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Canterbury Scene Music

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Psychedelic Paul View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Psychedelic Paul Quote  Post ReplyReply Direct Link To This Post Posted: April 21 2023 at 06:33
 4 stars 1975: Steve Hillage - Fish Rising - http://www.youtube.com/watch?v=DZKRONKA7j8

Renowned guitarist STEVE HILLAGE has been part of the Canterbury Scene since the late 1960's. He was involved with two early one-album band projects: the psychedelic Arzachel (Uriel) album in 1969 and Khan's outstanding "Space Shanty" album in 1971. He's also been a longstanding member of the Jazz-Rock band, Gong. More recently, Steve Hillage was one half of the electronic dance duo, System 7. He also teamed up with ambient musician Evan Marc in 2008 to record the album "Dreamtime Submersible". The album reviewed here, "Fish Rising" (1975), is his first album in a long solo career spanning four decades and seven studio albums. He followed the "Fish Rising" album with six more releases in the late-1970's & early 80's:- "L" (1976); "Motivation Radio" (1977); "Green" (1978); "Rainbow Dome Musick" (1979); "Open" (1979); & finally, "For to Next" (1983). Many of Steve Hillage's bandmates from Gong featured on his first solo outing, including most notably, Pierre Moerlen on drums and percussion and Mike Howlett on bass. The line-up also included Dave Stewart on keyboards, who later paired up with Barbara Gaskin for "It's My Party (And I'll Cry If I Want To) in 1986. The 2007 remastered CD edition of "Fish Rising" added two bonus tracks to the original five pieces of music on the album.

"Fish Rising" consists of three long suites of music and two shorter songs. The album opens radiantly with the four-part "Solar Musick Suite", the longest piece on the album at nearly 17 minutes long. The first part "Sun Song (I Love It's Holy Mystery)" bursts into view like a brilliant ray of sunshine. This warm and melodic prog is positively glowing in rainbow colours with some simply sensational soaring guitar riffing from Steve Hillage. He's in fine voice too with his rich silver-toned vocals adding to the sense of warmth. It's a joyous and uplifting song with a flower-power message of love and peace and eternal optimism as these lyric reveal:- "So people look into each others eyes and gaze at them with certainty, We're gathered here today from all around to celebrate eternity, The spirit in the air is never far immersed in our totality, And the answers that we sit and hope to find, Are living here in side of we." ..... This joyful and invigorating music feels like the burgeoning arrival of spring, where colourful flowers are blooming in a twisting and transitional dance of new growth, as mother nature shakes off winter's cold embrace. This is warm and radiant music to stimulate and rejuvenate the soul. The "Solar Musick Suite" merges effortlessly into "Canterbury Sunrise", a lively Jazz-Rock instrumental, giving Steve Hillage a chance to really shine with some impressive soloing and with Dave Stewart providing sterling accompaniment on the organ. Next up is "Hiram Aftaglid Meets the Dervish", a wild and uninhibited whirling dervish of stirring Canterbury Scene music that's very reminiscent of some of Caravan's wilder Jazz-Rock freak-outs. Finally, there's a brief reprise of the glorious opening "Sun Song", to leave one feeling in joyously buoyant mood. Next comes the simply-titled "Fish", which is a bit of a tuneless mess to be perfectly honest, with the discordant music thrown together in a seemingly haphazard fashion. This is a fish that would have been better left in the ocean. The only good thing about this musical mash-up is it's less than 90 seconds long. Moving swiftly on now with the dreamweaving "Meditation of the Snake", a swirling and twisting magic carpet ride of transcendental ambience that washes over the listener like a blissful dreamwave of sound.

Opening Side Two now, we're going fishing with the 9-minute aquatic suite, "Salmon Song", and it's a pretty good catch too. It's a psychedelic rainbow trout swimming in a sea of spacey guitars, combined with some heavy sonorous riffing, and not forgetting those trademark Hillage guitar glissandos which soar right up into the stratosphere. This is one fish you won't want to throw back into the sea. And now we come to the album highlight, the 15-minute-long seven-piece suite, "Aftaglid", to bring the album to a dramatic and powerful conclusion. This is a real psychedelicatessen of musical styles, featuring gently pastoral acoustics, wild psychedelic riffing and Middle Eastern mantras, all combined together into a magnificent musical melange of sound.

