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Albums that you find very generic and boring

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Catcher10 View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Catcher10 Quote  Post ReplyReply Direct Link To This Post Posted: November 28 2018 at 19:27
Originally posted by verslibre verslibre wrote:

Originally posted by Catcher10 Catcher10 wrote:

Everyone knows I do not like the Beatles, so I do not listen to them, it's very simple.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Fischman Quote  Post ReplyReply Direct Link To This Post Posted: November 28 2018 at 20:00
Originally posted by verslibre verslibre wrote:

Originally posted by Catcher10 Catcher10 wrote:

Everyone knows I do not like the Beatles, so I do not listen to them, it's very simple.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Catcher10 Quote  Post ReplyReply Direct Link To This Post Posted: November 28 2018 at 21:23
Originally posted by Fischman Fischman wrote:

Originally posted by verslibre verslibre wrote:

Originally posted by Catcher10 Catcher10 wrote:

Everyone knows I do not like the Beatles, so I do not listen to them, it's very simple.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 00:02
Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

Originally posted by cstack3 cstack3 wrote:

This thread exemplifies why I enjoy PA so much!!  I'm learning quite a bit and am inspired to listen to music I've never heard before. 

Negative posts don't bother me, I've advocated for plenty of crap bands on PA!  Hell, I even like some disco!! 

LOL

I'm surprised to hear a prog fan say that. I like some ABBA but I don't consider them disco. 

I'm a prog fan, but also a musician who has played a lot of styles over the years, including power pop, new wave, hard rock etc.  Chicago was one of the birthplace cities for disco, and I was involved with a fine young African American band, Davis Import, who even mentioned me on their first LP cover.  In the late 1970s, we had everything in Chicago...David Bowie used to visit the punk clubs to listen for new acts!  

Disco had some great musicians, many of whom were studio folks/jazzers who took up the job to make some pocket change.   Fripp once expressed his admiration for Abba, and of course he explored dance music with Discotronics.    

I enjoy nearly all music if it is honestly created, played with heart and a bit of talent.  A lot of newer prog is quite derivative and forced, the musicians should quit trying to sound like other bands and find their own sounds.  As a musician & writer, I know how hard that can be, it is fun when you break through with innovation.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote M27Barney Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 02:09
Originally posted by Catcher10 Catcher10 wrote:

Originally posted by Fischman Fischman wrote:

Originally posted by verslibre verslibre wrote:

Originally posted by Catcher10 Catcher10 wrote:

Everyone knows I do not like the Beatles, so I do not listen to them, it's very simple.

<font style=": rgb255, 255, 255;">My brother from another mother! Clap


And then there were three.


Nice.....We now have a President, VP and Sgt at Arms Clap

I too hate the beatles...Yes the emperor is stark bollock naked!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Necrotica Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 03:27
Originally posted by Cristi Cristi wrote:

Originally posted by Necrotica Necrotica wrote:

At least half of the Moog and Hammond-slathered Yes-lite w**k prog revival artists in the vein of Glasshammer should be on this thread :) Also, I was never much of a Marillion fan either

If I'm gonna listen to neo-prog, I'll stick with my Beardfish and Phideaux

I agree with you on your first statement (sentence), with too many bands that sound like Spock's Beard and TFK. 

But Beardfish and Phideaux are not neo-prog. The first is eclectic and the second one is crossover. 


I can understand that, although they do get lumped in with the neo-prog movement quite a bit.

So I'll update my statement a bit: If I'm gonna listen to neo-prog, I'll stick with my IQ and Pendragon Big smile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 07:08
Originally posted by Snicolette Snicolette wrote:

,,,
What a great discussion this all brought out...I have to agree with the physiological as well.  I have almost super-sonic hearing (great asset in a recording studio), so I know I hear stuff others miss.  And also agree on how our brains process information.  It is the entire effects of all of this and more (such as previously discussed) as individuals that create how we hear and interpret.  Which brings me to, the more you know, the more you can notice and appreciate.

Reminds me of a thing or two ... and the most important one is how we have (somehow!) organized the sounds to "define" music. And then in the rock/jazz age, someone has the gumption to define a new"style" as an instrument added to the equation, and no mention whatsoever, as to what music itself really is ... one could even unplug it, so one could study the musical aspects, but no one will ever do that to most of the thrash and metal material, I don't think.

The tree that fell in the forest too far away from our ears, DID have a sound, even though we were not able to hear it due to the distance, and this is something that is important ... just because it is too far away, we should not be "removing" its innate properties and sounds.  AND, this is what happens to a lot of listeners here on this PA board ... many have not heard something else ... and they are interpreting music as the all-meaning definition of it, which is ridiculous when one thinks about it.

