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Reed Lover View Drop Down
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Direct Link To This Post Posted: December 17 2004 at 08:00

Originally posted by Pixel Pirate Pixel Pirate wrote:

And with that caustic comment on the impoverishment of modern culture,I'm out of here for the weekend. And perhaps even longer than that,who knows?

Come back Pixie. Cheer up old son.Dont fight fights you cant win!

Cry




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Direct Link To This Post Posted: December 17 2004 at 08:13
Originally posted by Jim Garten Jim Garten wrote:

Originally posted by James Lee James Lee wrote:

I can't even imagine adapting Gormenghast for TV, film or even radio. Peake makes Tolkien and Lovecraft seem abbreviated and journalistic- is it any wonder I'm a big fan of all three of them?



What we need is a Peter Jackson adaptation of 'At The Mountains Of Madness'.

Are you trying to provoke me?

Actually, Jackson would probably do a better job than anyone else who has tried to do Lovecraft for the screen. Though I do enjoy Jeffery Combs' over-the-top characters in various 'H.P.- inspired' films, and "The Resurrected" isn't bad (though Chris Sarandon wouldn't be my first choice for the role).

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Direct Link To This Post Posted: December 17 2004 at 12:42

For Lovecraft fans (and sad old Call of Cthulhu players), I reckon the best attempt at translating the Mythos (in flavour) to the screen has to be the 1957/8 film Night of the Demon with Dana Andrews.

PLOT: American psychologist John Holden, a determined sceptic of the paranormal, arrives in London for a conference only to find his colleague Professor Henry Harrington is dead. Some of Harrington's friends believe that Harrington had a demonic curse placed on him because he was attempting to expose Satanist Julian Karswell, but Holden dismisses the notion. However as Holden encounters Karswell, he experiences a series of frightening phenomena which leave him uncertain as to whether they are real or just in his imagination. He then discovers that Karswell has passed him a piece of paper which contains a runic curse that will bring about his death in three days time unless he can pass the piece of paper onto someone else.

it's not Lovecraft but owes a lot to old HP and is an excellent little horror flick. Highly recommended. It's available on DVD as far as I know. Check it out on IMDB

http://www.imdb.com/title/tt0050766/

as far as trilogies go, I'd love to see Philip Pullman's His Dark Materials books being filmed. For one thing it would drive Christian fundamentalists crazy as Lyra and her cohorts attempt to kill God. And these are children's books? Metaphysics, Physics, History, Victoriana, Natural History, Comparative Theology all wrapped up a in a tale of a girl and her demon. Brilliant.

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Direct Link To This Post Posted: December 17 2004 at 13:53
Originally posted by Reed Lover Reed Lover wrote:

Originally posted by Pixel Pirate Pixel Pirate wrote:

And with that caustic comment on the impoverishment of modern culture,I'm out of here for the weekend. And perhaps even longer than that,who knows?

Come back Pixie. Cheer up old son.Dont fight fights you cant win!

Cry

It's probably the Friday blues. The working week takes it out of me to such an extent that come Friday I feel like a sack of rotten potatoes and a gloomy disposition and sour mood are soon to follow. But I'll be back! But not until Monday though,I'm seeing my girlfriend in the weekend and we haven't seen each other for some time so we have quite a lot of catching up to do.

And "Lord Of The Rings" is probably allright if one likes that kind of thing.

Odi profanum vulgus et arceo.
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Direct Link To This Post Posted: December 17 2004 at 13:55
Originally posted by Pixel Pirate Pixel Pirate wrote:

Originally posted by Reed Lover Reed Lover wrote:

Originally posted by Pixel Pirate Pixel Pirate wrote:

And with that caustic comment on the impoverishment of modern culture,I'm out of here for the weekend. And perhaps even longer than that,who knows?

Come back Pixie. Cheer up old son.Dont fight fights you cant win!

Cry

It's probably the Friday blues. The working week takes it out of me to such an extent that come Friday I feel like a sack of rotten potatoes and a gloomy disposition and sour mood are soon to follow. But I'll be back! But not until Monday though,I'm seeing my girlfriend in the weekend and we haven't seen each other for some time so we have quite a lot of catching up to do.

