Interactive Poll XXVI: The Dreadful Decade |
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suitkees
Forum Senior Member Joined: July 19 2020 Location: France Status: Offline Points: 9050 |
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Synthesizers, synthesizers...! Drum machines...! Page 1: Lewian: Neither Fehlfarben nor Black would have been on my radar in the 80s: the first a bit too punk, the latter too quirky. It is nice to discover them now, but they're not yet stealing my ears, both are maybe a bit too repetitive to my liking... What's interesting though is that the melodies in the Fehlfarben song mainly come from the bass. Will listen to them again... Shadowyzard: Ow, maybe Freeez and Modern Talking are examples of why the 80s are considered so dreadful (by some): these two haven't aged very well, imo. A bit too dance oriented (and I've always hated dancing...). And then comes Desireless; this was here major hit (she had a minor one after Voyage Voyage). This is much more to my liking - great singing and part of those songs that remain! Logan: Nice and engaging rythm to support the etheral voice and the echo-y guitars on this song by The Passions - rather straightforward, but quite effective. I started to appreciate Bauhaus only much later, not that I listen to them much now (and I don't think I heard this one before). This one is quite captivating with the driving bass and the roaring guitars (but not too upfront). Phew is another band I turned my back on in the 80s - I heard of them but never got into them. This one is ice-cold, combining the rudimentariness (does that exist?) of punk with the cold alienation of the New Wave. But Divinyls steal the show here for me with Good Die Young, typical 80s with a sniff of punk and a touch of new wave turning into a great pop-rock song. Snicolette: Was (Not Was) is another band I heard of but have not heard much from (I think I heard a later album of them...). Knocked Down, Made Small is a great rocker, great playing backed by the synths, whereas Where Did Your Heart Go is much more funky pop-rock. Zaz brings a kind of piano-voice dominated poetic ballad, playing with the thin line between beauty and cliché, but it works for me. The rocking one is my favourite. Cristi: Casual Affairs and Jean Beauvoir are for me also examples of 80s songs that didn't age well, maybe because they fell the need to put that disco-beat in their songs or if they were composing them with the drum computer (which I disliked then, and still don't like very much now...). Not bad, but not standing out. Neither does Night Ranger, for me, but it is a good straightforward rocker (great playing, but there were so many good rocking bands in the 80s!). a-ha's Manhattan Skyline is the good surprise for me. I don't think I ever heard this one and didn't expect them to bring on this heavy side, which works out quite well! The Simple Minds one is a bit of a deception, especially regarding some of the wonderful songs they have in there catalogue - this one is rather forgettable. My pick is a-ha! Mathman: The Call is another band I know of but I don't remember what I heard before... Good choice! I quite like these songs: good songwriting, solid and melodic playing and a great voice, especially on The Woods, which a beautiful and powerful song. EBN/OZN got hold up at the customs before entering Europe, I think, and I think the customs did the right thing ;) |
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suitkees
Forum Senior Member Joined: July 19 2020 Location: France Status: Offline Points: 9050 |
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80s punky waves and hair... oh yes, there were good things in that decade - Page 2: The Anders: Kliché, wow, what an entrance with that drum riff. Wouldn't have liked this back then, but it is interesting (a pity that Mao could not listen to it), very tight, like the Gnags one, but which I prefer, because there's much more going on in their music, including a bit more melody and other sounds. Sneakers bring us a romantic ballad that starts of nicely, romantically with piano-voice, before the synthy-funky finale. Very different and thus difficult to choose a favourite between this one and Gnags... Tancos: A nice discovery for me with The Microorganism by Boiled in Lead: catchy up-tempo violin led folk-rock which juxtaposes with the sad lyrics of a fatal disease (AIDS, I guess...). A strong one! Rare Air bring us some nice (bagpipe) playing in this Dee Dee Diddley Bop, but it does not really move me more than that - it sounds a bit like a showcase and not a worked-out composition. Ginger an Fred by Don Ross offers us again some great - not to say impressive - playing, on the guitar this time. For me this is much more captivating than the previous one, but I still prefer Boiled in Lead. jamesbaldwin: Wow, three artists I know from Lorenzo! Shame on you ;) But I explored Nick Cave a bit only after the 80s were over. The Carny really is a masterpiece, with its narrative quality, the theatricality and the industrial tinge added to that. Wonderful! The U2 song is maybe a bit too well known, and my problem with U2 has always been that I like many of their songs, but after two or three of them I get bored... This is a great live rendition of I Still Haven't Found What I'm Looking For, the guests and the choir add a lot... And I love Suzanne Vega; everything is in here: great composition, good moving and storytelling lyrics, great playing and a wonderful voice. What is not to like. Hard to choose between Nick Cave and Suzanne Vega, they're so different... TCat: Not sure if I've ever heard of Squeeze, but this is quite a good song, very dense with all the instruments and sounds, but it works