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moshkito View Drop Down
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Post Options Post Options   Thanks (1) Thanks(1)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 17 2025 at 19:32
Originally posted by kirk782 kirk782 wrote:

Is krautrock a valid genre or more an umbrella term for all kinds of sounds coming from bands from West Germany in the 70s? It has both the eclectic style of Can, the electronic hymn of Kraftwerk, the motorik beat in Neu! and La Dusseldorf, the experimental nature of Harmonia and Faust, the guitar based Guru Guru and so on.

With everything from meditative sitars [like Yath Sidhra ] to Cluster to Ammon Duu; isn't this too vast an umbrella term?

Hi,

It is a vast umbrella, specially as this did not just happen in rock music(and some jazz) in that country. Film, Theater and Literature were also a part of the whole thing, and I guess we never saw/heard Werner Herzog and Wim Wenders filming some of this stuff way back when, and then using actors in complete improvisational ways just like a lot of the early music ... it lost this improvisation later as it got more commercially accepted and started selling.

The tough part is folks not realizing that this was not just a music thing ... and I'm not sure that this "thing" will get respect as long as the rest of it is denied. 

I often say that there is little difference between Damo Suzuki and Klaus Kinski (specially early days!!!) ... in their work ... they got into it and went on non-stop with some scary stories by Werner Herzog in the film "My Friend" about KK. 

It's tough to think of the idea that folks in Germany were too stupid to not know what the rest of the arts were doing at the same time. And they were all their friends, and neighbors ... !!!


Edited by moshkito - January 17 2025 at 19:33
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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: January 18 2025 at 10:23
^Brillliant, M!  I am a huge fan of Werner Herzog, Klaus Kinski and the entire cinema movement they founded!!  
Kraut Rock bands like Popul Vuh were instrumental to the amazing atmosphere conveyed by these films! 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 19 2025 at 22:54
Originally posted by kirk782 kirk782 wrote:

Is krautrock a valid genre or more an umbrella term for all kinds of sounds coming from bands from West Germany in the 70s? It has both the eclectic style of Can, the electronic hymn of Kraftwerk, the motorik beat in Neu! and La Dusseldorf, the experimental nature of Harmonia and Faust, the guitar based Guru Guru and so on.

With everything from meditative sitars [like Yath Sidhra ] to Cluster to Ammon Duu; isn't this too vast an umbrella term?
The term 'krautrock' was coined by British rock journalists in a derogatory manner for all bands from former West Germany during the late 1960s and early 1970s. Germans themselves, however, back then referred to their peculiar take on experimental rock/psychedelia/space ambient as "kosmische Musik," which served as an umbrella term for various influential bands from West Germany, including both the experimental rock band Can and electronic music acts like Tangerine Dream. 
Then the pejorativeness of the term was lost, and krautrock denoted only bands like Can, Kraftwerk, Neu!, La Düsseldorf, Popol Vuh, and so on, while German minimalistic electronic music artists with heavy use of sequencers and spacey atmosphere, such as the aforementioned Tangerine Dream or Klaus Schulze, got the tag "Berlin School."

 Today, krautrock is synonymous with motorik psych, characterized by repetitive patterns and a minimalistic approach to music, and contemporary bands use it as a tag among other tags in favor of describing their music.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote kirk782 Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 00:47
Originally posted by cstack3 cstack3 wrote:

I've also read that ("Krautrock" as a somewhat derisive term).


I think Faust took this term in a positive manner when they named one of their songs from their Faust IV LP, I think after the genre.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote kirk782 Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 01:06
Originally posted by cstack3 cstack3 wrote:


Kraut Rock bands like Popul Vuh were instrumental to the amazing atmosphere conveyed by these films! 


What would be the ideal diving point into Popul Vuh's discography or one should just listen from the debut? Regarding German films, and this is off topic, but I really liked Fritz Lang though he worked in the halcyon silent era.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 03:07
Originally posted by Hosydi Hosydi wrote:

The term 'krautrock' was coined by British rock journalists in a derogatory manner for all bands from former West Germany during the late 1960s and early 1970s. Germans themselves, however, back then referred to their peculiar take on experimental rock/psychedelia/space ambient as "kosmische Musik," which served as an umbrella term for various influential bands from West Germany, including both the experimental rock band Can and electronic music acts like Tangerine Dream. 