IF, music, is the "organization of sounds", we have a problem ... there is a lot of "music" that has no organization of sounds that we can discern ... and yet we are getting ahead of ourselves and defining something that we do not know, or understand. .... that is soooooooooo .... christian religion of 1500 years ago ... the world is flat and the sun revolves around the world!

I'm OK with a few definitions to help some folks see/find things, but there are some of them that defy reality and imagination ... like calling a band "symphonic" simply because it has a keyboard, or a player doing 2 of them at the same time! At that point, the music is distorted! It is no longer about the "resulting sound", but about the fact that there are/were two keyboards that gave it a sound that we define as this or that.

Again, my example is, if you unplug the dang thing ... and look at it on a score sheet, how does it stand up as a compositional work? It is, this "exercise" that helps us define what "sound" is, and what has made "music" what we think it is, however, in this exercise, we are making the sound itself, be the music, and I'm not sure that the sound itself is what the music is.

A violin has a sound, and so does another instrument. THAT, is not the music ... the combination of what one does with it, is the music, thus, a simple amplification should not define the music at all.

Tough subject ... good job everyone ... but I would like to see more done and worked in this area to help a place like PA become more valuable as a definition of progressive and prog music ... we have got to stop using the sound for a definition, lest we kill the music anyway, and start doing things with sound effects ... we've done that many times (Space Pirate Radio was a master of that!), and it DID create another music ... but more ears every where can not listen to it ... it's bad enough that folks think that Ax Gernrich was not a guitarist in GG's first album, but the results are there ... and I know that Jimi did not sound any better or less interesting doing almost the same thing on stage ... that we could not handle but thought was far out. There was a lot of "noise" in some of that early material, that hardly cries for the word "music" ... and we can not enjoy to it enough ... to help find a good definition of it all ... and I think we have to get past that!


Edited by moshkito - November 29 2018 at 07:11
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Slartibartfast Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 09:04
I rarely add or listen to albums that are 

very generic and boring so I don't find them at all.Big smile

Released date are often when it it impacted you but recorded dates are when it really happened...

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Post Options Post Options   Thanks (1) Thanks(1)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 09:23
@Pedro.
1) The listeners can construct music or non-music in their brain from listening to sounds "as-music" (I remember that Can's Irmin Schmidt said in an interview that he got into music by realising that some I think train and train-related sounds that he had some time listening to brought him a most amazing listening experience as a child) or by ruling out certain things that sell as music from what counts as such for them (as often happens when people hear free jazz or experimental music they are not open for).

2) We need definitions to communicate and think and so they are really essential. But at the same time, when it comes to wild and sprawling areas of human activity such as music, they will always be inadequate to capture properly what is going on. This is a paradox we have to live with. We have to define, but we should never take these definitions so seriously that we forget, ignore or rule out what is not captured by them or what sits uncomfortably between "classes", "genres" etc. 

Maybe "generic" music just means that it follows a genre definition rather than creating or at least taking its own position.


Edited by Lewian - November 29 2018 at 09:26
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 09:51
Originally posted by moshkito moshkito wrote:


IF, music, is the "organization of sounds", we have a problem ... there is a lot of "music" that has no organization of sounds that we can discern ... 

Or, maybe no comprehension of it's being organized (as in the music of birds)?  

I'm OK with a few definitions to help some folks see/find things, but there are some of them that defy reality and imagination ... like calling a band "symphonic" simply because it has a keyboard, or a player doing 2 of them at the same time! At that point, the music is distorted! It is no longer about the "resulting sound", but about the fact that there are/were two keyboards that gave it a sound that we define as this or that.

As humans, we like to categorize and make sense of things.

Again, my example is, if you unplug the dang thing ... and look at it on a score sheet, how does it stand up as a compositional work? It is, this "exercise" that helps us define what "sound" is, and what has made "music" what we think it is, however, in this exercise, we are making the sound itself, be the music, and I'm not sure that the sound itself is what the music is.

For this, I wish my husband were alive.  All of his music was in notation, he would have relished this part of the conversation.  

A violin has a sound, and so does another instrument. THAT, is not the music ... the combination of what one does with it, is the music, thus, a simple amplification should not define the music at all.

And a violin can be made to "sound," so many ways!  

and I know that Jimi did not sound any better or less interesting doing almost the same thing on stage ... that we could not handle but thought was far out. There was a lot of "noise" in some of that early material, that hardly cries for the word "music" ... and we can not enjoy to it enough ... to help find a good definition of it all ... and I think we have to get past that!

I think this is where it is valuable to have actually been alive to see the shifts in music occur, or to have the exposure of it shown when that isn't possible.  Back in the day, we were exposed to all different kinds of music, even at the shows we attended, they were not necessarily selected to please a specific audience or box office take.  Some will always be locked into what they first heard that "got," them and unable to hear the value in other genres/subgenres.  Sometimes music you may not love or appreciate made it possible for that which you do, become available to you, so it's worth giving it a try, just to see how it all came about.

