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Interactive Poll #-50 Lesser Known Prog

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Poll Question: Relative to Non Prog Polls ~ Wait to Vote
Poll Choice Votes Poll Statistics
0 [0.00%]
3 [4.41%]
3 [4.41%]
2 [2.94%]
2 [2.94%]
2 [2.94%]
3 [4.41%]
3 [4.41%]
5 [7.35%]
2 [2.94%]
0 [0.00%]
4 [5.88%]
3 [4.41%]
2 [2.94%]
2 [2.94%]
2 [2.94%]
5 [7.35%]
6 [8.82%]
2 [2.94%]
14 [20.59%]
1 [1.47%]
1 [1.47%]
0 [0.00%]
0 [0.00%]
1 [1.47%]
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Logan View Drop Down
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: September 22 2021 at 21:40
Hi, I'm going to be really busy over the next week -- might still post here and there at the forum but I might miss the nomination time so I would like to make my nomination known now:  

I nominate William Sheller - "Hare Krishna"

As for your picks Nickie, I appreciate both, but I prefer Charlie Cawood - "Flicker Out Of Being".


Edited by Logan - September 22 2021 at 21:44
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 22 2021 at 21:58
Thank you for your thoughts, Logan and also your selection.  Smile
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Post Options Post Options   Thanks (1) Thanks(1)   Quote TCat Quote  Post ReplyReply Direct Link To This Post Posted: September 23 2021 at 11:11
Here are my thoughts on the rest of page 1.  Wow there is a lot of great stuff here on this poll.

Geo:

Onsegen Ensemble – “Think Neither Good Nor Evil” – Nice, solid and heavy mostly guitar prog with some added embellishments and instruments (like the flute and brass here) that keep things interesting.  The choirs they add in are nice too.  The 2nd half almost has a cinematic feel to it. 

Art Metal (Jonas Hellborg) – “Art Metal” – Excellent sounding art metal/jazz with a lot of changing textures and moods.  At times it is quite structured and other times it is very free and improvisational.  Quite an amazing track with that bass just kicking butt, and that whirlwind of an ending just cements it.  I love this kind of stuff, so this is my favorite out of your two selections.

Robert:

Alejandro Matos – “El Infierno de los Buenos” – An interesting track which grows in tension slowly as it goes along.  The melody doesn’t change much which works against it, but the entire track itself, at least instrumentally, works similar to a suite with the melody taking on variations as it goes.  The music is pretty good, but it might be a bit too long as the variation in the melody is not enough to keep it interesting for 18 minutes.  Otherwise, it is well written, well sung and well performed.

K W:

Snakefinger – “The Picture Makers Vs. Children of the Sea” – Anything with Snakefinger in it has got to be good…or if not good, at least it is very interesting.  Unfortunately, I’m only really familiar with a lot of what he did with The Residents, so his solo stuff is mostly new to me, like this track.  You get that cool fuzzy guitar sound and odd vocals that you can expect on this track, sung and spoken, almost in a conversational way at times.  I love the oddball sound of this track, and of course I love the guitar work here.  It takes an interesting left turn after 4 minutes, going minimal with more of a harmonized chant before blasting off with another melody.  Snakefinger is a brilliant composer and is way too unknown.

Daddy Cool – “Make Your Stash” – Here we have more quirky goofiness, but in a more psychedelic style which is mostly apparent in the instrumental breaks.  The vocals sound like they could become unhinged at any time.  I have always had a strange attraction to this quirky style, so I like this one too, but I would have to go with the Snakefinger track as my favorite of the two.

Mira:

Rascal Reporters – “Egos Explode” – As you know, I’m already a fan of this band and I love the album this comes from.  This track makes my head whirl (in a very good way) with all the synth washes and crazy beat that shows up later in the track.  This is the kind of quirkiness I love, but since I’m already familiar with this one, it is out of the running for a vote from me at least.

Louis De Meiulle – “Discoteak” – Another great track from a rather unknown artist.  Love the animation that goes with the music, it’s perfect.  I have also done a review on this album and love it a lot.  The beat is a bit more consistent with this one, but that actually gives this track its appeal for me.  The composition is complex and excellently orchestrated.  If I wasn’t already familiar with either of these tracks, I would vote for either of them, but for some reason, this time around, I found De Meiulle’s a bit more enchanting.  Great selections!

