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Best Film by Terry Gilliam

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Poll Question: Best film?
Poll Choice Votes Poll Statistics
4 [5.88%]
6 [8.82%]
17 [25.00%]
4 [5.88%]
7 [10.29%]
17 [25.00%]
4 [5.88%]
0 [0.00%]
0 [0.00%]
1 [1.47%]
0 [0.00%]
8 [11.76%]
You can not vote in this poll

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verslibre View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: August 25 2019 at 10:56
I can't believe mine is the only vote for Time BanditsLOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote BrufordFreak Quote  Post ReplyReply Direct Link To This Post Posted: August 24 2019 at 19:50
Though I've loved many of these films--especially Baron von Munchausen--I have a real soft spot for Jabberwocky because it was the first film I ever saw that portrayed life in the so-called "Middle Ages" for the dirty, filthy, pestilent putridity that I'd always imagined it to be as a college history major and life-long "medievalist." 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: February 11 2019 at 00:39
^ Understandable but this is a music site and the occasional off-topic tangent is justifiable.   I think the Gilliam discussion has likely played out.   Nothin' wrong with some shoptalk.

"Too often we enjoy the comfort of opinion without the discomfort of thought."   -- John F. Kennedy
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: February 11 2019 at 00:13
Originally posted by Atavachron Atavachron wrote:

Originally posted by micky micky wrote:

Originally posted by Atavachron Atavachron wrote:

12 Monkeys is a real piece of sh*t.   .
*spits coffee all over monitor*

God I love that movie...  I'll have to remember this for when we do finally get together.. I'll add this to the Ozzy/Rhodes saving metal for our over dinner and drinks talks hahah Heart

Maybe saving it from itself?

Let's see--   I suppose it is my perspective as a young headbanger living in the most important metal city in the US at the time (S.F.).   The NWOBHM was what got me into music seriously, and Diary was the album that did it.   Perhaps what I mean to say is the band was, IMO, the best band in that scene at the time.   I loved Maiden too, and to a lesser degree Priest, the Scorps. and Angel Witch, but I think it was just the sheer quality of the Blizz's music that was so compelling.  

By "saving" Metal I mean without that small handful of bands, metal would have died a painful death, but instead we got Metallica, Yngwie, Dio, Exodus, and later a slew of others that rode on those coattails.   The love Ozzy has from fans is stunning, and well-deserved.   He brought music into heavy metal instead of just riffing, crazy solos, and high energy, and it was Ozzy that sort of hosted that whole period.   He brought legitimacy, sophistication, and, rather importantly, sales & commerce to metal.   And, jesus, the man is still going.   It is beyond belief.   God bless the crazy f*ck.



thanks for explaining, although i disagree, maybe this idea deserves its own thread, I'm not gonna discuss what impact Ozzy had on metal on a movie thread. (off topic, obviously)
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Post Options Post Options   Thanks (0) Thanks(0)   Quote The Dark Elf Quote  Post ReplyReply Direct Link To This Post Posted: February 10 2019 at 19:27
I have soft spot in my heart for Baron Munchausen and Time Bandits. The one-liners are a real treat, particularly since I saw both as a teenager upon their release.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: February 10 2019 at 16:52
Originally posted by micky micky wrote:

Originally posted by Atavachron Atavachron wrote:

12 Monkeys is a real piece of sh*t.   .
*spits coffee all over monitor*

God I love that movie...  I'll have to remember this for when we do finally get together.. I'll add this to the Ozzy/Rhodes saving metal for our over dinner and drinks talks hahah Heart

Maybe saving it from itself?

Let's see--   I suppose it is my perspective as a young headbanger living in the most important metal city in the US at the time (S.F.).   The NWOBHM was what got me into music seriously, and Diary was the album that did it.   Perhaps what I mean to say is the band was, IMO, the best band in that scene at the time.   I loved Maiden too, and to a lesser degree Priest, the Scorps. and Angel Witch, but I think it was just the sheer quality of the Blizz's music that was so compelling.  

By "saving" Metal I mean without that small handful of bands, metal would have died a painful death, but instead we got Metallica, Yngwie, Dio, Exodus, and later a slew of others that rode on those coattails.   The love Ozzy has from fans is stunning, and well-deserved.   He brought music into heavy metal instead of just riffing, crazy solos, and high energy, and it was Ozzy that sort of hosted that whole period.   He brought legitimacy, sophistication, and, rather importantly, sales & commerce to metal.   And, jesus, the man is still going.   It is beyond belief.   God bless the crazy f*ck.


