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Female Prog Artists Recommendations.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Progishness Quote  Post ReplyReply Direct Link To This Post Posted: April 21 2021 at 23:51
Originally posted by BaldFriede BaldFriede wrote:

Start with her first album, where the track Jean chose was from. Here another track from that album that is quite proggish:




Well I've now sourced all her 70's and 80's albums... might take me some time to get round to listening to them tho.  BTW are there any more female (rock/prog/new wave) artists from your part of the world that I ought to be aware of?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Psychedelic Paul Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2021 at 00:15
Originally posted by Progishness Progishness wrote:

Originally posted by Psychedelic Paul Psychedelic Paul wrote:

Linda Spa - It's Not Over Now



I kept wondering if the vocals were ever going to start.
Me too! Smile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Progishness Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2021 at 00:27
Originally posted by Psychedelic Paul Psychedelic Paul wrote:

Originally posted by Progishness Progishness wrote:

Originally posted by Psychedelic Paul Psychedelic Paul wrote:

Linda Spa - It's Not Over Now



I kept wondering if the vocals were ever going to start.
Me too! Smile

BTW, another artist I can recommend to you, tho she's not here in the archives as she probably belongs in the 'New Age' genre is Caroline Lavelle (cellist/contralto), who has made three splendid solo albums, aside from her work as a jobbing session musician.



Edited by Progishness - April 22 2021 at 00:28
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guldbamsen Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2021 at 02:02
Some of my favourites:
Catherine Riberoux + Alps
Catapilla
COS
Susanne Sundfør
Anna Von Hausswolff
Bent Knee
Pierrot Lunaire
Savage Rose
Frumpy
Amon Düül ll
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Post Options Post Options   Thanks (0) Thanks(0)   Quote chopper Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2021 at 02:29
I also recommend Danielle Dax who I almost ran into at a rehearsal studio in the 80s.




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Post Options Post Options   Thanks (0) Thanks(0)   Quote BaldFriede Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2021 at 06:23
Originally posted by Progishness Progishness wrote:

Originally posted by BaldFriede BaldFriede wrote:

Start with her first album, where the track Jean chose was from. Here another track from that album that is quite proggish:




Well I've now sourced all her 70's and 80's albums... might take me some time to get round to listening to them tho.  BTW are there any more female (rock/prog/new wave) artists from your part of the world that I ought to be aware of?

Definitely Inga Rumpf, the singer of Frumpy. Here an excerpt from their Beat-Club appearance (Beat-Club was a German TV-program that ran from 1965-1972. Countless top rock acts appeared at it, including many prog bands):



Why the Swedish flag appears at the beginning is a mystery to me; Frumpy were a German band (with one French member, keyboarder Jean-Jacques Kravetz).

The bands played live at Beat-Club; no playbacks.


Edited by BaldFriede - April 22 2021 at 06:25


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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2021 at 11:48
Originally posted by moshkito moshkito wrote:

Originally posted by verslibre verslibre wrote:

There really wasn't room for the "contempo" approach Edgar let Jerome steer the band toward in the early '90s. Linda's contributions to 220 Volt and Turn of the Tides were akin to a hitchhiker, tacked on, i.e. they didn't integrate that well. I'd never imagined TD with sax before "Long Island Sunset" on Lily on the Beach, and the title track of Melrose (performed in both instances by Hubert Waldner), and initially, I wasn't keen on it.

I'm not sure that Jerome was that much of an issue ... he came up in a different era and his tastes in music differed from his dad's ... we all have that in common! But I think that EF wanted to return to the more symphonic sound, and Jerome was not into that as much, I don't think.

I understand that Jerome and "new arrival" Thorsten (a fan of the band's classic sound) did not see eye to eye, or ear to ear, where making new music was concerned. Without being a fly on the wall, we have to assume that was the primary reason for Jerome's exit. Seems like it to me. Views from a Red Train, an album I like a lot, would not sound the way it does with Jerome onboard (and that's mostly Edgar, with contributions from Thorsten). The live band (with Bernard Beibl on guitar) also handled the repertoire better, mixing good new tracks like "Trauma" with classics like "Cloudburst Flight" and "Choronzon."