Will:

I was really looking forward to hearing your choices.  I wish you hadn’t deleted them.

Doug:

Jonesy – “Ricochet” – Love the funky introduction that establishes itself and continues through the track.  I also love that 70’s sound.  The vocals are nice and smooth even with the appealing funkiness of it all, and that cool, spy-movie vibe.  I wish it wouldn’t fade out so quickly on that guitar solo at the end.  Everything about this is good and I think I’ll be exploring their music (and looking for it on vinyl) thanks to your submission here. 

Odin – “Life is Only” – This one continues that great 70’s vibe, but this time around, it is heavier and a tad more complex.  This one is a more serious sounding track.  I love the churning organ throughout.  Not a big fan of the vocals, but it’s not a major issue.  The instrumental section is also nice in the 2nd half.  My preference is with your first selection.  Thanks for bringing the 70’s vibe and featuring lesser known bands from that era.



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Post Options Post Options   Thanks (1) Thanks(1)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 23 2021 at 16:22
Here is my first take on the remainder of Page One:

George: Onségen Ensemble “Think Neither Good Nor Evil”  Repeated washy vocals start this one out, with punchy electric guitar, drums and bass cutting through, dropping to just the instruments.  Ornate guitar lead over crunchy chords continue on.  A spoken vocal, slightly buried (deliberately, it would seem), adds an eerie effect.  A chorus-y part enters, chantlike, under the continuing repeating heavy sound.  Flute flutters in (surprise!), and the distant vocals carry on.  There is an underpinning of some sort of brass (or perhaps done on keyboard), added in the final quarter.  The music concludes with heavy repeated notes and then, suddenly, down to a (female?) ahahahahahahah vocal to the end.  Jonas Hellborg “Art Metal”  This is also a heavier piece, with very tight starts and stops, guitar, bass and drum driven.  It speeds up in perfect synchronized syncopation.  Diverges into whingles and quick percussive sounds, along with fading in and out choral sounds (perhaps on keyboards).  The guitar begins to meander, then band kicks in in full again, still choppy synched, and drops again.  Bass whomps in again to the fore, with a tease, and then back full bore, about halfway in.  The pace continues to pick up and alternate between percussion and the other instruments.  Back to choppy guitar bursts and steady, rapid hand percussion.  The return of the whingles, and then some more punchy syncopation commences.  Not surprisingly, it ends quite abruptly.  I do prefer your first one, overall.

someone_else:  Alejandro Matos “El Infierno de los Buenos”  Lone electric piano and a male singer, singing in Spanish opens the piece.  Electric guitar joins in, slowly building the musical tension.  3 ½ minutes in, drums are added, fairly far back in a marching beat.  Synths and bass layer in at about 5 minutes.  I quite enjoy the slow build and pacing of this, he is obviously patient with his presentation, which I find refreshing.  Now electric guitar is back, in a very impassioned, yet also precisely measured way.  Now, heavy keyboards are creating a very marching sort of feel, with a lovely embellishment from the electric guitar.  A bit of an instrumental break with organ and washing synths, creating an almost mystical atmosphere.  He sings here in a different kind of voice, sort of almost like a dark whispery (without actually whispering, if that makes any sense), there is more of a feeling of malevolence here.  The synths come back to the fore, as the sense of foreboding is heightened.  Now down to just spare acoustic piano notes, with bass and drums way back.  The piano conveys a sense of madness, to my mind, as it is sinister and a bit discordant.  Heavy electric guitar comes back.  The vocal feels as if the singer is coming to terms with how far he’s come on this journey.  The song slows after the crescendo, with organ swells slowly fading.