And "Lord Of The Rings" is probably allright if one likes that kind of thing.

Now that's more like Pixie.

BTW sl*g off Lord Of The Rings once more and I will break your legs!Wink

LOL



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Direct Link To This Post Posted: December 20 2004 at 04:17
Originally posted by arcer arcer wrote:

For Lovecraft fans (and sad old Call of Cthulhu players), I reckon the best attempt at translating the Mythos (in flavour) to the screen has to be the 1957/8 film Night of the Demon with Dana Andrews.

it's not Lovecraft but owes a lot to old HP and is an excellent little horror flick. Highly recommended. It's available on DVD as far as I know. Check it out on IMDB

as far as trilogies go, I'd love to see Philip Pullman's His Dark Materials books being filmed. For one thing it would drive Christian fundamentalists crazy as Lyra and her cohorts attempt to kill God. And these are children's books? Metaphysics, Physics, History, Victoriana, Natural History, Comparative Theology all wrapped up a in a tale of a girl and her demon. Brilliant.

Night of the Demon is really great, although I think the best Lovecraft film (also not being a Lovecraft adaptation) is John Carpenter's 'In the Mouth of Madness'. It's a very original movie and really scary.

As for 'His Dark Materials', I also liked it a lot.  New Line bought the rights to make it its next fantasy trilogy after Lord of the Rings. But things aren't developing well. The first draft of the screenplay by Tom Stoppard was dumped. Then, they brought 'About a Boy' director Chrst Weitz on board, but he has just lef a week ago. It seems that dealing with such religious matters is a bit too much for an american blockbuster wannabe... specially aiming for a young audience. I knew it was being optioned for filming when I was reading the last book and I just couldn't imagine how they were going to manage this and not have christian fundamentalists (beggining with certain president) raising hell to stop it. Some activists have made campaing to condemn the book. But the impact of a book is not the same as that of a movie (and, ladies and gentlemen, this ties us up with the ending of 'In the Mouth of Madness' Thouse who have seen it will undersand)

 

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Direct Link To This Post Posted: December 20 2004 at 07:52

Night of The Demon is indeed a great film. I think Kate Bush sampled a line from it for her song 'Big Sky'...Through the trees...It's comming.

BTW, if you like your ghost stories slightly disturbing, I recommend M R James. I rewarding if dark journey into the depths of terror...

Amazon review:

Mr James was born in 1862. He was the son of a clergyman. He became a biblical scholar and vice-chancellor of Cambridge University. So you might expect from his life and his writing style that his stories are sedate things that the Victorian reader could read without too much upset. They would be free of troubling undertones, macabre inages, they would be comforting.

You'd be dreadfully wrong. The first story in this collection is Lost Hearts, a brutal and twisted story of scholarly detatchment, unethical experiments and gory murder. Going through the book we discover other classics showing just how physically and mentally violent James' imagination could be. There's the desperate attempt to shake the curse in Casting the Runes, the deadening claustrophobia of The Stalls of Barchester Cathedral, and the final story, Wailing Well, stuns the reader by beginning as a comedy and ending so blackly that few Hollywood horror films, shall we say, would dare to film it as written.

This is not sedate. It has an undeniable power that lingers after the book has been shut. I would actually put it above Lovecraft. There are weak points, it must be said; several times stories don't seem to get going before they end, creating a sense of anticlimax. But this does not detract from the achievements made in the other stories, and it's not going to stop me giving the collection five stars.


 

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Direct Link To This Post Posted: January 03 2005 at 11:49
Back on thread (sort of), I just found this whilst doing some fairly aimless LOTR trawling......

Personally, I think it's a bit of a hoot:

The Very Secret Diary of Frodo Baggins

Day One:

Feeling much better in House of Elrond after nice long nap. Also, Sam gave me fabulous backrub and bubble bath. Platonic, brotherly love so wonderful. Wasn't quite entirely sure why he needed to suck on my toes, but am assured it has something to do with Elf medicine.

Day Three

Have agreed to carry Ring to Mordor. In hindsight, probably a bad move.

