future of prog |
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cstack3
Forum Senior Member VIP Member Joined: July 20 2009 Location: Tucson, AZ USA Status: Offline Points: 7272 |
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The future belongs to the young.
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I am not a Robot, I'm a FREE MAN!!
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miamiscot
Forum Senior Member Joined: April 23 2014 Location: Ohio Status: Offline Points: 3574 |
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Prog will last until the end of time. Just like Bach, Mozart and Beethoven.
Mark my words.
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The Prog Corner
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AFlowerKingCrimson
Forum Senior Member Joined: October 02 2016 Location: Philly burbs Status: Offline Points: 18278 |
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A little bit late in responding but thanks!
Edited by AFlowerKingCrimson - April 15 2024 at 11:42 |
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Valdez1
Forum Senior Member Joined: February 07 2024 Location: Walla Walla Wa Status: Offline Points: 351 |
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I attempted to like this version.
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Logan
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I commonly am not that interested in the background other than, perhaps, to find other related projects. I'm not one who likes to read much about bands or music artists, or about music generally. I felt differently with film. I like to listen to music that I think will be or find to be of interest. I like to listen to black midi. I love a lot of music that has post-punk/ punk qualities, much of which I find progressive (if not so much typically Prog genre). I like classical music, and when I want classical I would often prefer to listen to classical music composers than those who emulate it and absorb it into a rock framework. Doesn't mean I don;t love things such as Focus' Hamburger Concerto or William Sheller's Lux Aeterna. I disagree that 95 percent is total trash in those charts and that just says something about your biases, not the music itself. I would doubt you would even know the music well enough to make such a statement fairly even taking your own biases and frameworks for quality assessments into account.
Or you sort of get both. Just as some might be interested, black midi has covered King Crimson (and I find similarities between black midi and KC). Edited by Logan - April 15 2024 at 09:49 |
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MikeEnRegalia
Special Collaborator Honorary Collaborator Joined: April 22 2005 Location: Sweden Status: Offline Points: 21206 |
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^ When I'm listening to newly released music, I try not to read anything about the musicians involved. I want to experience the music as unprejudiced as possible. Then I'll assign a rating, which I know you don't like because it's "numbers" ... but it is simply a way to say whether the music moved me which other users can immediately understand, especially when visualised as tiers ("good", "great", "awesome" ...). Upon further listening I'll write a blurb or even a longer review. I usually find out about the musicians much later ...
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Offline Points: 17524 |
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HI, I'm not sure that the "background" is that important, although I would not argue that it does help to a degree. However, there are many musicians that are self taught that made it very big, and in some ways, it's like the work they did is not valid as we don't have a "background" ... Progressive material, however, did have quite a few folks that were fairly well educated when it came to music, and the Berlin folks is probably the one spot where there were a lot of modern composers that helped influence a lot of the new music. Both Schulze and Froese, and all members of CAN (except Damo), were very highly educated folks as well ... and we don't have to check their background to know they put together an amazing amount of music. England might differ a bit, but some of the areas were definitely educated, Canterbury being the one area where folks were musically more advanced than half the folks in rock music at the time. For America, just about all of it is reactive and against the establishment in some ways when it comes to the start of the progressive/psychedelic days. But they made it clear to a lot of people that it was about how it all felt, not how much it was studied ... and to this day, folks still wonder/say ... wtf was Jack Casady doing on that bass? And he is rarely anointed with a nice compliment. I don't know much about their "education" but based on the playing, I would think that JC was fairly well educated. The Grateful Dead is another story ... in the end, JG came off as very well educated musically, but no one or any biography discusses that much, and his later years doing solo and duet shows totally improvised once or twice weekly and that is probably how he studied his instrument ... We should not trash "self-taught" a whole lot ... I suppose that many of us will sit here and think most rap is not good because there is no education behind it (usually), but that would be a nasty generalization about a race, and is not fair. There is some value in their "voice" ... even if we do not consider it progressive. And then we can go back to Gil Scott Heron (The Last Poets) and I would say that a lot of their stuff was actually very well educated!
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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MikeEnRegalia
Special Collaborator Honorary Collaborator Joined: April 22 2005 Location: Sweden Status: Offline Points: 21206 |
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^ I don't think that kind of snobbery is helpful, but you do you.
Have you looked into the Black Midi musicians and what their musical background is?
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King Crimson776
Forum Senior Member Joined: October 12 2007 Location: United States Status: Offline Points: 2779 |
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If you don't have the understanding of Classical that I'm talking about, you get Mars Volta and black midi instead of KC, GG and Yes. Some may be fine with that, but I'm basically saying those newer bands are infected with a kind of "Punk" attitude which compromises their Prog aspects. This attitude is basically "it doesn't matter how much you know about music, just be creative bro". It's a poison that is ubiquitous in modern music. Take a look at any recent yearly chart on RateYourMusic. I think the main reason it's 95% total trash is for the very reason I'm saying. The approach appears to be more "let's throw cool sounds at the wall" than any kind of real attempt at composition or songwriting. So no, it does matter that you know the fundamentals of music and have an acquaintance with the masters of Classical, especially if you're making Prog. Where's the broader view of musical history? If all you do is listen to a bit of KC, Zappa, GG and Mr. Bungle and think you can make prog now (black midi), you're going to be limited in what you're capable of. Experimentalism is fine so long as the fundamental composition is solid. It can't be a replacement for actual musical depth. For the most part, it should be a "spice" rather than the main dish.
