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threefates View Drop Down
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Direct Link To This Post Posted: January 08 2005 at 17:58
Originally posted by Wrath_of_Ninian Wrath_of_Ninian wrote:

  Brilliant!! And you're right, I probably should! I wish other folk responded like that instead getting into a semantics debate...this has been the best thread for a while.  

Can't believe that newspaper cutting - especially given that Geneva has always been one of the most affluent and aristocratic cities in Europe.  Could they not have said "from a bedsit in Croydon."?  Or was it Melody Maker who 'edited' that bit in to make them look even more stupid?    

Uhh... ELP were recording Works and living in Geneva when that was written... staying out of England's tax laws at the time.  Uh... so who's the stupid one here??

By the way, to whoever wrote about it, I dont really believe punk wiped out Prog Rock - and especially not ELP (who did a fairly good job wiping themselves out...) Most of the established prog bands started releasing terrible music (like Love Beach, Tormato, etc), Your right, it wasn't punk... it was commercialism that wiped out prog.. and what happened with Love Beach/Tormato had nothing to do with it... while Atlantic tried to force Love Beach  into the commercial arena... Tormato is about as far away from commercial as you can get...

 and I would wager most genuine prog fans turned to new wave metal bands like Iron Maiden and the like (who were all prog fans themselves) , for their fix of talent.  You've got to be kidding me...

I think we're giving a colourful and loud, but essenitally vacuous, turgid and most of all, overrated fashion phase a little too much credit here.  Lets give it back to the bands who really ruined prog - THE PROG BANDS THEMSELVES

You can't ruin something original... you can only complain!

THIS IS ELP
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Direct Link To This Post Posted: January 08 2005 at 18:01

Listening to Karn Evil (1st imp. pt 1)as I type this.

Not really my cuppa tea. Lyrics and vocals poor, Keyboards a bit "by numbers" for me, but quite listenable hammond. Not a masterpiece by any stretch of the imagination. The Generation Game and that prick Jim Davidson are welcome to use it as their theme music, as any prog exposure is a good thing, but it leaves me, if not cold, then little more than luke-warm.... OK then, they suck!

 

Perception is truth, ergo opinion is fact.
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Direct Link To This Post Posted: January 08 2005 at 18:23
Hardly!!
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Direct Link To This Post Posted: January 08 2005 at 18:30

Originally posted by threefates threefates wrote:

Hardly!!

. I bow to your greater knowledge 3'.

 

Perception is truth, ergo opinion is fact.
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Direct Link To This Post Posted: January 08 2005 at 18:39
I was introduced to prog by ELP when I was 13 so that should explain why I love them I guess. But I honestly think I would have been almost an equally big fan if I had heard them for the first time yesterday and it's simply because I can't think of a band that packed more into their songs than ELP,there's more entertainment per minute in ELP than in any other band. They stuffed their songs so full of emotion,musicianship and just sheer showmanship that it sometimes can take your breath away. And I love the cocky attitude they did it all with. And yet they could also exercise restraint where that was required,especially Emerson,the most bombastic of the three,could be exquisitely delicate at times. I think of ELP as the ultimate band in many respects,the one with the most talent and ideas.
Odi profanum vulgus et arceo.
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Direct Link To This Post Posted: January 08 2005 at 19:04
Brain Salad Surgery is a great album. All but one of the songs are excellent. Toccata is unbelievable. The only song I do not care for is Jerusalem. Of course Karn Evil 9 is the best piece on there and I just love the structure they chose for this song. Alot of people may say it is disjointed some but I would say its structure makes it unique among  epic songs.
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Direct Link To This Post Posted: January 08 2005 at 22:20
I came into this forum about a week ago and right away started knocking Emerson, Lake and Palmer. At the time, I had no idea there was a ThreeFates in here. I had assumed that by 2005 it was obvious that ELP are the ambassadors of all that can be bad about prog. In the past week, I've tried to revisit them, digging out my old records (really some of the worst covers too), and trying to remember the songs that I liked and listening for good things. But, eegads, they are still awful. They are the Joel Schumacher of rock. They have the subtlety of napalm. It's been said that Gustav Mahler writes a paragraph when a sentence would do. ELP write a six-volume novel when a pictogram would do. (And here threefates will say that this is why they are so brilliant) Neil Diamond shows more emotional restraint than Greg Lake.  They are three migrains, ten heart attacks, and an anvil to the head. They are awful.