According to Wikipedia, the term "kosmische Musik" was coined originally by Edgar Froese and referred the kind of soundscapes Tangerine Dream, Klaus Schulze, Ash Ra Tempel and others came up with. Label manager Rolf-Ulrich Kaiser used it more generally to market German artists on his new labels, but I don't think it was ever in broad use for general influential German bands; "kosmisch" as a term would fit some early German material but for sure not all. Some of Kaiser's business practices meant that the term went out of fashion rather quickly; at least most important musicians associated with it distanced themselves from it around 1973. The term has been used internationally later by some people pretty much synonymously to Krautrock (also acknowledging the pejorative origins of the Krautrock label), but in Germany itself it was dead in the water by the mid 1970s. 


Edited by Lewian - January 20 2025 at 03:08
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 04:31
Originally posted by Lewian Lewian wrote:

Originally posted by Hosydi Hosydi wrote:

The term 'krautrock' was coined by British rock journalists in a derogatory manner for all bands from former West Germany during the late 1960s and early 1970s. Germans themselves, however, back then referred to their peculiar take on experimental rock/psychedelia/space ambient as "kosmische Musik," which served as an umbrella term for various influential bands from West Germany, including both the experimental rock band Can and electronic music acts like Tangerine Dream. 

According to Wikipedia, the term "kosmische Musik" was coined originally by Edgar Froese and referred the kind of soundscapes Tangerine Dream, Klaus Schulze, Ash Ra Tempel and others came up with. Label manager Rolf-Ulrich Kaiser used it more generally to market German artists on his new labels, but I don't think it was ever in broad use for general influential German bands; "kosmisch" as a term would fit some early German material but for sure not all. Some of Kaiser's business practices meant that the term went out of fashion rather quickly; at least most important musicians associated with it distanced themselves from it around 1973. The term has been used internationally later by some people pretty much synonymously to Krautrock (also acknowledging the pejorative origins of the Krautrock label), but in Germany itself it was dead in the water by the mid 1970s. 
Germans had a hell of a reason to denote, if not literally all, then certainly a big part of that early 70s experimental, trippy, and spacey stuff as "kosmische Musik," though.






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Post Options Post Options   Thanks (0) Thanks(0)   Quote kirk782 Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 06:26
Funny thing, today I listened to Affenstunde as well [it's the debut right?]. Mainly instrumental. I would need to listen to more of Popol Vuh.

I think I had listened to one Cluster album a month ago but didn't find it very memorable.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 06:48
Originally posted by kirk782 kirk782 wrote:

Funny thing, today I listened to Affenstunde as well [it's the debut right?]. Mainly instrumental. I would need to listen to more of Popol Vuh.

I think I had listened to one Cluster album a month ago but didn't find it very memorable.


Affenstunde seems to be more on the Electronic side. It's not one of my desirable Popol Vuh albums, but I still like it. In The Gardens Of Pharoah is more interesting imo..Hosianna Mantra is beautiful and more spiritual. They continue on that path throughout their discography...however by the late 80s I began to lose interest. During that time Popol Vuh were being categorized New Age. Not that New Age was such a bad choice for music...I just wasn't particularly fond of Popol Vuh at that time. I have many of their titles on CD. For me their music is a must have. They are magical.. spiritual...and in a world of their own.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 07:47
Originally posted by Hosydi Hosydi wrote:

...
The term 'krautrock' was coined by British rock journalists in a derogatory manner for all bands from former West Germany during the late 1960s and early 1970s. Germans themselves, however, back then referred to their peculiar take on experimental rock/psychedelia/space ambient as "kosmische Musik," which served as an umbrella term for various influential bands from West Germany, including both the experimental rock band Can and electronic music acts like Tangerine Dream. 
...

