The Renaissance Zone |
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8951 |
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At the show I just saw Annie said they are planning a new album, and that there are still Dunford compositions in the can.
I'm a big fan of Jon Camp, and I think one of the flaws of the latest Renaissance album in the lack of muscularity in the bass which is so important for a band with no electric guitar. I also thought he was a decent vocalist if given appropriate material, much like the various Camel vocalists. Bye and large this was done, and "Kindness at the End" is to me his finest hour, a song which really spoke to me at the time. I think part of his reluctance to rejoin might be found in the lyrics of that song "Holding you near is a thing of the past, but my memories exist, and I hope they will last". But, all that said, Renaissance can still be Renaissance even if Annie is the only long time member. Mark Lambert does a great job on guitars and backing vocals, Leo Traversa does well on bass in the concerts, and the two keyboardists, especially Tom Brislin, are fantastic. Annie's lyrics are not nearly as fascinating as Betty Thatcher's, but they are above average and it's nice to listen to a band where you can actually hear them.
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Aussie-Byrd-Brother
Special Collaborator Honorary Collaborator Joined: October 12 2011 Location: Melb, Australia Status: Offline Points: 7951 |
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I do have a nice solo album from Annie from 1999 (I think) called `The Dawn of Ananda', which I seem to remember was lovely (but I probably haven't listened to it in fifteen-plus years at this point) if simply showing her age. I just remember being so excited because it came with her signature on it, which is probably why I bought it in the first place!
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Meltdowner
Special Collaborator Honorary Collaborator Joined: June 25 2013 Location: Portugal Status: Offline Points: 10232 |
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What's wrong with Jon's vocals? "Kiev" is actually one of my favourite songs from Prologue.
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Aussie-Byrd-Brother
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There's plenty wrong with Jon's `Only Angels Have Wings'!
I love Jon's singing on `Kiev' too, Sam, wonderful tune as well. `Prologue' is still my favourite Renaissance album. It rocks (but ever so gently!) that little bit more than the rest of their albums after that. |
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Meltdowner
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He's not the only one to blame for that
Probably my favourite too, the last song is quite special as well
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Aussie-Byrd-Brother
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Yep, just a pretty wretched track from them!
Still, `Azure D'Or' is quite a nice album, Sam, dont hesitate to snap it up if you come across the vinyl of it. It's hardly a rarity, you'll likely pick it up pretty dirt cheap. Oh yeah, Annie sounds like a mad shamanic priestess or something! Although I have to admit, `Prologue' beginning to end works pretty well for me, mate! I never tire of that one, I still give it about 10 spins a year. |
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Meltdowner
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I found a copy of it earlier this year but the store also had "Live at Carnegie Hall". It seemed prioritary
Yeah, it's one album I'm never surprised to see you mention on the other thread
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Aussie-Byrd-Brother
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Ha, you should have just done what I do, convince myself `Why, I'd be crazy not to get BOTH of them at the one time, saves me traking it down later on'....even if it blows a particular budget I'd planned to spend! Same goes for EBay, combined purchases means cutting down on multiple postage costs, I'd be silly not to spend the extra and take advantage of that!
It's strange, I so rarely think to listen to the `Carnegie Hall' album. Maybe I'll dig it out for my last night of nightshift tomorrow. |
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Rednight
Forum Senior Member Joined: January 18 2014 Location: Mar Vista, CA Status: Offline Points: 4807 |
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"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8951 |
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Azure D'Or is my least favorite Renaissance album proper from the 1972-1983 period. It's just so synthetic, and, with a few exceptions, utterly lacking in warmth. The big exceptions: "Jeckyll and Hyde", "Golden Key" and "Kalynda". I much preferred "Camera Camera" and even slightly prefer "Time Line", both of which at least proposed a new energetic style. Given what was popular at that time, any of a number of tracks from both albums could have broken the group to a wider audience, and then we'd all be complaining about how they sold out in the 1980s just like Genesis.
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Aussie-Byrd-Brother
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It's funny you mention Genesis, Ken, because a lot of `Azure D'or' sounds quite similar to the `Trick'-era of Genesis onwards, even down to the drumming in parts. No doubt it was purposefully trying to emulate the popularity of that band, especially considering the producer was also Genesis' man David Hentschel.
