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Topic ClosedIs the original Prog left-wing?

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moshkito View Drop Down
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Direct Link To This Post Posted: January 16 2016 at 11:32
Originally posted by Raff Raff wrote:

In Europe, most progressive musicians are also progressive-leaning in political terms. Not so in the US, where there are quite a few right-wing-leaning characters among the artists and the fandom. Just remember that left and right are rather different concepts in Europe and in the US.
 
And if you are interested, reading the Eurock book would help bring this about. There were a lot of bands that were political and theatrical in those early days, for various reasons, but saying that one was better known than the other is kinda weird and probably badly informed. However, the English bands, could be said to not be that political and try to hide their journalism. Witness Genesis ... where things were fairly well hidden behind the mask of something else, and I call that (sometimes!!! needle needle, Peter!) ... entertainment! So American!
 
Like saying that bands in Ireland were not political at the time, and they were ... and VERY much so ... albeit, we will hide that stuff for being "politically correct".
 
In the US, this is a joke ... there is no left or right in America ... just Raider fans or Giants fans, or Lakers fans or Knicks fans, and the like, and no one really cares otherwise, because if they did, a lot of states would lose many of their politicians over night!


Edited by moshkito - January 16 2016 at 11:33
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Direct Link To This Post Posted: January 16 2016 at 11:48
Let's keep it simple...

"Progressive rock" is an adjective, not a cultural movement. Most rock musicians in the 1970s (and most 20-somethings at the time) were generally speaking 'left-wing'. Some people like Wakeman or Ian Anderson could be described as 'right-wing'(which proves that 'Prog' was anything but a united movement). 

Both Zappa and Fripp didn't do drugs but did groupies. Does not doing drugs make them right-wing? Does doing groupies make them left-wing? I look at it this way: there were humans and they did (or didn't) do human stuff and did (or didn't) think human things and made music and journalists called it "progressive rock". 


Edited by zravkapt - January 16 2016 at 11:49
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Direct Link To This Post Posted: January 16 2016 at 12:10
I'm surprised nobody's mentioned Rush.

They're certainly not Progressive - see The Trees for example. Their leaning is at least individualist (as opposed to the Progressive communitarian foundations) - see Anthem, 2112. I don't think you could call them conservative, but at least a little bit libertarian ("his mind is not for rent / to any god or government").


Edited by MoebiusStreet - January 16 2016 at 12:12
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Direct Link To This Post Posted: January 16 2016 at 13:26
Originally posted by WeepingElf WeepingElf wrote:

I think most classic-era prog artists leaned to the left, though to different degrees; this also appears to be true for later prog until today. Claims to the existence of right-wing prog usually come from Americans who define "right" as "more freedom" and "left" as "more state", which is not what the terms mean at least in Europe. Surely, the Nazis were extremely statist, but I hope everyone agrees that they were a far-right movement.

See also this thread.

Freedom loving versus statism is how conservatives in the US would and do describe the difference between conservatives and liberals, even as they complain about the American Civil Liberties Union (ACLU). They are not real consistent, and liberals in the US, among whom I count myself, would NOT describe the distinction in the same fashion. I'm afraid I have indeed heard conservative intellectuals here in the US on multiple occasions assert that Nazis were leftist because of their statism and made great hay out the Nazis political self-identification as National Socialists. No, I don't buy into that either.
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Direct Link To This Post Posted: January 16 2016 at 13:32
I don't necessarily consider prog bands to have been "left-leaning" back in the day, but more so anti-establishment, a hangover from the 60s. Ian Anderson mocked the Church of England, Rogers Waters ripped Mary Whitehouse on "Pigs", ELP warned of rampant technology on "Karn Evil 9", King Crimson dabbled in anti-consumerism on "Cat Food" and war-mongering on "21st Century Schizoid Man", Genesis also mocked consumerism on "Cinema Show" and "Aisle of Plenty", etc. But in all these cases, whether Tull, Floyd, ELP, King Crimson or Genesis, I wouldn't consider any of them left-leaning. They've all seemed to become comfortably conservative over the years.
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Direct Link To This Post Posted: January 16 2016 at 13:38
Genesis' The Knife and One for the Vine portray war in a negative fashion. So does Hackett's Tigermoth.

I'm not sure about the positions of left versus right vis-a-vis hogweed invasions.

One of Hackett's most poignant lyrics was India Rubber Man, which is about the despair of abandoning lofty goals in exchange for selling out. I take this to be leftward leaning. A lot of the 60s and 70s in general, though, were about looking inward and freeing your mind, and less about re-organizing society. That was true of all genres, not just Prog.

Edited by HackettFan - January 16 2016 at 14:13
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Direct Link To This Post Posted: January 16 2016 at 14:16
Originally posted by HackettFan HackettFan wrote:


I'm not sure about the positions of left versus right vis-a-vis hogweed invasions.