Originally posted by moshkito moshkito wrote:

Linda is a different story ... she is classically trained and raised and I think that she helped EF bring about a sound that was closer to what he might have envisioned

She's not the first. Johannes Schmoelling and Paul Haslinger were both conservatory-trained pianists. When I saw TD live in '88, Paul even mixed in a Bach piece in his solo on the electric piano pushed all the way to the edge of the stage. That was quite unexpected, but everyone ate it up.

Originally posted by moshkito moshkito wrote:

But TD, as it is presently seen, is not capable of "improvisation" and on occasion find things that they did not realize how good they were and felt when it happened ... and in many ways, I really think that this is more likely to happen with women, than without them ... there is a difference in the "sight" between the two that is important ... for example, it is thought that women's intuition and vision is more physically related whereas the men's intuition is more developed in their minds, not bodies!

Johannes was the best improviser TD ever had. His loss is still greatly felt, more so than the exit of any other past member.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote siLLy puPPy Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2021 at 11:53
Don't remember if i posted this here before but i made a list on Rate Your Music years ago that compiled as many prog artists as possible that included female members. Not exactly a recommendation but rather a comprehensive list for further exploration.


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Post Options Post Options   Thanks (0) Thanks(0)   Quote BaldFriede Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2021 at 13:17
Originally posted by Progishness Progishness wrote:

Originally posted by BaldFriede BaldFriede wrote:

Start with her first album, where the track Jean chose was from. Here another track from that album that is quite proggish:




Well I've now sourced all her 70's and 80's albums... might take me some time to get round to listening to them tho.  BTW are there any more female (rock/prog/new wave) artists from your part of the world that I ought to be aware of?

By the way: When Nina was at the peak of her abilities her voice had an amazing range of six octaves. She was an opera prodigy too.


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Progishness Quote  Post ReplyReply Direct Link To This Post Posted: April 22 2021 at 23:07
Originally posted by siLLy puPPy siLLy puPPy wrote:

Don't remember if i posted this here before but i made a list on Rate Your Music years ago that compiled as many prog artists as possible that included female members. Not exactly a recommendation but rather a comprehensive list for further exploration.



That list is very helpful, tho I noted the absence of the Incredible String Band (Christina "Licorice" McKechnie, vocals & percussion 1968-72).

I have got plenty to explore for now, and it could take me some time, but please keep the suggestions coming!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote richardh Quote  Post ReplyReply Direct Link To This Post Posted: April 23 2021 at 01:32
I feel like I shouldn't wade into the whole TD discussion that is hijacking a thread about female musicians!

However relevant to the thread is the album Purgatorio , for me one the best things they ever did. It features several classically trained female vocalists and is absolutely stunning original music.

I will however second that emotion about Views From a Red Train. Great album as much for the guitar as the synths!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Progishness Quote  Post ReplyReply Direct Link To This Post Posted: April 23 2021 at 02:48
Tangerine Dream I've never managed to get into, so please no more discussion, or take it to a new thread!
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Post Options Post Options   Thanks (1) Thanks(1)   Quote siLLy puPPy Quote  Post ReplyReply Direct Link To This Post Posted: April 23 2021 at 09:21
Originally posted by Progishness Progishness wrote:

Originally posted by siLLy puPPy siLLy puPPy wrote:

Don't remember if i posted this here before but i made a list on Rate Your Music years ago that compiled as many prog artists as possible that included female members. Not exactly a recommendation but rather a comprehensive list for further exploration.



That list is very helpful, tho I noted the absence of the Incredible String Band (Christina "Licorice" McKechnie, vocals & percussion 1968-72).

I have got plenty to explore for now, and it could take me some time, but please keep the suggestions coming!


Thanks for pointing that out! Any suggestions are quite welcome. Big smile

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Progishness Quote  Post ReplyReply Direct Link To This Post Posted: April 23 2021 at 09:45
Originally posted by siLLy puPPy siLLy puPPy wrote:

Originally posted by Progishness Progishness wrote:

Originally posted by siLLy puPPy siLLy puPPy wrote:

Don't remember if i posted this here before but i made a list on Rate Your Music years ago that compiled as many prog artists as possible that included female members. Not exactly a recommendation but rather a comprehensive list for further exploration.



That list is very helpful, tho I noted the absence of the Incredible String Band (Christina "Licorice" McKechnie, vocals & percussion 1968-72).

I have got plenty to explore for now, and it could take me some time, but please keep the suggestions coming!


