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Why Is New Music Dying?

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The Dark Elf View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote The Dark Elf Quote  Post ReplyReply Direct Link To This Post Posted: January 23 2022 at 20:16
Originally posted by siLLy puPPy siLLy puPPy wrote:

^ you clearly don't understand how the music industry operates. For the most part record companies steal the product and give the artists a pittance.

You clearly don't get how musicians are getting screwed by streaming companies, with their portions of a penny payouts.

Originally posted by siLLy puPPy siLLy puPPy wrote:

RYM is a peer rated site and shows where the public's tastes are. Some of the top indie artists are doing quite well. You're really saying that because your friend hasn't made $$$ that nobody else has? LOL

My friend, a poster on PA, was an example. And I know exactly what RYM is, as I've written reviews there for years -- so spare me the "peer rated" claptrap. It's the same conglomeration of knowledgeable listeners and silly doofuses who review on PA. Again, are you a musician? You never answered. It would seem you are not, because you have some skewed views on how musicians have to make money (playing live and selling hard copy at the shows is the usual income).

Originally posted by siLLy puPPy siLLy puPPy wrote:

I'm not saying Joe isn't a legend. I have several of his albums. I love his music. I'm saying that he's out of touch with the reality of the modern music business model and clearly doesn't expand his musical horizons from his clueless comments.

He had a lot of good points, and he was talking in generalities -- just like Rick Beato was talking in generalities about the boring pop music being produced. Their points hit home on the general state of modern music, and not the specificities of certain bands.

I can tell you that many musicians I know had a really tough time over the last 2 years due to venues limiting live events or closing down outright. Hell, I didn't play out all through 2020, and didn't get back to it until the Summer of 2021. But I play out now for sheer enjoyment of playing live rather than for income. To say Joe is "clueless" is about as clueless as your comment:

"The new paradigm means that any given artist can make a decent living selling LESS music."

That right there tells me you have no idea what you're talking about. Unless, of course, you think living in a van down by the river is "a decent living." LOL


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Easy Money Quote  Post ReplyReply Direct Link To This Post Posted: January 23 2022 at 20:46
Streaming companies are a rip-off for everyone. They are the new top-40, only its a larger number now.
RYM is garbage dump, anyone can write reviews there and it shows, Allmusic is much better, they actually have knowledgeable writers.

Thanks to the internet, about the only way for musicians to make money anymore is through teaching lessons on the internet. That is how I make my living.
I like a lot of new music, that is mostly what I listen to, but when it comes to today's popular music, Joe Walsh got it exactly right.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote tszirmay Quote  Post ReplyReply Direct Link To This Post Posted: January 23 2022 at 20:56
Originally posted by lazland lazland wrote:

I listen to more new music now in my late fifties than I ever did in my teens or twenties.

The amount of great stuff out there is truly remarkable.

I , as per the norm, concur 100% with my Lazman ! As a fellow "veteran progger", I can state that 
there are so many wonderful releases that continue to boggle my mind. Got to find them, though and that may be the hardest part, there are so many out there still left to be discovered.  
I never post anything anywhere without doing more than basic research, often in depth.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 00:12
Originally posted by MortSahlFan MortSahlFan wrote:

...
    The hottest area of investment in the music business is old songs—with investment firms getting into bidding wars to buy publishing catalogs from aging rock and pop stars.
...

Hi,

It has always been that way since the late 70's with the huge corporate buy out of all the free form FM stations in America, all of which became hit buggers, and they still are!

Originally posted by MortSahlFan MortSahlFan wrote:

...
Even major record labels are participating in the shift, with Universal Music, Sony Music, Warner Music, and others buying up publishing catalogs—investing huge sums in old tunes that, in an earlier day, would have been used to launch new artists.
...

What we're not taking into consideration is that the big names in music, now are about DISTRIBUTION, not development and investing on a new band or artist. For the most part, these days, everyone is better acquainted with what they have to do, even if it is to get a start on places like Bandcamp or Spotify, even if those places are not very good at sharing their numbers, and like record companies of old are lying left and right about how many and how much folks take to a piece of music ... and it is obvious why ... these are NOT INDEPENDENT folks. They are a part of the bigger music venues.

