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Ratings of Bruce Springsteen & Radiohead albums

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Poll Question: For which would you be more likely to give ratings and/or good ratings
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10 [41.67%]
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Logan View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: June 02 2023 at 09:39
^ Absolutely with Pink Floyd. It has sold huge numbers of albums, been popular in the 70s, the 80s, the 90s, and is still very popular amongst different ages. It is of course popular with albums and individual songs and is a staple of classic rock radio -- I heard Pink Floyd far more on the radio than Springsteen for instance. It's an iconic band. And it's still culturally relevant and gets referenced in different media regularly. When I was staying at a hotel with Waters also there last decade, word got out where he was staying, and there were so many young people outside the entrance of the hotel in their Pink Floyd shirts (not Waters shirts).

Say to the average person who says they like Pink Floyd, "Oh, so you're into Prog!" and I would not be surprised if one got a weird look. Some of those kids with the Dark Side of the Moon shirts of course like the iconic design. I used to like to draw that cover in some classes instead of focusing on the subject, but then I loved the album, and The Wall and Wish You Were Here etc. when I was a teenager.

It's hardly just a Prog phenomenon. I have no idea how many of those who know Pink Floyd think of it as Prog. I didn't even when I become aware of Prog as a thing (I associated Prog with Yes and ELP). It transcends genre. It's popular with the kids who are into psych kinds of music (and psych and related is popular at RateYourMusic), older dudes, to those into art rock and classic rock, and just into music. And it shares a lot of fanbase with Radiohead. They are very similar in various ways, so that's all the more reason why I could see a site which has many Radiohead fans rating their albums also rating Pink Floyd albums.

Good point about the logic of it, I focused on the logic being the input/output process, that if the algorithm sufficiently represents the ratings for the ranking in a sensible and reliable way, then it's logical, but actually the logic goes a lot deeper than that. To understand the logic requires understanding how things work there and knowing something about what music is popular and has been since RYM started amongst the kinds of communities and individuals they have there. As a determinist especially (A causes B causes C etc.). Alien thinking to me. I wonder what Hari Seldon, who "develops psychohistory, an algorithmic science that allows him to predict the future in probabilistic terms" would think? It's important to be aware of one's own biases and particular cultural/ environmental conditioning.

Here is the Season 3 trailer of Westworld:



I hear that music and still gives me a thrills after all these years. By the way, since you mentioned Lou Reed, for the season four Westworld trailer, they used Lou Reed's Just a Perfect Day which is so perfect (preferred that trailer and season to season three). And for one of the most iconic scenes in Westworld's season one they used Paint it Black by the Stones. They used Radiohead multiple times. I'm a Westworld fanboy even if I preferred some seasons to others.

Edited by Logan - June 02 2023 at 09:50
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: June 02 2023 at 16:09
Originally posted by Saperlipopette! Saperlipopette! wrote:



Btw: comparing RYM's all time chart with PA's progchart, and complaining that there's no italian bands in the former, is... just...not... relevant. Italian prog is cherised both at PA and RYM. You will notice when you compare the latter place' prog chart with PA's chart. Any other comparizon is 100% nonsensical.



In fact, I compared Pa's ranking with RYM's ranking of the prog. And in the latter ranking, Italian prog is completely absent in the Top 60.

In PA 4 or 5 Italian albums works in the Top 60.

So it is your statement that makes no sense.


Originally posted by Saperlipopette! Saperlipopette! wrote:

Originally posted by jamesbaldwin jamesbaldwin wrote:

other famous artists with a big commercial impact on the other hand are almost ignored: Rolling Stones, The Who, Springsteen, Michael Jackson, Dire Straits, U2, REM, Oasis, Coldplay etc.
Not true, but the fact that Bowie, Radiohead and MBL - Loveless is more treasured gives me hope for the future of music.


Instead it is true. I was referring to the ranking of the best albums of all time. In that ranking, all these artists are absent (ignored) in the top 100 (apart from Dylan). Many of them are also absent from the Top 200.

Originally posted by Saperlipopette! Saperlipopette! wrote:

Originally posted by jamesbaldwin jamesbaldwin wrote:

Perhaps, if there is a logic, it is to devalue flok-blues-rock artists (Dylan, Springsteen, Rolling Stones, Lou Reed, U2, REM etc.). The popular heartland-folk-roots artists are completely underrated: Springsteen, Seger, Mellencamp, Petty, Hiatt etc.
From a music lover point of view, yes it should be devalued.
-
*the number of RYM users


From your point of view it should be devalued.