I prophesy disaster:  Snakefinger “The Picture Makers Vs. Children Of The Sea”  Cuts right to the chase, with whanging guitars and a spoken vocal.  Very angular sound to this, as the piece continues, the vocalist begins to sing.  Very heavy guitars continue whanging as there is a bit of a changeup, then back to the first speaking-tone of the verses.  There is a sarcastic tone to the vocals.  The guitar turns into a lead, with lots of fuzz.  The music dies down to notes played on an organ (or harmonium?), it sounds like, now with softly sung vocals, as opposed to the very in-your-face style previous.  Sustained organ note, then back to the whanging and angular guitar lead over, with spoken-ish vocals, almost going out of key.  Organ-ish and soft vocals reappear.  Back to the whanging/lead/spoken-ish part, then the organ-ish-ing again; then the whanging-ish part again, then the organ-ish-ing.  The song ends on a sustained note on the organ-thing.  Daddy Cool “Make Your Stash”  With a name like “Daddy Cool,” I was expecting more of a rockabilly sort of something (which would be really unusual to mix with progressive), but, no.  This is another kind of tongue-in-cheek sort of vocalist, with a different sing-songy voice than the previous one.  There are elements that sound almost Zappa-ish to me, with the style of instrumentation and kinds of layering and instrumentation, such as horns merrily joining in.  The horns sound almost like (or may be) a kazoo during the break about halfway in.  The musicianship is quite able, and wanders off into more of a jazz feel (also Zappa-esque).  This is my favourite of the two.

Mirakaze:  Rascal Reporters “Egos Explode”  This begins with washy sounds (lots of washiness in prog, no?)  Sort of an orchestral waterfall in front of electric lead guitar.  The piece begins in earnest, it sounds like, as full band comes in, still with the waterfall effect going strong.  There are some whirly-swirlies injected with chorded guitars providing the majority of the melody.  It’s almost as if there are two things going on, like you’re in one of those clubs with two rooms, and each band is very different than the other in the hallway between the two.  The piece concludes fairly abruptly.  Louis De Mieulle “Discoteak”  (before I listen, love the artwork, very Fleischer-like).  Repeated synthed keyboards syncopate alone, and are pretty quickly joined by drums and bass.  (Now that I see the video, it looks like they are using Fleischer cartoon clips). The music clips along at a great pace, without much alteration in it’s general style.  Yet.  About halfway in, now we get some weeeewaaaaaaaweeeeeees from a synth, it sounds like.  The sound drops to a quieter and less hurried wip wip wom woms and then a synth lead, peppered with those wip wip thingies. Bass solo kinda near the end.  There is a very spacy synth and organ pairing, escorting the dancers all back to their seats. 😊  This is my favourite of your two. 

dr wu23:  Jonesy “Ricochet”  Wah wahed guitar is the first heard, then orchestral-y synth, which does a descent and then starts back up.   Great sense of foreward motion to this.  And a GREAT soulful vocal.  This has a more standard song structure, but the music is very much more interesting to me than standard songs are.  The chorus has the vocals stacked on one another.  Quick little drum and bass duet for a few seconds about ¾ ths in.  Sound of a live marching band oddly ends the piece.  Well produced and very engaging.  Odin “Life Is Only”  Bass and washy keys, joined up quickly by guitar, bass and drums.  Pointed, angular guitar.  Moves into another section pretty quickly, 70’s?  This time with organ being the pointed and angular instrument.  Some vocals kick in, a kind of bluesy feel to this one, but complicated, instead of regular blues.  Pretty heavy sound with these guys, a bit Purply.  Wah wah lead guitar and on to another verse.  Song moves into more guitar leads, lots of jamming on this one, but good jamming.  Next is an organ solo jam bit, then back to the guitar being at the fore, and then trading back to the organ.  I like this one for the nostalgic feel, but I love the vocalist with Jonesy, so going with them for my fave of the two.


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Post Options Post Options   Thanks (1) Thanks(1)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: September 24 2021 at 19:44
@Nickie
I prefer Charlie Cawoo's song.

Thanks for your thanks very precise explanation of how the poll works.


@Mike
I prefer Mercury Tree's Song.