Hi,

At the time, for many of us that were already into the music experimentation, the comment by a journalist that did not even listen to music whatsoever, the comment was stupid ... and that everyone "bought it" ... leaves a lot to be desired ... we don't go around saying something similar, or creating a term for 50 other countries that have rock music, so singling one out, was weird and probably a joke ... that in my thoughts Amon Duul 2 made fun of in the "Wolf City" album and another copy of the same song in the "Utopia" album. Both versions were satirical ... and then some ... but the English had one advantage that Germany and some of Europe at the time DID NOT ... a well versed and developed print media that had a lot of attention, and was considered a major comment on a lot of music ... MM and the other periodical were huge and sold well ... there was no such thing in Germany, not to mention that the "authorities" in Germany at that time, would not even release a lot of the albums until a wee bit later when some of them started selling.

Originally posted by Hosydi Hosydi wrote:

...
 Today, krautrock is synonymous with motorik psych, characterized by repetitive patterns and a minimalistic approach to music, and contemporary bands use it as a tag among other tags in favor of describing their music.

I rather think this is not the case at all ... today's folks are not really into "krautrock", especially when it is propped up against the rest of the arts their own friends and neighbors were involved in ... and this alone makes the music seem a lot inferior and not interesting ... which is sad. The so called "krautrock" was doing exactly the same thing that the other arts were at the time in Germany ... after all it is their neighbors and friends ... and therefore, not INVISIBLE like so many fans here continue to do.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 08:17
A band like Blood Incantations are fans of Krautrock. Some of the band members collect Krautrock. That cracks me up! Though it is interesting how they see Krautrock as an influence to their own music. It's probably not all that interesting to fans of Progressive Rock?...

The idea of creating music which is not based on traditional methods completely becomes unorthodox to many. Several words used to term this process end up being words that are ambiguous and therefore confusing to some. and people like Miles Davis became a chopping block by critics and partially western culture for producing music that came across as nonsensical to them..but if Miles Davis could do it then why not Germany?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 13:00
In the late 60s, ( to my knowledge), Syd Barrett was or ( could have been), the person to invent a particular sound and style which was eventually identified as Space Rock. The slide with echo and odd sounding keyboard work would prove to be identified in the music of Amon Duul II on albums like YETI . They weren't literally copying the style of "Interstellar Overdrive" or "Astromony Domine" but simply trying to...or choosing to capture its sound. Sections of Can albums and early Guru, Guru . Early Ash Ra Tempel alongside several other German bands were influenced by the early Pink Floyd..

Syd Barrett was not a virtuoso musician. He did in fact invent that sound and or style which mostly surfaced with a 4 piece band during the Krautrock era. I believe that many Rock guitarists from England grew up hearing Sci-Fi TV themes during the 1950s and 1960s. Many of them sat in front of the TV and played along with the theme or listened to radio Luxembourg. In some ways the riff in "Lucifer Sam" has similarities to Peter Gunn or Batman. "Interstellar Overdrive " is some double string strumming which was familiar to some folks in the Twilight Zone theme.

Some of the Sci-Fi theme and improvisation bits in Interstellar Overdrive were noticeable in Krautrock. It differed from Psychedelic Music and was in fact a extension of it..but it's important to consider that Barrett may have invented a Space Rock style from different sources...such as MMM Music , Sci Fi, and white Noise improvisation.

Krautrock itself having originality in other areas as well..such as the particular style of Electronic Music which began with dark soundscapes and by 73' changed by adding more pulsating rhythms and oscillating effects. Tangerine Dream and Klaus Schulze, ( for example), would often create a repetitive pulsating rhythm and play an eerie sounding signature line over top while adding more layers of keyboard sounds which could take your mind to other places. People with a short attention span might become impatient with the music. Klaus Schulze and Tangerine Dream were releasing albums containing that style years prior to Electronic Music being utilized for Dance Music

Edited by Jacob Schoolcraft - January 20 2025 at 13:07
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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 16:43
The Beatles started in Hamburg, Germany....do they qualify as Krautrock?  LOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 16:45
Originally posted by cstack3 cstack3 wrote:

The Beatles started in Hamburg, Germany....do they qualify as Krautrock?  LOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 19:54
Originally posted by moshkito moshkito wrote:

Originally posted by Hosydi Hosydi wrote:

...
The term 'krautrock' was coined by British rock journalists in a derogatory manner for all bands from former West Germany during the late 1960s and early 1970s. Germans themselves, however, back then referred to their peculiar take on experimental rock/psychedelia/space ambient as "kosmische Musik," which served as an umbrella term for various influential bands from West Germany, including both the experimental rock band Can and electronic music acts like Tangerine Dream. 
...