A reason that I enjoy this site, is that I can explore a lot that I haven't been exposed to either, through the ears of others and draw my own conclusions.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote AFlowerKingCrimson Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 11:40
I think these terms could apply to those albums made by prog bands who tried to make the attempt to become more commercial. Since they weren't really used to making standard pop music in the first place the commercial sounding albums wound up "generic and boring." I'm looking at you giant for a day. :) 

Edited by AFlowerKingCrimson - November 29 2018 at 11:40
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Fischman Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 11:49
Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

I think these terms could apply to those albums made by prog bands who tried to make the attempt to become more commercial. Since they weren't really used to making standard pop music in the first place the commercial sounding albums wound up "generic and boring." I'm looking at you giant for a day. :) 

Interesting take, and most appropriate given this is a prog site.  Makes sense to me.  

Genesis (post-Hackett) springs to mind.  

As does Asia.  And especially the other spinoff supergroup of that time, GTR.  

I would also throw in some of Jeff Beck's solo work (Think "Flash") as well as some hard rockers who "sold out" (i.e. Heart, Jefferson Starship, REO Speedwagon).
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 13:21
Originally posted by Catcher10 Catcher10 wrote:

Originally posted by Fischman Fischman wrote:

Originally posted by verslibre verslibre wrote:

Originally posted by Catcher10 Catcher10 wrote:

Everyone knows I do not like the Beatles, so I do not listen to them, it's very simple.

<font style=": rgb255, 255, 255;">My brother from another mother! Clap


And then there were three.

Nice.....We now have a President, VP and Sgt at Arms Clap
 

I'll be the Secretary of the Treasury, too. LOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 13:30
Originally posted by Necrotica Necrotica wrote:

So I'll update my statement a bit: If I'm gonna listen to neo-prog, I'll stick with my IQ and Pendragon Big smile

The funny thing about Pendragon is that while I own a few of their albums, and really like them, their first album The Jewel is still their best IMO. For whatever reason, The Window of Life and The Masquerade Overture sound like sequels to me. Their more recent stuff doesn't grab me.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote M27Barney Quote  Post ReplyReply Direct Link To This Post Posted: November 29 2018 at 23:28
They tried and failed at the prog metal end of the spectrum.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Blacksword Quote  Post ReplyReply Direct Link To This Post Posted: November 30 2018 at 03:21
Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

I think these terms could apply to those albums made by prog bands who tried to make the attempt to become more commercial. Since they weren't really used to making standard pop music in the first place the commercial sounding albums wound up "generic and boring." I'm looking at you giant for a day. :) 


I think there is some truth in that.

If you listen to the 80's Genesis albums, although they were distinctly still Genesis in many respects, they somehow managed to write a lot of music that was incredibly dull, even by pop standards. Some was borderline rubbish, and seemed tailored for the bland radio stations you hear taxi drivers listening to in the UK.

Not sure how such imaginative songwriters and accomplished musicians managed to do that.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote M27Barney Quote  Post ReplyReply Direct Link To This Post Posted: November 30 2018 at 04:47
Schoolboy error, listening to any 80s output by Genesis...
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Nogbad_The_Bad Quote  Post ReplyReply Direct Link To This Post Posted: November 30 2018 at 06:39
Originally posted by M27Barney M27Barney wrote:

Schoolboy error, listening to any 80s output by Genesis...

ClapLOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote miamiscot Quote  Post ReplyReply Direct Link To This Post Posted: November 30 2018 at 09:39
Anything by:

Anathema
Gazpacho
Porcupine Tree
Pineapple Thief

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Catcher10 Quote  Post ReplyReply Direct Link To This Post Posted: November 30 2018 at 11:06
Originally posted by miamiscot miamiscot wrote:

Anything by:

Anathema
Gazpacho
Porcupine Tree
Pineapple Thief


Even though you are not listing any reasons why, which makes these negative threads more interesting as your post is boring and generic LOL.......I'd like to understand your take on Pineapple Thief? Several yrs ago I would have agreed with you, but now I am really liking them. To the point that I am acquiring their albums on vinyl, I like them that much, since you can buy CDs for like $5 and besides I'm a vinyl guy.

But it took me some time to get TPT, but I will say I don't think I ever thought of their music as boring or generic. I just did not listen much to it........Then one day Someone Here Is Missing, hit me, and the song 3000 Days I really got into. Sure they are more atmospheric, probably why you also list Anathema, but that seems to be the norm with today's newer music, much more emotional, atmospheric, moody and dark. I will say the new album is excellent and having Gavin Harrison on drums has added another layer to their music. The previous drummer Keith Harrison was excellent also, especially on Someone Here Is Missing.

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