Originally posted by MortSahlFan MortSahlFan wrote:

...
    Radio stations are contributing to the stagnation, putting fewer new songs into their rotation, or—judging by the offerings on my satellite radio lineup—completely ignoring new music in favor of old hits.
...

Radio stations have been on the decline for 40 years, and they went down even faster 30 years ago as the Internet took off. The sheer number of music threads on Fido and other places, alone, made the record companies and the radio stations look not only stupid but bizarre, playing the same things on a rotation, and somehow, folks think that those stations still have some value and are good ... they make it "sound" good, with commercials and attitudes that some folks think is cool, at least the younger crowd.

The bigger issue, and I remember it well in Santa Barbara, was some drunk this or that calling the station to play Led Zeppelin, and that kid had the albums in their home right next to them! With the bad dope around today, I can't help joke that "fans" are still doing the same thing by continuously posting more and more about ELP's, YES, GENESIS and PINK FLOYD's toilet habits and what not! One comment about Aqualung, and there will be 27 postings within the hour, so to speak! In other words, I am not convinced that these folks really have a good listening habit, since they know this piece, but don't post, or know a whole lot about many others, specially within a "progressive" board.

Originally posted by MortSahlFan MortSahlFan wrote:

...
Many older people don't use streaming to listen to music. I talk to a LOT of people (just like here), and many still play their records, and others I know took their CDs and burned/digitized them into mp3's (some flac) so they can move them wherever and never have to purchase them again.
...

Almost all new material I hear comes from suggestions in this board. Great example is that medieval thread and I have listened to anything in there I did not have or know ... it is that good, and went out and bought at least 2 CD's off that material. CHECK THAT ... about 50% of new things I get are from Space Pirate Radio, because no one that I have ever heard has a better EAR for music than he does, and he has shown it for 48 years (birthday show tonight!). AND, I don't do "songs". I only do albums, and Guy's show is the best place for that, because his show is not exactly about a song, although these days it is a bit more song oriented than he ever was, but still the material he plays is far out. As an example, is folks thinking that "krautrock" died many years ago ... and all this says is that folks don't even realize that it is still going on strong in Germany and then some! But you would never know that from any of the "progressive" music shows all over the Internet!

Streaming, otherwise, as meant by some services, is not what I like to do, mainly because those folks don't know music, and they don't care, and their suggestions are so far and away off the mark as to be really sick.

Times, they are a changing ... even if it is 50 years later, and we have to get used to the new guitar in folks music (Dylan) ... so to speak. 

The main issue I have with it all, is that just because the guitar is there, people automatically think that it is just like another person who supposedly did it better ... and that comparison is a horrible fallacy .... THE INSTRUMENTS ARE THE SAME ... what do you expect? A mouse screech?

I, honestly, and I take the hint from this board and how many folks will post on this and that (top stuff) and not have anything to say about anything else. It's called conditioning ... and it's something that has been a part of society for thousands of years. I'm not convinced that this is going to get any better until the day that folks at PA and other Progressive sites, grow up past their Walt Disney definition of Progressive Music ... and then we probably would lose some folks because we don't talk enough about the top five and about the giant hogweed, as if PG and other English folks did not use those kind of connotations for years before him! But all of a sudden it is important and valuable, and even Lewis Carroll is an idiot ... specially when we don't even realize that he was writing stuff for children ... and thinking it is dopey stuff is a bit on the weird side of things for me. It doesn't have to be so.

I'm not sure that there is a proper answer and my comments are based on a life of radio listening, however I was lucky (as were a handful that still listen to Space Pirate Radio), and in those days Guy played full albums and gave the artist a nice send off ... specially Klaus Schulze and Tangerine Dream, but they were not the only ones. Almost all of the German stuff was played left and right and in its entirety. I doubt that there have been shows that were that progressive and experimental anywhere else, and not a compromised show that has to play something "familiar" in order to make sure their audience is still there! THAT is the problem! You either stick to the art, or not. AND, radio is not about the art, and never was! Anyone expecting to get something from it, won't likely find much ... unless you know where to look, and most don't even try!