Hi,

At the time, for many of us that were already into the music experimentation, the comment by a journalist that did not even listen to music whatsoever, the comment was stupid ... and that everyone "bought it" ... leaves a lot to be desired ... we don't go around saying something similar, or creating a term for 50 other countries that have rock music, so singling one out, was weird and probably a joke ... that in my thoughts Amon Duul 2 made fun of in the "Wolf City" album and another copy of the same song in the "Utopia" album. Both versions were satirical ... and then some ... but the English had one advantage that Germany and some of Europe at the time DID NOT ... a well versed and developed print media that had a lot of attention, and was considered a major comment on a lot of music ... MM and the other periodical were huge and sold well ... there was no such thing in Germany, not to mention that the "authorities" in Germany at that time, would not even release a lot of the albums until a wee bit later when some of them started selling.

Originally posted by Hosydi Hosydi wrote:

...
 Today, krautrock is synonymous with motorik psych, characterized by repetitive patterns and a minimalistic approach to music, and contemporary bands use it as a tag among other tags in favor of describing their music.

I rather think this is not the case at all ... today's folks are not really into "krautrock", especially when it is propped up against the rest of the arts their own friends and neighbors were involved in ... and this alone makes the music seem a lot inferior and not interesting ... which is sad. 
I strongly disagree, because there is a lot of quite interesting contemporary stuff tagged, among other tags, as krautrock, as it is inspired by the early 70s kosmische Musik.





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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: 20 hours 18 minutes ago at 12:34
Originally posted by Hosydi Hosydi wrote:

...
I strongly disagree, because there is a lot of quite interesting contemporary stuff tagged, among other tags, as krautrock, as it is inspired by the early 70s kosmische Musik.
...

Hi,

Today's "krautrock" is very different from 45 years ago ... and while I would never say that it does not exist and it is not exactly "krautrock", there is something missing in it for me, in various examples (won't name them because I don't dislike them and diminish their work!!) the freedom for an improvisation is missing at times, not always, but many of the moments I hear are all of a sudden going into a riff, or one specific feeling that folks got attuned to.

There is a side of the early "krautrock" that is special ... it was wild, free and crazy and that was what made it special ... and of the 6 bands I have heard of recent material, I did not feel that "freedom" and "wildness" at all, and I wonder if the interpretation of what "krautrock" was and how it was used and done in the other arts, is not something that these bands are ... maybe ... aware of. That is not to say that it isn't good, or worth the listen ... I listen to them all ... the whole thing, but again, the "freedom", very evident in the other arts, for this artistic movement are not exactly clear in many of these ... and maybe this is the issue ... the TIME and PLACE ... and all your FRIENDS involved in some way ... is the difference, and many of these recent bands, do not have that "family" feel at all, and I think that we're calling it "krautrock" because it is the closest thing to it ... 

Not all "improvisations" are quite "krautrock" ... specially when they are idea driven, or riff driven ... in my book, that is not an improvisation ... it is an exercise for the band, and often a nice idea for finding a bit or two.

If I may suggest, stay away from the definition of things, and just listen, and you'll find some incredible differences, in how it comes about ... let's just say that more "Damo" is what the recent bands are missing for me ... so to speak ... and don't know what's gonna come out, or how ... but somehow, it makes itself viable and enjoyable ... but we (specially here!) are so tied to a definition that is not musical and an idea, that we forget that there were many people, and they were different and their friends and communities (and communes) were vastly different ... today's bands don't have that touch ... and instead try to sound like a band that is "together" ... when you and I could easily say that being together was not the primary feeling in a lot of that early music ... it was more about being that wild and crazy guy on the stage playing music ... and not just one person, but the whole band.