Day Four

Aragorn and Boromir had big fight over who got to carry me up Mount Caradhras. Aragorn shoved Boromir into snowbank. Boromir bit Aragorn on the ear. Ring must be affecting them more seriously than I thought.


Day Six:

Woke up to find Aragorn playing with buttons on my shirt.

He must be after the Ring. Damn its siren call.

Ah well, Sam will kill him if he tries anything.

Day Ten:

Today Legolas began stroking my inner thigh with his bow.

Was stunned. Had no idea Legolas wanted the Ring too.

It must truly be an object of awesome power.

Day Eleven:

Gandalf showed me very strange trick he can do. Apparently pointy wizard hat not just for show.

Wonder if Ring is affecting him, or perhaps he is just v. peculiar.

Day 24 :

Finally feel rested. Is too dark in Mines of Moria for Aragorn to find me and pinch me as he has been doing lately.

Gandalf fell into shadow. Was sad to see pointy hat go.

Day 27 :

Lothlorien so pretty. Galadriel pretty too. Offered her One Ring, but she kept saying, "No, there's something else I'd rather have from you, Frodo Baggins," and trying to slide foot up inside my breeches. So, gave her my extra pair of breeches since she seemed fond of them. Maybe some kind of breeches shortage in Lothlorien.

Day 30 :

Rowed all day in boats. V. tired. Merry and Pippin offered to give me a group massage. Nice to have such v. concerned friends. Glad Ring is not affecting them. Although did not need back rubbed quite so much, nor other parts.

Pippin does remember we're cousins, right?

Right?

Day 33 :

Boromir tried to take the Ring. Am not entirely certain, but am fairly sure he also tried to have a little cuddle. Was most unnerving, as Boromir quite huge.

Day 36 :

Everyone keeps hitting on me. Cannot cope. Off to Mordor.

Sam coming too. Good thing, as will enable me to have more of those platonic, brotherly foot massages he's so good at.

Am sad to leave rest of Company though, as found myself quite fancying the idea of shagging Gimli. Chunky braids and huge helmet quite a turn-on. Ah, well, he never would have liked me anyway.


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Direct Link To This Post Posted: January 04 2005 at 22:39

There's no doubt that Jackson did an amazing job with the trilogy..who could expect anything less of a kiwi director? It's understandable why numerous parts of the book were omitted- Bombadil and Ghan for example...they just didn't have significant impact on the main plot. Including the scouring of the Shire would have dragged out the far too long ending even further...it was all nicely summed up when wormtongue knifed saruman and was then subsequently shot (Saruman should have disappeared in the puff of smoke however). And there were of course, numerous unneccesary bits- legolas and his fascination with uruk-hai shields and murmakils, gimli being a fool, the "dress up as a pirate" scene in the extended version and the Mouth of Sauron GETTING BEHEADED.

But Jackson should be proud of this adaptation of a great trilogy, and Tolkien's ghost can rest easy knowing now that Disney will NEVER get a hold on it.

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Direct Link To This Post Posted: January 05 2005 at 00:18

Well...

Time for me to weigh in here, since it covers so many things of which I'm fond, and know at least a little about...

First, re LOTR.  I have probably read the trilogy more times than most of you have years behind you.  And, no, that is not an exaggeration.  Thus, my love of the books is second to none.  I read them first at age 10 or 11, and read them at least once a year for 20 years.  No joke.  and I've read them a few times since then as well.

When the first half of the first LOTR film came out - the one made by Ralph Bakshi, with a combination of live, animation and "roto-scoping" - I was concerned about "authenticity."  And although he left out Tom Bombadil and the Barrow Downs (as did Jackson), as well as a few other things, and changed a few things, he was remarkably faithful to the rest of the story.  I particularly liked his vision of Elrond's Council (which is far truer to the book than Jackson's), among other things.

Thus, when I heard that Jackson was doing an "authentic" (his word) filming of the entire trilogy, I was pretty excited, hoping for something even more amazing.