Edited by moshkito - January 24 2022 at 00:23
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Post Options Post Options   Thanks (0) Thanks(0)   Quote SouthSideoftheSky Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 03:11

Humans have been making music for thousands of years. From that perspective, Rock music as such is still very much the latest thing around! There are people alive today that are older than rock itself. And the Progressive Rock bands that started out in the late 1960's and early 70's are at the very frontier of new music.

People are going to continue to make music for many more thousands of years to come, but the creative explosion that came in the late 60’s and early 70’s only happened yesterday. The “old” classic progressive Rock albums are still very much current and are going to remain so. Music that was recorded only 50 years ago is new!



Edited by SouthSideoftheSky - January 24 2022 at 03:31
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Post Options Post Options   Thanks (0) Thanks(0)   Quote SouthSideoftheSky Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 06:25

I read the article now. Where the author sees old vs. new, I see fads vs. the enduring musical legacy of some aging or dead artists.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote siLLy puPPy Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 07:05
Originally posted by The Dark Elf The Dark Elf wrote:

Originally posted by siLLy puPPy siLLy puPPy wrote:

^ you clearly don't understand how the music industry operates. For the most part record companies steal the product and give the artists a pittance.

You clearly don't get how musicians are getting screwed by streaming companies, with their portions of a penny payouts.

Originally posted by siLLy puPPy siLLy puPPy wrote:

RYM is a peer rated site and shows where the public's tastes are. Some of the top indie artists are doing quite well. You're really saying that because your friend hasn't made $$$ that nobody else has? LOL

My friend, a poster on PA, was an example. And I know exactly what RYM is, as I've written reviews there for years -- so spare me the "peer rated" claptrap. It's the same conglomeration of knowledgeable listeners and silly doofuses who review on PA. Again, are you a musician? You never answered. It would seem you are not, because you have some skewed views on how musicians have to make money (playing live and selling hard copy at the shows is the usual income).

Originally posted by siLLy puPPy siLLy puPPy wrote:

I'm not saying Joe isn't a legend. I have several of his albums. I love his music. I'm saying that he's out of touch with the reality of the modern music business model and clearly doesn't expand his musical horizons from his clueless comments.

He had a lot of good points, and he was talking in generalities -- just like Rick Beato was talking in generalities about the boring pop music being produced. Their points hit home on the general state of modern music, and not the specificities of certain bands.

I can tell you that many musicians I know had a really tough time over the last 2 years due to venues limiting live events or closing down outright. Hell, I didn't play out all through 2020, and didn't get back to it until the Summer of 2021. But I play out now for sheer enjoyment of playing live rather than for income. To say Joe is "clueless" is about as clueless as your comment:

"The new paradigm means that any given artist can make a decent living selling LESS music."

That right there tells me you have no idea what you're talking about. Unless, of course, you think living in a van down by the river is "a decent living." LOL




You're an argumentative one aren't  you?

Streaming isn't the only way to make revenue through music.

Those who rely on Spotify and such sites have no creativity in business models.

I have friends who make thousands of dollars a month off royalties.

I get artists contacting me often on this site, MMA and RYM to review their albums.

I ask them if they make any $$$ and every single one says they make quite a bit off Bandcamp alone.

You are right that many musicians make their living off of playing live, T-shirts and other merch and that has clearly been affected by the last 2 years and the collapse of the music industry.

You're missing my point! The old paradigm has collapsed! It is incumbent of the artist to find a new business model and many are stepping up to the plate.

Are you telling me newer bands like Black Midi, Squid and Injury Reserve (just to name a very few) aren't making $$$ simply selling streamed music when they have over 10,000 ratings on RYM alone? Come on!

If artists like Joe and old school musicians are so concerned then why don't they revive the music industry themselves? They have the $$$.



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Post Options Post Options   Thanks (0) Thanks(0)   Quote siLLy puPPy Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 07:12
Originally posted by Easy Money Easy Money wrote:


RYM is garbage dump, anyone can write reviews there and it shows, Allmusic is much better, they actually have knowledgeable writers.


That could be said about this site too or any site that allows anyone to contribute.

Personally i've discovered more prog on RYM than here. This database has been woefully incomplete and i've suggested dozens of artists that have been included here having discovered them on RYM.

Same goes for jazz and metal.

The RYM site is totally up to date and more and more users prefer that site because it is designed exponentially better than any of M@X's sites.

