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Snipergoat View Drop Down
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Direct Link To This Post Topic: Guitar Amps
    Posted: November 16 2007 at 01:59
Im looking to buy a new amp.. and I want something that can handle gigging.

But there's so many different brands etc.. I really have no clue about what I should get. Any suggestions?
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MikeEnRegalia View Drop Down
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Direct Link To This Post Posted: November 16 2007 at 03:20
http://line6.com/podx3liveBig%20smile




Edited by MikeEnRegalia - November 16 2007 at 03:21
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Snipergoat View Drop Down
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Direct Link To This Post Posted: November 16 2007 at 07:27
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

http://line6.com/podx3liveBig%20smile


Yeah, that's good and everything but...

I need speakers, that's just a pedal ;<


I need something that's good for playing small gigs... nothing too insane, I don't wanna go out and buy aload of speaker cabs etc...

Just something reasonably priced that can do the job
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Direct Link To This Post Posted: November 16 2007 at 07:46
^ especially for small gigs floorboards like the pod x3/xt live or the Vox ToneLab SE are ideal. You connect them like a keyboard and avoid all the hassle you usually have with real amps (most of all: placing the microphone and avoiding microtonal feedback). You can also buy a cheap active monitor box which you put on the floor before the floorboard:



But even at small venues there will already be such monitor boxes.

Smile



Edited by MikeEnRegalia - November 16 2007 at 07:47
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Snipergoat View Drop Down
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Direct Link To This Post Posted: November 16 2007 at 09:56
I need to start saving then :D
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Direct Link To This Post Posted: November 16 2007 at 10:06
i prefer the sound of guitar straight into an amp (with an overdrive pedal for a solo boost). I have a Marshall Valvestate AVT 100W amp, it cost me about £30 a month for a year.
"The disgusting stink of a too-loud electric guitar.... Now, that's my idea of a good time."
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Direct Link To This Post Posted: November 16 2007 at 14:57
^ Amp modelling is getting better and better ... and so is guitar modelling. I'm getting more and more keen to try the combination of POD X3 Live and Variax 700. Switching from Vox AC 30 + Fender Strat Single Coil to Soldano style amp + Gibson Les Paul neck humbucker just with one button/pedal ... and using amp modelling doesn't mean you have to use tons of effects. If you want it can sound exactly like a guitar directly into an amp.Big%20smile

BTW: One of the killer features of the new X3 is that you can use two amp simulations simultaneously. So nothing's stopping you from layering a Marshall and a Vox amp.


Edited by MikeEnRegalia - November 16 2007 at 14:58
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Direct Link To This Post Posted: November 19 2007 at 03:55
^ Mike, it sounds really good (the idea of Marshall and Vox together sounds amazing) but I've got a problem. If I've got two footpedals I'll stand on the wrong one! I've lost count of the times I've gone to take the big solo and  turned off the distortion (instant banjo solo!). LOL
"The disgusting stink of a too-loud electric guitar.... Now, that's my idea of a good time."
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Direct Link To This Post Posted: November 19 2007 at 04:02
I used a Mesa Boogie studio amp for years, good small amp...  I think Gilmour had it right when he was using Boogie or Seymour Duncan heads on Fender speakers


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Direct Link To This Post Posted: November 23 2007 at 22:11
Indeed, Mesa is the best. I have a Line 6 POD as welll....they're amazing.
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Direct Link To This Post Posted: November 24 2007 at 02:49
^ Of course a Mesa amp is great ... but it also costs like 10 times more than the Line6 X3 Live, considering that for such an amp you'll also need cabinets, effects/wah boards, tuner, equalizer etc. if you want the same functionality the X3 offers. And as said before, with the X3 you not only get Mesa type sounds but also Marshall, Fender and Vox type amps.