"Too often we enjoy the comfort of opinion without the discomfort of thought."   -- John F. Kennedy
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Post Options Post Options   Thanks (0) Thanks(0)   Quote micky Quote  Post ReplyReply Direct Link To This Post Posted: February 10 2019 at 09:47
oh dear God..   now I really wish I had a line of cocaine.. the hell with the J LOL

have a clappie Pedro..  Clap you'll get me back to my sinning ways eventually


Edited by micky - February 10 2019 at 09:48
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: February 10 2019 at 07:56
Originally posted by micky micky wrote:

Originally posted by Atavachron Atavachron wrote:

12 Monkeys is a real piece of sh*t.   .

*spits coffee all over monitor*

God I love that movie...  I'll have to remember this for when we do finally get together... hahah Heart

I really think that the movie is cut up so badly that the whole thing becomes a mess ... and the whole thing about the epidemic ... is just a love story? It pretty much suggests that there was a lot more going on, perhaps a parallel story (very much like Gilliam to do that!!!!!) that got totally trashed and wasted when the film was cut up senselessly. 

I have a feeling that he was shut legally about that movie, as very little is said about in the book, and there are no clear details. In general, his stories are fairly clear ... there is no doubt where BRAZIL is going with him in love, you don't doubt KING FISHER and you do not question Sarah's adventures through ... every where! Even as far as THEOREM, you do not question a whole lot. But you get to that one film and you wonder ... hmmmm ... they are going to do this ... and all of a sudden the last third of the film has nothing to do with it ... and the "psychic" stuff in the middle of it, which GILLIAM is very good at, is kinda wasted and makes it look like he is trying to save her in that world ... but the story did not start like that!

I really think that is one film that could have been very good, but was made senseless ... as it became just a weird film, that did not mean a whole lot ... and the ending, is like ... ohhh, you go through all this for ... nothing?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: February 10 2019 at 07:13
Originally posted by Atavachron Atavachron wrote:

I am assuredly not a Gilliam fan, can't think of one film I really like:  Brazil is overrated, Fisher King jut ain't that great, Fear & Loathing is depraved, and 12 Monkeys is a real piece of sh*t.   It's always form over function with him, and that's a mistake.


Sorry in advance if I'm misunderstanding your intent or talking at cross-purposes, and I have not given it enough thought methinks. It did get me thinking, but when I get thinking, it's usually me thinking badly. There is a lot to ponder in your concise post.

Objectively good or not, overrated or not, I love his films, especially Brazil, and that's what matters most to me. His approach right back to being an animator with Monty Python has been very much about style, and I don't think that was a mistake (or whatever the precise mistake is that you're illuminating). I think that's his strength, and had he tried a different approach I rather doubt that he would have been so successful, so well-known or thought of as highly by many (it's better to be overrated by many than hardly rated at all). I would also expect that he's been influential on successful directors such as Jeunet, Burton, del Toro and Wes Anderson (I don't have research to back that up, but I'd be very surprised if I was altogether wrong). I would expect that he in turn has been influenced by the likes of Fellini, Luis Buñuel, Hitchcock and Kubrick, as well as Chris Marker for La Jetée which I do remember inspired 12 Monkeys, and I expect that various of those probably were influences on the other directors I mentioned as well.

Incidentally, I know you said form over function which would be rather like style over substance, I guess, but the common "form follows function" saying is based on the architect Louis Sullivan's "form ever follows function" in the late 1800s.

He wrote:

"Whether it be the sweeping eagle in his flight, or the open apple-blossom, the toiling workhorse, the blithe swan, the branching oak, the winding stream at its base, the drifting clouds, over all the coursing sun, form ever follows function, and this is the law. Where function does not change form does not change. The granite rocks, the ever-brooding hills, remain for ages; the lightning lives, comes into shape, and dies in a twinkling."

I would say that the form of Gilliam's films do fit the function, and in a sense that the function is the form rather like the medium is the message, if that makes sense. He is a very visuals driven director, as are many of my favourites, and I think he does a great job of it.

Not everyone will like his films, and he hasn't had the commercial success of many directors, but if he's been a failure in his approach or by most whatever metric when it comes to being a filmmaker, man that's the kind of failure that I could have only dreamed to be when I dreamed of becoming a filmmaker. Brazil's surrealism, its black comedy, the way it evoked Orwell and Kafka, to me it is brilliantly executed (there were studio pains to be sure, as with other works by him). And Sam Lowry (love Jonathan Pryce in that) is one of my very favourite characters in cinema.

Edited by Logan - February 10 2019 at 07:20
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Post Options Post Options   Thanks (0) Thanks(0)   Quote micky Quote  Post ReplyReply Direct Link To This Post Posted: February 10 2019 at 05:42
yeah.. I mean to ask him that LOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: February 10 2019 at 05:41
Originally posted by micky micky wrote:

Originally posted by Atavachron Atavachron wrote:

12 Monkeys is a real piece of sh*t.   .

*spits coffee all over monitor*

God I love that movie...  I'll have to remember this for when we do finally get together.. I'll add this to the Ozzy/Rhodes saving metal for our over dinner and drinks talks hahah Heart

poor monitor, so much coffee and beer spitted on it 

12 Monkeys - good movie.

As for Ozzy saving metal, saving it from what? 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote micky Quote  Post ReplyReply Direct Link To This Post Posted: February 10 2019 at 05:20
Originally posted by Atavachron Atavachron wrote:

12 Monkeys is a real piece of sh*t.   .




*spits coffee all over monitor*

God I love that movie...  I'll have to remember this for when we do finally get together.. I'll add this to the Ozzy/Rhodes saving metal for our over dinner and drinks talks hahah Heart
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Saperlipopette! Quote  Post ReplyReply Direct Link To This Post Posted: February 10 2019 at 02:11
Originally posted by LAM-SGC LAM-SGC wrote:

I never liked Monty Python either. Definitely not my cup of tea.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: February 09 2019 at 18:54
LOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: February 09 2019 at 18:51
Who voted for The Man Who Killed Don Quixote?