(Anyaway, I've already voted for a song by Fovea in another poll: it's a band which I marked in my diary)
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Post Options Post Options   Thanks (0) Thanks(0)   Quote tigerfeet Quote  Post ReplyReply Direct Link To This Post Posted: September 24 2021 at 21:21
I hope i'm not too late to suggest a nomination. I have one lined up and will post when i have more time this weekend, hopefully tomorrow.  
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 24 2021 at 21:31
You have time, we will not open up voting until 1 Oct
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Post Options Post Options   Thanks (1) Thanks(1)   Quote TCat Quote  Post ReplyReply Direct Link To This Post Posted: September 25 2021 at 10:13

Lewian:

Tristeza – “Halo Heads” – It’s nice to hear a more positive vibe in post rock.  You can tell that it is post rock, but the lighter tone gives it a somewhat different sound than what you hear from their contemporaries.  The jangly guitar, the twinkling keys and the smooth undertones moves this forward gives it all a colorful sound.  I do like the more varied moods in the .O.rang track better, but this one is a nice change of pace.

Kees:

Frutería Toñi – “El traspié” – A playful and melodic progressive jazz sound with the added violins make this a pleasant listen.  The sudden changes in tempo, style and rhythm keep it fresh and interesting throughout.  Great bass in the 2nd half.  Love the instrumental break at 6 minutes, the high notes from the lead singer and some of the instrumental hijinx reminds me a bit of Phish, which is great thing.

Stephan Thelen – “Road Movie” – This is one that I’m very familiar with, so it’s out of the running for me.  Here is my take on this track from my review posted a few years ago:

"Road Movie" has Stephen using fractal guitar and a blue sky guitar as well as granular loops. Guests use other electric guitars, atmospherics, and both U8 touch guitar and bass. The rhythmic foundation has a boiling bass and drum pattern that is a bit reminiscent of Pink Floyd, but with guitar chords making for a more tense atmosphere. A beautiful and somewhat shimmering melody is played on top of this, and is later joined by a more intense melody on top of it. Power and intensity ebbs and flows throughout the track with a nice variation of sound coming from the different guitars and effects improvised over it all. The continuation of the rhythm throughout and the use of improvisation gives this track a space rock vibe, but with a huge amount of experimentation involved. Also, all of the guests get a chance to solo on this and their performances were added to the track.

 

 


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Post Options Post Options   Thanks (1) Thanks(1)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 25 2021 at 13:23
An addition from Christian and first thoughts on Kees' entries.

Christian:  Tristeza “Halo Heads”  Shimmery sounds with percussion start this one out, sounds like on keyboards, for the shimmers.  Then guitars enter, in a very hypnotic repition and roll back to just the guitars and percussion for a few, rejoined by keys again.  There is a psychedelic sensibility to this, to my ear.  It is very much lighter than much music I’ve heard like this (post-rock).  The aural scene shifts about 4 minutes in with a different kind of shimmer than previous.  Light synth touches come in and the piece sort of saunters to a close.  Not sure which of these two I like better.

Kees:  Frutería Toñi “ traspié”  Here we begin with a sort of orchestral/jazz sound of whimsy.  Keys, some sort of flutes/oboes? and strings all dance along with an enchanting, syncopated drumbeat.  Male vocalist, with a pleasant voice is introduced.  This is very engaging, even though I’ve no idea what he’s singing about.  Violin comes soaring in, then back to the vocals, which become a little more vehement, although it’s all generally very laid back and light in feel.  Very pretty, dancing with the horns and such, then a fun little break ensues, and back again to the violin.  The pace suddenly picks up with the bass and drums at the front, then sliding horns and keys, almost like another piece entirely, with the singer becoming much more emphatic.  They slip off into a bass and horns forward jam while the singer continues in his more strident manner, ending up with wailing a bit.  Then back again to the very jazzy feel of the band, with horns at the fore.  Abrupt ending.  Stephan Thelen “Road Movie”  Bass opens the piece, with fuzzy guitar washes and drums quickly joining in.  There is an effected guitar whangling along also, with drippy, echo-y notes.  Some very angular guitar lead notes come along, then more of the drippy, echo-y, whangling ones reenter.  Really enjoyable and intriguing lead guitar follows, kind of surf-guitar influenced.  Space-type rock, I always enjoy music like this, and this is no exception.  Some feedback-y and echo-y guitar licks are played, we’re now about halfway in, with drums and bass happily bubbling along under.  Some nice psych is peppered in, and the piece seems to slow, although it’s just the guitar that is doing a long, slow something, drums and bass and steady as can be, and as before.  Not sure which of your two I enjoy more, either.  Very pointed and effected guitar comes along for the ride.  Definitely great driving music!  Heckadocious, this one will be difficult! 