"Fish Rising" is an album full of psychedelic delights, featuring super soar-away soloing, spacey New Age ambience, dynamic keyboard virtuosity, and jaunty Jazz-Rock, all combined together into a delicious potpourri of Canterbury Scene music. This fish-themed album will have you hooked.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Psychedelic Paul Quote  Post ReplyReply Direct Link To This Post Posted: April 21 2023 at 11:06

NATIONAL HEALTH were a Canterbury Scene outfit formed from the remnants of Hatfield & the North and Gilgamesh. The band featured Dave Stewart on keyboards (who later went on to form a duo with Barbara Gaskin in the 1980's), Phil Miller on electric guitar, Neil Murray on fretless bass, Pip Pyle on drums and percussion and Amanda Parsons on vocals. National Health recorded three albums during their brief time in the spotlight:- "National Health" (1977); Of Queues and Cures (1978); and "D.S. Al Coda" (1982). It's time now to take out a prescription for National Health's first album and find out if music really is the best medicine.

The album opens with the bright and sparkling "Tenemos Roads". Running at over fourteen minutes long, it's a complex improvisational and uplifting piece of music with some truly dynamic keyboard virtuosity from Dave Stewart, with Amanda Parsons' lovely soprano vocals soaring up up and away into the wild blue yonder like a high-flying bird. It may be hard to discern the lyrics to discover what "Tenemos Roads" is all about, so here's a brief taster:- "From the cradle to the grave, There are roads for us all, That we'll find, and follow to the end, Leading upwards to a place in the stars, Ten million miles away, There's a path called Tenemos Roads" ..... This warm and inviting opening number is like a radiant sunburst of glowing rainbow colours that's guaranteed to brighten up the the dullest of days. It's All That Jazz and a lot more besides and just what the doctor ordered.

Next up is the 10-minute-long "Brujo" which transports us to calmer climes with a gorgeous pastoral woodwind opening, conjuring up images of gently rolling green pastures bathed in warm golden sunshine. This serves as a prelude to another sunburst session of wild improvisational Jazz-Rock with some ethereal vocalese ad-libbing from Amanda Parsons. The music is positively aglow with complex time signatures, dynamic changes of tempo and some delightful keyboard flights of fancy from Dave Stewart. In other words, it's everything we've come to expect in the best Canterbury Scene music. Apparently, "Brujo" is Spanish for sorcerer, so just lie back and let this music weave its magical spell on you.

The first two pieces of music on Side Two "Borogoves (Excerpt from Part Two)" followed by "Borogoves (Part One)" seem strangely back to front, but putting that minor detail aside, "Borogoves" is a complex and compelling 10-minute piece of music where the listener never quite knows what's coming next upon first hearing. To try and put such a dynamic improvisational piece of music into words would do it a disservice, other than to say it's intricate and invigorating Jazzy music with more than enough unexpected twists and turns to keep any Canterbury Scene fan happy, and just in case anyone's wondering what a "Borogove" is, it's a silly mythical bird invented by Lewis Carroll for his nonsense poem, "Jabberwocky".

There are "Elephants" in the room for the final piece of music, which turns out to be a 14-minute-long free-flight instrumental jam session. It's another complex Jazz-Rock composition containing undecipherable lyrics, with the music sounding as marvellously wild and unpredictable as a stampede of "Elephants". It's an endlessly entertaining combination of gentle pastoral flute and keyboard passages and wild uninhibited outbursts of unrestrained Canterbury Scene music.

"National Health" is a playful and passionate avant-garde demonstration of evergreen Canterbury Scene music at its best, featuring an accomplished and experienced group of musicians who are really in their element with this eclectic and endlessly diverse album. Sometimes the Jazzy music is manic and unrestrained, and sometimes it's pleasant and pastoral, but it's always energetic and exhilarating. National Health is just the prescription you need for some lively Canterbury Scene Jazz.


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Post Options Post Options   Thanks (1) Thanks(1)   Quote dr wu23 Quote  Post ReplyReply Direct Link To This Post Posted: April 21 2023 at 12:00
Both Hatfield lps are marvelous...I love them to death. Also love......
 National Health
Caravan
Soft Machine
Khan and Fish Rising with HIllage 
Egg
Cos
Supersister
Amoeba Split
Sanguine Hum




Edited by dr wu23 - April 21 2023 at 12:07
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Post Options Post Options   Thanks (1) Thanks(1)   Quote dr wu23 Quote  Post ReplyReply Direct Link To This Post Posted: April 21 2023 at 12:09
Recommended to Canter bury heads..............