Horticulture is full of eugenics.. Selective breeding, inferior types that need to be 'bred out'..LOL and of course the Victorian plant hunters obsession which is satirised in that song!!

Many of the British and European progressive groups satirised the establishment and the political norms of the day which I think made them (mildly) anti-establishment rather than overtly political one way or the other.

Bands like Hawkwind, Gong, Edgar Broughton, Man, Henry Cow, Robert Wyatt, Roy Harper etc did numerous benefit concerts for what might be deemed by some as left wing causes in the early 70's and later were joined by The Enid, the Cardiacs and Here and Now at free festival, environmental, CND and Peace movement benefits.. again, what some would consider as left-wing...

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Direct Link To This Post Posted: January 16 2016 at 14:49
Left and right vary so greatly depending on cultural context. That being said, it would be hard not to characterize most rock music as left-leaning. The phrase, "sex, drugs, and rock and roll," doesn't exactly conjure images of the John Birch Society. 

And Rush is extremely leftist, IMNSHO. Evidence: Geddy Lee's hair hangs below the top of his ears, and he has worn blue jeans and tennis shoes in public. And displaying running laundry machines on stage is highly non-conformist and unbecoming of anybody who would characterize themselves as conservative. Furthermore, women have been known to attend Rush concerts without corsets and bloomers. Any band that would take the stage under such untenable conditions fails even the most casual conservative litmus test. 

I remember when a large part of the population felt that Elvis' hip motions and electric guitars were going to lead to the end of the civilized world. I guess they did, and that's a good thing!  Beer 


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Direct Link To This Post Posted: January 16 2016 at 15:31
Originally posted by micky micky wrote:

A good case in point. There was once a 70's band, that exibited some quite right wing views.  They were ostraczed in their country and were reduced to playing shows for their lunatic followers. Fast forward 40 years and that band came up for discussion for addition here to PA's.  Were they included?
Which band was this? (PM me if you don't want to stir the argument up again.)
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Direct Link To This Post Posted: January 16 2016 at 16:49
well, there are very few artistes in any fields (mailnly public performing arts) who claim to be right-wing, if only to preserve their reputations and airplay space in the medias...

But let's face it, some of those dudes were so hard-up to succeed , they'd try almost anything to make it big... That's not very left-wing, though.

Painters, sculptors and other "plastic arts" artistes mostly build a wealthy address book, so sucking up with the rich & powerful, I suppose you don't vote communist


Originally posted by Warthur Warthur wrote:

Originally posted by micky micky wrote:

A good case in point. There was once a 70's band, that exibited some quite right wing views.  They were ostracized in their country and were reduced to playing shows for their lunatic followers. Fast forward 40 years and that band came up for discussion for addition here to PA's.  Were they included?
Which band was this? (PM me if you don't want to stir the argument up again.)


Don't know who micky is thinking of (Rush does seem to fit his description), neither does The Nuge, but The Jam's Paul Weller spoke for Ta/Bitcher politics









Edited by Sean Trane - January 16 2016 at 16:54
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Direct Link To This Post Posted: January 16 2016 at 17:11
Originally posted by MoebiusStreet MoebiusStreet wrote:

I'm surprised nobody's mentioned Rush.

They're certainly not Progressive - see The Trees for example. Their leaning is at least individualist (as opposed to the Progressive communitarian foundations) - see Anthem, 2112. I don't think you could call them conservative, but at least a little bit libertarian ("his mind is not for rent / to any god or government").

I think Rush are right-libertarian in the vein of Ayn Rand.
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Direct Link To This Post Posted: January 16 2016 at 17:40
Left-leaning prog musician:


Right leaning prog musician:

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Direct Link To This Post Posted: January 16 2016 at 18:21
Originally posted by Warthur Warthur wrote:

Originally posted by micky micky wrote:

A good case in point. There was once a 70's band, that exibited some quite right wing views.  They were ostraczed in their country and were reduced to playing shows for their lunatic followers. Fast forward 40 years and that band came up for discussion for addition here to PA's.  Were they included?
Which band was this? (PM me if you don't want to stir the argument up again.)


some Italian band whose name escapes me.. LOL Raff and I disagreed strongly on their addition here. Being that she wears the pants.. and I have no backbone ...I caved in and Andrea just rolled with whoever won that power struggle in the early days of the ISP/RPI team.
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Direct Link To This Post Posted: January 17 2016 at 04:06
Wow, came as quite a suprise to me that so many of them are actually right-leaning. I feel bad for being a leftist and listening to Prog right now. But really, I always thought about Genesis, King Crimson and especially Soft Machine as quite leftist acts, hence the lyrics.
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Direct Link To This Post Posted: January 17 2016 at 05:00
Originally posted by King Of Poland King Of Poland wrote:

Wow, came as quite a suprise to me that so many of them are actually right-leaning. I feel bad for being a leftist and listening to Prog right now. But really, I always thought about Genesis, King Crimson and especially Soft Machine as quite leftist acts, hence the lyrics.