Edited by jamesbaldwin - June 02 2023 at 16:11
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: June 02 2023 at 16:19
Originally posted by Lewian Lewian wrote:

Radiohead - they're great. Lorenzo has made me appreciate Springsteen's live attitude, and I really like some of his live videos. Also he wrote Because The Night and some of the songs Manfred Mann's Earth Band has done versions of that I really love. Still Springsteen's studio material, as far as I took the time to listen to it, has never convinced me.

Nice polemic by the way by Saperlipopette! I can identify with much of it.


In his golden age (1972-1988) Springsteen never had a good producer. And he has always conceived his albums around a precise theme. This created a song selection that often had little to do with their music quality. Springsteen's approach, in short, is much more narrative, much more folk than rock, even when he wrote rock songs. Lyrics, in short, are essential to understanding his art. His studio albums have never approached the performance of his live shows (just compare Because the night studio version with live version).
For a prog fan, I think his best albums are The Wild and Born To Run.

PS Nice Polemic? Really?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: June 02 2023 at 16:58
Originally posted by Logan Logan wrote:

It's easy to spot the differences in albums covered with your highlights, but I think to highlight much more it is important to understand the differences in how the lists are derived, the contributors and how the sites operate. As you have specifically referenced rateyourmusic having multiple albums and I see thsat Ondarock has a maximum of two, this is a translation of what it says at Ondarock that I found the 70s list page

Originally posted by ondarock ondarock wrote:

Each participating editor or contributor compiles a list of titles related to the topic, representative of his or her perspective. To promote heterogeneity in general we impose only one or two records for each band.

The lists are collected and a score is associated with the first twenty discs mentioned: twenty points for the first in order, nineteen for the next, and so on. If a puck is mentioned by several participants, the points received by each are added up. By ordering the titles starting from the one with the most points, the final classification is obtained.

What you are reading is therefore a representation of the convergences and plurality of views among those who collaborate with Ondarock. It is not a table-built list, there are no Cencelli corrections and manuals. The only agreed element is given by the rules above.

It's a game, and we hope the outcome will intrigue readers as much as it does the participants. For those who want to dig further, the personal rankings of individual editors can be mines of discoveries. Happy exploring!


So they limit the number of albums that can be in the list, whereas rateyourmusic has no such restrictions. RYM's charts are just based on users ratings (average value of rating and number of ratings), and of course if many people like and rate one album by a band, it is likely that they will like and rate more albums by the band, thus multiple albums will be in the charts. I don't know how many contributors there are to Ondarock (how many people that list was derived from) but that is something I would wish to evaluate when making comparisons. It's a different thing being a rater just rating lots of albums you like, then a program computes all that those ratings for the ranking, than it is to be contributor to such lists because that becomes much more considered.

So while there are similarities in the albums, the charts are rather apples and oranges because of the differences in how they are derived.

Greg, an unlimited number of albums by the same artist can appear in the FINAL Ondarock chart (three of Bowie's appear). 

It is in the personal Top 20 that each editor has compiled that a maximum of two albums by a single artist can appear. The main reason why there are more artists in the Ondarock ranking than in the RYM ranking, in my opinion, lies in the fact that the editors of Ondarock are NOT fans of specific artists or a specific genre (they have their own tastes, ok: tastes similar to that of the users of RYM: they are not fond of heartland rock, for example), they tend to have a wide range of albums that they consider good. Also, by putting favourite albums in order from 1 to 20, giving each of them a score from 1 to 20, a hierarchy of value and score is necessarily created and this favours the selection of a few albums for the same author. I say 'favours', because since the FINAL ranking is the sum of the editors' Top 20, it could always happen, for example, that the 5 highest rated Bowie albums (I mean the 5 best rated on RYM) are present with more or less the same score - but it doesn't happen, because, I mean, the "best" are Ziggy and Low (or Heroes? ), which also represent two different periods of his production (undoubtedly there are also other albums that one may like very much: one that seems to me overlooked, perhaps because of the bad production, is Aladdin Sane).
In other words, if you want to rank the albums, you have to develop a coherent technique to do so. If you simply average the ratings from 1 to 5 of all the voters, it is unlikely to come out well. The one from progarchives is very good, and it is a miracle, but as we have already said, it has some adjustments. Any serios ranking, for example, must have the same number of voters, or rather, must have the same voters. It makes no sense to compare the score achieved by David Bowie with that achieved by Springsteen if the voters are completely different people, it is not 'scientific'. 
If you go to a music or film festival, you find a jury. Not two juries. Try to think: at the cannes festival a jury votes half of the films and another jury votes the other half of the films. Then the film with the highest score wins. There would be many disputes, because for example that film might not be liked by the jury that did not evaluate it.
For example, I, as a prog reviewer, am trying to write a review of all the albums in the PA Top 100. I'm almost done with the Top 50, and I'm well on my way to those between 51 and 100. It almost feels like it's my duty to do so, if I want to contribute to the ranking. It doesn't make sense for me to vote only for certain albums and not for others, because my vote has helped to move some albums up a few positions, and to move other albums down a few positions: it is only fair that I do this with all of them.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: June 02 2023 at 21:22
Oh damn. Was typing on my phone while waiting for someone and my browser crashed. I was just on my last words when it happened. Maybe it was saying to me, enough is enough you fatuous smelly windbag. No wonder one must be brave to use the Brave browser. In the future I’ll not use this for posting and use Safari on my phone instead. Sketchy browser as someone said here not long ago but good for blocking ads on my iPhone. On android I love Ublock Origin but I recently got an iPhone.

