So, Who Exactly is a Member of the Big Six? |
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8950 |
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I think they probably sold plenty. There is a big gulf between commercial bust and gold album. Any prog album by a non top tier artist that made the billboard top 100 is a big achievement I would say
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17845 |
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...and yet Frippy still re-released it as a what, 500 disc box version with 40 different versions of each song . I bet that cutout is worth some jack now!
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8950 |
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ELPs stock has fallen over the years, which is sort of sad even though I personally dislike them. But really, many prog bands could fill 2000+ theaters during the heyday of prog. I was there. That isn't such a big deal. GG may well be big 6 by some important standards but commercial popularity is not one of them, by any stretch.
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Catcher10
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According to the Wiki'ster it peaked at #28 on Billboard 200 in 1970.....I would say that is pretty darn good considering who the other 27 spots went to I bet. I'm impressed......
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Boboulo
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AFlowerKingCrimson
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Nope but KC weren't really that much bigger imo. At one point GG, Genesis and KC were roughly all in the same boat more or less commercially speaking. Genesis never really got big until the 80's. GG had an album thata made it to number 48. I said 2,000 but really it could have been more like 5,000 plus. Aside from PF, Yes, JT and ELP most of the bands discussed at one point(71-75)were all roughly equal in popularity. Commercial popularity would include many fans who weren't prog fans anyway. Who cares about them?
Edited by AFlowerKingCrimson - September 08 2020 at 21:19 |
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Awesoreno
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If I'm remembering what I've read correctly, GG were much more popular in the US than in their native Britain. Same for JT at first I believe.
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Sacro_Porgo
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If we're considering trying to establish a new, more agreeable version of the big six...
What are the odds anyone knows some good candidates who aren't 100% white dudes? I'm ashamed to say off the top of my head I don't, though I'm sure there must be quite a few and I've just never looked into them.
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Porg for short. My love of music doesn't end with prog! Feel free to discuss all sorts of music with me. Odds are I'll give it a chance if I haven't already! :)
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Boboulo
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Why not? The Big Four are Jethro Tull, ELP, Yes and Genesis and we can add what we want to meet the Big Six requirement.
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ClosetothSupperBrick
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In my humble opinion it really is 3 bands that pushed 70s prog to its absolute brilliance: Yes, Genesis and Pink Floyd. They could do no wrong in their heyday. Every single album collectively by them post 1970 and ending in the late 70s (not sure there's a specific year to cap it) is stunning, no bad songs on every album.
I cannot say the same for the other so-called "Big Six", KC ELP and Jethro Tull. It always puzzled me how bands that released the dregs/non-genre defining songs such as "Trio", "Toccata" and "A Passion Play" could be regarded in the same group as the other three. King Crimson was just not good and way too experimental in the albums in between In the Wake of Poseidon and Starless and Bible Black. So many lineup changes, the albums in this transitional phase honestly only had one or two good songs per album, "Lizard", "Cirkus", "Islands", "Exiles" and I guess the for some reason popular LTIA. ELP was also wildly inconsistent. If they had more than one monster of a song per album I think they would be up there. As it is, just having "Take A Pebble"/"Tarkus"/"Karn Evil 9" as the masterpiece of the album doesn't cut it. I don't even need to explain Tull, quite the one song wonder... I can't believe how massive a downfall the band had from one album to the next. Some great stuff on albums before and after TAAB but why couldn't they do something else equally as amazing as TAAB? "Aqualung" and "Baker Street Muse" are great but if those are their numbers 2 and 3 in the "masterpiece list", they pale in comparison to Yes/Gen/Pink. When Yes's worst songs in their heyday (the songs not named "The Revealing Science of God" in Tales) are still pretty amazing, and many a Yes fan appreciates what they tried to do, it shows me that band was a giant step ahead of everyone else. |
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Boboulo
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Cristi
Special Collaborator Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Online Points: 43564 |
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the big six requirement? REQUIREMENT?! My head hurts at such nonsense.
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Boboulo
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I'm replacing the word "requirement" with the word "figment".
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Cristi
Special Collaborator Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Online Points: 43564 |
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yes, you can add what you want to meet the big 6 figment. good for you...
