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Mr ProgFreak
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Topic: Defining Prog ... could it be that simple? Posted: July 09 2009 at 04:18 |
There are many definitions of "Prog", and none has so far really convinced me ... and most of them are also very long-winded and technical/abstract so that only people with firm knowledge of music theory can comprehend them.
So ... how about this:
A piece of music is "prog" if it is rooted in any genre of popular music - mostly rock and metal, but also pop and electronica - but significantly exceeds the typical level of complexity and/or artistic intent in ways that are difficult to enumerate or quantified, but are exemplified by the key albums of the first wave of prog music in the late 1960s and early 1970s.
So ... any comments? Can you think of any prog bands that doesn't fit this description, or any band that does fit the description but isn't prog? Of course there's a subjective component to this definition ... but that's fully intentional. I don't think that it's possible to define prog with this subjective "can't put my finger on it" aspect.
Edited by Mr ProgFreak - July 09 2009 at 08:30
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Rocktopus
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Posted: July 09 2009 at 04:27 |
I'd say there's more jazz (+ classical, middle eastern) influence and very little metal (which is rock anyway) in the first wave of prog. So I would leave metal out of the definition.
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harmonium.ro
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Posted: July 09 2009 at 04:27 |
Hah, nice definition but it need previous knowledge. It can't be used outside the world of proggers.
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PROGMONSTER2008
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Posted: July 09 2009 at 04:46 |
No need to define prog because the people who made that name up are the critics and not the bands. But if you want to define what proper prog is, it's jazz/classical based rock music. It's not standard rock music. It's rock music played with a jazz/classical approach. This means classical/jazz influenced melodies. This means the bass playing and drumming is busier, the guitarist stands back a bit and contributes equally within a melody, the keyboardist has alot influence with a classical approach and the vocalist uses his voice like an instrument too more so than standard rock music. Not to mention the wind and brass instruments as well. True prog isn't about inventing a style of music, it's just a busy style of music naturally made by musicians with a jazz/classical background and because the music was busy and so much different, exciting, interesting and complex than standard rock, the critics named it progressive rock. Forget the word 'progressive' it was just a name put forward by standard people who listen to standard music. If you just think busy naturally, the clever melodies will come. I don't agree with metal being lumped with great prog music. The prog I know doesn't treat the guitar as the main instrument. It is one of many instruments played equally with minimal riffs and minimal volume. Real prog is meant to have rhodes pianos, Hammond organs, moogs, mellotrons, flutes etc. Real prog is meant to be fun and exciting and it's not purposely set at breaking boundaries and inventing. it's just naturally busy jazz/classical rock with a mild heavy rock feel. The real prog bands had Hendrix, Cream, Beatles, Doors to listen too as well as jazz and classical music. But modern bands have been influenced by bands like van Halen and Metellica who I rate as pretty poor bands. The only prog band I like today are the ones who follow the formula left by the 70s band. As long as the melodies are original then the music is original. Stick with the jazz/classical approach and the prog keyboards.
Edited by PROGMONSTER2008 - July 09 2009 at 04:49
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npjnpj
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Posted: July 09 2009 at 04:47 |
I quite like it, but I think it needs a little more work where you use the term 'almost impossible to define' in a definition.
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Mr ProgFreak
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Posted: July 09 2009 at 05:29 |
^ I wrote that definition down in about 5 minutes ... of course there are many things that I can improve. But even then, the message would stay the same: Ultimately it's a subjective decision ... two pieces of music can be equally complex and/or artistic, but that doesn't mean that both are prog. If for example one is from 1970 and the other is from 1996, I think there are quite a few people who would tend to require more complexity/artistry from the newer piece.
