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DisgruntledPorcupine View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote DisgruntledPorcupine Quote  Post ReplyReply Direct Link To This Post Posted: January 09 2012 at 10:52
Yeah, I don't review albums unless I hear the CD or a high-quality MP3. If I find it too difficult to obtain, Grooveshark is my source.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote octopus-4 Quote  Post ReplyReply Direct Link To This Post Posted: January 09 2012 at 10:59
Originally posted by Tony R Tony R wrote:

Prog Reviewers and Collaborators should absolutely not review albums based solely on listening to them on YouTube. What kind of dog and pony show do you think we are running here?
What ever happened to listening to an album four or five times in full before even considering a review?

I'm fed up with this entitlement culture. Do it properly, it's not a numbers game!


Don't we, sometimes, base our decisions about adding or not an artist on the samples that he/the band sends us? How often we base our votes on myspace samples? That's not reviewing or giving numbers, but I feel myself more responsible when I give a vote on progfreak than when I write a review. 

I have already written that I agree with Dean: this shouldn't be a standard, but I don't need to listen to Madonna on an expensive hi-fi system to decide that she's not prog.  Also I don't need to listen to more than three complete tracks, even from youtube to decide that Aube makes very poor and uninteresting music, at least for me. Then if AtomicCrimsonRush has listened to the whole album, even on youtube why don't review it?

Do you know what kind of stereo devices I have at home? Is my mp3 reader better or worse than a pc connected to youtube? Is a mp3 download (legal of course) not good enough for a review? Do I need to have a CD?

There are examples of music which needs to be listened as you say, but this is not a rule.My old scratched vinyls don't sound better than youtube, sometimes.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Angelo Quote  Post ReplyReply Direct Link To This Post Posted: January 09 2012 at 11:04
Hmmmm.... last time I posted a review, I played the album on and off for three weeks, and sat down for it to have a proper listen. I'm quite surprised, regardless of specific examples, that a PA collaborator, or any reviewer for that matter, here can be serious about judging an album or a band based on 2 times 5 minutes of listening - irrespective of whether the source is a CD, a vinyl album, an crappy MP3 or a Youtube video. If I want that, I might as well buy a crappy music magazine and read the 'reader's reviews'.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote octopus-4 Quote  Post ReplyReply Direct Link To This Post Posted: January 09 2012 at 11:09
Originally posted by Angelo Angelo wrote:

Hmmmm.... last time I posted a review, I played the album on and off for three weeks, and sat down for it to have a proper listen. I'm quite surprised, regardless of specific examples, that a PA collaborator, or any reviewer for that matter, here can be serious about judging an album or a band based on 2 times 5 minutes of listening - irrespective of whether the source is a CD, a vinyl album, an crappy MP3 or a Youtube video. If I want that, I might as well buy a crappy music magazine and read the 'reader's reviews'.
I don't know how many times Atomic has listened to it. Personally I take at least one week of listens before attempting a review. I'm just commenting about the quality of the source. It helps the reviewer and it's our "duty" deciding whether we have enough elements for a decent review. The risk for us consist in writing something crap and this is bad for both the artists and the possible buyers, but if one feels comfortable enough, why not? How many listens did you need to decide about Close To the Edge? Of course the more you listen the more your review will be accurate, but our reviews are usually a synthesis of the most relevant aspect as we are not writing books. The important to me is being honest and aware of  what we are doing. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Bonnek Quote  Post ReplyReply Direct Link To This Post Posted: January 09 2012 at 11:15
Originally posted by octopus-4 octopus-4 wrote:

Originally posted by Tony R Tony R wrote:

Prog Reviewers and Collaborators should absolutely not review albums based solely on listening to them on YouTube. What kind of dog and pony show do you think we are running here?
What ever happened to listening to an album four or five times in full before even considering a review?

I'm fed up with this entitlement culture. Do it properly, it's not a numbers game!


Don't we, sometimes, base our decisions about adding or not an artist on the samples that he/the band sends us? How often we base our votes on myspace samples? That's not reviewing or giving numbers, but I feel myself more responsible when I give a vote on progfreak than when I write a review. 

I have already written that I agree with Dean: this shouldn't be a standard, but I don't need to listen to Madonna on an expensive hi-fi system to decide that she's not prog.  Also I don't need to listen to more than three complete tracks, even from youtube to decide that Aube makes very poor and uninteresting music, at least for me. Then if AtomicCrimsonRush has listened to the whole album, even on youtube why don't review it?