Don't feel bad about being a leftist prog fan. As you grow older, you will realise that over 90% of political statements are pure and utter bollocks, and well over 90% of politicians are a bunch of spineless and shameless careerists.

Just enjoy the music
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Direct Link To This Post Posted: January 17 2016 at 05:04
The original Rock In Opposition bands had a collective charter that mandated socialist principles - along with equally mandatory musical complexity.

As for the Bryan Ferry one, from what I gather he hard remarked that 1940s German architecture (described as fascist) was impressive. Well, you can't really have fascist architecture that isn't. Just wouldn't have the desired intimidation inducing effect. Bit like cathedrals and other buildings designed to instill a suitable feeling of imposition upon the proletariat. From this observation the left branded Ferry a Nazi. As Porcupine Tree name checked Albert Speer (Nazi era architect) I'm surprised no hysterical lefty has gone bug eyed with accusations based on less than nothing. The more extremist politically correct use fascist tactics (labeling, simplification and stereotyping) to impose their own values. Still, as bad as that is I would still value a discussion among the left (who at their worst I would see as having an excess of intellectualism as opposed to the right who most evidently, do not).

maybe this is as good a time and place as any for anyone who can help me understand the content of PFM's Passpartu booklet. My Italian is limited in the extreme but the mood of the music is in some contrast to the content of the booklet. Not sure what the lyrics are about either. Looks like lots of terrorist  depictions in there. The 1970s (when Passpartu was released) were a strange time of terrorism, plane hijackings, extreme nationalism, oil problems, Middle East tension, US political scandals, migrant problems and more unlike today where clearly we have learned... oh no, no. We haven't. Plus ca change plus ce'st la meme chose.

Interesting topic. Glad it's up for discussion.
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Direct Link To This Post Posted: January 18 2016 at 08:02
Originally posted by Sean Trane Sean Trane wrote:

Don't know who micky is thinking of (Rush does seem to fit his description), neither does The Nuge, but The Jam's Paul Weller spoke for Ta/Bitcher politics
micky's clarified but Rush wouldn't really fit the criteria of being ostracised in their ome country; to my knowledge, they're considered national treasures in Canada.

It doesn't surprise me to know that it was an Italian band - the 1970s was an intense scene in Italian politics. There's the famous story about how the Italian Communist youth latched onto Van der Graaf Generator's music for no discernable reason, so when they did a tour they ended up facing near-riots at their concerts as the audience was packed with Communists there to support them and neo-fascists out to protest/fight with the Communists.
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Direct Link To This Post Posted: January 18 2016 at 11:13
In Germany in the late sixties and seventies, certainly conservative leanings were associated with a conservative stance on culture, and all rock music, all that smelled remotely of excess, questioning values like "work hard, earn money, found a normal family and shut up" and perhaps, god forbid, of not respecting some laws (drugs!) was left to the lefties, although some of them were not that much into politics. (I'd guess it was similar in the UK and most European countries, although perhaps not as extreme as in Germany.)

Michael Karoli (Can) once said: "What made us different from all the other bands was that all the others had some kind of message and we didn't, we just wanted to play music." This is an attitude I love because I listen to the music for the music only; still they were up against the conservative establishment through the culture that was associated with it.
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Direct Link To This Post Posted: January 19 2016 at 10:41
Originally posted by zravkapt zravkapt wrote:

Let's keep it simple...

"Progressive rock" is an adjective, not a cultural movement. Most rock musicians in the 1970s (and most 20-somethings at the time) were generally speaking 'left-wing'. Some people like Wakeman or Ian Anderson could be described as 'right-wing'(which proves that 'Prog' was anything but a united movement). 
 
...
 
This would be quite incorrect, and almost all compendiums of "progressive rock" history will ascertain that. But if all you know about progressive music and Prog, is about Wakeman and Anderson, then you have already lost the value of all of this music a long time ago.
 
"Progressive" was/had a cultural side ... but we, prog-journalists (if you will) don't believe in anything except a rock guitar god with 6 strings and a keyboard player with 15 pieces around him!
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Direct Link To This Post Posted: January 19 2016 at 11:39
The origins of prog were, I believe, firmly rooted in protest to the Viet Nam war, arms race between USA and USSR (in which Great Britain was swept up), and other largely left-wing causes.  

Examples include "Epitaph" by King Crimson, "Harold Land" by Yes and many others.  Activism regarding the environmental degradation common to the era was also an essential component of early prog. 

I don't know that prog musicians actively campaign for politicians anywhere, but like all people, they have their sentiments and expound on these through their music.  That is why prog doesn't have the "Love, Love Me Do" aspect of pop, it is more intellectual. 


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