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Post Options Post Options   Thanks (0) Thanks(0)   Quote siLLy puPPy Quote  Post ReplyReply Direct Link To This Post Posted: February 09 2019 at 18:41
Location of &nbsp;Brazil&nbsp;&nbsp;(dark green) in South America&nbsp;&nbsp;(grey)

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Slartibartfast Quote  Post ReplyReply Direct Link To This Post Posted: February 09 2019 at 18:22
I thought for a minute you had left off Eric The Viking but that was Terry Jones. Went with Brazil.  I was a little surprised by those on the list that I haven't seen yet.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Blacksword Quote  Post ReplyReply Direct Link To This Post Posted: February 07 2019 at 01:00
Not seen em all, but of those I have seen, it's between Fear & Loathing in Las Vegas or Brazil.

I remember I loved Jabberwocky as a teenager. I need to see that film again. I remember it being hilarious at the time.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote TCat Quote  Post ReplyReply Direct Link To This Post Posted: February 06 2019 at 12:43
Gilliam is one of my favorites and I have seen most of these movies.  Finally saw Zero Theorem and had mixed feelings about it, but I'm sure it will grow on me as time goes on.  Still waiting to see The Man Who Killed Don Quixote.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: February 06 2019 at 12:12
Originally posted by moshkito moshkito wrote:

Hi,

Same day of the year for birthday ... November 22nd ... and you already know which director is the one I like the most.

I can not tell you which film is better, or I prefer ... many of them have things that are extremely valuable in a perceptive way ... and here are some ideas/examples.

1. The "dream" lives on ... BRAZIL
2. There is no "reality" ... the theater scene is perfect .. the actor turns left and they are in the desert, not the stage. The shift is so harsh and fast, that most people don't even realize it happened. (Munchausen)
3. Life goes on, sometimes not perfect, but it ... makes it! (KING FISHER)

The great part of all this is that it is all VISUAL ... and this is the hard part of life, so to speak, in that you have to live through these things, good or bad. But in between there are the moments that you never forget. AND, are simply ... unreal!

- Jonathan Pryce in his original role in BRAZIL.
- Robin Williams in King Fisher. Priceless!
- Oliver Reed as Vulcan ... thank you Ken Russell, we would not have known about this and the birth of Venus (Uma Thurman)
- Las Vegas is not an acid trip. GONZO is!

Terry's biggest complaint is how so many studios have cut up so many things from the very first day, up to and including the BBC in the cartoons, which they finally let go by a bit more, when they became so popular. But this was not new ... THE GOONS had problems with "John Snagg", (real or not?) who edited and censored a lot of their scripts, which Spike Milligan took advantage of with his knack for doing sound effects at various speeds, and making FAUST look like an amateur and a silly one, too!

12 MONKEES was probably chopped off mercilessly, and I don't think there was a love story there, but I keep thinking that the main character was hoping that something like that could happen. And the ending, put both together, which made the film a bit too hollyweird'ish for me. Again, I also think the film suffered from poor editing and I wonder how much of the cutting was haphazard so that things that took place that might have thrown off the "love story", would not be shown.

Terry has wanted to do the Don Quixote story for 40 years or more ... he finally has a film sort of about it, but I have not seen it or locate it yet! And he will never find financing for it, via the regular venues, because they want a hit, not a "personal" story! The days of Fellini, Bergman, Bunuel, Truffaut and Godard, are long gone ... Godard, turned to video for many years as a way to flick his finger at everyone! He has made a few films, but now, he has had to get a bit more "organized", and his films are nothing like the incredible satire of film making and everything around it, that they were 40 years ago. His satire on "movie shots" and "film traditions" are no longer visible and ... no one in the audience will understand it anyway ... a line referring to this film or that in the middle of a dinner sequence ... or whatever ... wasted ... gone ... only film critics will catch it!

His book ... is fabulous and it has so many ... everything ... that it is a trip just going through it. I enjoyed it tremendously, because in so many ways we're very complicated folks internally, and we see so many things on so many other things, that it throws off most folks we talk to. It is never surprising to me, when someone disagrees or thinks that my thoughts and ideas are this or that ... my middle name is Gilliam, and my "movie" stands as is ... no sense going back and turning it over in its grave!

I, really, only have a couple of "heroes" in my life ... and all 3 of them could be considered certifiably insane. In order they are ... Chuck Jones, Spike Milligan and Terry Gilliam. 

But I can tell you that what they left behind, was ... some of the best memories in anyone's life!

Thank you!!

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