Cinematically, there is no question that Jackson's LOTR is a stunning, incredible, jaw-dropping achievement.  However, I was disappointingly surprised at how much Jackson had changed.  What pissed me off even more was that Jackson claimed to be making an "authentic" film, and even bad-mouthed Bakshi's films.  Yet not only was Bakshi actually truer to the books than Jackson (overall), but Jackson clearly "lifted" certain scenes from Bakshi "wholesale."  I'm not talking about the fact that a scene exists in the book, and is thus going to be the same no matter how many versions are made.  I'm talking about scenes that might have been "interpreted" in minorly different ways, but ended up exactly like Bakshi's, or scenes changed by Bakshi and left "incorrect" by Jackson.  This - Jackson's blatant "lying" about the degree of "authenticity" he was claiming, plus his unnecessary and self-serving denigration of Bakshi, while blatantly lifting things from that film - made me so angry at Jackson that I still have a hard time loving his films even for the great cinematic achievement that they are.

I'm also annoyed by some of the changes he made, many of which seemed netirely unnecessary - even self-indulgent, and thus deliberately not "authentic."

Set aside the missing Tom Bombadil and the Barrow Downs (coincidentally (?) also excised by Bakshi), he has Arwen, of all people, meet Aragorn, Frodo et al on their journey to the ford (in Bakshi's film, it is Legolas - also wrong).  But then he goes even stupider and has her take Frodo to Rivendell - even though, in the book, Frodo gets there on his own.  Indeed, the scene (in the book) of Frodo personally defying the Black Riders at the ford is one of the most powerful scenes in the book - especially given that he is dying.  Yet Jackson does not give Frodo this moment.  Bakshi got this one right on the money.  Jackson also has Arwen call up the river to drown the Black Riders; yet it was Elrond who did this.  Gandalf even tells Frodo (in the book) that "It is Elrond's river; it does as Elrond wishes."  Giving Arwen this power is not simply wrong, but it lessens the power we would perceive in Elrond when we first meet him.

As noted, Jackson's "take" on the Council of Elrond is completely fabricated: it has not one iota to do with the book (another one which Bakshi gets on the money).  Indeed, Jackson changes "who says what" from the book, and puts the wrong lines in the wrong mouths!  This irked me no end.

And what of the added scene with Aragorn and Boromir as the latter handles the broken sword at Elrond's house?  Where did that come from?  Authentic my butt!  I could go on and on.  Much of the Lothlorien scene was incorrect (i.e., changed).  (Another one Bakshi got right.)  And, as others have noted, the missing "scouring of the Shire" was a crime!!  And I'm only on the first film!!

As for the entire Arwen situation, I am torn.  On the one hand, I think it was valiant of Jackson to attempt to take that Appendix and put it in the context of the story.  On the other hand, I think he failed - miserably - in doing so, chiefly because he used it primarily for sappy love story effect rather than as a way to introduce or develop the characters.

Ultimately, I maintain some admiration and respect for the sheer awe that Jackson was able to create, and in his mastery of his craft.  I am just saddened that, with $300 million, he did not choose to be truly "authentic" and bring the story to the screen as Tolkien wrote it.

As for Gormenghast, it was okay, but not nearly what it could be.  (As an aside, it is ironic that Christopher Lee is in both).  By the way, I'm not sure Sting holds the rights any more.  He did at one time, when he was thinking of either writing a screenplay or acting in a production of it (or, some say, directing it - which would be a travesty  beyond words).  But I think the rights reverted back to the Peake estate.  I say this because I began work on a screen treatment some years after I heard that Sting was interested in it, and the estate gave me the go-ahead to work on the treatment, toward (possibly) getting an option to film.  Because if there is any "fantasy" story I know as well or better than LOTR, it's Gormenghast, with which I have had a life-long love affair.  I own first editions of two of the three books (I have been searching for the third for years...), and have prepared a ten-page synopsis of how to properly make a full-length feature film based on the first two books.  At one time, I dared think I could play Steerpike - and I could have, probably better than most.  Alas, I have grown too old for the role (but not old enough for Flay, darn it...).  I still believe that, based on my synopsis, a properly made feature film of Gormenghast has the potential to be as great - in every way - as Gone With the Wind, The Wizard of Oz, Citizen Kane, or any other film in that pantheon.

