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Your friend's Zappa encounter

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Saperlipopette! View Drop Down
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: September 13 2023 at 05:09
^ I strongly believe in introducing artists to others. Just as much as I know I've been introduced to some of my favorite artist over the years. We all have to do the listening ourselves anyway, so I see no difference in "finding it myself" - or listening to something based on a reccomendation. If I enjoy what I hear I will obviously listen more and dig deeper. Reccomendations can also go wrong. If my introduction to Zappa was Shut Up 'n Play Yer Guitar I-III I might never have gotten to Waka/Jawaka.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Zappastolethetowels Quote  Post ReplyReply Direct Link To This Post Posted: September 13 2023 at 09:08
Originally posted by Saperlipopette! Saperlipopette! wrote:

Originally posted by Zappastolethetowels Zappastolethetowels wrote:

Originally posted by Awesoreno Awesoreno wrote:

^I think the 60s stuff stands out more as "annoying" to some because of the difference in production. Play the album version of Pound For a Brown, and then play a later live version, and ask a friend which one they'd rather not turn off immediately. All the pitched up wind instruments and vocals from the mid-late 60s era really get under many folks' skin.

I think you bring a good point! 

Not a particulary good point. Some of Zappa/Mother's 60's stuff's lasting popularity obviously tells another story. You are all proggers and don't really understand how complex brassy jazzrock-fusion with dated jokes rub A LOT of people the wrong way. I'm quite certain that both Freak Out! and Hot Rats are the two of the easiest first encounter/introduction for the majority of clueless friends.
Hey, both the 60s and 80s eras can serve as entry points to different people. 

I think Freak Out is a great starting point for Zappa if you ignore side 4 of the vinyl, so there's that. 
I would introduce Hot Rats only if the person is already somewhat versed in jazz-fusiony music and extended instrumental jams. The album is 6 songs and most go over the 6 minute mark. 
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Saperlipopette! View Drop Down
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: September 13 2023 at 09:40
^ Yes sure. It might not have worked out like I hoped. I mean I would have commented on a few things beforehand, but like Revolution no. 9 I doubt that The Return of the Son of Monster Magnet would ruin the full experience. I would also reccomend they went on about it chronologically, starting with the oldest reccomendation first. To warm them up so to speak. But I definitely wouldn't stay clear of fusion just because it isn't everyone's cup of tea (and Hot Rats is probably the natural fusion-classic pick). What would be the point of the introduction then? For me that's Zappa's main attraction.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Awesoreno Quote  Post ReplyReply Direct Link To This Post Posted: September 13 2023 at 23:27
^The fusiony ones would be some of the ones I WOULD recommend early on. It's the first few that usually don't play as well with the people to whom I show them. And that's how it was for me at first. For example, I gravitated towards the Turtles version of Dog Breath long before I realized I could handle the Uncle Meat take. Originally, the production bothered me, and I didn't like the pitched up vocals and horns. But now I like it. 

For the uninitiated crowd that I've dealt with, that tends to be the case. Granted these were younger people. You talked about "lasting popularity," but that doesn't mean that people who weren't alive when it released are going to connect with it as much as those who were around then and still prefer that era. And I know there's a sizable crowd that do.

Also, the original Mothers era also incorporate dated jokes, and he was still writing weird, complicated compositions with horns. I would argue that, despite how Frank would incorporate so many different styles and sounds as his career progressed, one thing that remained consistent was the mixture of the accessible with the inaccessible. At least in terms of the composition. Some people will just never jive with most of the lyrics he writes. I'd say only his orchestral and synclavier albums are completely uncompromising in their density.


Edited by Awesoreno - September 13 2023 at 23:29
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moshkito View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: September 14 2023 at 05:01
Originally posted by Awesoreno Awesoreno wrote:

...
Also, the original Mothers era also incorporate dated jokes, and he was still writing weird, complicated compositions with horns. I would argue that, despite how Frank would incorporate so many different styles and sounds as his career progressed, one thing that remained consistent was the mixture of the accessible with the inaccessible....

Hi,

The term you want is "anti-commercial", which is very obvious by his many satires on many products and also on a lot of things on the TV airwaves in Southern California. 

TODAY, a lot of this stuff is not "accessible" because no one takes a look at history to help make sense of so much music the world over ... SF "happened" because the local free form FM radio was THE THING back then with a couple of DJ's helping a lot of new material not only get on the air, but also get concerts in various places. Today, a Party at the G. G. Park, could not even get started and the police would think that the new homeless group has arrived ... again!

This is the hard side of studying "progressive" and a lot of musical events and scenes, going back hundreds of years ... none of it makes sense ... until you also explain, and help get a kid's attention to the different possibilities ... though in this case someone at school with a woke mentality would say you are subverting the kid with bad ideas! The same mentality/media that killed all the "psychedelic" generation!