Do you know what kind of stereo devices I have at home? Is my mp3 reader better or worse than a pc connected to youtube? Is a mp3 download (legal of course) not good enough for a review? Do I need to have a CD?

There are examples of music which needs to be listened as you say, but this is not a rule.My old scratched vinyls don't sound better than youtube, sometimes.



Why mix up doing evaluations with reviews? I can accept a 92kbps mp3 for evaluation, low-fi doesn't hide the progginess.

However, when you review an album you should base that on a quality audio as the artist intended it to be listened at.
Or would you review the "Mona Lisa" looking at a 10KB bitmap Shocked
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Post Options Post Options   Thanks (0) Thanks(0)   Quote lazland Quote  Post ReplyReply Direct Link To This Post Posted: January 09 2012 at 11:44
My opinion, for what it's worth, (and this should not be taken a criticism of any individual at all), is that it is essential for a collaborator or reviewer to give an album (not videos) a few proper listens prior to posting a review. We owe it both to the artist(s) and the integrity of the site.

The reviews posted here are taken very seriously by artists. Some are posted on Amazon (amongst other sites), and people most definitely read before deciding whether to buy.

I don't know the band in question, but what if three or four YouTube videos were a pile of garbage, but the album had another two utter gems? I know it's unlikely, but it isn't impossible. It is the reputation of the site which is paramount. When an artist quotes me as a reviewer, he/she/they do it as a collaborator of Prog Archives, and that is vital to us.

An evaluation is totally different. That is a decision on whether to include a band, and you do not always need a whole album to decide this, IMO, although I accept that we should ideally.

As I say, not a criticism, but an observation.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dean Quote  Post ReplyReply Direct Link To This Post Posted: January 09 2012 at 12:42
Originally posted by octopus-4 octopus-4 wrote:

Originally posted by Tony R Tony R wrote:

Prog Reviewers and Collaborators should absolutely not review albums based solely on listening to them on YouTube. What kind of dog and pony show do you think we are running here?
What ever happened to listening to an album four or five times in full before even considering a review?

I'm fed up with this entitlement culture. Do it properly, it's not a numbers game!


Don't we, sometimes, base our decisions about adding or not an artist on the samples that he/the band sends us? How often we base our votes on myspace samples? That's not reviewing or giving numbers, but I feel myself more responsible when I give a vote on progfreak than when I write a review. 

I have already written that I agree with Dean: this shouldn't be a standard, but I don't need to listen to Madonna on an expensive hi-fi system to decide that she's not prog.  Also I don't need to listen to more than three complete tracks, even from youtube to decide that Aube makes very poor and uninteresting music, at least for me. Then if AtomicCrimsonRush has listened to the whole album, even on youtube why don't review it?

Do you know what kind of stereo devices I have at home? Is my mp3 reader better or worse than a pc connected to youtube? Is a mp3 download (legal of course) not good enough for a review? Do I need to have a CD?

There are examples of music which needs to be listened as you say, but this is not a rule.My old scratched vinyls don't sound better than youtube, sometimes.
I honestly hope you are not being entirely serious.
 
First off - I am only talking about reviews, not evaluations. You don't need quality to tell Prog from non-Prog - your Madonna argument is specious and frankly insulting.
 
Secondly - YouTube audio is sampled at 22.05KHz to a bitrate of 64kbps - that's half the sample rate and half the bit rate (ie twice the compression) of the lowest quality audio mp3 - I can guarantee with 100% certainty that whatever you use at home to listen to mp3s and CDs is considerably better than anything you'll hear from YouTube, even if you use the same PC and same headphones or speakers - many of the YouTube videos have mono audio tracks!
 
Thirdly - When listening to esoteric music such as electro-acoustic, ambient, drone, noise, some progressive electronic and a fair amount of avant prog it is the subtle nuances of colour and tone and other modulations that determine the quality of the piece, not its comparison to structured "music" or how rhythmic or melodic it is. The one source that is least favourable to reviewing music of this kind is most certainly YouToob.
 