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Post Options Post Options   Thanks (1) Thanks(1)   Quote suitkees Quote  Post ReplyReply Direct Link To This Post Posted: September 25 2021 at 16:12
^ Thanks Mike and Nickie. Yes, difficult for me too, to choose one of these. I will probably go for the shorter and lesser known one...


Edited by suitkees - September 25 2021 at 16:13

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Post Options Post Options   Thanks (1) Thanks(1)   Quote tigerfeet Quote  Post ReplyReply Direct Link To This Post Posted: September 25 2021 at 20:50
My first pick I tentatively nominate - the Amorphous Androgynous - The world is full of plankton 

But I have changed my choice. This prior track, although fun, did not really represent the other facets of the multiple sides of this band, or their captivating style. 

I now choose this track - The world is full of plankton 



I am quite obsessed with this group right now. I am sure a lot of people here have heard of the The Future Sound of London - well these guys are huge, as in they have a huge portfolio of work spanning across many decades and genres from electronic to heavy psychedelic and make use of multiple types of instruments - They also have many alias'  In this particular incarnate they are named the Amorphous Androgynous and wow!  They lately released a new album collaborating with Peter Hammill (I haven't posted one of those songs since none are available to listen to - but you'd be advised to if you can :) They also tend to release re-mixes of most of their work as well as others, which are also wonderful. 

I really wanted to post a track from their latest release with Peter Hammill and other guest musicians. 



Edited by tigerfeet - September 26 2021 at 20:37
I'm sorry, if you were right, I'd agree with you. Robin Williams.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote tigerfeet Quote  Post ReplyReply Direct Link To This Post Posted: September 25 2021 at 21:14
My second initial nomination is by Assemble Head In Sunburst Sound. I adore this group and again, very few ratings. They are quite a pop-garage psychedelic prog leaning band but nonetheless, great songs, well produced and over all have a nice warm feel to them. 

Assemble Head In Sunburst Sound ‎– The Slumbering Ones






I'm sorry, if you were right, I'd agree with you. Robin Williams.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: September 26 2021 at 23:51
Experimental Quartet “Spre univers” - final nomination Smile
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Post Options Post Options   Thanks (2) Thanks(2)   Quote progaardvark Quote  Post ReplyReply Direct Link To This Post Posted: September 27 2021 at 12:20
This is all I had time to listen to today:

Snicolette:
Aesthesys - Marea:
Nice post rock instrumental that builds up twice into powerful crescendos. In both build-ups the violin comes into play, at first on the level with the other instruments, but then builds slowly to become the dominant instrument. In turn, the rest of the band builds up with the violin resulting in an emotional climax. Impressive.

Charlie Cawood - Flicker Out of Being:
The acoustic guitar/piano mixture sounds really nice. Marjana Semkina has a nice voice (almost reminds me of Christina Booth). The violin following along with her voice is a nice touch. I like the way the instrumentation builds up layers with various arpeggiations as the song progresses. Nicely done.

Logan:
William Sheller - Hare Krishna:
The organ has a nice haunting feel to it. The transition to orchestration and choir is nicely done with an underlying heartbeat-style rhythm underneath. Really like the tones the choir is using on this. The music segues between more quiet, almost sinister-sounding moments, with powerful outbursts. The crescendo during the last parts of the song where orchestration, choir, drums, and guitar solo come into play is a nice way to end this. I wish it had ended with a final outburst rather than a fade out. Overall, great piece of music.

I did not realize that Sheller had worked with Emmanuel Booz on his 1974 album. I'm a really big fan of Booz's "Dans quel etat j'erre" album, so I'll have to give his "Le jour où les vaches" a listen. Also, off-topic, it's weird how that central cloud in the video looks the shape of Hungary. Funny the things we see in clouds.