out well (I don't hear a movie sample in the vid Lewian put up... There go my bonus points). Glass Moon make me think a bit of Billy Joel, but this is more theatrical and versatile within one and the same song, building up to the grandiose... Like it very much. I vaguely remember Lloyd Cole and the Commotions, they must have had a (minor?) hit in the Netherlands. Forest Fire is actually just a perfect song! Well written, music and lyrics, perfect build-up, convincing singing, great playing... Difficult to choose a favourite out of these three. Rushfan4: Ah, rock 'n roll! Good idea to go local, too. Bitter Sweet Alley is nice, but as I said earlier, there were so many very good (hard) rock bands in the 80s and this one doesn't stand out (a bit too common, imo). Seduce deliver the need-for-speed hard rock that never really appealed to me, how impressive the playing might be... The Almighty Strut (Rambo is singing!) suffer here from the bad sound quality, but this is not one for me either, and the Helloween track is not the best they have done in the 80s - I like some of their work, especially in the 80s (we talked about them in an earlier poll), but not this one. From these I prefer the Bitter Sweet Alley song. |
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TCat
Special Collaborator Honorary Collaborator / Retired Admin Joined: February 07 2010 Location: Canada Status: Offline Points: 11612 |
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That's an edited version. It leaves out some of the best parts. This one says its a 12" mix, but it's actually the album version. Hopefully it will work for you. Squeeze - Last Time Forever Edited by TCat - February 17 2021 at 11:25 |
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Easy Money
Special Collaborator Honorary Collaborator / Retired Admin Joined: August 11 2007 Location: Memphis Status: Offline Points: 10618 |
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"Holiday in Cambodia" The Dead Kennedys 1980
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Shadowyzard
Forum Senior Member Joined: February 24 2020 Location: Davutlar Status: Offline Points: 4506 |
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Easy Money, the video doesn't appear on my screen.
Is the one below the same version? Edited by Shadowyzard - February 17 2021 at 12:45 |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 14742 |
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@Mike: Yeah, that one works fine.
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suitkees
Forum Senior Member Joined: July 19 2020 Location: France Status: Offline Points: 9050 |
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^ Yep, for me too, as does the Dead Kennedys one Shadowyzard put up. Thanks! And regarding Squeeze, I hear the film quote now so I'm coming to collect my bonus points: The S. by S.K. (we cannot say the film is very unknown...;)
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jamesbaldwin
Prog Reviewer Joined: September 25 2015 Location: Milano Status: Offline Points: 5988 |
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The 1980's (the years in which, as a teenager, I discovered music) I share this story with you- I was born on December 13, 1970, and at home, when I was a child, I listened to the music that the television sent, for example the melodic songs of the Sanremo Festival, or opera music (my father was a lover of Giuseppe Verdi, his favourite opera was "La Traviata"), and the melodic songs of the sixties which, in Italy, with small exceptions (the "beat" came at the end of the Sixties), were songs that had nothing to do with rock: everyone knew the Beatles and the Rolling Stones, but more for their fame than for the their records. The melodic songs of the sixties were still based on the "bel canto" derived from opera: my father listened to those because they reminded him of his youth (I posted one of these songs here in the Int. Polls: Sassi, by Gino Paoli , which as I explained was a song that had something unusual in its singing and lyrics for the time). Many musical groups of the sixties, as I discovered later in the years, sang English classics adapting them to Italian music and translating the lyrics freely (songs by Neil Diamond, Procol Harum, Beatles etc.). So it was that I grew up with melodic music, especially from the sixties, and lyric music (especially Verdi - I know every single passage of "La Traviata"). Only when I listened to Lucio Battisti, I understood that melodic music could also have a nice rhythm, and in fact Lucio Battisti, present here on PA, was one of the last Italian melodic singers who had the merit of combining the Italian melody with the forms of pop and the English beat. But there was a problem: I didn't like his voice. Battisti is a great composer, but not a great interpreter, try listening to his songs sung by Mina .... do you know Mina? She was (perhaps still is, at almost 80 years old) the greatest Italian interpreter, a fabulous voice, an out of the ordinary mastery of singing, a formidable vocal range, an ability to combine beautiful singing with a youthful vivacity. And I haven't gotten to the Eighties yet !!! Let's say that all this goes on until 1982. Then, starting from 1983 (twelve years old) things change, I start listening to music for teenage boys on TV. But this to the next episode! Hope you enjoy! Edited by jamesbaldwin - February 17 2021 at 14:53 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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Logan
Forum & Site Admin Group Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 35886 |
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Nice to read a bit of your history, Lorenzo.
