What do you guys think of "The Final Cut" |
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SteveG
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Edited by SteveG - March 27 2021 at 19:08 |
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Dellinger
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That's the thing that makes Pink Floyd so great for me. Even one of my least favourite albums from them is, for me, a great album. I only wish they had originally included When the Tigers Broke Free and the two parts of The Heroes Return (I really like that song, but it's so short it's frustrating... hearing both parts together makes it so much better, but unfortunatley the second part was only released in a single. And then when they made the remaster of the album and included When the Tigers Broke Free, I don't understand why they didn't include the whole Heroes Return... if only they had done that, then I guess I would have bought the album again.
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suitkees
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Haha, yes... Pardon me the Spears anachronism, but you actually underline my point that judgments of this album often seem to be based on the expectations (the perhapses, what-ifs and woulds...) someone has/had rather than on the albums' music itself. Which maybe raises the question if it is always possible to disconnect one's expectations from one's appreciation (critique/judgment) of music? Over time that is probably easier than on the moment of an albums' release itself...
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Psychedelic Paul
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I know it sounds Crazy but Sometimes, a Piece of Me wonders what Oops!... I Did It Again would sound like performed by Roger Waters.
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SteveG
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Edited by SteveG - March 28 2021 at 09:05 |
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The Dark Elf
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It's rather telling that many here say the inclusion of "When the Tigers Broke Free" is the best song on the album, when the song itself was part of The Wall project and was rejected for that album because it was "too personal" by the other band members. Of course, it ended up in the movie as a conveyance to further the plot, but as a composition it fits in the Waters solo album The Final Cut. Richard Wright is gone, with David Gilmour and Nick Mason acting as union-scale musicians, adding parts but divorced from the whole. Floyd at its best was when Gilmour and Water played off one another (great examples would be "Dogs", and "Comfortably Numb"), but there is really none of that here. The continual half-speaking/singing of Waters becomes overwhelming and unlistenable. Gilmour's only real inclusion on "Not Now John" approximates that Floydish feeling, but it's ironic that Gilmour keeps repeating "F*ck all that, we got to get on with these", as if punctuating the vacuum and the coming divorce. There is nothing great about this album. There is no great Floyd song here: no "Time", no "Echoes", no "Wish You Were Here", no "Shine On You Crazy Diamond", no "Dogs" or "Comfortably Numb". There is only the unrelenting whine of Waters, speak-singing through an entire album.
Edited by The Dark Elf - March 28 2021 at 09:49 |
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dr wu23
Forum Senior Member Joined: August 22 2010 Location: Indiana Status: Offline Points: 20623 |
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Same here....btw I have an original first US press if anyone wants to pay me good monety for it? |
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One does nothing yet nothing is left undone.
Haquin |
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SteveG
Forum Senior Member Joined: April 11 2014 Location: Kyiv In Spirit Status: Offline Points: 20604 |
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How much will you pay me to take it?
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the-enid
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To me, it doesn't say anything which wasn't already, and better, said in The Wall.
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dr wu23
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One does nothing yet nothing is left undone.
Haquin |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 14728 |
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Does that make a difference regarding whether you (or anybody) likes it or not? (Edit: Sorry, I reacted to this reading it on p.1, that point has in the meantime been discussed... anyway, I always try to listen to it without being affected by expectations coming from the name stuck on it.) Personally, by the way, I find it... interesting... it has some potential, it's surely not a boring or derivative album and I can find new things on it that I enjoy, however I am very rarely in the mood to listen to it. I know other albums with pessimistic lyrics or dark mood music that don't usually make me feel bad, but The Final Cut tends to do that. Probably it's too much of these vocals that are whiney indeed.
Edited by Lewian - March 29 2021 at 06:04 |
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Psychedelic Paul
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I've always regarded The Final Cut as a Roger Waters solo album anyway, and either way, I still rate the album higher than The Piper at the Gates of Dawn and Ummagumma.
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SteveG
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Edited by SteveG - March 29 2021 at 06:22 |
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progaardvark
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I would love to see Roger Waters cover Oops! I Did It Again, only if he promised to make a music video wearing a hot red leather jumpsuit and lead the choreographed dancers. That would make my day and put an unusual exclamation point onto his long career. Might even be better than the Waters/Geesin "Our Song."
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Psychedelic Paul
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Yes, you already know that because I said the same thing on your thread on the same subject, although Pigs (on the Wing) might fly before I'd rate The Final Cut higher than the classic Animals album.
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Cboi Sandlin
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Wow I missed a lot over the weekend. I should have really kept a better eye on my OWN thread lol! Anyways, I think using Yes' Union was a good example. It was less of a band effort, more or less a large effort. Lots of session players, lots of people who werent in the band working on this. However, like Yes' Union, i found that it gave it a different feel, something unique to all of the other Pink Floyd albums, something you wouldnt want for every album, but something that is interesting for this one album. I like both The Final Cut and Union too.
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SteveG
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ooof! TFC and Union, a double whammy.
Edited by SteveG - March 29 2021 at 10:11 |
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dr wu23
Forum Senior Member Joined: August 22 2010 Location: Indiana Status: Offline Points: 20623 |
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Well...anything Paul rates low is certainly worth buying and one should avoid anything he rates high. |
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One does nothing yet nothing is left undone.
Haquin |
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Psychedelic Paul
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You already own most of the classic British prog albums I've rated highly.
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iluvmarillion
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I don't see it that way at all. Roger was the bass player and lyricist for the band and provided the concepts for the albums. David was the guitarist and shared the vocals with Roger. Both shared the musical credits for the songs while after WYWH Rick Wright retreated as a song writer. I don't see why one band member is placed above another on the basis that he writes the lyrics. The way a band should work is as a democracy.
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