Thanks for pointing that info out. I actually realized later that I likely had misinterpreted, my fault not the translation program, the message and that that limit of two per artist was just imposed on the contributor. It’s based on curated lists from a limited number of people. A very different process to RYM as those contributors who present lists will be more calculating, whereas the RYM program is the much more calculating one by just using an algorithm to calculate the ranking based on the ratings across the database of huge numbers of users. That’s much more impersonal.

I do prefer the way the Cannes film festival awards work compared to say the US academy awards for best pictures etc. Too many people who vote for things in the academy haven’t even seen the films. I like the shortlist, then Jury chooses between them based on a limited number of films that they all watch and discuss. I have huge issues with best if lists generally, but at least I know that they have all considered that shortlist and seen them. Of course has more prized like audience etc.

As to reviewing, various reviewers prefer to review lesser known, little reviewed albums, and that is what I would do — To bring attention to ones I think others will like and I really like. I don’t really care much about the ranking, you seem to try make more of a science of your ratings than I would, we have have very different ideas and approaches on that, and I’m more interested in albums at PA outside the top 100. I better finish this up before it crashes again.

Anyway, I find interest in the more thought curated lists from limited numbers who contribute and lists that are statistically calculated based on large numbers just rating things.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 02:24
Originally posted by jamesbaldwin jamesbaldwin wrote:


From your point of view it should be devalued.

Yes of course. But I'm very pleased with my point of view, and much prefer it to yours.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 03:01
Originally posted by jamesbaldwin jamesbaldwin wrote:


In his golden age (1972-1988) Springsteen never had a good producer. And he has always conceived his albums around a precise theme. This created a song selection that often had little to do with their music quality. Springsteen's approach, in short, is much more narrative, much more folk than rock, even when he wrote rock songs. Lyrics, in short, are essential to understanding his art. His studio albums have never approached the performance of his live shows (just compare Because the night studio version with live version).
For a prog fan, I think his best albums are The Wild and Born To Run.

PS Nice Polemic? Really?

Well that says I liked to read it, and that it is a polemic.

Anyway, as far as I can tell I'm totally with you that Springsteen on albums is far behind Springsteen live. But then we're talking album charts here. Maybe Springsteen as an artists for his overall work and career deserves a status that none of his albums deserve? But that would be irrelevant when talking about album charts.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 03:29
Originally posted by jamesbaldwin jamesbaldwin wrote:


In fact, I compared Pa's ranking with RYM's ranking of the prog. And in the latter ranking, Italian prog is completely absent in the Top 60.

In PA 4 or 5 Italian albums works in the Top 60.

So it is your statement that makes no sense.
So italian prog albums at 64, 72, 76, 77, 79, 81, 85 and 92nd, and not in the top 60 - somehow makes my statement false? Is there another country outside the anglosphere with better representation in the top 100? No. You're behaving like a child.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Stressed Cheese Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 04:27
I still don't get the what the problem is supposed to be with RYM charts? They don't pretend to be a carefully curated chart, they are a chart summarizing (with some kind of algorithm, just like PA uses an algorithm) what their users think of albums, and what is popular/acclaimed now. Which is stated in one of their FAQs too. It's a website where everyone can rate things, and that's how things should be, right? If you make a chart there with the top whatever albums in a certain genre, you get a rough overview of albums people really like, and if you're new to a genre you might have an idea where to start. They're not exactly in order of highest to lowest rating because of algorithm shenanigans, but rating albums is subjective anyway, so why be bothered by things like that. Rating albums is subjective, and no website is going to cover all demographics, so I don't know what else you can really ask for, really.

And heartland rock isn't the biggest genre, so if there happen to be no really highly rated artists in that genre, that's not really that weird, and doesn't say anything about RYM users' tastes. Same goes for other genres like pop punk, really. Springsteen has a lot of highly rated albums, and he's the flagship artist for the genre, so I really don't see the problem here. If there aren't that many highly rated artists in the genre aside from him, than that's what the average person thinks of those albums apparentely. RYM is a summation of what everybody who listens to X thinks of X, not just fans of X.

