and the interaction with the other instruments perfectly works while the music keeps on swinging blending wisely rock, jazz and touch of folk...

The frenzy “Movimento I: Egoismo” and the bittersweet “Preludio: Paura” come from their debut album and the members of the band show that they’re able to perform excellent vocal parts even without Ivano Fossati, their first singer and now very successful singer-songwriter... The next track “Culto disarmonico” is a jazz-rock instrumental beginning with a drum solo where the members of the band showcase their excellent musicianship once more...

“E’ l’ora” is a kind of surprise... The song was written by Lavezzi-Mogol and the original version was released only as a single... In my opinion it was just a weak pop one but here the band managed to transform it in a kind of Delirium’s “Impressioni di settembre” providing a really improved version... Well, Mogol’s lyrics are not so inspired like those he wrote for PFM but the result is not bad at all... Next comes “Dolce acqua: speranza”, a classic of Delirum’s repertoire and another excellent arrangement...

The following “Gioia, dolore, risentimento” is another surprise... The structure of the piece has been almost completely rebuilt exalting its “mystical mood” and it is very different from the original version on their second album: the “silly tarantella parts” have been cut off and the result is definitely good. In my opinion this new version is far better than the original one... Then there’s a tribute to Jethro Tull... In my opinion it’s just a useless interlude before three more great songs... “Notte a Bagdad”, a new song inspired by the troubles in Iraq, “Johnny Sayre: perdono”, inspired by an Edgar Lee Masters’ poem, and Delirum’s anthem “Jesahel”, their most famous song...

The last track is a tribute to Joe Cocker and Beatles, but in my opinion it’s just a useless filler... On this album you can’t find any track from their third album "Viaggio negli arcipelaghi del tempo" and at length this live album almost leaves you wanting to shout: “I want more! Encore!”. My overall impression is that “Vibrazioni notturne” is an excellent appetizer for the next studio album of the band... Welcome back Delirium!

Posted Sunday, July 01, 2007, 15:35 EST
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STRATOS,%20DEMETRIO*%20Concerto%20allElfo%20progressive%20rock%20album%20and%20reviews Italian Symphonic Prog
(Live, 1995)
Avg: 3.00/5
from 1 ratings
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STRATOS, DEMETRIO* — Concerto all'Elfo
Review by micky
Special Collaborator Italian Prog and Art Rock Specialist

— First review of this album —

3%20stars Demetrio Stratos is well known as the front man of the fiery Italian prog group Area. Outside of Area he released a series of solo albums. I picked this album up a couple of days ago on one of my search and destroy missions in Rome looking for RPI gems. I had recently really got the bug for Area and found this album and immediately scarfed it up. I was hoping to find a another incendiary mixing of jazz, rock, electronic, and mediterranean music. Whoa.. was I surprised when I put this in.

This review is a warning...yet still a recommendation.

As I found out later after an interesting first listen hahahha, and as is noted in Stratos' bio. He was student of Fluxus and John Cage. His solo albums are very avant and are explorations into the use of the human voice as an instrument. Be warned.. again... THIS IS NOT EASY LISTENING. But it a funny way.. this ties into RPI quite well. As I noted this morning in a thread, I am a non-speaker of Italian, so an overall portion of the albums is lost upon me. The literal meaning of what the group is trying to say. What that in fact has done has prepared me for an album like this. The voice in Italian prog for became not a vehicle for literal meaning but rather a instrument in itself. Full of emotion and expression like any instrument. That is exactly what Stratos was intending to explore.

To review this album track by track is sort of pointless. Before reviewing this I read some reviews of his solo album on other sites.. I was curious just how you would review something like this. Most reviews, while entertaining in their lofty language, really say little about the music. This is an album that to me is beyond a standard review, it is indeed like trying to 'review' a painting. What you get out of this will be highly personal. There are no instruments to rave over the quality.. no way to contrast the dynamics between the way the instruments play off of each other. This is just an experience between you and Stratos. If you feel like taking a walk down the Fluxus side of life. I strongly recommend you check this out. It intriqued me to check out other of his albums, which as some of you who know my musical tastes.. should probably say more about this album that any song by song analysis could.

