Interactive poll XXL-26 - the choir edition |
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Snicolette
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Glad you enjoyed the Catsody. Atom Heart Mother is my favourite PF recording. Always gives me chills. I used to sleep with the radio on when a teenager, we had the late, great KPPC underground station in Los Angeles. I would often wake up with AHM playing in the wee, dark hours. Always a bit spooky, but also delicious to hear with no daylight noises about.
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"Into every rain, a little life must fall." ~Tom Rapp
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Snicolette
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Glad you enjoyed, it made me laugh, too!
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"Into every rain, a little life must fall." ~Tom Rapp
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Snicolette
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First thoughts to end of Page Two with one addition:
Mila: YL
Male Voice Choir “Pohjois-Karjala”
Begins with a solo male, there is some echo, I think it is natural,
perhaps, as opposed to a studio effect.
Chorus of males join in, then a second portion of chorus is added to the
two going at once. Solo comes forward
again and adds another layer. High voice
soars above the rest. Abrupt stop, then
a new melody begins, second layer of chorus returns, another high voice soars
once again. A third layer, then that
high, soaring, once again. It fades,
then all join in for another round. It ends with a triumphant flourish. Tresor
ft. The Soil “Silale” Steady beat at the
start, with a jubilant and buoyant, happy feeling.
Bass bubbles along underneath, very pleasing tune, with some great
dancing on the video. Layered female
vocalist comes to the fore, then back to the main theme. There is a call and response feel to this as
well, perhaps the male and female perspectives in a bit of a discussion, but
playful, no real argument. Meredth Monk & Vocal
Ensemble “Songs of Ascension” Soft
chorus that is joined with a harmonium, it would seem, then some high
vocalisations punctuate the drone of the harmonium sound. Strips down to shimmery sounds, then a repeat
of what has been preceding. Now a string
section plaintively enters, gorgeous. A
haunting solo female vocal now steps in, softly joined by the strings after a
few moments. The strings are more
dissonant now. Strings pick up and take
off on their own, in a change of pace and are joined by a low reed of some
sort. Now the strings go off in another
direction and the solo female is heard with them once again. The drone is back with a more “churchy,”
sound to the solo woman’s voice, at least to my ear. The venue is as much an instrument as the
voices and instruments here, as the different parts of the stairway with water
at the bottom changes the sonic tones.
Very dissonant strings now, with the harmonium drone again, and many
voices comingle. There are high vocals
weaving into the entire ensemble now and the piece comes to a kind of abrupt
end. This is my favourite of
yours. Greg: Geinoh Yamashirogumi “Requiem” Deep boom sounds, with a sense of a slow,
slow, march. Some high bell type notes,
or fluted notes are heard, as the pace slowly picks up. Doom sense, with tension. A subtle choir enters, with angelic
tones. Organ notes as the choir
ceases. Some whirlies of marimba flitter
across the organscape, then a full-on pipe organ iconic sound begins. Male chorus is now heard, in kind of a harsh
way. The organ becomes more ornate, then
scales back again into almost a calliope sound.
The males all come back again, this reminds me of some of those monk
things we heard back in the Talk Talk poll.
They roll back and there is a steady beat on Taiko type drums, it sounds
like, then more soft chanting is added, with several layers, some are quite
high. It all rolls back once more and
soft chorus is back. Some solo hits of a bass drum, as the chorus is faded and the piece
ends. This is my favourite of
yours.
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"Into every rain, a little life must fall." ~Tom Rapp
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jamesbaldwin
Prog Reviewer Joined: September 25 2015 Location: Milano Status: Offline Points: 5989 |
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First page
@JD I like especially Sospan Fach @Logan Morricone: another masterpiece of his, strong contender. Wonderful progression and climax @TCat The first is very light, on the second, I am very demanding with opera singers, so, I prefer Agnus Dei. @Lewian The Wim Mertens' piece is excellent. Beautiful melodic line played by violins. Contender Edited by jamesbaldwin - October 08 2021 at 16:56 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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jamesbaldwin
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Firts page, again
@Suitkees I like a lot Mieskuoro Huutajat - Oulujoki, that I could consider competing with the proposal of The Anders. @mathman I prefer Bulgarian State Television Female Choir - Pilentze Pee, evocative @SuperMetro. I know this song. In this album Pfm have changed her sound by addressing directly to the American market. In Italy this change has been heavily criticized, and actually I also don't like the production of this album very much. The music is still very refined but has become less melodic and colder. For example, the opening chorus, for which this song is famous, seems to me quite academic, without jolts. But that's just my opinion.