Take it away, ThreeFates...
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Direct Link To This Post Posted: January 08 2005 at 22:27

Man, things get worse and worse sometimes. For people that likes good music, that is Prog Rock, ELP is one of the secure cornerstones of Prog Rock fundamentals. As Pixel stated, They stuffed their songs so full of emotion,musicianship and just sheer showmanship that it sometimes can take your breath away. ELP is the band with one of the most steadygoing talent in history of Prog Rock. Its needless to describe or ramble about the individual talent of the trio. Music is  culture expressed in form of rythm, melody and harmony, it can be beautiful and it can be ugly, depending on the cultural background of whom listen to it. ELP is definitly one of the greater contributors to fine music and made a lot of us seek the original classics.

Prog Rock wasnt killed by Punk Rock or by Prog Rock, it was put aside by journalists bribed by record companies to promote Trailer Park Trash counter culture. It was about markets and making fast bucks on suckers who comsumed this trash. So where did that lead us in terms of music ! ? Those who answered Mariah Carey and Brittney Spears or Eminem, for that matter, are correct ! There is no talent what so ever in the music shoved down our ears, after the late 70ies, by the big record companies.

The note posted by 3F is perfect and its a pity some of you didnt get the point. Its tough to rehearse hours after hours, seeking perfection, selling records, managing tour-schedules and having not such a great contract with your record company. You still deliver some high-level music and bribed of critics dont even mention you because newspapers only talk about Punk and praise pseudo-musicians that play 2 or 3 chord music that doesnt span over 2 minutes ! ! !

When we discus music, prog fans praise the inicial seductive elements of albums, we discuss emotional impacts of certain passages of the progression of a song and surely applaud the effort the musicians put into their work. Being the root of everything classic music played on rock instrumentation, and a major degree of difficulty in the execution of the bits and parts of the song.

ELP has all the grandeur any prog band ever wanted to have. Saying that BSS is hateful is simply denying the very essence of Prog Rock.

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Direct Link To This Post Posted: January 09 2005 at 00:51

Thank you Pixel and Lunar...for being so eloquent in your responses.  i wish I could express myself on this subject so well.

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Direct Link To This Post Posted: January 09 2005 at 03:19
Originally posted by Reed Lover Reed Lover wrote:

Originally posted by Wrath_of_Ninian Wrath_of_Ninian wrote:

By the way, to whoever wrote about it, I dont really believe punk wiped out Prog Rock - and especially not ELP (who did a fairly good job wiping themselves out...)  Most of the established prog bands started releasing terrible music (like Love Beach, Tormato, etc), and I would wager most genuine prog fans turned to new wave metal bands like Iron Maiden and the like

Most of the prog fans turned to Rush, then Marillion as their saviours.

By this time ELP were busking outside  Salvation Army Hostels, playing folk tunes and stinking of piss.

 Reed, you have a way with words, old chap..

I've never been a fan to be honest, although I have a lot of respect for ELP as musicians. I think they were among the most talented in the biz. I remember seeing a live performance of theirs at the Isle of Wight festival ( I think) and Carl Palmer done the most brilliant drum solo. Techincal, frenzied and very visual.

John Peel described them as 'a waste of talent and electricity' and my limited exposure to their music leads me to agree partially. I have BSS. I bought it years ago, thouhgt it was ok, but not good enough to hold my attention. I have hardly ever played it. I will give it another spin TODAY. I also bought 'EL & Powell' when it was released - quite liked 'Touch & Go' but thought that was mostly awful, with the exception of 'The Score' and 'The Miracle' Their rendition of Holsts 'Mars the bringer of war' is unforgivable!

As for 'Pictures at an Exhibition' I thought that album was simply laughable. I'm not keen on rock bands reproducing classical music, just to prove they can.

In short, great musicians who never made the music I would have liked them to, but hey they were successful, they had a large audience, and I'm sure they dont lose sleep over me not liking them.

Ultimately bored by endless ecstasy!
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Direct Link To This Post Posted: January 09 2005 at 04:38
Originally posted by threefates threefates wrote:

Originally posted by Wrath_of_Ninian Wrath_of_Ninian wrote:

  Brilliant!! And you're right, I probably should! I wish other folk responded like that instead getting into a semantics debate...this has been the best thread for a while.  

Can't believe that newspaper cutting - especially given that Geneva has always been one of the most affluent and aristocratic cities in Europe.  Could they not have said "from a bedsit in Croydon."?  Or was it Melody Maker who 'edited' that bit in to make them look even more stupid?    

Uhh... ELP were recording Works and living in Geneva when that was written... staying out of England's tax laws at the time.  Uh... so who's the stupid one here??

By the way, to whoever wrote about it, I dont really believe punk wiped out Prog Rock - and especially not ELP (who did a fairly good job wiping themselves out...) Most of the established prog bands started releasing terrible music (like Love Beach, Tormato, etc), Your right, it wasn't punk... it was commercialism that wiped out prog.. and what happened with Love Beach/Tormato had nothing to do with it... while Atlantic tried to force Love Beach  into the commercial arena... Tormato is about as far away from commercial as you can get...

 and I would wager most genuine prog fans turned to new wave metal bands like Iron Maiden and the like (who were all prog fans themselves) , for their fix of talent.  You've got to be kidding me...