Edited by King Crimson776 - April 15 2024 at 00:22 |
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 28059 |
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I'm just wondering when the thread will descend into the usual argument of what prog rock is. Is it a style or is it an attitude? Does seem they are divided into 2 seperate camps.
If you take any notice of ratings and rankings then PA's top 30 list is mostly 1970's albums. That's when it happened. Latterly it's hard to pin down what it is although even now there is a rewriting of history as to what prog was in the 70's with the likes of Roxy Music, 10CC and Supertramp lumped in somehow. It's not so much that the music evolves it's just that everyone wants to talk about music that is 'creative' and then apparently it all becomes prog. We either draw the boundaries or not. The less we draw them the more we are just talking about music generally and what is good and what isn't. Most agree that manufactured pop music is carp but that's about it.
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PrograhamLincoln
Forum Newbie Joined: May 06 2013 Location: New York Status: Offline Points: 28 |
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Agreed. Also, young and future composers will still want to write conceptual works, and if they do this in a rock mode, they may accidentally write and release prog albums.
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Awesoreno
Forum Senior Member Joined: October 07 2019 Location: Culver City, CA Status: Offline Points: 3041 |
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This take is nonsense as it assumes that many young musicians who play music in the prog sphere don't listen to classical (many do, and "classical" is a pretty wide umbrella genre), AND that one HAS to listen to it to make good prog (many don't and the music is just as good). So widen your scope, not only of what newer prog you listen to, but of what qualifies as "prog" or "good prog" or even "good" music. If you can't handle a little experimentalism and prefer more structure, or just prefer older recording/production techniques, then just admit that it comes down to your taste rather than lambast musicians of my generation with uninformed opinions.
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cstack3
Forum Senior Member VIP Member Joined: July 20 2009 Location: Tucson, AZ USA Status: Offline Points: 7272 |
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Worry not, Grasshopper.... the future of prog will be secure with the youth.
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I am not a Robot, I'm a FREE MAN!!
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MikeEnRegalia
Special Collaborator Honorary Collaborator Joined: April 22 2005 Location: Sweden Status: Offline Points: 21206 |
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Maybe you haven't listened to the best releases? I agree that although for example 2023 was a magnificent year for prog, some many albums were (and are still being) released that it is more difficult to find the outstanding ones.
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RockHound
Forum Senior Member Joined: March 03 2013 Location: USA Status: Offline Points: 664 |
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Dowland is definitely worth checking out-he’s one of Steve Howe’s major influences. Paul O’Dette is a lutenist who did a very elaborate rendition of his catalog on the Harmonia Mundi label. The Boston Consort does good renditions of the vocal works. Liner notes and other texts discuss the meaning of the lyrics (entertaining ribaldry) and recount Dowland’s antics in Elizabeth’s court and elsewhere, which nearly got him beheaded a few times. If he were alive today he’d probably be a metaller.
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Offline Points: 17524 |
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Hi, Or from the copies, and supposedly inspired by someone or something. In the end, the "magic" comes from within, not without! The only strange thing is that I have always thought that music was always "progressive", as if the Stravinsky's and other 20th century composers did not move from the more standardized stuff into more adventurous material, only for the "music" to go backwards with the C. Berry's and such ... and then in the 1970's we finally decided that the new stuff out there was progressive. In essence, they came back to something that all music had lost due to the commercial era that would only play the simplest of melodies and songs for the audience. All in all, for me, it has always been progressive, and that is the reason why sometimes I do not review or discuss many works, which to me are not really special in the history of it all. The only saddest thing is when an artist goes "backwards" because of bizarre comments by reviewers ... and while I can understand the need for a dollar or two, in the end, I tend to wonder where the heart truly lies ... repeating itself, instead of maintaining an independent creativity.
Edited by moshkito - April 14 2024 at 07:56 |
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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Floydoid
Forum Senior Member Joined: April 02 2007 Location: Planet Prog Status: Offline Points: 1543 |
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^I totally agree... music needs a soul and spirit too which you will never get from whatever digital 'wizardry' you employ.
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'We're going to need a bigger swear jar.'
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King Crimson776
Forum Senior Member Joined: October 12 2007 Location: United States Status: Offline Points: 2779 |
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How many of those are going to be any good though? We need young musicians who actually listen to classical music (as the great prog musicians of the 70's did) and understand what makes a coherent composition. Absent that, you get a lot of the technical w**kery and "avant-garde" nonsense that we hear in recent years. The musicians may be very skilled, but they have no compositional sense.
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rdtprog
Special Collaborator Heavy, RPI, Symph, JR/F Canterbury Teams Joined: April 04 2009 Location: Mtl, QC Status: Offline Points: 5285 |
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The future of Prog will stop at my death, unless I can find a way to bring my iPhone up there and listen in a total spiritual world.
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Music is the refuge of souls ulcerated by happiness.
Emile M. Cioran |
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Frets N Worries
Forum Senior Member Joined: April 30 2023 Location: Your Basement Status: Offline Points: 4202 |
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With the dawn of people being able to make prog albums literally on their phones, I think it's a safe bet to say it's secure
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The Wheel of Time Turns, and Ages come and pass. What was, what will be, and what is, may yet fall under the shadow.
Let the Dragon ride again on the winds of time... |
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