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Psychedelic Paul Quote  Post ReplyReply Direct Link To This Post Posted: April 21 2023 at 14:09

GILGAMESH (named after a legendary Sumerian king of Mesopotamia) were a two-album Canterbury Scene band led by keyboard player Alan Gowen. Gilgamesh are closely associated with two other Canterbury Scene bands from the proggy 1970's era: Hatfield & the North and National Health, with various band members migrating from one band to another. Gilgamesh recorded two mostly instrumental albums of complex Jazz Fusion:- "Gilgamesh" (1975) and the comically- titled "Another Fine Tune You've Got Me Into" (1978), the album title no doubt inspired by the comic duo Laurel & Hardy. There was also a much later compilation album "Arriving Twice" which arrived once in the year 2000. It's time now to delve into the not-so-ancient musical legend of Gilgamesh and check out their first self-titled album.

The Gilgamesh album opens with the three-piece-suite: "One End More / Phil's Little Dance - For Phil Miller's Trousers / Worlds Of Zin". With a total running time of over ten minutes in this opening number, there's plenty of time for a wild excursion into typical experimental Canterbury Scene territory. It's mostly laid-back instrumental Jazzy music, focusing mainly on keyboards, electric guitar and delicate understated percussion, with occasional harmonising vocals courtesy of Amanda Parsons. This dynamic and ever-changing style of inventive Jazz Fusion will be instantly recognisable to fans of Hatfield & the North and National Health, so even if you've never heard this particular Gilgamesh album before, listening to this album on the record player will sound as comfortably familiar as wearing a comfy woolly sweater or donning a pair of fluffy carpet slippers that have been warmed-up by the fire. Having been introduced to the album, it's now time to meet "Lady and Friend", which opens as a tranquil keyboard piece to put one in a relaxed frame of mind, but be prepared for the occasional outburst of strident electric guitar when you least expect it. This is like the kind of cool Jazz you might hear played in a cocktail lounge, only this endlessly entertaining music comes shaken and stirred with a slice of lemon and a cherry on top. Notwithstanding the fact that the complex instrumental Jazz on this album has so far been as enigmatic as the mysterious legend of Gilgamesh, "Notwithstanding" takes us into even wilder exotic realms of musical experimentation, which will no doubt leave fans of the Canterbury Scene sound awestruck in amazement at the musical proficiency on display here. For the uninitiated though, this may be one step beyond what is enjoyable or even listenable.

Arriving at Side Two now comes "Arriving Twice", a short and sweet, pleasant stroll along the mellow Canterbury Scene trail. We come to the second of the three extended three-piece-suites on the album now with "Island Of Rhodes / Paper Boat - For Doris / As If Your Eyes Were Open". It's a seven-minute pleasure cruise opening in calm waters, but with occasional large waves in the shape of dynamic keyboard and guitar runs. This is music that should come supplied with a windbreaker and a sou'wester hat, as it's a constantly changing fusion of Jazz and Rock, charting an unpredictable course through some choppy windswept waters. It's time now to spare a thought "For Absent Friends", a gentle acoustic guitar diversion running at just over one minute long, and we're all at sea again with the final three-piece suite "We Are All / Someone Else's Food / Jamo And Other Boating Disasters - From The Holiday Of The Same Name." There are no real surprises in store here. It's a very familiar 8-minute-long pleasure trip aboard the good ship Canterbury for another weird and wonderful excursion into the outer reaches of complex Jazz Fusion. To play us out now comes "Just C", a 45-second-long gentle tinkling of the keyboards to put one in a relaxed and mellow frame of mind.

This Canterbury Scene album of experimental Jazz Fusion will almost certainly appeal to fans of Hatfield & the North and National Health, so even if you've never heard this album before, you'll know exactly what to expect from Gilgamesh if you're at all familiar with those two legendary bands of the Canterbury Scene. If you've already headed up the Great North Road to the sound of Hatfield & the North and picked up a prescription for National Health on the way, then Gilgamesh would make an ideal third stop-off point on the musical journey along the Canterbury Scene trail.