Finally, when I was in junior high school, I was given an assignment, to write a short chapter of a book, in the style of a real writer.  Of course, I chose Tolkien.  What I wrote was a chapter involving a hypothetical meeting between Gandalf and Sauron shortly after Frodo is captured in Mordor.  I took quite a few liberties with it, including having things occur simultaneously that occurred at different times in the original.  I humbly offer this assignment to you (in the next post) for your...amusement.  And remember, I wrote it as a teenager, so please don't be too harsh...

Peace.

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Direct Link To This Post Posted: January 05 2005 at 00:21

The Darkest Hour

 

(the lost chapter of Lord of the Rings)

 

The battle raged.  Blood and pain were the order of the day.  The sky was dark and filled with malice, the ground bloodsoaked.  Death and anguish and suffering were everywhere.  Orc heads lay scattered, Men and Elves were dying left and right.  The bodies continued to pile up.  Many who were still alive wished they were dead, if only to shut out the nightmare of the scene before them.

 

Suddenly, a loud trumpet call was heard, and the Black Gate opened with dark foreboding.  A chill wind blew out from the Gate, passing over the battlefield, sending shivers through those still alive.  The fighting ebbed, the trumpet call having had an overwhelming and immediate effect on all present, even the Dark Warriors.  An eerie calm gripped the scene.  All eyes were on the Gate, expecting the worst - though none could imagine what that might be.  Out of the Gate emerged a wraith on a huge black horse, a messenger from Sauron.  He called out in a voice which belied his size, an ominous voice which seemed to penetrate the air and fill the entire space between earth and sky.

 

"I seek he who is called Gandalf.  Does he yet live?"

 

After a few moments, a robed figure stepped out from behind a rock wall.  Gandalf looked drawn and tired, a shadow of his former self.  The battle weighed heavily on him, his magical skills being strained to their utmost limits in an effort to keep Sauron's forces from completely ravaging the lesser forces of Middle Earth who had gathered together against their enemy in a final attempt to destroy him.  Gandalf spoke quietly, yet with an air of one in command.

 

"I am he.  What do you want, messenger of evil?"

 

"My master, Sauron, would have parley with you - but only alone."

 

Gandalf looked back at Aragorn, who was standing to Gandalf's left behind the wall, and raised one eyebrow in an evident sign of surprise.  Aragorn made no reply, verbal or otherwise, and maintained a firm, but solemn, countenance.  Gandalf looked back at the wraith.

 

"I have been behind his black doors once, and have suffered greatly for it.  Does he now expect me to trust him?"

 

"You speak wisely, wizard.  However, while there are those who would call my master evil, he swears that you will leave unharmed, no matter the outcome of the parley.  I have brought the mark of his signet as proof," and with that, the wraith approached Gandalf and handed him a slip of black paper.

 

The paper had a discomforting texture, and Gandalf quickly realized that it was made from human skin.  The paper had been marked in red with a signet on it - the seal of Sauron. The wax was still warm.

 

"Give me a moment," Gandalf said, as he slipped back into the shadows.  After a few moments of discussion with Aragorn and others of his company, Gandalf came forward again.

 

"Go tell Sauron that I will see him if it means an end to this hopeless and unnecessary violence."

 

"That is not necessary, master Gandalf: follow me."  With that, the wraith turned and retreated slowly toward the Black Gate.  Gandalf hesitated slightly.  Aragorn walked up behind Gandalf, put a hand on his shoulder, and spoke.

 

"If ever a trap was laid, Gandalf, this is the blackest.  Do not go into that evil place from which no living thing escapes.  No good can come of it.  It is certain death."

 

Gandalf looked toward the Black Gate, and then squarely at Aragorn.  "So was the cursed Balrog of Moria."  Gandalf sighed quietly and seemed to reflect.  "No, I am not afraid.  The wraith speaks true - though the embodiment of evil, Sauron honors his signet."  Gandalf paused another moment in thought, and seemed to find a new strength and resolve.  "Besides, I may be able to get some information on our lost friends.  I will go."  And with that, Gandalf followed the messenger inside, and the dreaded Black Gate closed with a loud, metallic clang.