Originally posted by Logan Logan wrote:



Say to the average person who says they like Pink Floyd, "Oh, so you're into Prog!" and I would not be surprised if one got a weird look. Some of those kids with the Dark Side of the Moon shirts of course like the iconic design. I used to like to draw that cover in some classes instead of focusing on the subject, but then I loved the album, and The Wall and Wish You Were Here etc. when I was a teenager.

It's hardly just a Prog phenomenon. I have no idea how many of those who know Pink Floyd think of it as Prog. I didn't even when I become aware of Prog as a thing (I associated Prog with Yes and ELP). It transcends genre. It's popular with the kids who are into psych kinds of music (and psych and related is popular at RateYourMusic), older dudes, to those into art rock and classic rock, and just into music. And it shares a lot of fanbase with Radiohead. They are very similar in various ways, so that's all the more reason why I could see a site which has many Radiohead fans rating their albums also rating Pink Floyd albums.

Pink Floyd is probably the only prog artist to kind of transcend the genre (well, there's stuff like Genesis' post-70's output, but by then they weren't prog anymore). I suspect that I'm not the only one for whom this is the case, but for me it was very much a gateway drug to prog. If you're interested in older bands, you'll get to Floyd at some point given their popularity, and from there on you're going to find other bands in the same genre. But I'm kind of curious to see what people who aren't into prog think Pink Floyd's genre is.
   
Quote
Good point about the logic of it, I focused on the logic being the input/output process, that if the algorithm sufficiently represents the ratings for the ranking in a sensible and reliable way, then it's logical, but actually the logic goes a lot deeper than that. To understand the logic requires understanding how things work there and knowing something about what music is popular and has been since RYM started amongst the kinds of communities and individuals they have there. As a determinist especially (A causes B causes C etc.). Alien thinking to me. I wonder what Hari Seldon, who "develops psychohistory, an algorithmic science that allows him to predict the future in probabilistic terms" would think? It's important to be aware of one's own biases and particular cultural/ environmental conditioning.
RYM has some kind of algorithm that they're not making public because they don't want people to abuse it, but the point is to chart what's popular/well recieved nowadays. But ultimately, if you're not into genre X, you're not going to rate genre X albums on there, so it's still a reflection of what people who have appropriate tastes think. So if I think it's dissapointing there's no Slayer albums with ratings above 4, that doesn't mean there's something wrong with the algorithm or that RYM users don't like Thrash metal, it's just that that's how people who listen to Slayer would evaluate them. There's just an inherit logic there. Trying to curate it further beyond that is just letting your own bias or view of how things should be get in the way. That's IMO exactly why a list compiled by Rolling Stone or such is completely useless.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 06:03
Originally posted by Saperlipopette! Saperlipopette! wrote:

Originally posted by jamesbaldwin jamesbaldwin wrote:


In fact, I compared Pa's ranking with RYM's ranking of the prog. And in the latter ranking, Italian prog is completely absent in the Top 60.

In PA 4 or 5 Italian albums works in the Top 60.

So it is your statement that makes no sense.
So italian prog albums at 64, 72, 76, 77, 79, 81, 85 and 92nd, and not in the top 60 - somehow makes my statement false? Is there another country outside the anglosphere with better representation in the top 100? No. You're behaving like a child.

Yes, it makes your statement false.

In progarchives, Italian progressive rock occupies positions 16, 20, 23, 30, just to mention the four most considered albums. So there is quite a difference between these positions and those of RYM.

There should be no argument on this point: the difference is obvious.

But since you have a way of relating to what I write, as I've noticed in various threads, that is based on arrogance and offence, you claimed I would

- made a meaningless comparison
- written something that was not true.

well, then, at this point, it would be intellectually honest to admit that you were wrong. But you prefer not to admit your mistakes and amuse yourself by saying that I act like a child.

If you only understand this language, I could retort by saying that your behaviour sounds like that of a crying baby.

But I believe that if you showed more commitment and respect for your interlocutors, we could have a more intelligent confrontation on issues on which we disagree.


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 06:14
Ok. So this statement of mine is false because italian prog is placed higher up on the top 100 at PA
Originally posted by Saperlipopette! Saperlipopette! wrote:

Italian prog is cherised both at PA and RYM. You will notice when you compare the latter place' prog chart with PA's chart.
Btw, I'm done interacting with you. It's the best for both of us.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 07:47
@Christian
@ Greg


Originally posted by Logan Logan wrote:

^ Absolutely with Pink Floyd. It has sold huge numbers of albums, been popular in the 70s, the 80s, the 90s, and is still very popular amongst different ages. It is of course popular with albums and individual songs and is a staple of classic rock radio -- I heard Pink Floyd far more on the radio than Springsteen for instance. It's an iconic band. And it's still culturally relevant and gets referenced in different media regularly. When I was staying at a hotel with Waters also there last decade, word got out where he was staying, and there were so many young people outside the entrance of the hotel in their Pink Floyd shirts (not Waters shirts).