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Psychedelic Paul Quote  Post ReplyReply Direct Link To This Post Posted: April 21 2023 at 15:15

QUIET SUN were a short-lived, British Jazz-Rock combo. Their line-up included Phil Manzanera (of Roxy Music fame) on guitar. Their one and only album "Mainstream" (1975) has been described as Canterbury Scene music, although none of the London- based band members are actually from the city of Canterbury. After all, Canterbury Scene is more of a musical description than a geographical location. Although Quiet Sun split up in 1972, Phil Manzanera got the band together again in 1975 for a one-off studio session and this album was the result. Renowned record producer and former member of Roxy Music, Brian Eno, participated in the making of the album, although he wasn't credited as the album's producer. The 2011 CD reissue of "Mainstream" included five bonus tracks added to the original seven mostly instrumental pieces on the album. So, what can we expect from Quiet Sun's "Mainstream" album? One suspects that the band were being a little bit ironic with the "Mainstream" choice of album title. Is it going to be mainstream music or something a little more offbeat? Well, let's find out.

It's sunny side up for the 7-minute-long opening number "Sol Caliente" (Spanish for "Hot Sun"), a warm and inviting sunburst of fuzzy guitar-driven, psychedelic Jazz-Rock. This long uptempo instrumental piece really gives the musicians a chance to shine in a psychedelic jazz guitar freak out, with a nifty keyboard player in his element and with the drummer pounding away on his kit with frenetic energy as if his life depends on it. It's not exactly a toe-tapper, because your feet could hardly keep up with the frantic pace of this upbeat and offbeat piece of music with its unusually complex time signature, so just lie back and enjoy it. There's more funky fusion on the way with "Trumpets with Motherhood". It's anybody's guess what this bizarrely- titled piece of music is all about, because it's another instrumental number. You might at least be expecting to hear some trumpets though in a piece of music titled "Trumpets with Motherhood", but no, there's not a toot of a brass trumpet horn to be heard anywhere, because this is another uptempo fuzzy guitar and electric piano combination. It's less than two minutes long though so there's barely time to nip out the room and make a cup of tea, so you may as well stick around for the next number, "Bargain Classics". You're unlikely to find this rare album in the bargain classics section of your local store though, as it's a pretty hard album to get hold of these days. So, what does the music sound like you may well ask. Well, it's a very offbeat and "off-piste" piece of music in a highly irregular time signature, which is intricately complex and fascinating to put it kindly, but which is all over the place, to put it unkindly. It all depends on your point of view: if you're an aficianado of Jazz Fusion, then you may go into rhapsodies of delight upon hearing this musical mayhem, but on the other hand, if Jazz-Fusion is not your thing, then you may want to skip to the next piece of music, which is "R.F.D.". The meaning of the initials "R,F.D." are shrouded in mystery, but this is a pleasantly soothing, laid-back mellow number to close out Side One, so lie back, relax, and let the music play as the cares of the day drift away, because this gorgeous piece of music is like a bright ray of sunshine on a hot sandy beach.

Side Two opens with one of the most bizarrely-titled pieces of music of all time: "Mummy was an Asteroid, Daddy was a Small Non-Stick Kitchen Utensil". It's just as well it's an instrumental piece, because if this song had lyrics, they'd probably make no sense at all, although that's never been a problem in the wierd and wonderful world of prog, where just about anything goes when it comes to song lyrics. Anyway, back to the music we have here, and it's another intense and fast-paced Jazz-Fusion freak out, which is *almost* as freaky as the track title implies, but don't let that put you off, because the music is very impressive. It's also pretty wild and "finger-licking" good, so be prepared to hear some fast and furious acid guitar riffs. We're off at a "Trot" for Song No. 6 now, a 5-minute-long piece of uptempo Jazz-Fusion which gallops along nicely to bring us to the closing piece of music on the album, "Rongwrong". It's another bizarre track title in an album full of peculiar and offbeat track titles, and at times, peculiar and offbeat music to match. "Rongwrong" is the longest song on the album at nearly 10 minutes in duration. It's also the first real song on the album, as it actually includes lyrics for the first time. If you think the song title is bizarre though, take a look at these off-the-wall lyrics:- "I'm looking in my little black book, to see if I was right or rongwrong, within the confines of whoremonger logic, to even try to sing this song. I could have asked the I Ching, but that would have taken up too much time, And with the time before fall, I didn't see there was no time to lose, If things got bad it could always turn into a blues, Like they do back home on the Delta ? grunt and groan." ..... Confused? You will be! Never mind the lyrics though, what about the music? It's joyful, uplifting and exuberant, but also quite offbeat, which is just what we've come to expect by now from an album that is a little bit off the beaten track.