Interesting just reading this on the Wikipedia page of the album, I had no idea about this detail: "Following this album's release, Renaissance underwent major changes that left it with a very uncertain future. In 1980, following a short tour of Israel, both John Tout and Terry Sullivan left the band. Tout (who was dealing with some personal stress due to the death of his sister) had made a major mistake during a concert and walked offstage. After this it was mutually decided that he should leave the band. Terry Sullivan, a longtime friend of Tout's, then left the band as well on principle. On top of all this, the band's label, Warner Brothers/Sire, dropped the group due to disappointing sales of Azure d'Or" Kind of bums me out learning that... |
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8951 |
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Re David Hentschel, he had coaxed the band out of its meekness with "A Song for All Seasons" which also met with their biggest UK success, largely due to the hit single "Northern Lights". Unfortunately, the group's popularity in the US was already in slow decline after Carnegie; if "Northern Lights" had somehow charted stateside, things might have been different. As it was, the combination of the decision to continue to streamline their sound combined with the fact that employing the orchestra ceased to be financially responsible, both led to the disappointing result that was "Azure D'Or".
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Meltdowner
Special Collaborator Honorary Collaborator Joined: June 25 2013 Location: Portugal Status: Offline Points: 10232 |
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I'll have to give it another listen as well.
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Get Live at Albert Hall if you can find it. It is or at least was available as a download on concert vault. Ocean Gypsy is the only classic that the Albert Hall discs are missing and then the Carnegie Hall performance of that track isn't particularly amazing. If you caught them at Portugal last year, you probably heard a better performance right there.
George Starostin's website had said that Tout was simply frustrated with the direction taken by the band and walked off stage in the middle of a performance just like that to register his protest. He quit more than the band firing him and Sullivan joined him. I wonder if Annie regrets not joining them in the rebellion for then Dunford and Camp would have been forced to listen to them. She has professed to not enjoying the albums from AZD onwards and it's not a matter of her say so, she couldn't really own these songs live the way she had done with previous albums.
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Well, he has a passable enough voice, I give that. But no modulation, nothing that would allow him to hold his own as a lead vocalist. I say this because he used to fancy himself as a lead singer and there he was just way off base. He had absolutely no business comparing/equating his singing with Annie's.
That is a very interesting interpretation because I believe most of the lyrics for Song for all seasons were written about Roy Wood. This song was meant to be sung by Annie and she missed the recording due to sickness so Camp decided to sing it anyway. Somebody who claimed to be a doctor said on youtube that he had had Camp over as a patient and he referred to Annie as his wife!! I wonder if some of the resentment he seemed to have at times over Annie's popularity arose out of unrequited love. It's a long shot but it might explain why he sneaked in to record Kindness at the End all by himself. Might also explain why Annie absolutely won't have him back.
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8951 |
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I believe Jon was lyricist for most of ASFAS, as Betty Thatcher was limited to the last 3 tracks. Or perhaps he and Dunford split lyric duty? In any case they are pretty compatible with the band's gravitas. I had heard that Annie was supposed to sing "She is Love" but it was in the wrong key for her, but had not heard that about Kindness. I did hear that Jon played just about everything on the track, and it's likely they never did it live. I wasn't trying to suggest that the lyrics of Kindness were written about the relationshuip between Camp and Renaissance, just that they are well written enough and resonate enough to be applicable to different situations that one encounters in life
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rogerthat
Prog Reviewer Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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I'd really have to check with my CD but if indeed the lyrics of Kindness were written by Camp that would make it very interesting. She is love the tape came out at the wrong speed, effing up the key and it was impossible for Annie to sing it so finally it was down to Camp. Re Kindness I don't know what Camp's version of the events is but according to Annie she fell ill on the day of the recording and Camp did the vocal track instead.
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8951 |
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I checked my CD and the lyric sheet doesn't indicate. The back cover brought back memories; to my 19 year old eyes it was hard enough to read on the LP, with the red print over the seasonal photo, but it's utterly impossible on the CD for these old eyes. I'll have to look for a magnifying glass, but not sure it will reveal who actually wrote the lyrics. I just thought that, given that Dunford tended to be the music composer, that when Thatcher's role was reduced, Camp might have taken the mantle edit...Camp is listed as the only writer! Edited by kenethlevine - November 07 2016 at 21:36 |
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Tom Ozric
Prog Reviewer Joined: September 03 2005 Location: Olympus Mons Status: Offline Points: 15916 |
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I love ASFAS. In fact, everything from Prologue through Time Line sits fine with me. And it's rare to have such a consistent (for my tastes) output by a band.
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rogerthat
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Love Prologue through to SFAS and thereafter only select songs. Can't decide which of SFAS and Novella is my favourite of all, probably SFAS.
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