In Italy, exactly the opposite happens.

Springsteen only came to tour Europe in 1981, after The River (in 1975, after Born To Run, he only came to London). In 1981 he did not come to Italy but some music journalists who had liked his early records went to see him in Switzerland, and they were blown away by that concert.

The music magazine 'Il Mucchio Selvaggio' (The Wild Bunch, title taken from the Peckinpah movie) tried hard throughout the 1980s to make Springsteen's records known to Italians. When he finally toured Italy in 1985, at the Milano concert it was a frenzy (I wasn't there). Springsteenmania exploded. Springsteen's fans multiplied enormously thanks to his live performances and to the international success of Born in the Usa.

In 1988 Springsteen toured Italy twice, in the city of Turin. First in June, solo, then in September, for the tour with Amnesty International, together with Yossou Ndour, Tracy Chapman, Peter Gabriel, Sting. At first, the artists performed alone, and Springsteen was the last, then everyone went on stage with Springsteen band for the last three songs all together (Get Up, Stand Up, Chimes of Freedom and Twist and Shout). But the audience kept shouting 'Bruuuuce'. I was there (and I was surprised by Gabriel's grit). 

In 1988 Springsteen's hotel in Turin was besieged by fans. And since then Springsteen's fame in Italy has increased even more and remained very high. 

In the last two months, Waters, Gabriel and Springsteen have performed in Italy. The attention of fans, journalists, and even some politicians and intellectuals has been all towards Springsteen. The state TV news broadcast a report on Springsteen's fans who greeted him in the city of Bologna, where Christian lives. Then Springsteen went to give a concert in a nearby provincial town called Ferrara, which had already set up a series of decorations with American flags and the Welcome Bruce inscription days before. Springsteen's concert aroused controversy because there was severe flooding in the vicinity of Ferrara and many influencers, knowing Springsteen's ethical principles and his dedication to the working class, expected Springsteen to suspend the concert or donate money for the victims (incidentally, Little Steven recently explained that they were unaware of the tragedy).

This is to explain the consideration, not only musical, enjoyed by Springsteen in Italy.

Originally posted by Lewian Lewian wrote:

 Maybe Springsteen as an artists for his overall work and career deserves a status that none of his albums deserve? But that would be irrelevant when talking about album charts.

Yes, this is a this is an acute consideration, in the sense that a ranking of the artists could also be made. In this case, artists without albums in the top 100 of all time may still end up in the top spots. But still he should have a series of relatively well-rated albums.

Now, if I think about RYM, especially the 80s, and see that Rem and U2 have their well-rated albums respectively above the 1000 and above the 2000 position on the ALL time chart, I think, what consideration should we give these artists ?

In other words: there are artists, and there are purely commercial phenomena. Rem and U2: you can like them or not like them. But they are artists. They weren't just a commercial phenomenon. And according to RYM they would just be bands that have had great success producing bad music.


Edited by jamesbaldwin - June 03 2023 at 08:18
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 12:45
Lorenzo, we interpret the data/ results so differently, come to such different conclusions, and infer so differently that coming to a consensus does not seem at all likely. And I share Saperlipopette's perspectives (and Stressed Cheese...). These things can be frustrating, but we should try to keep it civil and, as much as possible, to invoke the principle of charity which means putting the other's argument in the strongest form if,, and that is a big IF, possible (steelmanning). It's more important to try to find the truth than to try to win an argument, and that can take humility and an open-mind, just not so open that your brains fall out. I prefer dialectic to debate. Okay, that might seem like I'm on my soapbox, and might sound preachy, but I believe in the principles. Sometimes people just make claims that seem hyperbolic and unjustifiable no matter, and keep repeating the same kinds of things seemingly without taking into account or understanding why others take issue.

I agree with Saper... on these issues, and understand frustration, and do feel like we are going in circles, but I have been pleased that despite our major differences in interpretation and inference of the data, Lorenzo and I have kept it cool and civil. I like both of you on a personal level in ways, Sap has been a major influencer on my interests (very indebted), which might make a difference in how I interact with you both. I have not been on friendly terms then I am harsher.

Originally posted by jamesbaldwin jamesbaldwin wrote:

Now, if I think about RYM, especially the 80s, and see that Rem and U2 have their well-rated albums respectively above the 1000 and above the 2000 position on the ALL time chart, I think, what consideration should we give these artists ?

