The most successful modern prog music nation? |
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mathman0806
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They clearly hit the Wonderwall. |
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SteveG
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Edited by SteveG - January 11 2024 at 05:46 |
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Saperlipopette!
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^ Our inane discussion is a result on your inane take. You might as well had brought up King Crimson and Yes then. They are even more successful. And btw: Italy is the most successful nation for modern oil painting. Because Da Vinci, Raphael, Caravaggio etc... are as popular as ever!
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Logan
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My take on modern Prog music, which has been defined for this as post 90s music, would include both modern bands/artists, and older band that released music during that time. I thought the USA and sued Swans as an example. It was formed around the same time as IQ in the early 80s, but Swans has been very relevant to modern music releases since 2010 with its revival. And I would say that it has been very artistically successful and has got much acclaim and recognition for its modern albums. If a band is passe, that's another thing. I;m not a fan of IQ, but I recognise its significance within Prog communities. It remains very popular here and its modern releases here get a lot of recognition compared to the vast majority of bands. At a place like RYM, the band Swans is much more popular according to ratings.
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SteveG
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Edited by SteveG - January 11 2024 at 07:08 |
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David_D
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I'd say, this conclusion by Mathman of my approach and posts is more constructive:
Plus, one can use more than one criterion and it can be different from person to person which criteria one chooses to use - which all would be very fine by me. My list was just meant as a contribution to other evidence, and I had considered all the presented arguments and evidence (not much) in my own conclusion.
Edited by David_D - January 11 2024 at 09:57 |
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quality over quantity, and all kind of PopcoRn almost beyond
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 28059 |
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Albums released 1991 and onwards with 'QWR' over 4 and then calculated per capita in brackets Canada -13/ 38.25 mill (0.34)Denmark - 6/5.857 million (1.02) Finland -12/5.54 million (2.16) France - 40/67.75 million (0.65) Germany - 13/83.2 million (0.15) Italy - 40/59.11 million (0.67) Japan - 17/125.7 million (0.13) Netherlands - 4/17.53 million (0.22) Norway - 25/5.408 million (4.62) Poland - 7/37.75 million (0.18) Russia (boo!) - 11/143.4 million (0.076) Spain - 8/47.42 million (0.16) Sweden - 24/10.42 million (2.30) Ukraine - 3/43.79 million (0.068) UK - 41/67.73 million (0.60) USA - 113/331.9 million (0.34) The numbers have spoken and Scandinavia are the winners! Edited by richardh - January 11 2024 at 10:28 |
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Tapfret
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^Shocking how low France, Germany and Japan are. So many of my favorites in the last 20 years come from there. Then again, I tend to stray from beaten path on what I enjoy.
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SteveG
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Edited by SteveG - January 11 2024 at 11:02 |
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SteveG
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Nogbad_The_Bad
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Really nice work, well done!
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/ |
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SteveG
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Edited by SteveG - January 11 2024 at 11:16 |
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Nogbad_The_Bad
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No but the top four per capita are Norway, Sweden, Finland, Denmark. I wonder if there is a collective name for those countries?
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Ian
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SteveG
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Edited by SteveG - January 11 2024 at 12:26 |
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David_D
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I have to say that I don't find the per-capita perspective very interesting, but more the significance of the various national scenes and the changes which have happened since the 1970s.
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quality over quantity, and all kind of PopcoRn almost beyond
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mathman0806
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It does relate to the topic because among the many discussions are what does it mean to be successful and how do you measure success. So, some suggested output and the quantity. Others suggested scaling by population or per capita to even out a country like the U.S. with countries that have a smaller population. There is no right answer here. Sales and now ratings are under consideration. Whether it is meaningful to scale by population is debatable. |
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SteveG
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Blazar
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As was the case with Poland almost a decade ago, which was not even brought up on this thread, like if Riverside had been forgotten, Norway is now championed by mostly U.S. proggers. With Norway, hopefully, that won't be the case to be forgotten in a few years. |
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Hrychu
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“On the day of my creation, I fell in love with education. And overcoming all frustration, a teacher I became.”
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richardh
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It was obviously a bit tongue in cheek on my part but then you didn't actually ask specify an criteria in your thread title. My take on things Sweden and then latterly Norway very much lead the traditional prog revival but then there has also been the likes of Opeth and Anekdoten and a thriving metal scene to call on. USA is probably more all over the place but perhaps a mix of metal and fusion. The fusion scene is very much USA's thing as much as Symphonic Prog is Europe's thing. Even bands like Echolyn are much heavier than say The Flower Kings, so USA has become the home of a variety of a more heavier variety of symph. UK is a more neo prog nation, likes its traditions but then there are the up and coming new kids on the block like Black Midi and New Country, Black Road which recalls a punk side of the UK scene. France is maybe more art based but I'm not familar enough with their prog scene. Do they even do metal?! Italy seemingly has not changed that much, it's traditions and culture very much set in classical music, but again I'm not that familiar with everything going on. |
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