 

Gandalf was led to a room, dim-lit and round, with a vaulted ceiling.  In the center of the room was a table, also round, with space enough for eight.  On the table stood a red candle, burning solemnly.  Seated at the table, with his back to the door, was the unmistakable figure of Sauron.  The collar of his cape was up, and his hands were folded on the table.  He seemed relaxed, indeed arrogantly confident.  Gandalf walked across the room and sat opposite The Enemy.

 

"Welcome, Gandalf the White.  Long it has been since last we spoke."  Sauron spoke softly, with only a hint of menace.

 

"Not long enough, Sauron the Unnameable.  Come to the point; my patience grows thin."

 

"Now, now, Gandalf, let us not be hasty.  We both want an end to the violence that surrounds us.  This is easily attained, but it will mean giving in a little - on both sides."

 

"Sauron, your words are twisted.  Get to the point or I shall leave and continue battle against you."  Gandalf's attack was deliberate and purposeful - it was best to keep the enemy on the defensive, especially an enemy as powerful, dangerous and unpredictable as Sauron.

 

"I have something you want, Gandalf, and you have something I want.  I propose a trade, and I will throw in something extra for your troubles."  Gandalf's serious expression did not change, but inside he smiled.  Sauron did not yet have the Ring and, better yet, did not know where it was and thought that he, Gandalf, knew, or even possessed it.  Gandalf spoke, showing no emotion.

 

"I know what you want from me, Sauron the Corrupt, but what do you have that I could possibly want?"

 

"This," Sauron said commandingly, snapping his fingers loudly and gesturing toward the door.  The door opened, and a wraith came in carrying what looked like a small bundle of rags. As he got closer, Gandalf could see that this bundle contained a figure, thin and bare.  The figure was brought before Gandalf, and placed in the light of the red candle.  It was Frodo.  He did not stir. Gandalf got up quickly from his chair and bent over Frodo, checking his general condition, which was not good.  He looked back at Sauron with blazing eyes:

 

"You barbarian!," cried Gandalf, "Have you no pity?  He is near dead, as I can tell.  Why have you harmed him?"  Sauron sat calmly at the table, unmoved.  He spoke in a slow, deliberate manner.

 

"He is a hobbit.  What is more, he is a Baggins.  We thought he had my Ring, but we stripped him and found nothing.  He is not badly damaged, though he could have been, simply for entering my domain; the penalty for spying in Mordor is death."  He stopped and looked directly at Gandalf, who had seated himself back at the table.

 

"I will give him back to you in return for the Ring," Sauron hissed through an arrogant smile.  Gandalf could hold himself back no longer.  He stood up suddenly and looked icily at Sauron.

 

"No deal!," Gandalf cried.  "You will rot, Sauron, and your bones will be picked by vultures.  You will never get the Ring: not from me, nor from any of my company.  I would rather chance wielding it myself than give it to you.  No, you will not have it!"  With that, Gandalf rose and headed for the door, ending up behind Sauron.  Sauron stood abruptly without turning, raised his right hand and shouted:

 

"Wait!  You have not heard my whole bargain!  You may still learn to respect me." Gandalf turned non-committally and took two steps toward the table.  He remained there, staring coldly at Sauron's back, waiting.  Sauron turned slowly and spoke:

 

"Along with the hobbit, I will give you Minis Tirith and three thousand acres in all directions around it, including the Fields of Rohan.  However, if any of your people are found within the boundaries of Mordor, they are subject to death without question.  But the land around Minis Tirith and the town itself are yours.  All I want is the Ring."  Sauron stopped. Gandalf was staring at him with a penetrating glance.  Gandalf seemed about to speak, but Sauron cut in.

 

"I see that you are concerned about my intentions regarding the Ring."  He stopped again and looked at Gandalf with the most incredible expression on his gaunt face.  It was an expression of power and greed mixed with weariness and - Gandalf could scarcely believe it - respect; it was a bizarre and unnerving expression that made even Gandalf's calm spirit shudder.

