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Topic Closed"Classics" Prog

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Poll Question: Pick your favourite:
Poll Choice Votes Poll Statistics
30 [49.18%]
21 [34.43%]
10 [16.39%]
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Blacksword View Drop Down
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Direct Link To This Post Posted: October 11 2016 at 13:29
Three classics for sure, but I vote for KC here.
Ultimately bored by endless ecstasy!
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Son.of.Tiresias View Drop Down
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Direct Link To This Post Posted: October 11 2016 at 14:00
Originally posted by Hercules Hercules wrote:

The Fountain of Salamacis was the first Genesis track I heard (on the Charisma Keyboards sampler) and I went out and bought the album immediately. Amazing and light years ahead of the other two tracks.

Clap Well done, Hercules. Light years indeed. Itīs absolutely true LOL. Btw, you took me by a great surprise :)

Youīve got taste :)
You may see a smile on Tony Banksī face but thatīs unlikely.
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Direct Link To This Post Posted: October 11 2016 at 14:12
The Fountain of Salmacis by the mighty GENESIS. Young gods, they barely were 22 then...

https://youtu.be/zE3dYof_rbE

"The Fountain of Salmacis"

[Hermaphrodite:]
a flower containing both male and female organs;
a person or animal of both sexes.

The child Hermaphroditus was the son of Hermes and Aphrodite,
the result of a secret love affair. For this reason he was
entrusted to the nymphs of the isolated Mount Ida,
who allowed him to grow up as a wild creature of the woods. After his
encounter with the water-nymph Salmacis, he laid a
curse upon the water. According to fable, all persons who bathed in the
water became hermaphrodites.

From a dense forest of tall dark pinewood,
Mount Ida rises like an island.
Within a hidden cave, nymphs had kept a child;
Hermaphroditus, son of gods, so afraid of their love.

As the dawn creeps up the sky
The hunter caught sight of a doe.
In desire for conquest,
He found himself within a glade he'd not beheld before.

[Hermaphroditus:]
"Where are you, my father?
Give wisdom to your son"

[Narrator:]
"Then he could go no farther
Now lost, the boy was guided by the sun"

And as his strength began to fail
He saw a shimmering lake.
A shadow in the dark green depths
Disturbed the strange tranquility.

[Salmacis:]
"The waters are disturbed
Some creature has been stirred"

[Narrator:]
"The waters are disturbed
Naiad queen Salmacis has been stirred"

As he rushed to quench his thirst,
A fountain spring appeared before him
And as his heated breath brushed through the cool mist,
A liquid voice called, "Son of gods, drink from my spring".

The water tasted strangely sweet.
Behind him the voice called again.
He turned and saw her, in a cloak of mist alone
And as he gazed, her eyes were filled with the darkness of the lake.

[Salmacis:]
"We shall be one
We shall be joined as one"

[Narrator:]
"She wanted them as one
Yet he had no desire to be one"

[Hermaphroditus:]
"Away from me cold-blooded woman
Your thirst is not mine"

[Salmacis:]
"Nothing will cause us to part
Hear me, O Gods"

Unearthly calm descended from the sky
And then their flesh and bones were strangely merged
Forever to be joined as one.

The creature crawled into the lake.
[A fading voice was heard:]
"And I beg, yes I beg that all who touch this spring
May share my fate"

[Salmacis:]
"We are the one
We are the one"

[Narrator:]
"The two are now made one,
Demi-god and nymph are now made one"

Both had given everything they had.
A lover's dream had been fulfilled at last,
Forever still beneath the lake.



Edited by Son.of.Tiresias - October 11 2016 at 14:16
You may see a smile on Tony Banksī face but thatīs unlikely.
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Man With Hat View Drop Down
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Direct Link To This Post Posted: October 11 2016 at 14:20
KC
Dig me...But don't...Bury me
I'm running still, I shall until, one day, I hope that I'll arrive
Warning: Listening to jazz excessively can cause a laxative effect.
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Manuel View Drop Down
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Direct Link To This Post Posted: October 11 2016 at 15:35
KC l guess, but all three are quite good, frankly.
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Wanorak View Drop Down
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Direct Link To This Post Posted: October 11 2016 at 17:11
In the Wake of Poseidon for Lakes vocals and much better production than Genesis.
A GREAT YEAR FOR PROG!!!
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AFlowerKingCrimson View Drop Down
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Direct Link To This Post Posted: October 11 2016 at 17:51
For some reason I can't vote in the poll. Maybe I'm too new or something.
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Direct Link To This Post Posted: October 11 2016 at 18:06
Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

For some reason I can't vote in the poll. Maybe I'm too new or something.

You need a certain number of points (40 if I'm not mistaken). Keep participating and you'll be there soon.
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dr wu23 View Drop Down
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Direct Link To This Post Posted: October 11 2016 at 21:37
Originally posted by Magnum Vaeltaja Magnum Vaeltaja wrote:

Wake of Poseidon for me, followed at a fair distance by Salmacis. I love Hackett's work, especially his slower solo at the end, but In The Wake of Poseidon has always been a more immersive mythological experience; I feel like I'm standing atop Mount Olympus every time I put it on.
 
Clap
One does nothing yet nothing is left undone.
Haquin
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Direct Link To This Post Posted: October 12 2016 at 05:14
Salmacis.
The version Hackett did on Genesis Revisited is also an excellent listen.
Welcome to the middle of the film.
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Direct Link To This Post Posted: October 12 2016 at 07:42
Originally posted by Mormegil Mormegil wrote:

Salmacis.
The version Hackett did on Genesis Revisited is also an excellent listen.

Indeed. I was there. GENESIS REVISITED EXTENTED LIVE April 2014 shaked the venue with sheer power. Yes, my best ever gig, obviously I never saw GENESIS LIVE with maestro Peter Gabriel forty years ago.

Nad Sylvan nailed it. If they ever will do it again (Iīm praying for) just donīt miss it.
You may see a smile on Tony Banksī face but thatīs unlikely.
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Direct Link To This Post Posted: October 13 2016 at 01:28
Originally posted by Lewian Lewian wrote:

I like The Three Fates but the long piano part is a too off-showing for me.

I need explanation here. Still I can't say why and how a piece is regarded as showing off. Would you regard a classical piano piece which is very technical as being made to show off? 
This "long" (???) piano part is first of all played with very subtle intonation and emotion (just listen close). It has quite some compositional value and is very innovative. Besides it is hard to play indeed, but please tell me if hard to play means showing off and if no where you then do base your statement on.
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Direct Link To This Post Posted: October 13 2016 at 02:29
Originally posted by Wanorak Wanorak wrote:

In the Wake of Poseidon for Lakes vocals and much better production than Genesis.


Originally perhaps - production wise. But after the remaster?
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Direct Link To This Post Posted: October 13 2016 at 04:39
I like all three, but the edge goes to the maestro that is Keith Emerson!

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