Giving the album three stars..and down the road may adjust that to reflect what I think of his other albums. Which I will be checking out. For serious students of 'art' and avant music only.

Michael (aka micky)

Posted Sunday, July 01, 2007, 10:06 EST
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Edited by Andrea Cortese - July 02 2007 at 10:10
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Direct Link To This Post Posted: July 02 2007 at 10:10
And obviously, well done Mandy! Clap
 
 
VARIOUS%20ARTISTS%20%28CONCEPT%20ALBUMS%20&%20THEMED%20COMPILATIONS%29%20Tarzan%20progressive%20rock%20album%20and%20reviews Various Genres
(Boxset/Compilation, 1972)
Avg: 2.00/5
from 1 ratings
VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) — Tarzan
Review by Mandrakeroot (Andrea Salvador)
Collaborator Italian Prog Specialist

— First review of this album —

2%20stars My review is produced using this release: ARTIS ARCD 043

My rating:4/10 PA Rating:2/5

Ok, today I have see this compilation and immediately bought. Strange because today a compilation like this... It is useless. Not for the purpose (to present the Bla Bla) but because... Outdated, for the music (except for Osage Tribe's songs) but not for concept. Ok, these are my impressions: CAPSICUM RED: In this compilation are presents all two singles. Well, they are sung in English. But are also little representative of the style of the album. Extremely famous, in Italy, "Tarzan" and "She's A Stranger" WELL'S FARGO: Not Prog and not POP... Only a strange music, today outdated. Interesting for Bla Bla label aficionados. OSAGE TRIBE: Three songs from the album "Arrow Head". Well... Is one of my favourite RPI band with my favourite songs. P.s.: "Crazy Horse", original title of "Soffici Bianchi Veli". BLACK SUNDAY FLOWERS: Soul project of Chico Agosti, famous italian singer in the 60's and who was often censored by the italian radio for the outrageous contents of his songs. This isn't memorable music, today

Well... Interesting but today, except for Osage Tribe's music is totally outdated.

Posted Sunday, July 01, 2007, 13:22 EST
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HUNKA%20%20MUNKA*%20Dedicato%20A%20Giovanna%20G.%20progressive%20rock%20album%20and%20reviews Italian Symphonic Prog
(Studio Album, 1972)
Avg: 4.00/5
from 1 ratings
HUNKA MUNKA* — Dedicato A Giovanna G.
Review by Mandrakeroot (Andrea Salvador)
Collaborator Italian Prog Specialist

— First review of this album —

4%20stars My review is produced using this release: BMG 74321-98448-2

My Rating:8,5/10 PA Rating:4/5

Where I have already heard "Cattedrali di Bambù" and his amazing powerful refrain? Probably in a Revival radio Station... But in this case if you love the Hammond Organ... This is your album. The songs are consructions around the customizer by Hunka Munka (Roberto carlotto) Hammond organ. But the lyrics are importants in these songs. However the Hammond (And all the its possible sounds) dominate the songs!!! But it doesn't result ever above the lines. Rather Ivan Graziani succeeds to write excellent musicss where the Hammond is the winning element and the lyrics isn't superfluous. "Io Canterò Per Te" is a typical Power Beat ballad... And yet the organ is so Heavy (in the rhythmic soli) that becomes indispensable together with the orchestra. Is a strange album because isn't a really Song songwriter Prog album, because the songs are song songwriter songs... Are 100% Prog songs. Rather the songs have a song songwriter flavour... but with 1.000.000 times power and technique. So a beat title track "Giovanna G." have a good Kinks flavour but is a very good song for all Progsters. Therefore, in general is to Hammond album but the Hammond is used to the manner of Bach... To increase the power of soft songs. Some songs ("Il Canto Dell'Amore", for example) anticipate the style that "Cucciolo" and Carlotto will carry in the Dik Dik.

Roberto Carlotto in Italy is synonym of vintage keyboards. You listen to this album and will understand because. And I understood because it is one of the greater rarity of the Italian Prog!!!