CAN was more designed and composed and we have to credit Damo here, because he was able to fit in a tough situation, specially folks with a very high university detail and work. But somehow a "busker" was able to mix and make it work ... you don't get this kind of feeling in the recent material. 

This is not an easy discussion, but we all need to get off the definition and listen some more in order to get a better idea of what it was and how it developed in time ... I'm not sure that you, or I, can exactly create "krautrock" in a DAW from your bedroom or kitchen! 

It was, an artistic evolution ... some might even call it a revolution ... and its beauty is still alive after all these years.

BTW, I'm not sure that I would consider both of those samples ... krautrock ... at all ... in both cases the drummer is not free and is mostly just keeping time to keep everyone going ... and in the 2nd example, it feels more like an experimental jazz group with a drummer looking for a groove to keep everyone together. As I mentioned, today, the ability to create "krautrock" is difficult, because it was an artistic scene, not a BAND at all ... at the start ... and it was that individuality that showed up and gave us great material ... in both those samples, there is no individuality at all ... I think it was made to be something else. Nice to listen to, but that's about it ... and something weird ... the opening words on the first one ... and "krautrock" was not about a "meaning" through the words ... and specially clear in Damo and Peter Handke's word plays where there were no sentences or conversations ... the whole of the one act plays were nothing but words ... nd acting that on stage is wide open to interpretation on how you throw the words out or in ... and freedom is wild, crazy and insane, and we put one of those plays on ... and it was hard ... performed OK, but we didn't know better then (1981 that was at UCSB).


Edited by moshkito - 19 hours 50 minutes ago at 13:02
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: 17 hours 5 minutes ago at 15:47
Originally posted by moshkito moshkito wrote:

Originally posted by Hosydi Hosydi wrote:

...
I strongly disagree, because there is a lot of quite interesting contemporary stuff tagged, among other tags, as krautrock, as it is inspired by the early 70s kosmische Musik.
...

Hi,

Today's "krautrock" is very different from 45 years ago ... and while I would never say that it does not exist and it is not exactly "krautrock", there is something missing in it for me, in various examples (won't name them because I don't dislike them and diminish their work!!) the freedom for an improvisation is missing at times, not always, but many of the moments I hear are all of a sudden going into a riff, or one specific feeling that folks got attuned to.

There is a side of the early "krautrock" that is special ... it was wild, free and crazy and that was what made it special ... and of the 6 bands I have heard of recent material, I did not feel that "freedom" and "wildness" at all, and I wonder if the interpretation of what "krautrock" was and how it was used and done in the other arts, is not something that these bands are ... maybe ... aware of. That is not to say that it isn't good, or worth the listen ... I listen to them all ... the whole thing, but again, the "freedom", very evident in the other arts, for this artistic movement are not exactly clear in many of these ... and maybe this is the issue ... the TIME and PLACE ... and all your FRIENDS involved in some way ... is the difference, and many of these recent bands, do not have that "family" feel at all, and I think that we're calling it "krautrock" because it is the closest thing to it ... 

Not all "improvisations" are quite "krautrock" ... specially when they are idea driven, or riff driven ... in my book, that is not an improvisation ... it is an exercise for the band, and often a nice idea for finding a bit or two.

If I may suggest, stay away from the definition of things, and just listen, and you'll find some incredible differences, in how it comes about ... let's just say that more "Damo" is what the recent bands are missing for me ... so to speak ... and don't know what's gonna come out, or how ... but somehow, it makes itself viable and enjoyable ... but we (specially here!) are so tied to a definition that is not musical and an idea, that we forget that there were many people, and they were different and their friends and communities (and communes) were vastly different ... today's bands don't have that touch ... and instead try to sound like a band that is "together" ... when you and I could easily say that being together was not the primary feeling in a lot of that early music ... it was more about being that wild and crazy guy on the stage playing music ... and not just one person, but the whole band.

CAN was more designed and composed and we have to credit Damo here, because he was able to fit in a tough situation, specially folks with a very high university detail and work. But somehow a "busker" was able to mix and make it work ... you don't get this kind of feeling in the recent material. 