Just an example, Close To The Edge has over 22,000 ratings currently whereas on PA it only has 4770.

AllMusic is good but not great. Horrible site layout and some of the reviews are totally wrong as far as facts go.

What makes PA worth visiting is the cool peeps who use it and PA does have some artists that haven't yet been added to RYM especially some of the newer ones.

RYM has been getting better at deleting stupid reviews that are worthless.


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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 07:49
Originally posted by SouthSideoftheSky SouthSideoftheSky wrote:

...
People are going to continue to make music for many more thousands of years to come, but the creative explosion that came in the late 60’s and early 70’s only happened yesterday. The “old” classic progressive Rock albums are still very much current and are going to remain so. Music that was recorded only 50 years ago is new!


Hi,

It's been said that huge creative moments within a century only happen once or twice. I think the 20th century had movies for one, and then the music craze thing that ended up birthing "progressive" for us, is the 2nd ... and I say that because music was not the only "art" that carried it. And this is the part that folks tend to overlook. A "scene" is much more than a fad, and lasts a lot longer. As an example, the punk thing was a fad, and died as quickly as it came up. "Progressive" was not a fad, but a direct result of the freedom and attitude that many other artists had, going back to the late 50's and early 60's, and already visible in many areas, in film, theater, literature and other disciplines. Rock music was one of those arts. The same as "jazz" although some are finding that the streak of jazz proceeded the 50's even, though finding recordings of it then, is difficult specially when the movie studios OWNED all publishing abilities and they were not going to fund anyone but their own "stars" ... so you have a "star is born" with a fake color screen in the background, and we find it far out! Plastic is already replacing the reality!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 08:02
Originally posted by siLLy puPPy siLLy puPPy wrote:

...
Are you telling me newer bands like Black Midi, Squid and Injury Reserve (just to name a very few) aren't making $$$ simply selling streamed music when they have over 10,000 ratings on RYM alone? Come on!

If artists like Joe and old school musicians are so concerned then why don't they revive the music industry themselves? They have the $$$.

Hi,

I think that you are mentioning the problem without realizing it. Some of those bands make some money or not is the issue ... and this also goes for Spotify and Bandcamp. 

THE IRS and a revenue counting institution (like the English, French or German) DO NOT HAVE THE ABILITY TO GET NUMBERS, from you so they can tax you. Not to mention that you probably say that you sold 5 and in actuality you sold 10! The streaming services, DO NOT show their numbers, and do not post it, and it is all "hidden" and if my name was the IRS, I would put a stop to that and close down the streaming service the minute I saw them cheat. Of course, the real problem here is that it hurts the musicians more, but you can not assume that the next streaming service is more honest than the next!

The day that "purchases" are listed and shown PROPERLY, is the day that we will find that ... GOOD TRUCKING RIDDANCE OF THE RECORD COMPANIES! 

New music is not in a death spiral ... what is on a death spiral is our continuing being stuck in the time warp song playing the same top five and refusing to give the new things a SOLID listen in order to realize that there is something good here!

It will be a cold day in hell, when any streaming service is honest enough to show the numbers "LIVE" so you know exactly what is selling and what is not. C'mon, you really think Apple was stupid to go after The Beatles and many others? The main issue is that Paul was not stupid and FORCED a very high number, because he knew that Apple, like any other company would lie and cheat so much to not give out the payouts that they should to any artist out there. 

How do we know, how many of this or that were sold? 

The day we have a way of telling, will be the day that you know, for sure, that record company controlling stooges (all of these services are a part of an old record company, except Apple) can no longer lie and cheat ... but in places like ... well ... you really think things are better in America, than England, than Japan? Think again, and look at the castles and cars and planes of rich folks! Many did not make this by accident!
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Post Options Post Options   Thanks (1) Thanks(1)   Quote siLLy puPPy Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 08:19
^ i honestly know nothing about streaming services because i NEVER use them but from what i've been hearing, it's nothing more than publicity

As far as more reliable sources like Bandcamp and downloading services, it's totally traceable and don't forget that many artists still sell old fashioned vinyl and CDs. Some even still do cassettes!

Since i don't rely on streaming services or someone else to play music for me i would just suggest that although the modern world is very different than the past, there have never been more opportunities.