Rem and U2: you can like them or not like them. But they are artists. They weren't just a commercial phenomenon. And according to RYM they would just be bands that have had great success producing bad music.


This conclusion "according to RYM they would just be bands that have had great success producing bad music" especially after all the discussion we've been through is bizarre to me. And I think you are not seeing the forest for the trees, so to speak.

Forget about the chart for a minute (which I believe you make the wrong inferences from and cone to very dubious conclusions), look at the ratings themselves and ask yourself, would I come to the same the same conclusion based on those alone? -- https://rateyourmusic.com/artist/u2

The Joshua Tree at 3.71, 17,176 ratings
Achtung Baby 3.71, 11,876 ratings
War at 3.67 and 10,860
The Unforgettable Fire at 3.60 and 7,538 etc.

That is a high average rating and considerable ratings. 17, 176. It has ten albums each that have more ratings than the top ranked album at PA. I think you are interpreting the chart data in a way that misleads you and draws you to the wrong conclusions. You are acting is they de-value it because other artists have higher ranked albums in the chart, and that does not make sense to me.

Earlier you said that artists were practically being ignored, and I showed you the high ratings and many ratings for their albums and said something to the effect of just because various others rank higher and are more rated hardly makes those ignored by users (many users). Many raters do hold those Italian album in high regard, and having gone through the top 5000 or so, getting anywhere in there can be considre3d an accomplishment. Look deeper at the numbers, no just the rankings. I do think your biases are getting in the way and that you have been doubling-down on your opinions.

Lewian is a statistician if I remember correctly (and yes, my memory is getting really bad, I forgot before how bad it can be), so he might have a more interesting take on this than I or you when it comes to fair inference based on the data.

Edited to clean this post up a bit and clarify, hopefully. This all does feel muddled and muddy and not moving forward as much as we all may like.

Edited by Logan - June 03 2023 at 15:38
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 15:47
Originally posted by Logan Logan wrote:

Lorenzo, we interpret the data/ results so differently and I share Saperlipopette's perspective (and Stressed Cheese...). These things can be frustrating, but we should try to keep it civil and, as much as possible, to invoke the principle of charity which means putting the other's argument in the strongest form if possible (steelmanning). It's more important to find the truth than to try to win a fight, and that does take humility and an open-mind, just not so open that your brains fall out. I prefer dialectic to debate.

Both you Lewian and have the patience of saints. I don't, and neither am I much of a diplomat. Although I mostly edit out insults before (and after) posting, I can't really hide my annoyance. Sometimes irritation is my sole reason for responding. So instead of letting it escalate further, sometimes it better for me to just look another way. I've written what I wanted to write here anyway. Anyone interested can decide for themselves which perspectives and what arguments make the most sense.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 16:49
^ I don't like to offend people. I do lose my cool sometimes. This stuff can really annoy me, but at the same time if I didn't kind of enjoy it, I wouldn't engage because I am no masochist (even if a little SM can be fun with the right mistresses). I try to take it in humour often. My problem is that because I do not like to offend I am not as direct as I would like and as is practical. That can make me come across as passive-aggressive which may be why I have been threatened with violence on various occasions. Diplomacy is not always the best way to get results, and pussy-footing around the issues can be a waste of everybody's time. It's finding the right balance. Life is short so patience have its limits. Now my wife is shouting at me to get down to cleaning the house which I said I would start on half an hour ago.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Stressed Cheese Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 17:16
Originally posted by jamesbaldwin jamesbaldwin wrote:

Now, if I think about RYM, especially the 80s, and see that Rem and U2 have their well-rated albums respectively above the 1000 and above the 2000 position on the ALL time chart, I think, what consideration should we give these artists ?
This confuses me, and makes me think you don't use RYM regularly. First of all, R.E.M.'s debut album is at number 477, not above 1000. Second, ratings are based on how everybody who listens to an artist rates them, not just fans. That means that, while there might be a lot of U2 fanatics, a lot of other people who are into their general type of music (rock), do not evaluate them as highly as non-fanatics of, say, Led Zeppelin would. The average Led Zeppelin non-fan likes them better, than the average U2 non-fan likes them, if you get what I'm saying. Just because that doesn't line up with their popularity or how you think of them as "artists" doesn't mean that those ratings are somehow wrong. That's what people think of their albums.

Third. R.E.M. has very high ratings. They have 7 albums that are bolded (meaning they're in the overall top 10.000), which is a lot, and they have 4 albums above a 3.80, which is very high for RYM. If you'd be unfamiliar with R.E.M. and you'd see those ratings, you'd probably be inclined to check them out, that's how high those ratings are. That you'd declare them underrated on RYM makes me think you're not familiar with RYM's rating system, which is fine, but they are clearly critically acclaimed on there.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 18:22
@Greg


1) I'd like to have respectful and intelligent dialogues with Saperlipopette, but I've noticed over the last few months that he often writes mainly to argue destructively with what I say. I have noticed this in various threads and have tried to respond in a precise and patient manner (particularly the one I opened on the discs containing the first suites, where I had to repeatedly point out that I meant one-sided songs), without getting much respect. I have now tried to reply using his usual language towards me, and I see that as a result he has chosen not to relate to me any more. 