And Nickie and Kees, I really appreciated your write-ups on my selections, and thoroughly enjoyed reading your comments on the selections generally. The comments are what makes the series really great for me -- those shared experiences makes it feel more communal, and I really enjoy reading the insights into the music, as well as the more general feelings. It takes a lot of time and effort, but the efforts are very much appreciated. Edited by Logan - February 17 2021 at 14:05 |
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TCat
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Way to go Kees! You got it right even if it is in coded form. Your points are awarded (unfortunately, I can only give you one "Thank You" because that's all they allow per person per post).
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TCat
Special Collaborator Honorary Collaborator / Retired Admin Joined: February 07 2010 Location: Canada Status: Offline Points: 11612 |
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Great. Thank you Lewian.
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jamesbaldwin
Prog Reviewer Joined: September 25 2015 Location: Milano Status: Offline Points: 5988 |
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Thanks, Greg. I changed the title: I tried to translate an Italian expression into English, but I think I made a mistake!
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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suitkees
Forum Senior Member Joined: July 19 2020 Location: France Status: Offline Points: 9050 |
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@Mike: I'm the luckiest man on PA with that bonus point! But it's no secret: I have often used this film for my film analysis classes (after having analyzed it before as film student myself); I may not know it by heart, but almost... @Lorenzo: We want more, we want more !
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 14742 |
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You make this thread really great, love to read all your comments and surely also Lorenzo's story!
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TCat
Special Collaborator Honorary Collaborator / Retired Admin Joined: February 07 2010 Location: Canada Status: Offline Points: 11612 |
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While the movie is not a secret, and I would have been surprised if no one knew that line and the screams that follow, but the song itself is the thing that is a bit more obscure, maybe not so much to Squeeze fans like myself, but to the typical listener it is. Keep your eye out for more bonus point possibilities. Who else do you know that uses that feature for bonus points anyway?
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Snicolette
Forum Senior Member Joined: November 02 2018 Location: OR Status: Offline Points: 6039 |
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I loved hearing a bit of your life history, Lorenzo. Italy appears so different from the US as far as the music, especially back in your early boyhood....something I would not have imagined, unless I were told. Thank you for sharing that, letting us get to know you a bit better.
And, Logan, I also love to read all of the quick reviews, people hear different things than I do and I like hearing their perspective, whether it echoes mine or not (even when reading about my own offerings here). It is that lively discussion that, for me, is the reason to do these polls, it's much more than "winning." And of course, it's fun to hear new music and find certain music sometimes winning me over, that I would not have been exposed to otherwise.
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"Into every rain, a little life must fall." ~Tom Rapp
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Cristi
Special Collaborator Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Online Points: 43717 |
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video unavailable
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Easy Money
Special Collaborator Honorary Collaborator / Retired Admin Joined: August 11 2007 Location: Memphis Status: Offline Points: 10618 |
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^ Use the one Shadowyzard posted instead.
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Snicolette
Forum Senior Member Joined: November 02 2018 Location: OR Status: Offline Points: 6039 |
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And concluding with first page, thoughts on George's and suitkees' entries.
George: The
Call “The Woods” As I’d said, I do know
and love(d) this band. Almost
progressive in feel to me, this song has a passionate vocal, instrumentation
that keeps one’s interest and thoughtful lyrics. And a walk down memory lane next up, with The
lost Boys “I Still Believe,” scene. I
used to live close enough to the Boardwalk to hear the screams of the roller
coaster riders, although I was across the San Lorenzo River, on the Seabright
side. Followed by “Let the Day
Begin.” I have another memory also
associated with this one, as we carried Al Gore on one of our buses during his
campaign that year. We got a special
“after hours,” tour of the White House, on a visit to DC, this was just a bit
before 9/11, when they shut down those tours.
Great rock song, I’m not naturally as attracted to upbeat songs, but
this one is just infectious as all heck.