Posted Sunday, July 01, 2007, 15:42 EST
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Direct Link To This Post Posted: July 02 2007 at 10:44
Well... I am honored that my reviews they are read and considered from other.  But it would please me that someone it wrote that the reviews are attractive!!! Instead only those eliminate they come noted and criticized!!!  
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Direct Link To This Post Posted: July 03 2007 at 05:12
Another passionate review on Semiramis! Well done Leonardo (from Venezuela)!Clap
 
 
SEMIRAMIS%20Dedicato%20a%20Frazz%20progressive%20rock%20album%20and%20reviews Italian Symphonic Prog
(Studio Album, 1973)
Avg: 4.30/5
from 40 ratings
SEMIRAMIS — Dedicato a Frazz
Review by Iommi (Leonardo)

4%20stars They only made one album and is for me a masterpiece of prog, the combination of brothers ZARRILLO in keyboards and guitar makes this a great album, with strong and powerfull voice, great synth driven, amazing and powerfulls guitar riffs and super amazing solos, beautyfull acoustic parts; Giampiero ARTEGIANI is a great acoustic guitar player. Vibraphone makes the atmosphera and the music really special, drums is really good, great rythm change very drastical but great. Great album highly recommend!!!!.

Posted Monday, July 02, 2007, 20:23 EST
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Edited by Andrea Cortese - July 03 2007 at 05:12
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Direct Link To This Post Posted: July 03 2007 at 06:32
The first Conqueror's review: well done Erik! I'm eagerly waiting for my copy!!!Smile
 
This concept album has to be excellent! How about the feminine vocals? Do they really seem like Apoteosi..:?
 
CONQUEROR%2074%20Giorni%20progressive%20rock%20album%20and%20reviews Italian Symphonic Prog
(Studio Album, 2007)
Avg: 3.50/5
from 2 ratings
CONQUEROR — 74 Giorni
Review by erik neuteboom (erik neuteboom)
Special Collaborator Symphonic Prog Expert

4%20stars

FIRST REVIEW OF THIS ALBUM!!

After their debut CD Istinto (2003) and the successor Storie Fuori Dal Tempo (2005), the Italian five piece band Conqueror has released its third studio album entitled 74 Giorni in 2007. Again the band has made notable progress, I am even impressed by the ten melodic, tasteful and varied compositions (some instrumental) delivering a wide range of instruments: a wonderful blend of soaring keyboards, powerful bass runs, a tight drum beat and sensitive electric guitar in Il Viaggio, lots of shifting moods with pleasant work on guitar and flute in Orca, a Sixties-like organ sound (The Animals/The Doors), wah-wah guitar, a flute solo and fluent synthesizer flights in teh alternating Non Maturi per l'Adilà, romantic piano play in the short Cormonrani, tasteful keyboards and varied guitar work (from heavy riffs to use of the tremolo arm) in L'ora del Parlare, Fender Rhodes piano and jazzy guitar in the short Miraggi and sensational Minimoog-like runs and a compelling part with raw guitar and soaring flute in the captivating Nebbia ad Occhi Chiusi. So lots of variety and soli on different instruments (from guitar and flute to saxophone and organ), this album grows every listening session and I am sure it will carry you away to Progheaven!





Edited by Andrea Cortese - July 03 2007 at 06:34
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Mandrakeroot View Drop Down
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Direct Link To This Post Posted: July 04 2007 at 04:54
If you love "ARTI & MESTIERI band please see:

www.artiemestieri.org

www.aem33.com

There are extreme interesting news checking the initiatives for the 30 years of the band!!! 


Edited by Mandrakeroot - July 04 2007 at 04:55
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erik neuteboom View Drop Down
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Direct Link To This Post Posted: July 04 2007 at 05:02
In the very past I had the Apotheosi album Andrea so hard to make a comparison with new Conqueror female vocals Embarrassed
 
By the way, another sick mind non-review rating... two stars Angry !


Edited by erik neuteboom - July 04 2007 at 05:03
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Direct Link To This Post Posted: July 04 2007 at 05:35
ERIK wrote:
"By the way, another sick mind non-review rating... two stars Angry !"
 