This Canterbury Scene album of Jazz-Rock/Fusion is certainly not "Mainstream" and it may not be to everyone's taste, but it is pretty good and definitely worth a listen. One can't help feeling though, that the album could have been better if most of the tracks had included vocals instead of just the final song on the album. It certainly would have made the music more memorable if most of the tracks had included lyrics. That said, if you're heavily into Jazz-Fusion, then this rare long-lost album might be right up your street.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Psychedelic Paul Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2023 at 00:37
 5 stars 1972: Khan - Space Shanty - http://www.youtube.com/playlist?list=OLAK5uy_neCfaRIj9J2aZKoMS909hNhdmCxafD_fo

Khan were a short-lived Canterbury Scene band who got together to record one outstanding album "Space Shanty" in 1972 before breaking up shortly afterwards. The band featured guitar legend and singer Steve Hillage, who later went on to success with Gong as well as having an illustrious solo career following the release of his first album "Fish Rising" in 1975. On keyboards was Dave Stewart (not to be confused with guitarist Dave Stewart of the Eurythmics), a distinguished keyboard player who was a member of the Jazz-Rock bands, Egg, Hatfield and the North, National Health, and Bruford, at various times during his long career. He also played together with Steve Hillage on the Arzachel (Uriel) album in 1969. Dave Stewart later worked with Barbara Gaskin (formerly a member of Prog-Folk band Spirogyra) and they teamed up to achieve single success in 1981 with "It's My Party {And I'll Cry If I Want To). The bass player on Khan's "Space Shanty" album was Nick Greenwood, a member of The Crazy World of Arthur Brown, and on drums was Pip Pyle, a talented drummer who went on to be a member of the Canterbury Scene bands, Gong, Hatfield and the North and National Health. The "Space Shanty" album contains six long epic pieces of diverse music of between 5 and 10 minutes duration, consisting primarily of a heavy prog, hard-rocking sound, interspersed with some quirky Jazz-Rock passages and quieter melodic moments, Khan sound like a heavier version of Caravan in places, and all the better for it too. "Space Shanty" is a very gratifying album to listen to as a whole and warrants repeated listening to truly appreciate the musical delights on offer here. The 2005 CD reissue of the album contained two bonus tracks.

"Space Shanty" opens in spectacular style with the title track, a song of awe-inspiring power and versatility, demonstrating the musical prowess of the four talented musicians to the fullest extent. This is Prog-Rock at its absolute best: heavy and loud and proud and displaying breath-taking musical virtuosity, guaranteed to leave the listener enthralled and astounded at the same time. Next is "Stranded", a beautifully melodic song which warms the heart with its lush harmonics and emotionally charged vocals. The song features an intricate, instrumental Jazz-Rock break to delight and entertain the listener. This memorable song represents another perfect demonstration of the musical virtuosity of these four amazingly talented musicians. Song No, 3 "Mixed Up Man of the Mountains" continues the album in similar epic and dramatic style, with a powerful Hard Rock sound combining well together with some complex Jazz-Rock sequences. Side Two opens with the longest song on the album "Driving To Amsterdam", a 9-minute-long song which displays its Canterbury Scene credentials to the fullest extent, with a heavy "Caravan-esque" Jazz-Rock sound and featuring some masterly guitar riffs and keyboard virtuosity from the combined talents of Steve Hillage and Dave Stewart. The penultimate song "Stargazers" is another heavy Jazz-Rock number with some interesting changes of time signature and dramatic changes of pace. "Hollow Stone" brings this memorable album to a suitably impressive close with emotionally wrought vocals and a spectacularly heavy and powerful sound, very reminiscent of some of Uriah Heep's epic songs.

The "Space Shanty" album is a classic which has stood the test of time, and still sounds as fresh and original today as it did at the time of its release way back in 1972. Thanks to ProgArchives and YouTube, this album is now receiving the acclaim and recognition it truly deserves. "Space Shanty" will delight and astound Progressive Rock lovers everywhere with its awesome power and virtuosity. It's an absolutely essential album for any discerning collector of classic early 1970's Prog-Rock.

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Post Options Post Options   Thanks (1) Thanks(1)   Quote zwordser Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2023 at 15:51
Well, been appreciating Canterbury for many years now (largely due to finding info about it on this site!). Been loving listening to a lot of Zopp recently. 