I think we're giving a colourful and loud, but essenitally vacuous, turgid and most of all, overrated fashion phase a little too much credit here.  Lets give it back to the bands who really ruined prog - THE PROG BANDS THEMSELVES

You can't ruin something original... you can only complain!

Brilliant, this just gets better and better....!!!

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Direct Link To This Post Posted: January 09 2005 at 04:49

Hey Matt, better not mess with Neil Diamond!

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Direct Link To This Post Posted: January 09 2005 at 05:09

Has a band divided opinion more than ELP I wonder?? (BTW great thread,just what sites like this are for) 

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Direct Link To This Post Posted: January 09 2005 at 05:48

Quote Has a band divided opinion more than ELP I wonder??

If there is, it's Rush.

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Direct Link To This Post Posted: January 09 2005 at 09:03
Originally posted by Fitzcarraldo Fitzcarraldo wrote:

goose: read my review of BSS - it gives the precise Ginastera opus which, incidentally, is very good.

 


Thanks a lot, I'll search it out.

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Direct Link To This Post Posted: January 09 2005 at 09:06
Originally posted by Lunarscape Lunarscape wrote:

Man, things get worse and worse sometimes. For people that likes good music, that is Prog Rock, ELP is one of the secure cornerstones of Prog Rock fundamentals. As Pixel stated, They stuffed their songs so full of emotion,musicianship and just sheer showmanship that it sometimes can take your breath away. ELP is the band with one of the most steadygoing talent in history of Prog Rock. Its needless to describe or ramble about the individual talent of the trio. Music is  culture expressed in form of rythm, melody and harmony, it can be beautiful and it can be ugly, depending on the cultural background of whom listen to it. ELP is definitly one of the greater contributors to fine music and made a lot of us seek the original classics.

Prog Rock wasnt killed by Punk Rock or by Prog Rock, it was put aside by journalists bribed by record companies to promote Trailer Park Trash counter culture. It was about markets and making fast bucks on suckers who comsumed this trash. So where did that lead us in terms of music ! ? Those who answered Mariah Carey and Brittney Spears or Eminem, for that matter, are correct ! There is no talent what so ever in the music shoved down our ears, after the late 70ies, by the big record companies.

The note posted by 3F is perfect and its a pity some of you didnt get the point. Its tough to rehearse hours after hours, seeking perfection, selling records, managing tour-schedules and having not such a great contract with your record company. You still deliver some high-level music and bribed of critics dont even mention you because newspapers only talk about Punk and praise pseudo-musicians that play 2 or 3 chord music that doesnt span over 2 minutes ! ! !

When we discus music, prog fans praise the inicial seductive elements of albums, we discuss emotional impacts of certain passages of the progression of a song and surely applaud the effort the musicians put into their work. Being the root of everything classic music played on rock instrumentation, and a major degree of difficulty in the execution of the bits and parts of the song.

ELP has all the grandeur any prog band ever wanted to have. Saying that BSS is hateful is simply denying the very essence of Prog Rock.

__________

Lunar  

Well said,Lunar. I think I too would have been a bit miffed if I had taken the time to hone my musical skills to the peak of perfection,and endeavoured to be original,imaginative,creative and intelligent in my music with the result that almost the entire music press laughs at me and instead fawns over some tonedeaf 18 year olds who only picked up a guitar last week! I think I would have been more than a bit miffed actually.

Odi profanum vulgus et arceo.
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Direct Link To This Post Posted: January 09 2005 at 09:10

ThreeFates; I dont think much of being eloquent (LOL), but its unfair to hammer down on bands that made the 21st century a bit more pleasant to live in. As you have seen in previous posts of mine, I'm not an ELP fan at the same level as you are , but I do have the respect for talent when I see or hear it. Again, Good music is about seduction, beauty and believe me, its the essencial fuel for the soul. So when we get in to the years of 77'-78'-79' critics had to make money since salaries werent that great, specially after oil crisis and other world wide mishappens. Record companies had to shift in order to survive, so instead of offering gourmet music, cheap hamburgers and hot dogs was offered and the poor sold-out critics had to analyze and praise the wonderful music of Sex Pistols and Ramones. Since most prog bands refused to level out with the mainstream and so became baned underground music. But I do say that Prog Rock survived all these years, consumed by a "Silent Majority". Record companies talked some bands into making "popular prog" (Love Beach-Tormato, and have any of you ever listened to Triumvirats "Russian Roulette" ?). Focus is another example, "Ship Of Memories" and "Focus On Proby" are lousy recordings from the point of view of sticking to the original material. Sarcastic pop-prog from a burned-out band. PFM's "Chocolate Kings" and "Jetlag", boy I could go on and on.

