Progressive 80s artists: music ahead of its time |
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progaardvark
Special Collaborator Crossover/Symphonic/RPI Teams Joined: June 14 2007 Location: Sea of Peas Status: Offline Points: 51761 |
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Over the last decade I've come to appreciate the 1980s more than I had in the past. It was mostly from discovering bands in the RIO/Avant-Prog areas, especially Present -- one of my absolute favorites. It's sad that their 2024 release will be their last, but what an album to end a discography with. It likely will be my #1 in my top 20 of 2024 once I finalize my list.
Also a curiosity that came out in that decade: one of the best symphonic prog albums (in my top 10 at least) from Hungary's Solaris, Marsbéli Krónikák. What a debut! It seemed so out of place in 1984.
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i'm shopping for a new oil-cured sinus bag that's a happy bag of lettuce this car smells like cartilage nothing beats a good video about fractions |
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progaardvark
Special Collaborator Crossover/Symphonic/RPI Teams Joined: June 14 2007 Location: Sea of Peas Status: Offline Points: 51761 |
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I guess I was lucky to have two FM radio stations in Philadelphia in the 1980s (I grew up there): 93.3 WMMR and 94.1 WYSP. Both of them called themselves "classic rock stations," but they played a fair amount of prog and without them it might have taken me much longer to eventually discover all that great music. For a time, WYSP used to play 4-5 full albums on Sunday nights. They tended to play more "deep tracks" than WMMR, but both stations were played on my radio almost daily. We had another program on another radio station (I think from the University of Pennsylvania) called Star's End that played electronic prog, like Tangerine Dream, Richard Pinhas (remembering songs from his album Iceland), and Mark Shreeve. Those were broadcast late in the evening on Saturdays and I used to put my headphones on and turn out the lights as it was really spacey stuff. I was lucky. I don't know if other urban areas were as lucky. I'm guessing since you think there was a lack of FM stations, maybe other places missed out on this.
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i'm shopping for a new oil-cured sinus bag that's a happy bag of lettuce this car smells like cartilage nothing beats a good video about fractions |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 14934 |
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As mentioned in the Bruford polls, I think that the Bruford's Earthworks albums of the 80s are very fresh, original, and creative. There was a unique warm use of melodic electronic drumming, and a nice fusion of prog, jazz, and more recent electronic elements with a bit of well dosed free experimentation thrown in. Not sure whether this can be called "ahead of its time" as I don't know of many people who took up this kind of thing later, but it was surely unique. (For some reason not so popular around here.)
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Spookee
Forum Newbie Joined: Yesterday Location: Germany Status: Offline Points: 31 |
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Begnagrad's 1982 album sounds pretty modern to these ears!
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David_D
Forum Senior Member Joined: October 26 2010 Location: Copenhagen Status: Offline Points: 15390 |
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A couple have already been mentioned but anyway: Djam Karet (USA) - Reflections From The Firepool (1989) Fates Warning (USA) - The Spectre Within (1985) The “Gunesh” Ensemble (USSR) - Looking at the Earth (1984) Iconoclasta (Mex) - Reminiscencias (1985) P.L.J. Band (Gre) - Armageddon (1982) Solaris (HUN) - Marsbeli Kronikak (1984) Voivod (CAN) - Nothingface (1989) |
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quality over quantity, and all kind of PopcoRn almost beyond
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Spookee
Forum Newbie Joined: Yesterday Location: Germany Status: Offline Points: 31 |
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Hawkwind was a very active band in the 1980s. Ahead of its time, Church of Hawkwind was quite innovative back in 1982. It is probably terribly underrated because of this.
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