But with a lot of talk about Steve Hillage here, I suppose I should do a shout-out for this album-- I found the CD quite by chance and had it for several months before listening on a car trip.  Didn't expect so much greatness, and I was blown away!




Edited by zwordser - April 22 2023 at 15:55
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Psychedelic Paul Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2023 at 16:59
^ Steve Hillage has sometimes been referred to as "the hippie from outer space", which reminded me of the Space Hippies in Star Trek, although they're light years away from the Canterbury Scene. Smile

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Post Options Post Options   Thanks (1) Thanks(1)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2023 at 19:02
Originally posted by Psychedelic Paul Psychedelic Paul wrote:

^ Steve Hillage has sometimes been referred to as "the hippie from outer space", which reminded me of the Space Hippies in Star Trek, although they're light years away from the Canterbury Scene. Smile


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Post Options Post Options   Thanks (1) Thanks(1)   Quote Nogbad_The_Bad Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2023 at 20:22
Space Shanty is a stone cold classic
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Mellotron Storm Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2023 at 22:14
Originally posted by Nogbad_The_Bad Nogbad_The_Bad wrote:

Space Shanty is a stone cold classic

Agreed! Just listened to it along with...
Steve Hillage- Fish Rising
National Health- Of Queues And Cures
Moving Gelatine Plates- s/t
National health- Playtime
My last five Canterbuy listens.

That Playtime cd is still available through Wayside and I'd be picking it up if any of you haven't yet. It's a live record of the NATIONAL HEALTH lineup that played live the most. Gowen, Greaves, Miller and Pyle with guitarist Alain Eckert guesting on three tracks. I love this one! It's more jazzy perhaps but just a pleasure. I can't help but think that when this goes out of print it's gone.
"The wind is slowly tearing her apart"

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Post Options Post Options   Thanks (1) Thanks(1)   Quote Mellotron Storm Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2023 at 22:17
I also spun INVISIBLE OPERA COMPANY OF TIBETs UFO Planante which has a canterbury flavour to it and they cover Moon In June to perfection. A Brazilian band with GONG and VIOLETA DI OUTONO connections.
"The wind is slowly tearing her apart"

"Sad Rain" ANEKDOTEN
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Psychedelic Paul Quote  Post ReplyReply Direct Link To This Post Posted: April 23 2023 at 05:08
   A-Z of Canterbury Scene Music from Around the World 

 3 stars 1976: Daevid Allen & Euterpe - Good Morning! - http://www.youtube.com/playlist?list=PLGPRENFJQmJyErt1Uzukp1oh1kiyynGv5
 4 stars 1977: Daevid Allen - Now is the Happiest Time of Your Life - http://www.youtube.com/playlist?list=OLAK5uy_mfzHH9Ab83_eJFHQc_jqWNiIOj33nJZuQ
 1 stars 1982: Daevid Allen - Divided Alien Playbax 80 - http:///www.youtube.com/playlist?list=OLAK5uy_ly9kvfq-dUILzIE3_tn8ncp7FR6wbzFs4
 2 stars 1990: Daevid Allen - Ja-Am: Seven Drones - http://www.youtube.com/watch?v=RQZ0SruqsqU
 2 stars 1990: Daevid Allen, Gilli Smyth & Harry Williamson - Stroking the Tail of the Bird - http://www.youtube.com/watch?v=YYjWO-XY5eg
 3 stars 1992: Daevid Allen & Kramer - Who's Afraid? - http://www.youtube.com/watch?v=5kxwjEvtPUM
 3 stars 1995: Daevid Allen - Dreamin' a Dream - http://www.youtube.com/watch?v=kqEJOj3Curg

                  
 3 stars 2003: Antique Seeking Nuns - Mild Profundities - http://www.youtube.com/playlist?list=OLAK5uy_l3OfKs7rWgV-A6MEhT5mNBwNagt4N9gW8
 3 stars 2006: Antique Seeking Nuns - Double Egg with Chips and Beans - http://www.youtube.com/playlist?list=OLAK5uy_kxCfH2SHoylf76-r6pUWu8-9gGpc3jc9E
 3 stars 2009: Antique Seeking Nuns - Careful It's Tepid