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Icarium
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Posted: July 09 2009 at 05:46 |
PROGMONSTER2008 wrote:
No need to define prog because the people who made that name up are the critics and not the bands. But if you want to define what proper prog is, it's jazz/classical based rock music. It's not standard rock music. It's rock music played with a jazz/classical approach. This means classical/jazz influenced melodies. This means the bass playing and drumming is busier, the guitarist stands back a bit and contributes equally within a melody, the keyboardist has alot influence with a classical approach and the vocalist uses his voice like an instrument too more so than standard rock music. Not to mention the wind and brass instruments as well. True prog isn't about inventing a style of music, it's just a busy style of music naturally made by musicians with a jazz/classical background and because the music was busy and so much different, exciting, interesting and complex than standard rock, the critics named it progressive rock. Forget the word 'progressive' it was just a name put forward by standard people who listen to standard music. If you just think busy naturally, the clever melodies will come. I don't agree with metal being lumped with great prog music. The prog I know doesn't treat the guitar as the main instrument. It is one of many instruments played equally with minimal riffs and minimal volume. Real prog is meant to have rhodes pianos, Hammond organs, moogs, mellotrons, flutes etc. Real prog is meant to be fun and exciting and it's not purposely set at breaking boundaries and inventing. it's just naturally busy jazz/classical rock with a mild heavy rock feel. The real prog bands had Hendrix, Cream, Beatles, Doors to listen too as well as jazz and classical music. But modern bands have been influenced by bands like van Halen and Metellica who I rate as pretty poor bands. The only prog band I like today are the ones who follow the formula left by the 70s band. As long as the melodies are original then the music is original. Stick with the jazz/classical approach and the prog keyboards. |
![Clap Clap](smileys/smiley32.gif) exactly my thougts as well, i often say that Prog is rock with elements from jazz and classical music but also including inspiration from local folk-music like in England manny brittish bands are inspired by there local folk scene and medieval tadisjons bands like Genesis, Gentle Giant, Jethro Tull, Roger Hodgson and the Cantbury Scene and folk artist like Cat Stevens borrow from the Folk-music troubadours, Peter Gabriel, Ian Anderson, Roger Hodgson and the Shulamans are modern troubadours
Edited by aginor - July 09 2009 at 05:54
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Rocktopus
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Posted: July 09 2009 at 05:51 |
Prog (and jazz)'s eastern influences are extremely underrated.
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PROGMONSTER2008
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Posted: July 09 2009 at 06:05 |
Mr ProgFreak wrote:
^ I wrote that definition down in about 5 minutes ... of course there are many things that I can improve. But even then, the message would stay the same: Ultimately it's a subjective decision ... two pieces of music can be equally complex and/or artistic, but that doesn't mean that both are prog. If for example one is from 1970 and the other is from 1996, I think there are quite a few people who would tend to require more complexity/artistry from the newer piece. |
Quality prog songs are more about the melody which is thought up even before a note is played. The old prog bands came up with melodies which can be listened many times and still be enjoyed. They are clever melodies and they come from a complex person, but the actual music doesn't have to be technical or overly hard to play because the hardest part has already been done. But the melodies are usually hard to play because people with jazz/classical ideas will like something busy. Technicality belongs to the musician and complexity belongs to the composer, but a musican is nothing without a great composer. A composer doesn't have to be a musician either.
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BaldJean
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Posted: July 09 2009 at 06:18 |
Mr ProgFreak wrote:
There are many definitions of "Prog", and none has so far really convinced me ... and most of them are also very long-winded and technical/abstract so that only people with firm knowledge of music theory can comprehend them.
So ... how about this:
A piece of music is "prog" if it is rooted in any genre of popular music - mostly rock and metal, but also pop and electronica - but significantly exceeds the typical level of complexity and/or artistic intent in a certain way which is almost impossible to define, but is layed down by the key bands of the first wave of prog music in the late 1960s and early 1970s.
So ... any comments? Can you think of any prog bands that doesn't fit this description, or any band that does fit the description but isn't prog? Of course there's a subjective component to this definition ... but that's fully intentional. I don't think that it's possible to define prog with this subjective "can't put my finger on it" aspect. |
there is at least one artist which totally fits the definition but which was rejected by the majority of voters some time ago - the Stranglers. so it appears the definition is not applicable
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Rocktopus
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Posted: July 09 2009 at 06:30 |
PROGMONSTER2008 wrote:
Quality prog songs are more about the melody which is thought up even before a note is played.
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As usual, you confuse your personal progpreferences
with the "truth".
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Mr ProgFreak
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Posted: July 09 2009 at 06:44 |
PROGMONSTER2008 wrote:
Mr ProgFreak wrote:
^ I wrote that definition down in about 5 minutes ... of course there are many things that I can improve. But even then, the message would stay the same: Ultimately it's a subjective decision ... two pieces of music can be equally complex and/or artistic, but that doesn't mean that both are prog. If for example one is from 1970 and the other is from 1996, I think there are quite a few people who would tend to require more complexity/artistry from the newer piece. |
Quality prog songs are more about the melody which is thought up even before a note is played. The old prog bands came up with melodies which can be listened many times and still be enjoyed. They are clever melodies and they come from a complex person, but the actual music doesn't have to be technical or overly hard to play because the hardest part has already been done. But the melodies are usually hard to play because people with jazz/classical ideas will like something busy. Technicality belongs to the musician and complexity belongs to the composer, but a musican is nothing without a great composer. A composer doesn't have to be a musician either.