Thanks for pointing that out! Any suggestions are quite welcome. Big smile


There's no mention of the pioneering all girl bands Birtha and Fanny from the early 70's but I suppose they are more hard rock / proto metal than being prog related. The other band that springs to mind from that era would be Vinegar Joe (Elkie Brooks sharing vocal duties with Robert Palmer) but they are more blues rock.


Edited by Progishness - April 23 2021 at 09:49
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guldbamsen Quote  Post ReplyReply Direct Link To This Post Posted: April 23 2021 at 09:59
I’d like to recommend Catapilla’s second album ‘Changes’ to anyone in need of a good friday night record
You don’t need fast paced pseudo-hip hop tunes off the radio when you finally get off from work...nahh you need the sweet and caterpillar-like slow ooze of ‘Changes’ delivered by way of soothing psychedelic guitars and saxes complimenting the hell out of each other while high priestess Anna Meek conjures up this smooth and slightly menacing vibe through her unique vocal chords. All comes together in this rolling manner that propels itself forth like the very name of the band.
https://m.youtube.com/watch?v=Woesy-QYiEg
Mmmmh....now it’s friday
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: April 23 2021 at 10:05
Originally posted by Progishness Progishness wrote:

...
That list is very helpful, tho I noted the absence of the Incredible String Band (Christina "Licorice" McKechnie, vocals & percussion 1968-72).
...

Hi,

And above all ... her connection to THE FOOL, which even The Beatles made use of ... and they were from LA, not London of all places and ideas.

To me, it was the women that made the INCREDIBLE STRING BAND, and I think that their appeal and show suffered from not having the women involved as much other than background vocals, which I think the ladies were not happy with, is my thought.  They ended up with "U" ... which they performed at WOODSTOCK, of which there are no recordings or film, as it was in the middle of the night, and apparently too many folks were asleep .... but it was a stage show ... and I don't think it had been shown in too many places before then ... so Licorice, was at Woodstock with the band ... for this performance. 

I kinda thought that this "theater" was something that fit THE FOOL and the ladies more than it did Robin or Mike ... and you can see it on the film they made ... though in it, you get the feeling that the bits and pieces by the men, did not amount to much, and that the image of the women was more entertaining and alluring, than what the men did with it, which in many ways was almost opposite of what the women were there for or showed ... that is how I interpret it, btw.

It makes it easier to say that Licorice and her friend were likely the catalysts for the vision that became Mike and Robin, however, Robin in an interview with Guy Guden, explains that it was all about the poetry and the stage, and the attempt to make it come alive ... and that specific expression which Robin says helped their creativity since he came from a poet/writer background and Mike from a rock music background, which he says made things work when they got together. But the inspirations also went beyond the poetry ... into many areas that make things difficult to explain. By the time you listen to EARTH SPAN, it is a great album, fabulous material ... but you wonder what it is all about ... different inspirations from around the world? Or simply poetry within the context of a few stories and what ends up as "performance" instead of a person!

Again, I think the ladies had more to say here than we know or understand ... and Licorice will likely be remembered for her touch and expression, though she does not get much credit for it ... one is not likely to get her voice and stylings on so many songs, unless you have an inner flame that is so far apart, and yet ... a part of something else!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Progishness Quote  Post ReplyReply Direct Link To This Post Posted: May 02 2021 at 01:07
Originally posted by BaldFriede BaldFriede wrote:

By the way: When Nina was at the peak of her abilities her voice had an amazing range of six octaves. She was an opera prodigy too.


If only she'd have stuck to incorporating operatic vocals into a punk / new wave rock style, maybe she'd appeal to me more.

Otherwise I'll give Frumpy a go once I manage to source their albums - they sound promising.


Edited by Progishness - May 02 2021 at 01:08
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Post Options Post Options   Thanks (1) Thanks(1)   Quote yam yam Quote  Post ReplyReply Direct Link To This Post Posted: May 02 2021 at 04:05
Dutch outfit Illumion, which was formed in 2002 by female guitarist Eveline van Kampen, with Esther Ladiges adding a further feminine touch on vocals.





The band line up also included a couple of female keyboard players as it evolved during its early years.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Progishness Quote  Post ReplyReply Direct Link To This Post Posted: May 02 2021 at 04:30
^ Ooh thanks - another one to go on my list.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: May 02 2021 at 04:37
Zyma
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