 5 stars 1969: Arzachel - Arzachel - http://www.youtube.com/watch?v=lRW8bkl33yU

 2 stars 1970: Kevin Ayers and the Whole World - Shooting at the Moon - http://www.youtube.com/playlist?list=OLAK5uy_n9qnG8Kc2xZNuFnd7vb7OXzB05IQh2ljU
 3 stars 1972: Kevin Ayers - Whatever She Brings We Sing - http://www.youtube.com/playlist?list=OLAK5uy_lI1C8TC3_q4tdBovWYyph6LVdcWNmg1gs
 3 stars 1974: Kevin Ayers - The Confessions of Dr. Dream and Other Stories - http://www.youtube.com/playlist?list=OLAK5uy_mDTq8MvTkJasJqx-v8AeaHhKwBiajPu3Q
 3 stars 1974: Kevin Ayers, John Cale, Eno & Nico - June 1st, 1974 - http://www.youtube.com/playlist?list=OLAK5uy_lUOfzV14SiysO4L1YXi52o3t-G2N_gKJg
 2 stars 1974: Kevin Ayers, Lady June & Brian Eno - Lady June's Linguistic Leprosy - http://www.youtube.com/playlist?list=OLAK5uy_k6aSpLAxKwUxAfK5FACCudm4cql4niozk
 2 stars 1980: Kevin Ayers - That's What You Get Baby - http://www.youtube.com/playlist?list=OLAK5uy_lG_GidedTSBMYDbzqfxgI592gYv5PG37c
 2 stars 1983: Kevin Ayers - Diamond Jack and the Queen of Pain 
 3 stars 1988: Kevin Ayers - Falling Up 
 2 stars 1992: Kevin Ayers - Still Life with Guitar - http://www.youtube.com/playlist?list=PL4cFJtUcmjZkhMW_QdSzqCuGaRCGvnXym
 3 stars 2017: Kevin Ayers, Lady June & Ollie Halsall - The Happening Combo - http://www.youtube.com/playlist?list=OLAK5uy_k8soagIuEPtqXG8a5G3ePHu-VRwYG9vxw                  
                  



Edited by Psychedelic Paul - August 03 2023 at 06:39
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: May 13 2023 at 22:45
This is a list of my Canterbury cds

Caravan- Caravan
If I Could Do It Again
The Land Of Grey And Pink
Waterloo Lily
Girls Who Grow Plump In The Night
New Symphonia
Cunning Stunts
Blind Dog At St. Dunstans

Soft Machine

Third
Fourth
Five
Six
Seven
Bundles

Egg-Egg
The Polite Force
The Civil Surface

Hatfield And The North
The Rotters Club

National Health- National Health
Of Queues And Cures
DC Al Coda
Missing Pieces
Playtime

Gilgamesh - Gilgamesh
Another Fine Tune You've Got Me Into
Arriving Twice

Soft Heap

Robert Wyatt
Rock Bottom
Ruth Is Stranger Than Richard

Gong
Magick Brother
Continental Circus
Camembert Electrique
Flying Teapot
Angels Egg
You
Live Sheffield 74'
Live Est Mort
A Collection
Shapeshifter
Family Jewels
Gong 2000
2032
I See You
Love From Planet Gong ( box set)
Live Longlaville
Greasy Truckers at Dingwalls Dancehall

Matching Mole- Matching Mole
Little Red Record

Michael Giles- Progress ( ex Caravan members)







Edited by Jacob Schoolcraft - May 13 2023 at 22:51
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Post Options Post Options   Thanks (1) Thanks(1)   Quote geekfreak Quote  Post ReplyReply Direct Link To This Post Posted: May 13 2023 at 23:32
Originally posted by dr wu23 dr wu23 wrote:

Recommended to Canter bury heads..............



Excellent album
Friedrich Nietzsche: "Without music, life would be a mistake."



Music Is Live

Two people are better off than one, for they can help each other succeed.



Keep Calm And Listen To The Music…
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: May 16 2023 at 04:55
Originally posted by Grumpyprogfan Grumpyprogfan wrote:

Sanguine Hum is classified as Neo-Prog on PA. That should be changed to Canterbury.




Thanks for sharing this! Something about this piece brings memories of Happy The Man or early Kit Watkins
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: May 20 2023 at 11:12
A style of writing which developed because of most Canterbury musicians shifting around to different bands. Dave Sinclair, Mike Ratledge, Dave Stewart and Alan Gowen having similarities in their choice of chord progressions and voicing.