Edited by jamesbaldwin - October 08 2021 at 17:06 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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JD
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Edited by JD - October 08 2021 at 17:01 |
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Thank you for supporting independently produced music
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dr wu23
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Well known but ,,damn..one of my favorite tracks by the Stones....simply superb.
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One does nothing yet nothing is left undone.
Haquin |
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Mila-13
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Edited by Mila-13 - October 09 2021 at 16:08 |
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Mila-13
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I will have to reconsider one of my suggestions. The Meredith Monk video features only excerpts from her "Songs of Ascension" project which is certainly an interesting document but it is hard to assess in the context of a music poll. Besides I noticed only now that Lewian mentioned earlier that he had introduced her before in another poll.
Edited by Mila-13 - October 09 2021 at 16:07 |
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Logan
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Glad you liked the G.Y., Nickie, and you liked the E.M., Lorenzo. I love each in its own way. I was sure I was going to go with the Ennio Morricone, as I find it powerful, but this presents a dilemma. My other Geinoh Yamshirogumi choice did well in another poll recently (despite the length), and when I did my soundtracks one I was positive I was going to go with a different Morricone, but then changed it because of a comment (and the choice I went with got no votes). Not that votes really matter, exposure is more important to me, but ultimately I have to follow my gut. Since I kind of regret not going with a Morricone before (he was why I did the soundtracks one), I am still favouring the Morricone for this one. :) |
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jamesbaldwin
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First page @Cristi I especially like the first song by Therion which combines power symphonic metal with almost church choirs, and the first of Phoenix, with an almost folk song, very catchy.
Edited by jamesbaldwin - October 09 2021 at 17:28 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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Snicolette
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I do know this one, so will not do my usual breakdown of it.
dr wu23:
Rolling Stones “You Can’t Always Get What You Want” I quite enjoyed this whole album and had the
good fortune to see them live in this era.
A most excellent use of choir in a rock piece and a great choice! |
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"Into every rain, a little life must fall." ~Tom Rapp
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Lewian
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...although this kind of thing (re-use) happens all the time and isn't a big problem in my view, unless one has the personal ambition to avoid it. (I wouldn't vote for that one though, as I know it.)
Edited by Lewian - October 09 2021 at 18:07 |
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Cristi
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Therion are the creators of symphonic metal. As for the Phoenix song, like I said, in 1992, they re-recorded some of their older songs from the 70s with an orchestra and choirs. Here is the original Mugur de Fluier song from 1974. |
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Mila-13
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I only recently joined the forum. I'm glad that you mentioned Meredith. I was thinking about creating a list with all nominated songs, if there is an interest. And yes, I do have a personal ambition to bring new artists. |
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jamesbaldwin
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For strong stomachs only: Try turning up the volume and listening. Be honest: did you make it to the end of the song? |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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The Anders
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^ I did make it to the end, and as for now it would clearly be a contender for my part if it is nominated. Intriguing singing style. My parents have some old LP's with traditional music from Sardinia, and there is some vocal music there which sounds a bit like this. Are they Sardinian by any chance?
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jamesbaldwin
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Yes, they are Sardinians. In fact, I don't understand a single word of what they sing. It is an "extreme" way of singing. And I confess that I can't get to the end of the song, due to too much repetition (I like the first 1-2 minutes). So, I envy you, you know how to appreciate it. I love Corsican folk songs. And it is interesting how in Corsica there is nothing similar to Tenores Di Bitti (Corsica and Sardinia are two islands very close and the language of the north of Sardinia is similar to Corsican) - paradoxically, the Corsican language is much more similar to Italian (in fact it is its dialect) of the Sardinian language. For the nomination, you made me doubt. Who knows, if anyone else appreciates ...
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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Snicolette
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Lorenzo:
As you can doubtless imagine, with a challenge like that, I did make it all the way through. It sounded a bit like an accordion quartet, if there was such a thing, lots of drone. Also felt a little like those hard little dental floss brushes in my brain, but not altogether unpleasant. I do have a lot of patience for repetition in music, albeit, I often prefer a softer, spacier sort, despite my love for Lark's Tongues. I will say I do still prefer your "A Filetta “ offering.
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"Into every rain, a little life must fall." ~Tom Rapp
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Lewian
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It isn't that tough really. (But then I'm a tough cookie when it comes to strange sounds.)
Edited by Lewian - October 11 2021 at 06:21 |
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