 
What?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Tony R Quote  Post ReplyReply Direct Link To This Post Posted: January 09 2012 at 13:25
Originally posted by octopus-4 octopus-4 wrote:


Originally posted by Tony R Tony R wrote:

Prog Reviewers and Collaborators should absolutely not review albums based solely on listening to them on YouTube. What kind of dog and pony show do you think we are running here?
What ever happened to listening to an album four or five times in full before even considering a review?

I'm fed up with this entitlement culture. Do it properly, it's not a numbers game!



Don't we, sometimes, base our decisions about adding or not an artist on the samples that he/the band sends us? How often we base our votes on myspace samples? That's not reviewing or giving numbers, but I feel myself more responsible when I give a vote on progfreak than when I write a review. 
I have already written that I agree with Dean: this shouldn't be a standard, but I don't need to listen to Madonna on an expensive hi-fi system to decide that she's not prog.  Also I don't need to listen to more than three complete tracks, even from youtube to decide that Aube makes very poor and uninteresting music, at least for me. Then if AtomicCrimsonRush has listened to the whole album, even on youtube why don't review it?
Do you know what kind of stereo devices I have at home? Is my mp3 reader better or worse than a pc connected to youtube? Is a mp3 download (legal of course) not good enough for a review? Do I need to have a CD?
There are examples of music which needs to be listened as you say, but this is not a rule.My old scratched vinyls don't sound better than youtube, sometimes.


Is this supposed to be ironic or humorous in some way?
What's evaluation got to do with a review? I can get a biologist to take one cell and tell me it belongs to a human being, but he can't tell me anything about whether that person was pretty or had a nice personality from that same small sample.
Is it too much to ask that people give the music a fair chance before reviewing?



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Post Options Post Options   Thanks (0) Thanks(0)   Quote timothy leary Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 10:31
It is a lot to ask evidently because a lot of the reviews do come from reviewers who have agendas other than giving a good honest review of something they have spent some time with. All a person who comes to the site for a review can do is know the reviewers. This site has some excellent reviewers and also some who are not so good. One paragraph reviews are a good indication, (for me),  of a limited knowledge of an album. It all irons out in the end if you learn which reviewers to quit paying attention to.

Edited by timothy leary - January 10 2012 at 10:32
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Post Options Post Options   Thanks (0) Thanks(0)   Quote octopus-4 Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 10:51
Originally posted by timothy leary timothy leary wrote:

It is a lot to ask evidently because a lot of the reviews do come from reviewers who have agendas other than giving a good honest review of something they have spent some time with. All a person who comes to the site for a review can do is know the reviewers. This site has some excellent reviewers and also some who are not so good. One paragraph reviews are a good indication, (for me),  of a limited knowledge of an album. It all irons out in the end if you learn which reviewers to quit paying attention to.

I assume that your post has to do with mine. Well, it's about 50 years that I listen to music and I had my first copy of ELP Trilogy on cassette tape, then I have bought a vinyl "nice price" edition that I have listened for years on a Reader's Digest stereo. Later I have started working and I have bought a decent stereo (nothing special) but my vinyl copy of Trilogy was already scratched. Probably it took 20 years for me to listen to it in a very high fidelity situation. 
Should I have reviewed that album in 1980 after hundreds of listens would mean basing on your post that I would have been not honest. 

And what about the movie soundtrack of Jesus Christ Superstar? You can listen to it on the best possible hi-fi device, but the recording is so bad that it's the same as listening on the radio. Am I not honest if I review it basing on the music? I can play the whole album and I know every lyric. Have I the right to write my opinions about it?

Last question, I am sure that some of my reviews are not that good, but can you choose one of them about one album that you think I haven't listened carefully enough? 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote octopus-4 Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 10:54
sorry one mor question. I'm not an artist and I don't run a business in music. I don't look for glory of any kind otherwise I would use my real name instead of a nick. Why should I waste my time writing reviews? 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote octopus-4 Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 11:00
Originally posted by Dean Dean wrote:

Originally posted by octopus-4 octopus-4 wrote:

Originally posted by Tony R Tony R wrote:

Prog Reviewers and Collaborators should absolutely not review albums based solely on listening to them on YouTube. What kind of dog and pony show do you think we are running here?
What ever happened to listening to an album four or five times in full before even considering a review?

I'm fed up with this entitlement culture. Do it properly, it's not a numbers game!


