Feedback of my last piece

Enjoyable ... but for my tastes I'm not sure that the intonation thing is an issue ... if Frank Zappa did this, you know it was intentional, and everyone would think it was just fine.

I don't like (I'm a writer/poet/reviews) to edit and change things too much ... it loses its character and the touch from that first day ... so my mind thinks that the intonation issue is just a sort of children coming together, and it sounds great ... the thing is, we like to say that children don't know music and are silly ... and I am not one of those folks ... I take those children and go play more music with them, and get them to find an innate feel for music that feels "right" ... instead of wrong ... so they can develop it further.

Thus, for me, that first moment of the vision is the valuable one that helps define that whole thing and changing it only starts erasing that moment and the clarity that helped bring it about ... so I won't discuss the professional/amateur side of it, and Atavachron's suggestion might be right on the money ... maybe the loudness of each particular instrument can be cleaned up a bit, but it doesn't help me love things that intentionally misuse intonation to confuse your ear ... for example I like Robert Wyatt because he is the biggest and oldest kid I have ever heard in music! AND, folks here will not read his book, that has one of the best quotes about any musician out there ... RW is playing with Syd Barrett and someone approaches RW and asks him what key Syd was playing in ... and RW says ... "he doesn't know the keys! He just plays!" ... and we still do not know what that means ... for Syd and other a lot of the music might not have been about the intonation and the notes ... but about the feeling and its story and how to color that child's book ... that we have forgotten how to do!

These days, when I hear the early FZ material, I think I'm hearing a lot of things that are not tuned as they should, and I imagine that FZ knew that, and continued on ... and this may have been a problem on stage, but I think he really wanted to find what worked and what didn't.