2) Granted that I now see that I was wrong about Rem (who are completely absent from the Top 400 anyway), you respond to my remarks, which are facts, by shifting the question to the evaluation of the individual album.

You are right when you say U2 got a lot of ratings - but, it's seems obvious to me: they are very famous. The problem is how that ratings are.
You claim that a score of 3.71 is a high score.

Is it really high? It depends on that of others. Having a high or low score is a relative evaluation. U2's best album score from the RYM charts is exceeded by 2551 other albums. And we are talking about their highest scoring album. There are 7 albums by Bowie that exceed that score. So is that score high? Well, not so much. It is an indisputable fact that if the editors of RYM were to publish an encyclopaedia with the reviews of the best 2500 albums of all time, there would be no trace of U2. So, since we are talking about one of the most famous bands in music history in terms of popularity, sales and quality (in the 80's), something is wrong with the charts of RYM.

On RYM you can read:

U2 are arguably the most important, most popular and, indeed, "biggest" band of the last 25 years. The true heirs of the big 70's groups (Led Zeppelin, Pink Floyd, etc), U2 are probably one of the few bands that can be considered to be at the same level of those giants in terms of popularity, sales, worldwide massive reach and quality. At least two of their albums are considered as "classic" and "masterpieces" in almost every music critic (and a lot of fans') list.
(https://rateyourmusic.com/artist/u2)

If this statement written by a member of RYM was right, then it'd be not compatible with the fact that no U2's albums is present on RYM Top 2500 of all time chart (where Led Zeppelin and Pink Floyd are present with many albums - all six early Led Zeppelin albums score is greater than 3.71, including III, which is hardly considered a masterpiece).
In fact, if we use logic, we cant say that a very famous band absent from the top 2500 list has produced albums of great quality, unless we say that that list has nothing to do with the quality of the music - which is what I claim: but then I don't know what to make of that list.

Instead, in the ranking made by Ondarock you can find a logic of quality.


Edited by jamesbaldwin - June 03 2023 at 18:39
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 18:56
Originally posted by Logan Logan wrote:


Lewian is a statistician if I remember correctly (and yes, my memory is getting really bad, I forgot before how bad it can be), so he might have a more interesting take on this than I or you when it comes to fair inference based on the data.

It's nice that you bring me in in this way. Unfortunately I may not have that much to say. This is just not my kind of discussion. The RYM charts are what they are. Lorenzo can disagree with them as much as he wants. I see his reasons and I don't have an issue with them, but neither do I agree with them because I don't expect these charts to do what Lorenzo apparently wants them to do. Furthermore I am too much of a constructivist for believing that there is something like an objectively true ranking against which any charts could be measured.

When discussing the RYM charts, by the way, keep in mind that the RYM raters are still a peculiar bunch of people. Very many people, even music enthusiasts, don't go to RYM and rate albums. There is no reason to believe that RYM users are representative for any well defined wider group of people. They are what they are and nothing else. (I do believe though that most of them care for their music - why would they otherwise spend time there? But then there are probably still many ratings given without much care.)

The charts have no authority other than the authority that anyone who uses them ascribes to them (or not). But this is not really different from "curated" charts such as Pitchfork, ondarock, or Rolling Stone. Music is not made for being ranked (at least properly good music isn't Wink). Charts are entertainment only (unless I get interested in the social role they play of course).

Last remark, as a statistician I find it a major annoyance that RYM don't make their algorithm transparent. I'm not particularly keen on the PA algorithm but I know what it is and I understand it. That is a big advantage. RYM gives *some* information, I can see average ranks, which is fair enough, but if somebody like Saperlipopette complains about how the PA charts get certain things wrong based on the numbers, I'd expect to be able to understand and reproduce what goes on there. With RYM, no way. 


