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list/discuss/rate - your recently watched movies

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Kayleur View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Kayleur Quote  Post ReplyReply Direct Link To This Post Posted: February 23 2015 at 08:21
I find myself once again watching one of the finest productions to come out of BBC.

(NOT the American version.)

Bob Hoskins should have won an award for this. Simply brilliant acting by all -Gemma Craven, the ubiquitous Freddie Jones, and Kenneth Coolley, a superb actor who never got as many roles as he deserved.

This quite long miniseries has everything I usually HATE: its a musical. Its all about big band/40/50s vocoder-type crooner music.

Still its one of my fav series ever.


I cant really put my finger on what elevates this to an altogether other level.
One of the things certainly is the thread of profound sadness that runs through the story (of Arthur,a travelling salesman selling sheet-music from town to town at the tail-end of the sheetmusic era when grammophones were just coming in to put an end to people entertaining themselves.)
You have this very sad story of a man passionate about popular music and passionate for sex, but married to an over-shy, sex-abhorring wife. And yet this sadness is continually broken/juxtaposed by the musical sections (his fantasies) which ,like the music of the time, was ever stupidly peppy/cheerful.

Basically about human nature and the life-asserting strength of music.

Simply outstanding.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Walton Street Quote  Post ReplyReply Direct Link To This Post Posted: February 23 2015 at 09:13
Originally posted by Kayleur Kayleur wrote:

I find myself once again watching one of the finest productions to come out of BBC.

(NOT the American version.)

Bob Hoskins should have won an award for this. Simply brilliant acting by all -Gemma Craven, the ubiquitous Freddie Jones, and Kenneth Coolley, a superb actor who never got as many roles as he deserved.

This quite long miniseries has everything I usually HATE: its a musical. Its all about big band/40/50s vocoder-type crooner music.

Still its one of my fav series ever.


I cant really put my finger on what elevates this to an altogether other level.
One of the things certainly is the thread of profound sadness that runs through the story (of Arthur,a travelling salesman selling sheet-music from town to town at the tail-end of the sheetmusic era when grammophones were just coming in to put an end to people entertaining themselves.)
You have this very sad story of a man passionate about popular music and passionate for sex, but married to an over-shy, sex-abhorring wife. And yet this sadness is continually broken/juxtaposed by the musical sections (his fantasies) which ,like the music of the time, was ever stupidly peppy/cheerful.

Basically about human nature and the life-asserting strength of music.

Simply outstanding.
 
am I missing something? - I cant see the title of what you're talking about
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: February 24 2015 at 04:11
Birdman

Set backstage at a Broadway play featuring a has-been cast and shot as a contiguous episode (though liberties are taken), Birdman is tedious, unhygenic, dingy, and deeply depressing.   But then so is almost every backstage I've ever spent time in.   That such an original and quirky film could win Best Picture is an event itself, but what's more impressive is that it was made at all.   That's not to say there aren't problems; the script ~ as it were ~ is shaky, nothing really happens, and much of the time we wish these characters would just get the hell out of here and let us go back to our lives.   But again, therein lies the point, I'm guessing.   Birdman is not the kind of innovation that will inspire other, similar films.   But it may indicate that the form is still alive and maybe even important, and for that we can be grateful.




Edited by Atavachron - February 24 2015 at 04:14
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Post Options Post Options   Thanks (0) Thanks(0)   Quote ExittheLemming Quote  Post ReplyReply Direct Link To This Post Posted: February 24 2015 at 06:19
Originally posted by Kayleur Kayleur wrote:

I find myself once again watching one of the finest productions to come out of BBC.

(NOT the American version.)

Bob Hoskins should have won an award for this. Simply brilliant acting by all -Gemma Craven, the ubiquitous Freddie Jones, and Kenneth Coolley, a superb actor who never got as many roles as he deserved.

This quite long miniseries has everything I usually HATE: its a musical. Its all about big band/40/50s vocoder-type crooner music.

Still its one of my fav series ever.


I cant really put my finger on what elevates this to an altogether other level.
One of the things certainly is the thread of profound sadness that runs through the story (of Arthur,a travelling salesman selling sheet-music from town to town at the tail-end of the sheetmusic era when grammophones were just coming in to put an end to people entertaining themselves.)
You have this very sad story of a man passionate about popular music and passionate for sex, but married to an over-shy, sex-abhorring wife. And yet this sadness is continually broken/juxtaposed by the musical sections (his fantasies) which ,like the music of the time, was ever stupidly peppy/cheerful.

Basically about human nature and the life-asserting strength of music.

Simply outstanding.