Perry Leopold - The Journey:
I like the way the orchestrated parts percolate through and swerve their way around the central acoustic guitar riff. It's interesting how this was recorded in 1973 but didn't see the light of day until 1999. I wonder how many more undiscovered albums may turn up as the years pass from that productive period in music history. Overall, a nice and pleasant listen.

Cristi:
Bucium - Frunză verde foi mărunte:
Cool intro with something that sounds like a recorder (or some sort of flute I can't identify) bouncing around atop some interesting effects. This transitions into a nice acoustic guitar riff. The rest of the band joins in with a nice spacey, ambient background and a driving rhythm. The female backing vocals give this a nice touch. The ending returns with effects from the beginning giving it a really eerie feeling. It's kind of like space rock meets prog folk. It's nice to hear another band from Romania as the only band I've listened to from this country was Sfinx's Zalmoxe album. Great song!

Experimental Quartet - Spre univers:
Ah, another Romanian band! I'm a big fan of quirky and love the quirky organ riff that starts this off. It has a rather complicated rhythm chugging throughout it. The drummer is phenomenal. I love where it goes all quirky at 4:35 mark. Nice ending, too. Is this song available on an album? The two albums on PA under the Quintet version of this group don't have this song listed. I'm asking because I'd like to hear the rest of the album this came off of. Great track!

jamesbaldwin:
Claudio Rocchi - Volo magico n.1:
The acoustic guitar that stars this has a sort of Eastern vibe. The hand percussion also adds to this feel. When the piano comes in, it's neat how they transitioned into funneling it to the left channel and the guitar/percussion into the right one, a technique in mixing that is rarely used anymore but has always had a nice classic charm to my ears. It gives the piece a wider feel. The music continues to build-up and I think the choir (or female backing vocalists) gives a really nice haunting performance (around the 10-11 minute mark). I like the piano riff that starts around the 14 minute mark. From here it leads into a psychedelic jam, but with a nice chord progression underneath that holds it altogether. This suddenly ends with the last minute being solo piano that fades with a peaceful calm. With many long tracks it's essential to have many movements to keep the listener focused on the journey and this has all of that. Great track!

JD:
Duncan Mackay - Jigaloda:
I have the album this is off of, so I've heard this song before. Mackay really doesn't get the credit he deserves for being such a good keyboardist. This song is no different. It goes through a couple different moods, almost like soundtracks for different parts of a movie. It's a really nice mixture of piano and synths. As always, an enjoyable listen from an underrated album that often gets overshadowed by Mackay's debut album.

Lewian:
.O.rang - Mind on Pleasure:
Starts off with a cool reverb/echo effect on guitar. This has a neat off-center feel when the rest of the instruments kick in. Wow, there's a lot going on here. I can feel myself getting lost in all the stuff swirling all around me. This feels like it needs repeated listens where a new discovery awaits with each listen. No doubt this has had some influence on Steven Wilson. Some of PT's late 1990s stuff is reminiscent of this (I'm thinking in terms of the underlying bass and the overarching ambience). Great track!

TCat:
The Mercury Tree - Disremembered:
I have this album and it made my top 20 of 2019. Microtonal guitars make some really, really cool sounds. On top of that, this group has a knack for quirkiness and unsettling sounds that just envelope me with ear candy. Two years later and this album should have had over 200 ratings by now. This song is just a taste of the genius of Ben Spees. I'm curious about listening to his collaborative Ventifacts project which just came out this month. Excellent pick!

Fovea Hex - Early Evening:
From the chaos of Ben Spees to floating through space. Love the tones this keyboard is making (I think it's a keyboard). The subtle hints of other sounds percolating from undernearth the keys give this a nice texture. A nice and pleasant song.

mathman0806:
Onségen Ensemble - Think Neither Good Nor Evil:
I only recently discovered this band from their 2020 album Fear, which was a really nice listen (still need to buy this!). A nice, dark sounding tune. The choir gives this both a powerful and almost sinister feel to it. The little bits of flute popping in and out in places is a nice touch. When the brass comes in during the last third of the song, it just takes this up to a higher notch. And then suddenly it stops and we're left with a gentle female voice (which I presumes interludes into the next track). Great song. I'll be checking this album out online.