Don't we, sometimes, base our decisions about adding or not an artist on the samples that he/the band sends us? How often we base our votes on myspace samples? That's not reviewing or giving numbers, but I feel myself more responsible when I give a vote on progfreak than when I write a review. 

I have already written that I agree with Dean: this shouldn't be a standard, but I don't need to listen to Madonna on an expensive hi-fi system to decide that she's not prog.  Also I don't need to listen to more than three complete tracks, even from youtube to decide that Aube makes very poor and uninteresting music, at least for me. Then if AtomicCrimsonRush has listened to the whole album, even on youtube why don't review it?

Do you know what kind of stereo devices I have at home? Is my mp3 reader better or worse than a pc connected to youtube? Is a mp3 download (legal of course) not good enough for a review? Do I need to have a CD?

There are examples of music which needs to be listened as you say, but this is not a rule.My old scratched vinyls don't sound better than youtube, sometimes.
I honestly hope you are not being entirely serious.
 
First off - I am only talking about reviews, not evaluations. You don't need quality to tell Prog from non-Prog - your Madonna argument is specious and frankly insulting.
 
Secondly - YouTube audio is sampled at 22.05KHz to a bitrate of 64kbps - that's half the sample rate and half the bit rate (ie twice the compression) of the lowest quality audio mp3 - I can guarantee with 100% certainty that whatever you use at home to listen to mp3s and CDs is considerably better than anything you'll hear from YouTube, even if you use the same PC and same headphones or speakers - many of the YouTube videos have mono audio tracks!
 
Thirdly - When listening to esoteric music such as electro-acoustic, ambient, drone, noise, some progressive electronic and a fair amount of avant prog it is the subtle nuances of colour and tone and other modulations that determine the quality of the piece, not its comparison to structured "music" or how rhythmic or melodic it is. The one source that is least favourable to reviewing music of this kind is most certainly YouToob.
 
 
I don't see why the Madonna (or anybody else's) argument can be insulting. I listen to a lot of ambient and esoteric, I think. Also for this reason I think I can give an opinion (not a review) about Aube's drones. 
We can discuss about the opportunity to write a review or not basing on that kind of samples, and my opinion is that it depends. Try it yourself.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote timothy leary Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 11:03
Actually I was responding to Tony's post and what I said had nothing to do with your reviews since I do not remember having ever read one and can have no opinion on something I have no knowledge of.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote octopus-4 Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 11:15
Ok, but Tony had quoted me in his post. However I can quit the discussion here if Atomic, Tony and Dean agree.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote timothy leary Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 11:23
I did go and read your review on an Area album and i thought it was very good. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Tony R Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 12:04
Originally posted by octopus-4 octopus-4 wrote:

Ok, but Tony had quoted me in his post. However I can quit the discussion here if Atomic, Tony and Dean agree.

Nobody is talking about your reviews Luca.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Finnforest Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 12:11
Originally posted by The Miracle The Miracle wrote:

Originally posted by AtomicCrimsonRush AtomicCrimsonRush wrote:



Great!

Just listening to some Aube on youtube now

I actually agree with the 1 star for some of that

My first review just posted - I hated it. Will listen to some more albums though as its the weirdest stuff ever heard. 
I think your Aube reviews are rude and condescending. The same opinion could be put much nicer. The " junk noise" and "torture" parts were definitely uncalled for. If you don't understand what the attraction is doesn't mean nobody does. I like him.Ermm
 
 
Agreed.  You have to wonder how much time the reviewer gave the albums.  Esp in a complex genre like that one, it takes some effort and time to get to know an artist.  Not everyone is required to do that of course, but heavily weighted collabs should be doing so before handing out 1-star ratings with little back-up.  I hope he didn't just play these once or twice and slap 1-stars on all of them.
 
Also, the personal insults in these ACR reviews are below the belt in my opinion.


Edited by Finnforest - January 10 2012 at 12:47
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dean Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 12:28
Originally posted by octopus-4 octopus-4 wrote:

Originally posted by Dean Dean wrote:

Originally posted by octopus-4 octopus-4 wrote:

Originally posted by Tony R Tony R wrote:

Prog Reviewers and Collaborators should absolutely not review albums based solely on listening to them on YouTube. What kind of dog and pony show do you think we are running here?
What ever happened to listening to an album four or five times in full before even considering a review?

I'm fed up with this entitlement culture. Do it properly, it's not a numbers game!