These days one has to take a proactive role in discovering new music and not rely on radio or other sources of spoon fed music. Having said that we do have an excellent college radio station here in the Bay Area which plays some excellent obscure stuff! But that's the exception for sure.

Let's face it, unless an artist takes control of the business aspect of his / her art form, there will always be exploitation and that is just as true today as it was throughout the entire music industry's existence.

Looking at the larger picture though, artists now have the ability to be completely independent from all external sources of potential exploitation. If artists are unwilling or unable to take advantage of these developments is a completely separate topic.

As far as the mainstream music industry is concerned, it's true that it is vile and disgusting. An industry that once produced The Beatles, Led Zeppelin and Queen have put all their energy into dance pop like Lady Gaga or "controlled" hip hop styles like Kanye West. In that regard music has deteriorated but why even focus on the powers that were when the new paradigm is still in its birth pangs?

Somehow i feel the new musical paradigm will evolve into something even better than we ever could've imagined but it will involve escaping much larger systems of control beyond the world of music.



Edited by siLLy puPPy - January 24 2022 at 08:21

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Post Options Post Options   Thanks (0) Thanks(0)   Quote SouthSideoftheSky Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 10:29
Originally posted by siLLy puPPy siLLy puPPy wrote:

^ i honestly know nothing about streaming services because i NEVER use them but from what i've been hearing, it's nothing more than publicity

As far as more reliable sources like Bandcamp and downloading services, it's totally traceable and don't forget that many artists still sell old fashioned vinyl and CDs. Some even still do cassettes!

Since i don't rely on streaming services or someone else to play music for me i would just suggest that although the modern world is very different than the past, there have never been more opportunities.

These days one has to take a proactive role in discovering new music and not rely on radio or other sources of spoon fed music. Having said that we do have an excellent college radio station here in the Bay Area which plays some excellent obscure stuff! But that's the exception for sure.

Let's face it, unless an artist takes control of the business aspect of his / her art form, there will always be exploitation and that is just as true today as it was throughout the entire music industry's existence.

Looking at the larger picture though, artists now have the ability to be completely independent from all external sources of potential exploitation. If artists are unwilling or unable to take advantage of these developments is a completely separate topic.

As far as the mainstream music industry is concerned, it's true that it is vile and disgusting. An industry that once produced The Beatles, Led Zeppelin and Queen have put all their energy into dance pop like Lady Gaga or "controlled" hip hop styles like Kanye West. In that regard music has deteriorated but why even focus on the powers that were when the new paradigm is still in its birth pangs?

Somehow i feel the new musical paradigm will evolve into something even better than we ever could've imagined but it will involve escaping much larger systems of control beyond the world of music.



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Post Options Post Options   Thanks (1) Thanks(1)   Quote progaardvark Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 13:25
I listened to 310 albums that were released in 2021 (and I'm sure there are others here that have listened to more than I have). Of these, I would rate at least 150 of them as 4-star efforts or higher. I can't say the same about 1973.


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Post Options Post Options   Thanks (1) Thanks(1)   Quote siLLy puPPy Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 15:27
Originally posted by progaardvark progaardvark wrote:

I listened to 310 albums that were released in 2021 (and I'm sure there are others here that have listened to more than I have). Of these, I would rate at least 150 of them as 4-star efforts or higher. I can't say the same about 1973.




Bingo! I totally agree. There's simply too much excellent music to keep up with!

Periods of transition in history are always awkward.

I'm proud of musicians for hanging in there despite all the obstaclese!

Go team!!!

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Post Options Post Options   Thanks (0) Thanks(0)   Quote MortSahlFan Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 16:31
Originally posted by moshkito moshkito wrote:

[QUOTE=siLLy puPPy]
...
 The main issue is that Paul was not stupid and FORCED a very high number, because he knew that Apple, like any other company would lie and cheat so much to not give out the payouts that they should to any artist out there.


What exactly did Paul do?
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Post Options Post Options   Thanks (2) Thanks(2)   Quote Jaketejas Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 17:30
Originally posted by progaardvark progaardvark wrote:

I listened to 310 albums that were released in 2021 (and I'm sure there are others here that have listened to more than I have). Of these, I would rate at least 150 of them as 4-star efforts or higher. I can't say the same about 1973.