In some healthier discussions it was allowed to say that killing Prog Rock was merely the american record industry taking over the lucrative business from the british. Drowning Progressive music and offering Bee Gees, Peter Frampton, Boston and God forbid me...Bruce Springsteen. From here on it just got worse.

Another great example of bad record deal was TRACE (Holland), absolutely just as talented as ELP with Rick van der Linden on keyboards. They stopped because they didnt have the financial back-up to keep recording and touring.

One more; Osibisa from Africa, great prog rock from africa with 3 fantastic initial albums enough to satisfy the most craving prog fan. They couldnt sustain the expenses so they went pop....(Maani; why isnt Osibisa listed here ? )

Desperate attempts from the record companies to draw tendencies and every time they do so its to bury themselves even more. Thanks to MP3 and the Internet, the individual has options to seek and consume talents that isnt backed up by record giants.

Desperation is when you find out that oldtime musicians like Emerson, Wakeman, Thjis van Leer, Mike Oldfield, Edgar Froese, Vangelis, Andy Latimer, Annie Haslam, Justin Hayward, Roger Waters and so many others are still making wonderful music....

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Direct Link To This Post Posted: January 09 2005 at 09:23

Pixel The Division Bell's are ringing harder and harder here. I saw a program on EUROCHANNEL the other day on the multitalented band called BACK STREET BOYS !   They had 2-3 great years in the midia, touring and selling millions of their trash. At the end of the story they were given U$ 40 thousand each by the producer. This chap keept the rest of the U$ 20 million for himself since allegedly thats was the leftovers from his investment plus expenses ! ! ! ! So they made a new deal in 2002 and believe me, the world has since been spared from this junk.

Reminds me of Grand Funk Railroad...They (GFR) found out that the producer, Terry Knight had run away with the profit of a solid selling album career and had to do "Locomotion" in order to make money ! Hey guys...Grand Funk Railroad could be listed here too

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Lunar  .



Edited by Lunarscape
Music Is The Soul Bird That Flies In The Immense Heart Of The Listener . . .
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Direct Link To This Post Posted: January 09 2005 at 10:00
Originally posted by Wrath_of_Ninian Wrath_of_Ninian wrote:

Brilliant, this just gets better and better....!!!

Of course it does!  You keep making stupid comments.. and I'll keep commenting on them... simple huh??



Edited by threefates
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Direct Link To This Post Posted: January 09 2005 at 10:28
Originally posted by Lunarscape Lunarscape wrote:

Pixel The Division Bell's are ringing harder and harder here. I saw a program on EUROCHANNEL the other day on the multitalented band called BACK STREET BOYS !   They had 2-3 great years in the midia, touring and selling millions of their trash. At the end of the story they were given U$ 40 thousand each by the producer. This chap keept the rest of the U$ 20 million for himself since allegedly thats was the leftovers from his investment plus expenses ! ! ! ! So they made a new deal in 2002 and believe me, the world has since been spared from this junk.

Reminds me of Grand Funk Railroad...They (GFR) found out that the producer, Terry Knight had run away with the profit of a solid selling album career and had to do "Locomotion" in order to make money ! Hey guys...Grand Funk Railroad could be listed here too

________

Lunar  .

Bands taking their business matters into their own hands  to a greater and greater degree now in the internet age is the best thing to happen to the business side of the music scene since previously shady managers and production companies could nearly bring a band to their knees with their crooked ways and if the band finally managed to secure a good deal with a reputable company,they often found themselves shackled for a decade or more by unfair contracts. And bowing down to commercial demands was so much more tempting,understandably, if you were at the mercy of conventional record companies and were dependent on them to market your music and give you advances for recording new albums and touring. Mike Oldfield ran into difficulty when he had made the brilliant "Amarok" album since Virgin refused to release it since it wasn't "commercial enough". That hadn't bothered them in the 70's when they signed Mike in the first place,then he was given complete artistic freedom and great music consequently ensued. But by the late 80's everything was all about sales figures and target audiences and being played on MTV,the single most destructive factor in the 80's music scene,so Virgin wouldn't release what is undoubtedly Mike's best album since "Tubular Bells" and a true masterpiece of creativity. That's how bad things had gotten by then. Mike had to fight a fierce battle with Virgin to get "Amarok" released,to the point where it actually affected his mental state,which was never that stable to begin with, to quite a damaging degree. No wonder he was glad to get out of the contract with them! 

I forgot where I was going with this ,but at least I got some agression at those Virgin morons out of my system,which is always therapeutic.

Odi profanum vulgus et arceo.
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