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Breakthrough albums

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Finnforest View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Finnforest Quote  Post ReplyReply Direct Link To This Post Posted: 7 hours 52 minutes ago at 19:35
One could say Ummagumma for the Floyd because it was the first to crack 5 million units worldwide, doubling every previous release's numbers.

Or, Meddle, the next large jump, up to 8 million units. Nearly another doubling.

Both of those pale to Dark Side, of course, but one could argue they were breakthroughs of the respectable variety nonetheless.
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Post Options Post Options   Thanks (0) Thanks(0)   Quote AFlowerKingCrimson Quote  Post ReplyReply Direct Link To This Post Posted: 7 hours 38 minutes ago at 19:49
Originally posted by verslibre verslibre wrote:

Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

I'm not sure what you mean by polish but whatever. For the most part I do agree with you about 2112 but I still wouldn't say it was a big commercial success for them (at least not right after it came out- it peaked at number 61 which isn't bad but not exactly boy band level popularity either). That album was mostly successful due to reputation and word of mouth. It wasn't played much on the radio at all when it first came out. That was addressed in the Rush biography book I read by them (the old red book).


Rush: Visions by Bill Banasiewicz? That was alright for its time, but I think it's considered less than essential now.

Any which way you cut it, 2112 was the turning point in the band's career. I consider it their breakthrough album. Whether you agree with her or not, she makes valid points:

Quote The exploration of dynamics, atmospherics and program music was a huge creative breakthrough for Rush, and the ambition and synthesis of styles would help the album appeal to a wider audience, one that could appreciate both the technical chops and the pop hooks. "I love that Rush combines total prog-nerd w**kery with music that's actually catchy," writes Amanda Falke, a musician and software engineer based in Portland, Ore. "Rush may sound nerdy, but at heart they're pop musicians. There is a warmth and presence to their music that very few bands have."
Quote "When it comes to space-age nerdy prog rock with massive compositions, Rush did it first, and they did it best on 2112," Falke writes. But she insists there's something more to Rush than technical innovation and sci-fi concepts: "Rush also has something most heavy bands today lack: vulnerability. The ending of '2112' (the song) is incredibly triumphant, and you only get that with the dynamics that result from total vulnerability in your music. That's so inspiring."

https://www.npr.org/sections/therecord/2016/04/30/476268876/all-the-gifts-of-life-40-years-of-rushs-2112

Who is the "she?" Ayn Rand? Wink Or maybe Donna Halper. Smile

Anyway, yes that was the book. Apparently Bill B (I won't try to spell his last name) had a falling out with the band and Rush distanced themselves from him. I don't remember the particulars but I know it was something they didn't forgive him for (and possibly rightly so but again I don't remember the details).




Edited by AFlowerKingCrimson - 7 hours 35 minutes ago at 19:52
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: 6 hours 16 minutes ago at 21:11
Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

Who is the "she?"


Did you read the quotes? Are you being silly (again)?
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