You are awesome! I’m sure even the lower rated bands are giving it all they got. Writing and recording and producing music is really hard. Since most bands can’t make a living at it, they are working on it at nights and days off. Anymore, I think many bands these days just want to get their art out there and be appreciated by someone … anyone. What you and the many others on PA are doing is a worthy cause and you are to be commended. Those ratings and reviews mean a lot to artists. Most people just listen and don’t leave anything … except maybe a “view” on some sites. Things are a bit detached these days. Gone are the days of buying the albums, going to the shows, and buying the merchandise. A few will get lucky and get selected for film or video games or whatnot. But, for most, best to keep that day job! Like Harry in Sultans of Swing. “And Harry doesn't mind, if he doesn't, make the scene
He's got a daytime job, he's doing alright”
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Post Options Post Options   Thanks (1) Thanks(1)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2022 at 18:30
Originally posted by siLLy puPPy siLLy puPPy wrote:

...
As far as the mainstream music industry is concerned, it's true that it is vile and disgusting. An industry that once produced The Beatles, Led Zeppelin and Queen have put all their energy into dance pop like Lady Gaga or "controlled" hip hop styles like Kanye West. In that regard music has deteriorated but why even focus on the powers that were when the new paradigm is still in its birth pangs?
...

Hi,

Careful with the words here ... check out the worst business decisions EVER made ... and the Beatles and Rolling Stones are 1 and 2. Led Zeppelin would also be there were it not for the father of progressive music who was a helper and friend to a young Jimmy Page. Queen was later. Lady Gaga, I can't speak about and won't. Kanye, is a part of the black rise in music and control.

I don't think that things have deteriorated at all ... except that we keep thinking that those were great and everything else is not. The real issue is that we have not given new things, and different things a good EAR and chance. You've heard your "favorite" 50 times ... but you have not heard a new something 2 or 3 times, and it has not grown on you because of it.

Music HAS NEVER DIED for hundreds and thousands of years. What has died is our ability to appreciate it and hear it. Opera is not dead ... our generation just won't hear it because it lacks the emotion that you want to see that is in rock music. Until this improves and a new Verdi and a new Puccini show up, the chances are that we will never look at that kind of music as valuable and important ... but for a long time, even its arias were some of the best known songs around.

We have to stop thinking that the world around us is dead, or dying. It's VERY ALIVE but we don't see that tree in our backyard doing great, or the new flowers about to start springing in the next couple of weeks. It's the same thing ... do we notice it? Or not.

We choose to not look at new music properly with the same verve and desire that we do the top 5 ... and if we did, we would not be saying that it was dead ... it's quite alive ... but not at PA where the articles would really only want to say that what was "progressive" for a few hours, is now dead. IT'S NOT DEAD ... it's there in a different way that we have not attuned out ears to, and worse ... we won't!
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com
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Post Options Post Options   Thanks (0) Thanks(0)   Quote MortSahlFan Quote  Post ReplyReply Direct Link To This Post Posted: January 25 2022 at 07:23
Originally posted by moshkito moshkito wrote:

Originally posted by siLLy puPPy siLLy puPPy wrote:

...

...

Led Zeppelin would also be there were it not for the father of progressive music who was a helper and friend to a young Jimmy Page.



Maybe you'll answer this question.

Who is the father of progressive music?
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Post Options Post Options   Thanks (1) Thanks(1)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 25 2022 at 07:48
Originally posted by MortSahlFan MortSahlFan wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by siLLy puPPy siLLy puPPy wrote:

...

...

Led Zeppelin would also be there were it not for the father of progressive music who was a helper and friend to a young Jimmy Page.



Maybe you'll answer this question.

Who is the father of progressive music?
Hi,

He was known for Aphrodite's Child and Gentle Giant at the start ... you could say that the man had an ear for music! He had been doing a lot of studio stuff in London, and Jimmy Page was one of his studio players. Later he also worked with Gong, and was with them in their West Coast tour in 1999 when they did the SF Progressive Music Show, of which he was a brief speaker. He said at Gilly's birthday party that he was not the one. The music was!


Edited by moshkito - January 25 2022 at 07:49
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com
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