Art Metal - Art Metal:
A lot of different pieces to this one. Complex guitar riffs, ambient sections with what sounds like hand percussion (oops, looked it up, a kanjeera), some slap bass, then all these parts get mixed together. There's a lot going on here. The sections transition seamlessly, sometimes abruptly to keep me on my toes. Love the last minute or so where this goes into overdrive. Great track!

someone_else:
Alejandro Matos - El Infierno de los Buenos:
I looked this up on PA and it looks like Alejandro does everything on this song. I'm impressed. It's an interesting mix reminding me of neo prog with an RPI vibe (something that shows up here and there in South American prog). Love the keyboard work that comes in around the 12:15 mark. The transitions between the different sections are great. Has a nice build-up for the next few minutes before switching to a synth fadeout at the end. I enjoyed this. Great track.

I prophesy disaster:
Snakefinger - The Picture Makers vs. Children of the Sea:
Neat fuzzy guitar riff. It gets really interesting around the 4 minute mark with a quirky keyboard (accordion?) melody, then bounces back and forth between this and a cool angular guitar riff. It kind of has an avant, almost post-punk feel to the track. I enjoy the quirky stuff, so this was a great track.

Daddy Cool - Make Your Stash:
This is a fun little tune. Sounds like it could have been a big hit back in the 1970s. I like the quirky parts between the verses and the saxophone being used as a part of the overall riff of the song rather than just an instrument used for solos. On the surface it sounds straightforward, but when you listen deeper it has some interesting complexities. Nice song.

Mirakaze:
Rascal Reporters - Egos Explode:
This starts with a wave of synthesizers, then about the 1:30 mark it unexpectedly adds this quirky rhythm section. Lots of nice beeps and warbly synths weaving their way in and out of this. It's easy to get lost in this as there is a lot going on here. And just like that it ends. I wish it could have continued for twice the length of this. It definitely seems like a track in which new discoveries can be found with repeated listens. I'll have to explore more from this group. Great track!

Louis de Mieulle - Discoteak:
I like this from the start with the off-center feel between the rhythm and keys. Nice bass riff. Enjoyed the keyboard solo around the 2:30 mark (and then again around the 4:00 mark; and the 5:30 mark). That reverb effect on the keyboard riff around the 3:30 mark is neat. Another one I got lost in that I wish went on longer, but I did listen to it three times in a row. It's deceptively complicated. I'll need to check out more by this artist.

I'll listen to some more suggestions tomorrow and will post my thoughts later that day. Nice selections everyone! This has been an enjoyable day on the headphones.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 27 2021 at 12:29
Originally posted by progaardvark progaardvark wrote:


Snicolette:
Aesthesys - Marea:
Nice post rock instrumental that builds up twice into powerful crescendos. In both build-ups the violin comes into play, at first on the level with the other instruments, but then builds slowly to become the dominant instrument. In turn, the rest of the band builds up with the violin resulting in an emotional climax. Impressive.

Charlie Cawood - Flicker Out of Being:
The acoustic guitar/piano mixture sounds really nice. Marjana Semkina has a nice voice (almost reminds me of Christina Booth). The violin following along with her voice is a nice touch. I like the way the instrumentation builds up layers with various arpeggiations as the song progresses. Nicely done.

  I love reading these more-in-depth reviews for all of the entries, it's what I come here for, in these interactive polls.  I know not everyone can spare the time, but it really enriches them and give clues to the voter's tastes, by reading their insights.