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I'd say that there is some relation between quality and prog status ... but ultimately some piece of music can be really bad and still be prog.
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chopper
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Posted: July 09 2009 at 06:47 |
What is the "typical level of complexity" and how do you define it? Number of chords in a song?
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Mr ProgFreak
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Posted: July 09 2009 at 06:47 |
Rocktopus wrote:
Prog (and jazz)'s eastern influences are extremely underrated.
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There are numerous aspects of music that contribute to the prog status ... and of course their importance varies greatly, depending on who you ask. I don't really think that it makes sense to enumerate them in a concise definition of prog. In my definition it's surely covered by the reference to the key bands of the classic prog era ... many of them has eastern influences.
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Rocktopus
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Posted: July 09 2009 at 06:59 |
Mr ProgFreak wrote:
Rocktopus wrote:
Prog (and jazz)'s eastern influences are extremely underrated.
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There
are numerous aspects of music that contribute to the prog status ...
and of course their importance varies greatly, depending on who you
ask. I don't really think that it makes sense to enumerate them in a
concise definition of prog. In my definition it's surely covered by the
reference to the key bands of the classic prog era ... many of them has
eastern influences.
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I mentioned because the eastern
influences are rarely mentioned when there's talk about influences.
Everyone mentions jazz and classical which is obviously correct too. It
was related to that part of the discussion, not so much that it has to
be included when defining of the genre (but I'd rather include that eastern influence on western music than
metal).
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Mr ProgFreak
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Posted: July 09 2009 at 08:21 |
^ I think that metal and pop could be excluded when talking about "Classic Prog", but since the 80s those genres are definitely a part of the big picture.
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PROGMONSTER2008
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Posted: July 09 2009 at 08:46 |
Rocktopus wrote:
PROGMONSTER2008 wrote:
Quality prog songs are more about the melody which is thought up even before a note is played.
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As usual, you confuse your personal progpreferences with the "truth".
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The truth? ![Wink Wink](https://www.progarchives.com/forum/smileys/smiley2.gif)
I'm telling you what music was labelled prog. You're following the modern version which is going on a completely opposite and wrong tangent. The real proggers naturally did their thing and it was new. Todays version of prog is about doing something new just to be different but it doesn't even put a shivver down the spine. The only good proggers today are the ones who follow the true prog formula and it will progress naturally because it's quality ![Big smile Big smile](https://www.progarchives.com/forum/smileys/smiley4.gif)
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PROGMONSTER2008
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Posted: July 09 2009 at 08:49 |
Mr ProgFreak wrote:
^ I think that metal and pop could be excluded when talking about "Classic Prog", but since the 80s those genres are definitely a part of the big picture. |
Maybe we should separate Old prog from New prog. 2 completely different styles of music
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Mr ProgFreak
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Posted: July 09 2009 at 09:17 |
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Certif1ed
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Posted: July 09 2009 at 09:31 |
PROGMONSTER2008 wrote:
No need to define prog because the people who made that name up are the critics and not the bands. But if you want to define what proper prog is, it's jazz/classical based rock music. It's not standard rock music. It's rock music played with a jazz/classical approach. This means classical/jazz influenced melodies. |
I don't think that's always the case - take "21st Century Schizoid Man" as a classic example - the melody is a fairly simple rock melody. The jazz influences come in the treatment of the riffs and the addition of the sax. What I'm saying is that the jazz influences are in the approach more than the melodies.
There's very little Classical influence in that song too - and the same goes for a fair amount of Genesis, which has a stronger folk root than Classical or jazz - although the jazz approach can't be denied, you did specify melodies.
I agree that it's not standard rock music.
PROGMONSTER2008 wrote:
This means the bass playing and drumming is busier, the guitarist stands back a bit and contributes equally within a melody, the keyboardist has alot influence with a classical approach and the vocalist uses his voice like an instrument too more so than standard rock music. Not to mention the wind and brass instruments as well. True prog isn't about inventing a style of music, it's just a busy style of music naturally made by musicians with a jazz/classical background and because the music was busy and so much different, exciting, interesting and complex than standard rock, the critics named it progressive rock. |
I don't think that's the reason it's called progressive rock - I think the reason is probably more like it sounded different to the rock music they were used to.