And about the foot switches: it's really quite simple to use. Most modern floor boards use the concept of "banks" ... to the left you have two switches which change the bank (up/down), to the right of them you have three or four switches which select different sounds within the chosen bank. Usually you configure the sounds so that each bank represents one "situation" - the first sound of the bank should be clean, the second one crunchy, the third one distorted and the fourth a highly distorted lead sound. The principle is not too different from the foot switches of "normal" amps, except for the possibility to switch banks.
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Direct Link To This Post Posted: November 24 2007 at 04:42
I still have no idea what to get really :O

I just need an amp that could handle gigging (nothing uber expensive), atm Im still using my  Marshall practice amp LOL and I can't gig with that >.>
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Direct Link To This Post Posted: November 24 2007 at 04:49
The Line6 X3 Live should cost around $500 ... Big%20smile
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Direct Link To This Post Posted: December 14 2007 at 13:36

You may want to check out Traynor amps made by Yorkville. They are a canadian brand that has a reputation for giving you the best bang for your buck. Solidly built (Much Music once put one to the test by dropping it out of a second story window, with the tubes removed, and it still worked fine afterwards), they arent a marquee name, but then the sound is what counts.

"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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Direct Link To This Post Posted: December 14 2007 at 18:14
For real gigging and a damn serious amp... the versatility, diversity of sounds, and perfect engineering of Mesa Boogie is unparalleled IMO.

Sorry if that sounds like a sales pitch, but it's true.
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Direct Link To This Post Posted: December 19 2007 at 15:46
I was thinking of getting a Line 6 Spider III 150W... but im not sure,  Ive read tons of reviews and comments saying it's amazing etc.. but at the same time.. comments saying it's f**king awful. So I really have no idea what to believe.


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Direct Link To This Post Posted: December 19 2007 at 23:01
Some people automatically call a piece of equipment garbage if it isn't old school analog with tubes and stuff.  Those are the people who hate Line 6 gear.  If you care about your sound and about versatility, Line 6 gear is fantastic.  If all you care about is having the same exact gear as [insert rock-star here], then Line 6 gear is not for you.  

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Direct Link To This Post Posted: December 20 2007 at 10:52
Arghh >.<

Im still not sure. Hopefully my local music shop will have one in stock and ill beable to play it before I buy it.

Ive read some people saying that it starts to sound digital at high volumes.. anyone know anything about that? Is it bullsh*t? :P
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Direct Link To This Post Posted: December 20 2007 at 10:57
Originally posted by Snipergoat Snipergoat wrote:

Arghh >.<

Im still not sure. Hopefully my local music shop will have one in stock and ill beable to play it before I buy it.

Ive read some people saying that it starts to sound digital at high volumes.. anyone know anything about that? Is it bullsh*t? :P


If you intend to play at deafening volume you should consider getting a bigger amp unit with one or two 4x12 cabinets. But I'd prefer the alternative of getting a smaller amp and letting the power amplification system of the venue do the work. Less cool than a 2x 4x12 stack, but a lot smarter - and your back will thank you!Smile
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Snipergoat View Drop Down
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Direct Link To This Post Posted: December 20 2007 at 11:06
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by Snipergoat Snipergoat wrote:

Arghh >.<

Im still not sure. Hopefully my local music shop will have one in stock and ill beable to play it before I buy it.

Ive read some people saying that it starts to sound digital at high volumes.. anyone know anything about that? Is it bullsh*t? :P


If you intend to play at deafening volume you should consider getting a bigger amp unit with one or two 4x12 cabinets. But I'd prefer the alternative of getting a smaller amp and letting the power amplification system of the venue do the work. Less cool than a 2x 4x12 stack, but a lot smarter - and your back will thank you!Smile


Yeah, basically aslong as I can rehearse with it and hear myself over the drums and play gigs it's fine... and on that note... just read this on Wikipedia (Not hugely reliable I know, but... LOL)

"A further disadvantage is in respect of the headphone socket; this doubles up as a line out which means that when trying to record or link up to a PA there is no sound from the Spider III." Confused

EDIT:
I was thinking about getting a Vox AC30CC. Bleh, So many choices O_O


Edited by Snipergoat - December 20 2007 at 14:21
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