I'm guessing that you're talking about Dennis Potter's 'Pennies from Heaven?'
Which begs the question: vocoder type music from the 40's/50's?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Walton Street Quote  Post ReplyReply Direct Link To This Post Posted: February 24 2015 at 06:56
Goldeneye
 
Poor Pierce Brosnan gets the trial by fire in his first Bond outing.
This one turns a lot of the Bond world on it's head. M is a woman, she calls him a misogynist dinosaur,
Moneypenny threatens him with sexual harassment, the Bond girl bosses him around, the Bond villainess kicks the crap out of Bond (and he doesn't even sleep with her!), no more Maurice Binder to do the opening title sequence, and Q laughs at one of Bonds quips!
 
They did the 'Charles Grey effect' in reverse, using Joe Don Baker as a good guy just 2 films after he was a baddie, and there was a weird little appearance by Minnie Driver. Very solid cast, and a decent story.
The one liners are still really bad and there was some iffy incidental music, but all in all this was a pretty good Bond film.
 
 
 


Edited by Walton Street - February 24 2015 at 06:57
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Aussie-Byrd-Brother Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 02:32
`Jupiter Ascending'

What starts with potential as a kind of space opera/40's-50's pulp sci-fi romp quickly falls apart into a soulless, bland, completely unengaging waste of time. Totally devoid of even the slightest hint of humour, endless dialogue filled with nothing but explanatory exposition and an utterly uninteresting story overall, it's clear not a single actor read the script when they signed on. This $170 million dollar dud will be the last time the Wachowski `brothers' are ever given full control of a film, and they are showing more than ever that they may have been a `one trick pony' with their success with the first `Matrix' movie (well, and `Bound'). It doesn't help that about an hour into the film you suddenly realise you've been staring at a bunch of swirling colours and movement on screen but have absolutely no idea what any of it is about. Thank goodness the male and female leads are so attractive that they distract from what a joyless experience it really is. Depressing Hollywood self-indulgent excess at it's absolute worst!

Edited by Aussie-Byrd-Brother - February 25 2015 at 02:33
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Toaster Mantis Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 03:59
If you're confused as to what call the Wachowskis, just call them "siblings". One of them getting a sex change has no doubt left a lot of journalists confused about which words to use when discussing their earlier career.

Yesterday, I watched this...


Based on a true story about an unorthodox teacher, who in his classroom replicated the structures of a totalitarian state as part of a course meant to warn against how easily totalitarianism could appeal to normal people, only to find it work too well. The film's a bit more mainstream than I had expected, and not always a plus since it spent too much time for my liking on the soap opera between the students at the expense of showing the hows-and-whys of the sociological experiment. I like that it in the end didn't pull any punches when it came to the consequences, though, and ended on a very disturbing note.


Edited by Toaster Mantis - February 25 2015 at 04:00
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Aussie-Byrd-Brother Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 04:08
[QUOTE=Toaster Mantis] If you're confused as to what call the Wachowskis, just call them "siblings". One of them getting a sex change has no doubt left a lot of journalists confused about which words to use when discussing their earlier career.

I probably could have just called them `The Wachowskis', would have been much easier!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Toaster Mantis Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 04:48
I wonder how much it's because of them (well, Lana) that transgender/transsexual issues and the surrounding subculture for that matter are way more visible in the culture at large now than they were 4-7 years ago. (slightly off topic, I know)
"The past is not some static being, it is not a previous present, nor a present that has passed away; the past has its own dynamic being which is constantly renewed and renewing." - Claire Colebrook
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Aussie-Byrd-Brother Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 05:05
No idea, Toaster. But I certainly didn't mean it to come across like I was having a shot at them.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Toaster Mantis Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 05:09
It seems like most of the films the Wachowskis directed after The Matrix, except maybe Speed Racer, seem to have been received as extremely ambitious and kind of admirable in that regard but the final result not being very good at those lofty goals.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Kayleur Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 07:49
A FIELD IN ENGLAND

rather confusing, totally uninteresting ,partially-experimental film shot in b&white.

1648 AD. Deserters find themselves in an overgrown field. (Indeed most of this movie is them walking thru this field. Its a sort of play ,but set in a fricking field!)

An Irish alchemist (with apparent powers over men's minds - but this is not stressed) forces - hey! coincidence of coincidences - a famous alchemist's apprentice (who just happens to have survived the battle) and a handful of others to find the "treasure" buried somewhere in the field.
They come upon a ring of mushrooms, make soup and get hallucinations/paranoia off them. Things get even more incomprehensible/trippy (in a medieval sorta way). They get pulled into nigh madness. Seems the feild itself is pulling them in??? WTF???
The movie has a warning for the stroboscopic effects - I guess so epileptics dont watch.

It becomes apparent the Irishman is not hoping to find gold.
The spot is found and they dig only to find a skull.
From here on nothing is explained - its as if the qwest itself is important, not the final result.