 

"Gandalf, you and I both know the ultimate power that the Ring possesses.  It would be foolish of me to think otherwise.  In fact, we are two of an extremely small group who truly understand the implications of all that now goes on around us.  It is true that with the Ring, there is nothing that I could not do, have or command.  All living creatures would answer to me, and I would be the undisputed Master of Middle Earth.  You are worried that the bargain that I strike now, in this room, will mean nothing once the Ring is in my possession.  That is clear and correct thinking."  Sauron paused.  He seemed to be reconsidering what he was about to say.  Gandalf could not explain the weariness he saw in Sauron's hollow face.  Nor could he explain the feeling of pity that came over him as he stood facing his greatest enemy, the greatest enemy that Middle Earth had ever known.

 

"The only thing I can offer you as proof of my good intentions is my signet.  I will allow you, or he whom you designate as Master of Minis Tirith, to possess my signet.  In this way there would be a balance.  You would be powerless against my possession of the Ring, and I would be beholden to you to transact business, as you would have my only signet.  And do not forget that you have the Palantirs of both Isengard and Minis Tirith - wielded by one such as you, Gandalf, they are a formidable defense."  He paused. "What say you, Gandalf the White?"

 

The words were honey to Gandalf's ears.  But Gandalf had long ago lost his sweet tooth. He knew that any other - yes, perhaps even Aragorn - would be helpless against the anaesthetic and pacifying content of this single short monologue.  Lesser men would cry for joy at these words, while others, like Aragorn, would simply be too astonished to gainsay and reject such an offer.

 

But Gandalf was not any other.  And he was glad now that he had decided to accept Sauron's invitation.  Because by inviting Gandalf, Sauron had made a devastating mistake; indeed, he had made three of them.

 

His first mistake was admitting that he didn't have the Ring, and believing that Gandalf might.  The second was to have spared Frodo, for this was proof to Gandalf that there was still great hope for Middle Earth.  And now Sauron had made the mistake of meeting with one of the few individuals in Middle Earth who could not be swayed by honeyed words and promises.  Had Sauron chosen to meet with Aragorn, or with any other of the company, the outcome for Middle Earth might have been very different - and infinitely more dreadful.

 

Gandalf stood reflectively, staring coldly at Sauron.  His aspect had changed tremendously during this short parley; no longer was he the Gandalf the White that Sauron had mockingly called him - old, bent and tired.  He was revealed as the true Gandalf the White; a wizard with great knowledge, strength - and power.  Gandalf knew what his next course of action must be, and he knew that his reply to Sauron had to be perfectly worded and delivered in order to have the maximum effect.

 

Gandalf slowly closed his eyes and pretended to be thinking.  He then re-opened them, looked directly at Sauron, and took a deliberate, commanding step toward him, seeming to grow taller and stronger.  Then he spoke in a strong, slow, deliberate manner, making sure that each word was clear.

 

"Sauron, you are evil.  You have always been, and always will be.  I will not strike bargains with evil people, no matter how well-intentioned."  He paused for effect.  "Now, will you see me out?"

 

Sauron stood almost dumfounded after Gandalf's short speech, and had to forcibly compose himself.  Then he spoke, his voice checked, but full of venom.

 

"You know not what you do, Gandalf the Fool!  It is not every day that Sauron bargains, for if Sauron wants, Sauron takes!  I have offered more than I should have and all I get back are unkind words."  He looked menacingly at the wizard.

 

"Gandalf, you have sealed your doom, and the doom of all who attack my fortress.  You may go, but be wary: I strike hard."

 

Sauron and Gandalf faced each other for a few seconds; Sauron coldly, Gandalf with an expression of pity.  Suddenly the door opened, and a wraith walked in, apparently to lead Gandalf out.  Gandalf turned on his heels and walked out the door, the wraith following.  Gandalf was led out of the Tower and down to the Black Gate.

 

All was quiet when Gandalf stepped out.  The fighting had ceased for a time, the various armies collecting themselves for the next great onslaught.  Death was everywhere.  Gandalf was greeted by Aragorn and his company, but they were not happy.