Edited by Lewian - June 04 2023 at 04:31
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 18:58
^ Well, that all seems very fair to me. Of course he can disagree as much as he wants, and believe that pigs can fly, faeries exist, elephants are pink and all sorts of eccentric and dubious views. As can I, well in a sense I can, I don't think I could do it and actually believe that stuff if I decided to now.
Stressed Cheese had said that the algorithm is kept mum due to potential abuse when it would come to manipulating the charts. Or perhaps it is all a conspiracy to suppress the knowledge of Springsteen's greatness and thus diminish his awesome potential powers of global music persuasion. Just kidding of course.. More likely Bowie put RYM in his will with the condition that they would receive much of his estate if he was promised higher album rankings than his old nemesis Bruce. ;)

I really don't take charts that seriously, not nearly as seriously as it seems Lorenzo does (nor rating), but I have felt in the past and in this thread that he has been very unfair in his assertions. The utility of the charts for me is how customisable they are, and that has helped me to discover music, and it has been for entertainment for coming up with polls. I thought you might have an idea if his claims follow the statistical evidence well and seem valid, but then we all can have opinions on that. It' not just you a s statistician but as an intelligent person with whom I have had interesting and enjoyable conversations that have changed my thinking on various matters, even if those changes were very temporary. ;)

^^ I believe that a 3.71 average is very respectable average rating, and that the ranking is also very respectable (higher than the vast majority of albums in RYM). Just because many albums by different artist are ranked higher does not negate that I believe that in all of your examples that I can think of that the artists had good ratings. I do not agree with your conclusion and inferences, nor the way you put it, such as "according to RYM they would just be bands that have had great success producing bad music" and "Some famous artists such as Pink Floyd, David Bowie, Radiohead are very pumped up, other famous artists with a big commercial impact on the other hand are almost ignored: Rolling Stones, The Who, Springsteen, Michael Jackson, Dire Straits, U2, REM, Oasis, Coldplay" and so on, and like Stressed Cheese it lead me to understand that you don't really understand RYM. And I think your biases are blinkering you.

RYM has 1,653,090 Artists, 5,604,651 Releases, 116,516,341 Ratings, 2,980,245 Ratings. Something to consider for perspective.

I honestly don't know to continue with this because I just can't get grok where you are coming from, we have such different senses of perspective when it comes to this, and you don't seem to be able to grok things from my perspective. I've tried my best to explain my perspective and offer my insights on this and to understand and appreciate your take, but I guess your angle and conclusions are just not resonating with me at all. I don't think anything more to add beyond what I have said in this and various other topics with you or beyond what others have said in response to you.

Maybe you and Stressed Cheese will come to some understanding. I feel like my cheese is well stressed now and getting stretched to the breaking point.

Edited by Logan - June 03 2023 at 19:24
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: June 03 2023 at 20:33
Originally posted by Lewian Lewian wrote:

Originally posted by Logan Logan wrote:


Lewian is a statistician if I remember correctly (and yes, my memory is getting really bad, I forgot before how bad it can be), so he might have a more interesting take on this than I or you when it comes to fair inference based on the data.


-------
 The RYM charts are what they are. Lorenzo can disagree with them as much as he wants. I see his reasons and I don't have an issue with them, but neither do I agree with them because I don't expect these charts to do what Lorenzo apparently wants them to do. Furthermore I am too much of a constructivist for believing that there is something like an objectively true ranking against which any charts could be measured.

When discussing the RYM charts, by the way, keep in mind that the RYM rathers are still a peculiar bunch of people. Very many people, even music enthusiasts, don't go to RYM and rate albums. There is no reason to believe that RYM users are representative for any well defined wider group of people. They are what they are and nothing else. (I do believe though that most of them care for their music - why would they otherwise spend time there? But then there are probably still many ratings given without much care.)

The charts have no authority other than the authority that anyone who uses them ascribes to them (or not). But this is not really different from "curated" charts such as Pitchfork, ondarock, or Rolling Stone. Music is not made for being ranked (at least properly good music isn't Wink). Charts are entertainment only (unless I get interested in the social role they play of course).

----------

Just a few clarifications.

I don't disagree or disagree with a chart. I can appreciate a chart where there are groups that I don't like in the top positions, I'm interested in the seriousness and logic with which it is done. Often the charts that I appreciated the most are those that offered me in the first places groups that I didn't know, or that I knew little, as they were not very commercial, which then fascinated me.
Charts that offer me almost only very famous groups of certain musical genres in the first positions, while ignoring (in the sense that they are totally absent from the top 100 or 1000) other famous groups of other musical genres I do not consider them serious and made according to a logic. So, I dont give them big importance. It's the case of RYM.

And here we come to the second point. How a chart is made also determines its validity in assessing the beauty of music. In my opinion, there are curated charts that are very different from RYM's and that give a heuristic and musical criticism perspective (i.e. they respect criteria), and here on Progarchives I have brought several times charts that I consider serious and coherent:
- Scaruffi
- Enrico Merlin (from which this thread started)
- Il Mucchio selvaggio
- Ondarock
Charts, especially when combined with reviews, can play an enlightening role both in discovering artists you don't know and in providing a philosophical framework for the history of music. And all of this has little to do with finding charts that suit my tastes.


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