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Spaciousmind
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Growing up with progressive rock exactly in that period in England, I can tell you for sure that Genesis picked up the banner when others where waning when Lamb Goes out from Broadway came out and became a success in the USA, which was popular and sold well both in the UK and USA. Unfortunately that is when they also switched to more commercial music. Hence it is a struggle for me to think of them as a big 6 as they came on board a little too late. Their truly classic progressive albums were all under Peter Gabriel of which only Selling England by the Pound made a ripple in the charts prior to Broadway. Although my personal favorites will always be Trespass, Nursery Cryme and Foxtrot.
We pretty much dropped Genesis shortly after Broadway in my circle of friends who enjoyed progressive music, because they became too Commercial. Same really happened with ELP who moved to larger and larger stadiums to play and never really evolved from what they already had in albums by 1973. That's also true with Yes who after Tales and Relayer never really brought out much after that, that you hadn't already heard from them before. Pink Floyd survived and continued to have success because of adapting commercially as well and had hits such as Brick in the Wall. At that time 1972-1974 I could never get to see Yes, Pink Floyd or ELP they were just too big and played in bigger venues that I could not afford the money to go to. But I never had trouble seeing Camel, Gentle Giant, Greenslade, Budgie, Man, Gong, Magma, Hatfield in the North, Refugee etc. as these played in the smaller venues that held about 2-5k people. Also these mentioned bands were much more narrow in taste. From what I can remember back then, it was not often that someone who liked to listen to Camel would also say that he enjoyed Budgie for example as they were on different ends of the spectrum. Someone who listened to Refugee was looking for more Yes or ELP. etc. Also at that time I don't think I met a progressive rock fan who also did not have a Led Zeppelin II, III or IV in their collection but nowadays I don't see them even listed as even mildly progressive. Same with Deep Purple. Both of these were part of a must have collection back then, as well as Focus or even Uriah Heep because of their Salisbury and Demons and Wizards albums. Jethro Tull's Aqualung and Thick as Brick were must have albums as well. For soft prog, everyone also had their Moody Blues and Barclay James Harvest as well. For staying power and influencing the world, I must say especially reading the topics in this forum that a lot of what would have been the lesser bands or acquired taste bands do seem to have influenced a much larger world audience and therefore might well be a completely different big 6. If this question were asked in 1972/73 then I also think that the argument would have been for including Led Zeppelin and Deep Purple into the conversation as both were mega back then. Cheers to ya'all Nick |
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Boboulo
Forum Senior Member Joined: August 21 2020 Location: Europe Status: Offline Points: 666 |
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And as I already told you on another thread, topics like this are for fun.
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Blacksword
Prog Reviewer Joined: June 22 2004 Location: England Status: Offline Points: 16130 |
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This old chestnut..again..
The biggest selling 6 bands vs your favourite 6 bands?? Biggest selling in no order: Floyd Genesis Yes ELP Jethro Tull Rush MY big six: Genesis Rush Floyd King Crimson Yes VDGG |
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Ultimately bored by endless ecstasy!
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Nogbad_The_Bad
Forum & Site Admin Group RIO/Avant/Zeuhl & Eclectic Team Joined: March 16 2007 Location: Boston Status: Offline Points: 20844 |
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Applying your own twisted logic, we can discount Jethro Tull as they have many more Blues Rock & Folk Rock albums than Prog. Yes have disbanded so many times its hard to keep track so they're out. Genesis are much more popular as a pop band and have't released a prog album since '78 so cut them. Guess our Big 6 is .... Emerson Lake and Palmer.
Edited by Nogbad_The_Bad - September 09 2020 at 04:59 |
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/ |
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Boboulo
Forum Senior Member Joined: August 21 2020 Location: Europe Status: Offline Points: 666 |
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Nogbad_The_Bad
Forum & Site Admin Group RIO/Avant/Zeuhl & Eclectic Team Joined: March 16 2007 Location: Boston Status: Offline Points: 20844 |
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In your opinion. That's all it is, an opinion, like arseholes we all have one. You're opinion is no more valuable than anyone elses and can be discounted whenever you apply garbage logic to match up with your personal tastes.
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/ |
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