Also, "busier" is not a criteria - Genesis music is not particularly "busy" in many places, "Moon Child" is hardly a "busy" piece, and nor is much Pink Floyd. The music could be exciting and new without being busy.
I think that more equal contributions from musicians is a fair general point - although people like Rick Wakeman are obvious exceptions...
Varied instrumentation is a good point.
PROGMONSTER2008 wrote:
Forget the word 'progressive' it was just a name put forward by standard people who listen to standard music. |
Not at all - it was a name given to the exciting new sounding music emerging from certain clubs (such as UFO, Roundhouse and Marquee) and "scenes" (such as Ladbroke Grove) in London in the late 1960s. Pink Floyd were one of the leading lights of the Progressive / Underground scene in 1966-7.
Out of these scenes came most of the bands that would be leading lights in Progressive Rock, and some that would play a large part in the evolution of Heavy Metal.
Imagine that all you'd heard was "She Loves You Yeah, Yeah, Yeah" and "Ferry Across the Mersey" - or even "Eight Miles High" - and then you heard "Astronomy Domine" for the first time
That would have sounded a bit different to the run of the mill, I'd suspect!
Notably, "AD" is a heavy song with riffs, like "Saucerful of Secrets", "Set The Controls for the Heart of The Sun" and "Careful With That Axe, Eugene". These songs seem to be largely responsible for sparking off the Krautrock scene, and with it, heavy metal bands like The Scorpions and UFO.
PROGMONSTER2008 wrote:
If you just think busy naturally, the clever melodies will come. I don't agree with metal being lumped with great prog music. The prog I know doesn't treat the guitar as the main instrument. It is one of many instruments played equally with minimal riffs and minimal volume. |
Isn't "21st Century Schizoid Man" real Prog? ![Wink Wink](smileys/smiley2.gif)
It's certainly heavy metal, as much as Black Sabbath, Blue Cheer, Spooky Tooth or Steppenwolf were, like the Floyd songs I mentioned.
PROGMONSTER2008 wrote:
Real prog is meant to have rhodes pianos, Hammond organs, moogs, mellotrons, flutes etc. Real prog is meant to be fun and exciting and it's not purposely set at breaking boundaries and inventing. it's just naturally busy jazz/classical rock with a mild heavy rock feel. |
I'd disagree with "not purposely set at breaking boundaries and inventing" - I rather think that this was one of its raisons d'etre, otherwise why do so much stuff that was so wildly different to standard rock music?
Besides, much of ELPs stuff doesn't sound like mildly heavy rock - and even Gentle Giant and Jethro Tull could get pretty heavy.
PROGMONSTER2008 wrote:
The real prog bands had Hendrix, Cream, Beatles, Doors to listen too as well as jazz and classical music. |
Those bands are among the heaviest of the time - and don't forget the Yardbirds, the Who and Spooky Tooth.
While the Beatles weren't consistently heavy, they did write heavy songs, like the title track on Sgt Pepper and "Helter Skelter".
PROGMONSTER2008 wrote:
But modern bands have been influenced by bands like van Halen and Metellica who I rate as pretty poor bands. |
I don't rate either as "poor" - they both came up with innovations that are still influential to this day - probably more so than the Prog Rock groups. They don't have as much jazz influence as Hendrix, Cream, etc., it's true - but there is still some there (e.g. Kirk Hammett had lessons from Joe Satriani, who was in turn a pupil of the great Lennie Tristano and Bill Evans).
This is probably because jazz was less popular by this time - and certainly less innovative. The Progressive Jazz introduced by Stan Kenton and perfected by Tristano was taken to its apex by luminaries such as Sun Ra and Miles, and there wasn't much left to do with it - people got bored of it.
PROGMONSTER2008 wrote:
The only prog band I like today are the ones who follow the formula left by the 70s band. As long as the melodies are original then the music is original. Stick with the jazz/classical approach and the prog keyboards. |
There's no formula.
Think about the 1970s Prog bands and try to come up with a formula other than on a purely technical basis that unites what they did - it's very difficult.
1970s Prog is all about the approach - even keyboards are optional. In 1970s Prog, everything is optional - except the norm, which was to be avoided. When it was understood that the general record-buying public wanted more stability and less invention in their music, the great Proggers either dumbed it all down to keep the cash coming in, or carried on in this inventiveness and sank to wider obscurity.
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