Thank you for your enjoyment of both of these that I brought to the table.  
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Post Options Post Options   Thanks (1) Thanks(1)   Quote JD Quote  Post ReplyReply Direct Link To This Post Posted: September 27 2021 at 13:05
Originally posted by progaardvark progaardvark wrote:

JD:
Duncan Mackay - Jigaloda:
I have the album this is off of, so I've heard this song before. Mackay really doesn't get the credit he deserves for being such a good keyboardist. This song is no different. It goes through a couple different moods, almost like soundtracks for different parts of a movie. It's a really nice mixture of piano and synths. As always, an enjoyable listen from an underrated album that often gets overshadowed by Mackay's debut album.
Nicely stated Ken. I obviously agree with this assessment. I was gifted his first album back in the early 80's by a friend of the band I used to work for who let me crash at his and his girlfriend's apt. for a week while we played in Hamilton. I was so blown away by it he said "Take man !" I can see how much you love it" I was blown away by his generosity. And don't even get me started on his girlfriend Wink.
But I digress...what I was trying to say was I've always sought out his work, but his first offering is still one of my favourites.


Edited by JD - September 27 2021 at 13:07
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: September 27 2021 at 15:08
Thanks for the playlist - having a suggestions playlist makes it much easier for me to listen to them all (of course I could do one myself... Wink). Much good stuff there. Some things that jumped at me at first listen: The Amorphous Androgynous and Louis de Mieulle (that video LOL) - this is how I like physical music! Also two nice suggestions by Nicky - I was meant to check out Charlie Cawood for some time, but also that Aesthesys piece is beautiful (actually sounds somewhat close to the Tristeza piece I had posted, with some more post rock crescendo later)... I was going to mention also William Sheller and Cristi's suggestions (going through the beginning again after having heard the second half before starting to write) but it now seems I'd have to write about several more and my writing time for today is up... Cool


Edited by Lewian - September 27 2021 at 15:17
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 27 2021 at 15:47
Originally posted by Lewian Lewian wrote:

Thanks for the playlist - having a suggestions playlist makes it much easier for me to listen to them all (of course I could do one myself... Wink). Much good stuff there. Some things that jumped at me at first listen: The Amorphous Androgynous and Louis de Mieulle (that video LOL) - this is how I like physical music! Also two nice suggestions by Nicky - I was meant to check out Charlie Cawood for some time, but also that Aesthesys piece is beautiful (actually sounds somewhat close to the Tristeza piece I had posted, with some more post rock crescendo later)... I was going to mention also William Sheller and Cristi's suggestions (going through the beginning again after having heard the second half before starting to write) but it now seems I'd have to write about several more and my writing time for today is up... Cool
  Thanks for the thoughts!  I'd also noticed the similarities with the Tristeza and Aesthesys pieces, I'd never heard Tirsteza before.  I heard Aesthesys the first time when I'd not yet heard much post rock, and it really struck me.  Now that I'm more familiar with that genre, it still does, as did the Tristeza one you brought.  

I will open up for voting on Friday, so there is still listening time, never fear.  
"Into every rain, a little life must fall." ~Tom Rapp
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: September 27 2021 at 15:51
@Christian
I prefer O.Rang's song

@Kees
I prefer Thelen's song.


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Post Options Post Options   Thanks (1) Thanks(1)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 27 2021 at 17:40
First thoughts on tigerfeet's two:

tigerfeet:  Amorphous Androgynous “The world is full of plankton”  Gotta love a song with that title!  😊  Whirlies and synth start this one out.  Nice electric lead emerges with skirrrrrrs and some wongly keys.  Liking the underwater feel, indeed there may be some ocean/bird sounds in there.  Flutes come along and a couple of harder edged guitar chords, mixed back.  Indeed the watery effect continues as the vocals come in, very psych feel to this.  Dreamy feeling of drowning to it, fine, fine stuff!  The music whirdles out and morning birds enter, with the vocals coming back in and the washy sound continues and the song ends.  Assemble Head in Sunburst Sound “The Slumbering Ones”  This is more straightforward (less water) in the sound, although the vocals are similarly watery, which is a typical psych sound.  This one feels like ancient secret and forgotten giants are dreaming to me, of what they’ve done and what they will awaken to on their return to consciousness.  This is also excellent psych in the older sense, not going so far into space that it loses the lysergic sensibilities of the genre.  There are some pointy/plinky guitar notes, along with a flute intertwining.  Both are excellent, another hard choice for me to say which is “better.”  I kind of lean toward this one, as it is such an homage to certain types of original psych. 


"Into every rain, a little life must fall." ~Tom Rapp
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