I Answer:
"I and Andrea Cortese there we were shrewd of this strangeness, commune for other  Italian  albums.  Likely it is discussed of the same person, because it was a  generalized situation.  I didn't listen to these albums... happened also for the DGM, excellent Prog Metal bands...  Besides: I introduced "Planetarium" of Venegoni & Co. after to have listened to a Medley of the album (I think pits on My Space. ..) and not even sent off the data...  Already a vote without review with 2 stars...  Likely he it hates italy and all the Italian music...!!!”  Limmagine%20“http://win.ptkweb.it/immagini/msn_messenger_smile/faccine_super/pack_001/emoticon_super_faccine_pack1_ptkweb_%20%2865%29.gif”%20non%20può%20essere%20visualizzata%20poiché%20contiene%20degli%20errori.Limmagine%20“http://win.ptkweb.it/immagini/msn_messenger_smile/faccine_super/pack_001/emoticon_super_faccine_pack1_ptkweb_%20%2866%29.gif”%20non%20può%20essere%20visualizzata%20poiché%20contiene%20degli%20errori.Limmagine%20“http://win.ptkweb.it/immagini/msn_messenger_smile/faccine_super/pack_001/emoticon_super_faccine_pack1_ptkweb_%20%2867%29.gif”%20non%20può%20essere%20visualizzata%20poiché%20contiene%20degli%20errori.


Edited by Mandrakeroot - July 04 2007 at 05:36
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Direct Link To This Post Posted: July 04 2007 at 06:15
Wow, "Suite Mediterranea" of Periferi del Mondo has been added as a streaming file in the band's page and in the home page!!Clap
 
Great mediterranean track, isn't it?Wink
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Direct Link To This Post Posted: July 04 2007 at 09:06
Originally posted by Andrea Cortese Andrea Cortese wrote:

Wow, "Suite Mediterranea" of Periferi del Mondo has been added as a streaming file in the band's page and in the home page!!Clap
 
Great mediterranean track, isn't it?Wink


A great composition by one of the best contemporary Prog band that I'Ve listen in these last weeks!!!
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Direct Link To This Post Posted: July 04 2007 at 09:40
Another Erik's review:

CONQUEROR

Storie Fuori Dal Tempo

(Studio Album, 2005)
Limmagine%20“http://www.progarchives.com/progressive_rock_discography_covers/1871/cover_3820031122005.jpg”%20non%20può%20essere%20visualizzata%20poiché%20contiene%20degli%20errori.
Review by erik neuteboom (erik neuteboom)
[Special Collaborator Symphonic Prog Expert]
Posted 6:35:34 AM EST, 7/4/2007

3%20stars In 2003 the promising Italian progrock band Conqueror released their eponymous debut album, two years later we could enjoy the successor entitled Storie Fuori Dal Tempo. The sound is in the vein of the debut CD but the band has matured on all levels, also due to the contributions of new member Sabrina Rigano and two guest musicians (on harp and choir). The compositions are melodic and tasteful, despite some hints from early Camel and Marillion the Italians succeed to present a quite original blend of symphonic prog, classical and folk. It’s not loaded with amazing complexity or virtuosic soli but Conqueror takes you on a pleasant musical journey with lots of variety, very flowing with tasteful work on guitar, keyboards, saxophone and flute. The first composition Ouverture delivers many shifting moods, from dreamy with flute to bombastic with bass pedals and fluent with delicate synthesizer flights. The Eastern sounding song No Photo contains a captivating atmosphere with lots of flute along a fiery guitar solo, classical piano and – flute and a mid-tempo with saxophone. The absolute highlight is their ‘magnum opus’ entitled Morgan (more than 30 minute): many changing climates, in the first part wonderful interplay between Fender Rhodes piano and fiery guitar, then powerful saxophone and classical piano and flute, halfway more bombastic with synthesizer, organ and propulsive guitar riffs and finally very compelling symphonic prog featuring a wide range of instruments, from harp, classical piano and clarinet to soaring keyboards with a sensitive guitar solo, this is Progheaven!


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