EBN/OZN “AEIOU Sometimes Y”
Squeegly bass and synths, with a rap tale of an almost-achieved
one-night stand and a bit of a class session on languages and
communication. Funny the guy kinda
reminded of DLR in the video, another “Hot For Teacher,” sort of setup, lol. Followed by them again, with “Bag Lady (I
Wonder)” This one is a more socially
conscious effort, the instrumentation and general sound is similar to the
previous, although actually singing, instead of talking through lyrics. Much prefer this. The song in another setting could still be
released today, sadly. And yes! I recognized Imogene Coca, hadn’t read that
yet, before I started up the video. suitkees: Nena “Satellitenstadt” Never heard the album before, so interested in hearing something other than the huge hit, thank you for the translation. Sort of a mysterious sound to the song, I really like the guitarist’s tone. There is also a “coolness,” in her voice, that many of the 80’s bands had, which goes well with the idea of a satellite in space (at least for me). The synths also are well-done, but it’s the guitar that grabs my attention here. Het Goede Doel “België (Is er leven op Pluto)” This one has a more upbeat sound to it than the previous. Synth and drum-driven, again the signature sound of the era. This one is kind of spoken, but the chorus is sung. I like the vocalist, when he’s singing. Thank you again for the lyrics, I find them kind of funny (esp that America “doesn’t exist,” lol). The song has a light-hearted feel and I also enjoy the bass line. Followed by “Iets van gevoel (Something of a Feeling)” this one has a much heavier feel (as it should, from the lyrics). The keys almost create a bagpipe sound and the bass is very heavy-handed. This one has the vocalist speaking the words. The chorus is again sung. There are some really nice touches about half-way through, ear-catching glassy sounds on keys and reverb-y sounding something, that I can’t quite touch on. Sad song, poor guy. Cutting Crew “The Scattering” Begins with bright sounding guitars and drums, with a march-like beat (and sorta bagpipe-y keys again). Very capable sounding vocalist (which is later proven, as the song continues). Good story-telling, easy to picture what he signs of, in your mind. A wistful song, they go into a tin-whistle part and have a full chorus singing in a call and response partway through. And conclude with the tin whistles, pipes and the full sound of the band, as it fades. Very nicely done. |
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"Into every rain, a little life must fall." ~Tom Rapp
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jamesbaldwin
Prog Reviewer Joined: September 25 2015 Location: Milano Status: Offline Points: 5988 |
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The 1080's (second part) In 1983 I discovered pop music. In Italy there were three types of musicians in the rankings. 1) The heirs of the Pooh (here in Pa in the Prog-related category) that is groups that came from melodic music 2) some songwriters heirs of Francesco Guccini (whose songs I posted here in the Int. Polls) and Fabrizio De Andrè (here on Pa in the prog related category, he recorded a live album with Pfm which is perhaps the best Italian live album), that is, folk songwriters, who then gradually contaminated their music 3) melodic music singers, Sanremo Festival style (it is the most followed event on TV in Italy). The same Pooh, Guccini and De André were still in the standings in those years, with great successes. Prog music had disappeared, because prog groups had turned into pop groups (like Genesis or Yes) but without much success. We must also consider that the Italian prog of the Seventies was a very politicized music, linked to the most radical circles of the extra-parliamentary Left. Even the fathers of the songwriters, Guccini and De André, both anarchists, were extremely politicized. So, just as the seventies were the years of progressive and folk songwriters, that is of politicized music, the eighties became the years of disengagement because progressive had disappeared and few songwriters continued the political vein of Guccini and De André. There were also two cases. The first is Franco Battiato: in the seventies he was perhaps the most experimenter of all (a pupil of Stockhausen, his first albums are among the best prog albums, found here on PA). Battiato in the eighties writes dance pop songs with orchestral arrangement and non-sense lyrics with esoteric quotes, in practice he only knows what he is talking about: but he becomes with his albums La Voce del Padrone and L'Arca di Noè the best-selling ever. The second case is Vasco Rossi, the first Italian rocker who wrote a song in 1983, Vita spericolata (Reckless Life) under the banner of drug sex and rock and roll: He says he wants to have a reckless life like Steve McQueen and shortly after he is arrested for drug possession . Vasco Rossi will become the Italian rocker par excellence, his songs will go to the top of the charts for 40 years !!! Four generations of teenagers will follow him. Perhaps a worldwide case. I started listening to these songs but to tell the truth I was not particularly interested in any Italian artist (only later I switched to Italian music songwriters and rock group). In 1983 I discovered McCartney and Michael Jackson's Say Say Say, Jackson's Thriller (Billy Jean), Mike Oldfield's Moonlight Shadow, Every Breath You Take by The Police, the Culture Club, David Bowie (Let's Dance) and Peter Gabriel (Shock the Monkey), Supertramp and Toto (Africa was still in the rankings). Then there were other absurd pop songs like Gazebo's I like Chopin, which was a hit that year. I wasn't old enough to buy an album yet but those names stuck in my mind and I followed them for years to come. I had discovered English pop music. In short, on Sunday morning, after going to Holy Mass, I would return home, listen to Giuseppe Verdi's Traviata that my father used to put on the record player for the hundredth time (on alternate Sundays there were: La Traviata - Rigoletto - La Traviata - Il Trovatore - La Traviata - Aida - La Traviata - Otello etc by Giuseppe Verdi and occasionally Turandot and Madama Butterfly by Giacomo Pucini) But then in the afternoon there were music programs on TV where I listened to English pop. - to be continued Edited by jamesbaldwin - February 19 2021 at 18:03 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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