There are many comparisons. The chords for "Carol Ann" from Soft Machine Seven have similarities to chord progressions heard in the music of Caravan, National Health, Gilgamesh, Hatfield and the North, Egg, and Robert Wyatt.

In the 70s it wasn't a style that surfaced in bands like Weather Report, RTF, Miles Davis, or Herbie Hancock. It felt obsolete when I heard it. Some of its essence I felt through the early instrumental albums of Frank Zappa...for example, Grand Wazoo.

Chord progressions producing a dark sound had similarities played by different keyboardists and scattered throughout the music of Hatfield And The North and Gong. The piece "As If" from Soft Machine 5 is very reminiscent of a style heard in the music of Gong. "Shaving Is Boring" from Hatfield And The North actually sounds like the Gong band in 73' and 74'.

The way Dave Stewart was spoken to by a record executive made me ill. It sounds like what everybody else is doing? Really?
Or the Canterbury style was not commercially viable enough because it acquired a taste.. So that gives me the impression that anyone who chooses to think different and write different..they are only doing it out of self interest and nobody could ever have a principle but you huh? Charlie? Whatever your name is? 😃
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: May 20 2023 at 13:39
Michael Giles Progress is a very Canterbury style album featuring ex Caravan members John G. Perry on bass and instrumentalist Geoffrey Richardson. David Scott MacRae who worked with Back Door, Robert Wyatt and Richard Sinclair.John Mealing who worked with Passport and later on Strawbs albums. Ray Warleigh ..saxophonist flutist on Mike Oldfield and Soft Machine recordings. Peter Giles on bass and Catherine Howe "a Kate Bush before her time" sings on 2 tracks.

The album has the spirit of Canterbury sound. The songs are interesting and the playing is outstanding. Michael Giles' vocal style improved on this album. His voice sounds more developed on Progress in comparison to his vocal delivery on "Tomorrow's People "

The album seems to tell a story of a guy who boards a train that takes him to London to do session work. Some songs depict the tale of a musician on a train ride with sightseeing and daydreaming along the way.

To me this album is pure Canterbury and I highly recommend it to hard-core fans of that style.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Psychedelic Paul Quote  Post ReplyReply Direct Link To This Post Posted: July 22 2023 at 09:57
Originally posted by Jacob Schoolcraft Jacob Schoolcraft wrote:

This is a list of my Canterbury cds

Caravan- Caravan
If I Could Do It Again
The Land Of Grey And Pink
Waterloo Lily
Girls Who Grow Plump In The Night
New Symphonia
Cunning Stunts
Blind Dog At St. Dunstans

Soft Machine

Third
Fourth
Five
Six
Seven
Bundles

Egg-Egg
The Polite Force
The Civil Surface

Hatfield And The North
The Rotters Club

National Health- National Health
Of Queues And Cures
DC Al Coda
Missing Pieces
Playtime

Gilgamesh - Gilgamesh
Another Fine Tune You've Got Me Into
Arriving Twice

Soft Heap

Robert Wyatt
Rock Bottom
Ruth Is Stranger Than Richard

Gong
Magick Brother
Continental Circus
Camembert Electrique
Flying Teapot
Angels Egg
You
Live Sheffield 74'
Live Est Mort
A Collection
Shapeshifter
Family Jewels
Gong 2000
2032
I See You
Love From Planet Gong ( box set)
Live Longlaville
Greasy Truckers at Dingwalls Dancehall

Matching Mole- Matching Mole
Little Red Record

Michael Giles- Progress ( ex Caravan members)

That's an impressive list! I have a lot of catching up to do. Here's my less than impressive list of Canterbury Scene CD's:-

 4 stars 1970: Caravan - If I Could Do It All Over Again, I'd Do It All Over You - https://www.youtube.com/playlist?list=PLoIDt_C5y1LtsoUorBySZ8GsEIMLVrI2R
 5 stars 1971: Caravan - In the Land of Pink and Grey - https://www.youtube.com/playlist?list=PLoIDt_C5y1LuvsF8fnd5IFaqvwNUGPObK
 4 stars 1973: Caravan - For Girls Who Grow Plump in the Night - https://www.youtube.com/playlist?list=PLoIDt_C5y1Lt0FuNvUESL3n07pAc4QxoA
 4 stars 1974: Caravan - Caravan and the New Symphonia - https://www.youtube.com/playlist?list=PLoIDt_C5y1LsEzP-B6i809C-GjZxNi_6g

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