In the end you feel your time has been wasted ; that you have fallen prey to some artsy-fartsy joke.


.....

Yes, my last review was Pennies From Heaven.
Sorry about that.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Walton Street Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 08:18
Originally posted by Toaster Mantis Toaster Mantis wrote:

It seems like most of the films the Wachowskis directed after The Matrix, except maybe Speed Racer, seem to have been received as extremely ambitious and kind of admirable in that regard but the final result not being very good at those lofty goals.

i thought Cloud Atlas was a fine film ..
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dean Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 08:32
Originally posted by Walton Street Walton Street wrote:

Originally posted by Toaster Mantis Toaster Mantis wrote:

It seems like most of the films the Wachowskis directed after The Matrix, except maybe Speed Racer, seem to have been received as extremely ambitious and kind of admirable in that regard but the final result not being very good at those lofty goals.


i thought Cloud Atlas was a fine film ..
a very fine film
What?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Equality 7-2521 Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 09:02
I found it incoherent. I barely made it through 45 minutes.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Toaster Mantis Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 11:13
For the record I haven't seen Cloud Atlas so I can't have an opinion on it. I imagine it would at the least be interesting to watch, even if it isn't very good.

Today I watched this movie...


The movie that put Klaus Kinski and Werner Herzog for that matter on the filmmaking map, a rather stylized biopic of a famously brutal conquistador. It was a famously desperate and horrifying film shoot, perhaps for the better as you can really feel the genuine desparation and hubris the cast was in since it reflects that which a bunch of 16th century colonialists in unknown territory must have felt.

This time I also noticed how much it basically avoids almost every convention of the historical epic genre, instead showing nothing but mistakes made out of leaders blinded by their own faiths with mad would-be conquerors driven only by amoral lust for power being the only ones to show any kind of common sense. Any order in the wilderness either gets destroyed by the hands of whatever culture has brute force on its side, or destroyed by their leaders' hubris.

What I really like is that with all those factors in mind, the extremely beautiful scenery and tranquil New Age electronic score add an extra layer of dissonance. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote A Person Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 12:41
Originally posted by Walton Street Walton Street wrote:

Originally posted by Toaster Mantis Toaster Mantis wrote:

It seems like most of the films the Wachowskis directed after The Matrix, except maybe Speed Racer, seem to have been received as extremely ambitious and kind of admirable in that regard but the final result not being very good at those lofty goals.

i thought Cloud Atlas was a fine film ..

I thought so too. I have heard enough about Jupiter Ascending to avoid it, though.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote ole-the-first Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 13:49
Originally posted by Toaster Mantis Toaster Mantis wrote:

Today I watched this movie...

Excellent flick, and Popol Vuh soundtrack is great too Thumbs Up

It's a shame that Klaus Kinski rarely appeared in films of that high level (except for Werner Herzog legacy, of course), he was a hell of an actor.


Edited by ole-the-first - February 25 2015 at 13:50
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Walton Street Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 13:56
Originally posted by Toaster Mantis Toaster Mantis wrote:

For the record I haven't seen Cloud Atlas so I can't have an opinion on it. I imagine it would at the least be interesting to watch, even if it isn't very good.

Today I watched this movie...


The movie that put Klaus Kinski and Werner Herzog for that matter on the filmmaking map, a rather stylized biopic of a famously brutal conquistador. It was a famously desperate and horrifying film shoot, perhaps for the better as you can really feel the genuine desparation and hubris the cast was in since it reflects that which a bunch of 16th century colonialists in unknown territory must have felt.

This time I also noticed how much it basically avoids almost every convention of the historical epic genre, instead showing nothing but mistakes made out of leaders blinded by their own faiths with mad would-be conquerors driven only by amoral lust for power being the only ones to show any kind of common sense. Any order in the wilderness either gets destroyed by the hands of whatever culture has brute force on its side, or destroyed by their leaders' hubris.

What I really like is that with all those factors in mind, the extremely beautiful scenery and tranquil New Age electronic score add an extra layer of dissonance. 



fantastic film. I like Fitzcarraldo a shade more but they are both brilliant.
I had the opportunity to meet and shoot Herzog .. probably one of the coolest opportunities I've ever gotten
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Walton Street Quote  Post ReplyReply Direct Link To This Post Posted: February 25 2015 at 13:57
Originally posted by ole-the-first ole-the-first wrote:

Originally posted by Toaster Mantis Toaster Mantis wrote:

Today I watched this movie...

Excellent flick, and Popol Vuh soundtrack is great too Thumbs Up

It's a shame that Klaus Kinski rarely appeared in films of that high level (except for Werner Herzog legacy, of course), he was a hell of an actor.


he didn't care .. He said his job was to act - so he acted - in absolutely anything.
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