 

"What says Sauron, Gandalf?," Aragorn asked solemnly, though he was both pleased and surprised that Gandalf had returned.

 

"He has Frodo," spoke Gandalf softly.  Aragorn gasped.  The others looked at each other in hopeless despair.

 

"But," added Gandalf, "He does not have The Ring."  Aragorn looked at Gandalf with a puzzled expression.

 

"How can that be?," asked Aragorn.

 

"It may be that Frodo lost it during his journey."  Gandalf shuddered to think about this. Aragorn gave him an anguished look.  Gandalf responded with a small, sly smile.

 

"However, I believe he may have given it to Sam in a moment of danger.  That would explain why they have Frodo, but not Sam.  Let us hope that Master Gamgee has a strong heart and a stronger spirit."

 

Aragorn and the rest of the company seemed hopelessly lost by this idea, and Gandalf's reasoning.  But Gandalf just looked at him and smiled ‑ his first real smile in weeks.

 

"Sauron has not won yet," he said.

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Direct Link To This Post Posted: January 05 2005 at 01:11

Although Gandalf would never accept the invitation for such a meeting, and Sauron would never show his weaknessess like that. it's nicely written.

I'm always almost unlucky _ _ _ _ _ _ _ _ Id5ZcnjXSZaSMFMC Id5LM2q2jfqz3YxT
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Direct Link To This Post Posted: January 05 2005 at 07:17

is there any doubt that maani is teh r0x0r?

I won't quote the lengthy post, but he hit many nails on the head. The films' grandeur was diminished by countless disappointing details...and maani summed up many of them.

Thanks for the glimpse into your writing life, too! My only criticism is that I can't see Tolkien's Gandalf saying "No deal!"...although I could almost see Jackson's Gandalf saying it...just before he forged a pair of sunglasses and rode a surfboard to Valinor. 

But if you think Tolkien suffered on the big screen, just imagine what they'd do with poor Titus and Fuschia! Peake's characters were purposefully homely, morbid, and nearly unlovable (which is mainly why I love them!) and by the time Hollywood was through, it would look like a gothic episode of "The O. C."

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Direct Link To This Post Posted: January 05 2005 at 09:50
Bilden “http://ceyl.free.fr/images/humour/Lord%20of%20the%20rings.JPG” kan inte visas, då den innehåller fel.
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Direct Link To This Post Posted: January 05 2005 at 10:27

Bilden “http://www.rsvshareholders.co.uk/assets/images/head_up_arse.jpg” kan inte visas, då den innehåller fel.

You know what I mean Clown?????

 




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Direct Link To This Post Posted: January 05 2005 at 10:28
Sure do !!!!!!!!!

Here´s a hint !!!!!!!!!!!!!





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Direct Link To This Post Posted: January 05 2005 at 10:30

Well Censored, CensoredCensored,Censored to you too!

Wink




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Direct Link To This Post Posted: January 05 2005 at 10:31

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Direct Link To This Post Posted: January 05 2005 at 19:43
i thinjk i stand for all kool people that lotr is for geeky geeks!
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Direct Link To This Post Posted: January 05 2005 at 23:08

James:

Re your comment re what they would do to the characters from Gormenghast, I quite agree.  Which is why I wrote the ten-page synopsis of "how to make the film" so that does not happen, and so that Peake's "vision" can be put on screen as "perfectly" as possible.  Consider that, even before we concern ourselves with the characters, there is the physical Gormenghast to consider: according to the book, it is probably the largest free-standing castle ever built - miles of connected buildings.  Then we have Swelter's kitchen, Fuschia's attic, the twins' tree, the Countess' parlor (and her cats!), the Library, the Prunesquallor's residence, the Hall of Bright Carvings - to say nothing of the Outer Dwellers and their living quarters near the wall.  Then there's the ritual and, of course, the weather...

All in all, a logistical nightmare.  But one that could be overcome by a great director and great cast, given current cinematic technology...

If I win a megalottery, I'll probably do it myself...couldn't possibly cost more than $150-$200 million...

Peace.

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