I think, and I try here ... hard ... to explain that some of the critiques in many of the comments here are inappropriate and sad ... they take the music out of context. Beethoven, Tchaikovsky and many other artists make a lot more sense when they are viewed as the "ROMANTIC" artists ... just like Shakespeare and Marlowe and others are considered "RENAISSANCE" artists. This, would IMMEDIATELY help the youngster realize that things were different then ... that what they are hearing is NOT something that would likely be heard today ... specially with the "de-sanctified" group deciding that the content is not right for any teenagers in the state of fluoride, like it was for a general that ordered the bomb sent! (fun movie with Slim Pickens riding the bomb!)
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Post Options Post Options   Thanks (1) Thanks(1)   Quote UMUR Quote  Post ReplyReply Direct Link To This Post Posted: September 14 2023 at 09:33
Iīd pick some of his most accessible releases (thatīs how I got into Zappa). Not many people are ready to hear and understand some of the more challenging stuff at first listen:

"Weīre Only in it for the Money"
"Overnight Sensation"
"Apostrophe"
"One Size Fits All"
"Sheik Yerbouti"

If my friend fanzy those releases, we can move on to some of the more challenging releases.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: September 15 2023 at 09:44
Originally posted by UMUR UMUR wrote:

Iīd pick some of his most accessible releases (thatīs how I got into Zappa). Not many people are ready to hear and understand some of the more challenging stuff at first listen:
...

Hi,

This is strange to me ... having had the experience with Space Pirate Radio going back to its start in 1974, there are/were two kinds of folks in the listenership ... those who like to listen to things, and those that are brainwashed by the hits they like, or as you see on the street and in many cars, loud rap ... or around here, lots of Spanish speaking salsa and tortillas!

And, at times, it seems to not be anything in between. 

Given Guy's history with his show, the only folks that "didn't get it" or "didn't like it" were the folks that tried to convert Guy to another automaton playing all the hits and nothing but the hits. They treated him like dirt for a long time, because of his choices of music, and in the end, he added MORE to their play list than they will EVER admit. 

Guessing/expecting any friend to feel this or like this or that, is weird ... the best, and only thing you can do is play what you like and not worry about your friend. In the end, he/she will either come around and understand/appreciate new stuff or they want ... but I have to tell you that chatting and saying hello to folks that have heard a lot of Space Pirate Radio going back to 1974 is a treat and then some ... we weren't the only ones, that loved the new music!

You kinda have to let music just flow on its own ... and new folks will pick up on different things or they want ... and probably go back to the boomboom style! oh well ... maybe one day they will "get it" and learn something about themselves and other music out there in the stratosfear of their minds! 
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: September 15 2023 at 12:58
Originally posted by moshkito moshkito wrote:

Originally posted by UMUR UMUR wrote:

Iīd pick some of his most accessible releases (thatīs how I got into Zappa). Not many people are ready to hear and understand some of the more challenging stuff at first listen:
...

Hi,

This is strange to me ... having had the experience with Space Pirate Radio going back to its start in 1974, there are/were two kinds of folks in the listenership ... those who like to listen to things, and those that are brainwashed by the hits they like
Well, news flash: There's more than two kinds of folks! Some are just unexperienced or very young - as we've all once been. I mean I loved David Caspar Friedrich the first time a saw it and Beethoven the first time I heard it. Schoenberg and Mondrian took a little longer. A few more years of experience, knowledge and getting used to what felt like a "foreign language". It's completely normal. While you are not, I suppose. If I wanted someone to start appreciating painting or classical music - much as I love them - I wouldn't start by introducing them to Mondrian or Schoenberg. It's just common sense to me.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: September 17 2023 at 09:35
Originally posted by Saperlipopette! Saperlipopette! wrote:

... It's completely normal. While you are not, I suppose. 
...
 
Hi,

If I was normal, like many others, we wouldn't have a "progressive" board at all! Or "progressive" anything!

Originally posted by Saperlipopette! Saperlipopette! wrote:

...
If I wanted someone to start appreciating painting or classical music - much as I love them - I wouldn't start by introducing them to Mondrian or Schoenberg. It's just common sense to me.

Based on my experience, it doesn't matter what we choose since the tastes vary so much and folks get slapped with some sounds or music, that somehow they can relate to, and end up liking. The only bother, I suppose was the bunch of stonies that asked for Led Zeppelin, man ... and they had the album on top of it! That's stoned, for sure, and not about the music I don't think!

I got used to sound effects with The Goons, and later hearing Guy have fun with them (all those BBC sound effects records got their due in a 1000 speeds) ... made it easier to hear a lot of stuff that was weird and off the track ... it was harder, for example, for me to get into Tangerine Dream (took a week!!!) than it did to listen to Faust, which in my book was a lot of fun, and the same with Frank Zappa being so anti-commercial (very obvious on his satirical stuff in 200 Motels and other works) ... and the different folks that still listen to Guy's show, per chat on the twitch thing ... makes you wonder what got them into it.

I really think that there is no telling what is going to snap someone's ears on ... it just happens for many, though one could say psychologically that it is because of this and that ... and I'm not even sure of that anymore. 

Nowadays, it is much harder I think since a lot of folks are so commercially bound that they are having a hard time hearing anything else, and that would be the same thing with the examples of the music. I, for one, loved Stravinsky the first time I heard it ... Leonard Bernstein doing The Rite of Spring ... I think that album is either 1963 or 1964, to give you an idea ... and at that time I mostly liked Puccini, Verdi, Beethoven, Tchaikovsky and such. Stuff that you could say was more melodic, which made The Rite of Spring completely anti-melodic (so to speak!).

Frank Zappa is a variety shop, which makes things tougher for a lot of listeners, thus one likes this album, but hates 200 Motels, or one likes the early and weird stuff because so much of the rest is more attuned for a little sales, so he could keep doing things, but that did not explain his forays into Europe to do classical music, which America hated and would not touch ... and other than one or two folks no one listens to it one could state.


Edited by moshkito - September 17 2023 at 09:38
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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