Don't we, sometimes, base our decisions about adding or not an artist on the samples that he/the band sends us? How often we base our votes on myspace samples? That's not reviewing or giving numbers, but I feel myself more responsible when I give a vote on progfreak than when I write a review. 

I have already written that I agree with Dean: this shouldn't be a standard, but I don't need to listen to Madonna on an expensive hi-fi system to decide that she's not prog.  Also I don't need to listen to more than three complete tracks, even from youtube to decide that Aube makes very poor and uninteresting music, at least for me. Then if AtomicCrimsonRush has listened to the whole album, even on youtube why don't review it?

Do you know what kind of stereo devices I have at home? Is my mp3 reader better or worse than a pc connected to youtube? Is a mp3 download (legal of course) not good enough for a review? Do I need to have a CD?

There are examples of music which needs to be listened as you say, but this is not a rule.My old scratched vinyls don't sound better than youtube, sometimes.
I honestly hope you are not being entirely serious.
 
First off - I am only talking about reviews, not evaluations. You don't need quality to tell Prog from non-Prog - your Madonna argument is specious and frankly insulting.
 
Secondly - YouTube audio is sampled at 22.05KHz to a bitrate of 64kbps - that's half the sample rate and half the bit rate (ie twice the compression) of the lowest quality audio mp3 - I can guarantee with 100% certainty that whatever you use at home to listen to mp3s and CDs is considerably better than anything you'll hear from YouTube, even if you use the same PC and same headphones or speakers - many of the YouTube videos have mono audio tracks!
 
Thirdly - When listening to esoteric music such as electro-acoustic, ambient, drone, noise, some progressive electronic and a fair amount of avant prog it is the subtle nuances of colour and tone and other modulations that determine the quality of the piece, not its comparison to structured "music" or how rhythmic or melodic it is. The one source that is least favourable to reviewing music of this kind is most certainly YouToob.
 
 
I don't see why the Madonna (or anybody else's) argument can be insulting. I listen to a lot of ambient and esoteric, I think. Also for this reason I think I can give an opinion (not a review) about Aube's drones. 
We can discuss about the opportunity to write a review or not basing on that kind of samples, and my opinion is that it depends. Try it yourself.
"but I don't need to listen to Madonna on an expensive hi-fi system to decide that she's not prog" is flippant and condescending, but most pertinent to this particular discussion, it was so irrelevant (on every point possible¹) that it was an insult to anyone's intelligence to think it was in anyway a convincing argument in favour of reviewing albums based upon listening to YouTube.
 
Once again you wander away from the central argument here - of course based upon what you have heard on YouTube you can have an opinion on Aube's drones (which is not a wholely correct classification of his music from what I have heard); you can also decide whether or not to buy an ablum by Akifumi Nakajima or Aube based on those samples, but IN MY OPINION you cannot write a review, and more importantly you should not write a review from YouTube samples for this website - and that is my one and only reason for being in this discussion.
 
¹ The key points being a) what you need to listen to is not relevant to this conversation; b) we were not talking about deciding whether Aube is Prog or not; c) The quality and cost of the hi-fi is completely irrelevant and has f*ck-all to do with the quality of YouTube; d) the quality of YouTube audio is the lowest quality and is unacceptable - if you doubt this - look it up, it's not a secret; e) this is a Prog site where the quality, production and mastering of the recorded material is important, especially in a review, not some low-fi Punk/garage jamband site; and f) Madonna is a facile example to pick even for illustrative purposes.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote The Neck Romancer Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 14:00
ACR, did you review Gamma Knife based on the 128kbps streaming of the album on bandcamp or did you purchase it?


One thing is worth noting: although you might think I sound like a snobby audiophile, it is worth shedding 5 bucks to get the lossless version. Most of the muddiness goes away.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Triceratopsoil Quote  Post ReplyReply Direct Link To This Post Posted: January 10 2012 at 14:06
Originally posted by Polo Polo wrote:

ACR, did you review Gamma Knife based on the 128kbps streaming of the album on bandcamp or did you purchase it?


One thing is worth noting: although you might think I sound like a snobby audiophile, it is worth shedding 5 bucks to get the lossless version. Most of the muddiness goes away.


It could be worse, he could have reviewed Coyote based on a single listen to a live version of it.

Oh wait, he did Ermm
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