This is not an easy discussion, but we all need to get off the definition and listen some more in order to get a better idea of what it was and how it developed in time ... I'm not sure that you, or I, can exactly create "krautrock" in a DAW from your bedroom or kitchen! 

It was, an artistic evolution ... some might even call it a revolution ... and its beauty is still alive after all these years.

BTW, I'm not sure that I would consider both of those samples ... krautrock ... at all ... in both cases the drummer is not free and is mostly just keeping time to keep everyone going ... and in the 2nd example, it feels more like an experimental jazz group with a drummer looking for a groove to keep everyone together. As I mentioned, today, the ability to create "krautrock" is difficult, because it was an artistic scene, not a BAND at all ... at the start ... and it was that individuality that showed up and gave us great material ... in both those samples, there is no individuality at all ... I think it was made to be something else. Nice to listen to, but that's about it ... and something weird ... the opening words on the first one ... and "krautrock" was not about a "meaning" through the words ... and specially clear in Damo and Peter Handke's word plays where there were no sentences or conversations ... the whole of the one act plays were nothing but words ... nd acting that on stage is wide open to interpretation on how you throw the words out or in ... and freedom is wild, crazy and insane, and we put one of those plays on ... and it was hard ... performed OK, but we didn't know better then (1981 that was at UCSB).
Obviously you didn't understand what I wrote. In particular, I mentioned that a number of contemporary bands are referred to as krautrock in addition to other tags like "experimental," "avant rock," "improvised music," etc., only in favor of describing their sound, which is partly inspired by 70s krautrock; the quality of many of those modern bands is indisputable.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: 13 hours 31 minutes ago at 19:21
Originally posted by Hosydi Hosydi wrote:

...
 In particular, I mentioned that a number of contemporary bands are referred to as krautrock in addition to other tags like "experimental," "avant rock," "improvised music," etc., only in favor of describing their sound, which is partly inspired by 70s krautrock; the quality of many of those modern bands is indisputable.

Hi,

I would not discuss the "quality" per se, since that is what makes the band ... but there are smaller details that show up ... a drummer strictly doing the time thing, is more the American way than it is "krautrock" ... since American tastes are more commercial sounding. European groups tend to have more of their own culture and artistic values in mind ... it's really hard to find that in America, beyond C&W, Blues, Rap and so on ... to find something that we might consider close to krautrock.

Both samples are fine for me, no discussion there, but I feel the connection to krautrock is weak, and is aligned with something else ... which I am not sure I would consider "krautrock" at all even if the long cuts give an idea of it. But for me, the music in these samples, did not "change" and become something else ... and I think they created limitations by accident ... the first sample using words, broke it at the start ... meaning in "krautrock" was intentionally broken and disrupted, as a reaction to westernized music ... and we still don't believe the comments, that Holger Czukay and many other folks had made about their musical decisions, and many of them were about the American/English commercial designs ... and intentionally going against them. The second sample, for me, was ... just about an experimental jazz thing ... and it was interesting to a point, but after a while, it was the same thing over and over. 

I'm not sure that we will see much "real" krautrock any more ... it is a moment in time and place, and a strong result of its environment, and in America, for example, that is already owned by C&W, Blues, Rap, Jazz and Rock Music ... and any association with krautrock, is more incidental than real ... yes it could be said it was inspired by ... anyone is inspired by ... this or that ... but you might want to remember the words of Edgar Froese ... there were no "leaders" or inspirations to look for ... it was a new day and all that was there, left, was YOU ... no rules and no pressures to do the common public thing as it is in America and England, for commercial purposes.
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: 10 hours 2 minutes ago at 22:50
Originally posted by moshkito moshkito wrote:

Originally posted by Hosydi Hosydi wrote:

...
 In particular, I mentioned that a number of contemporary bands are referred to as krautrock in addition to other tags like "experimental," "avant rock," "improvised music," etc., only in favor of describing their sound, which is partly inspired by 70s krautrock; the quality of many of those modern bands is indisputable.
 ... a drummer strictly doing the time thing, is more the American way than it is "krautrock" ... 
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