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Joined: October 26 2014
Location: California
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Points: 109
Posted: December 08 2014 at 18:37
I thought Bitches Brew was the definitive jazz rock fusion album. If you take Miles Davis off of the archives, you might as well remove the whole jazz rock fusion genre from the archives.
Joined: June 20 2012
Location: Oklahoma
Status: Offline
Points: 7951
Posted: December 08 2014 at 19:23
Miles Davis is Prog in the same sense Hot Rats is Prog. I love Symph Prog, but if breaking down barriers between Rock and Classical music is Prog, I don't understand why breaking down barriers between Rock and Jazz is not. I do think it's born out in its historical time when it was truly groundbreaking. Today's Jazz-Rock Fusion should not be accepted into PA unless it embraces some sort of cutting edge, but that is now and Miles Davis was way back then.
Joined: August 27 2006
Location: The Beach
Status: Offline
Points: 13467
Posted: December 08 2014 at 21:57
I'm so glad someone decided Prog Archives need a Jazz/Fusion section because I had no idea I would love this style of music so much, and I discovered it from this site. Symphonic is the only sub-genre i've reviewed more than Jazz/Fusion.
Joined: January 20 2008
Location: Seattle, WA
Status: Offline
Points: 887
Posted: December 08 2014 at 23:07
seems the main thing is the generation. miles davis and dave brubeck are an older generation than rtf, mahavishnu, weather report, and their generation of players. sun ra is also in the older generation, but
did some things that sound like rock.
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Joined: October 05 2013
Location: SFcaUsA
Status: Offline
Points: 15242
Posted: December 08 2014 at 23:31
He probably doesn't belong here but since there is a jazz fusion category he does i guess. I'm more flumoxed by the fact that progressive electronic is here. I know it was influential but shouldn't it be prog related? There are a lot of strange entries here but whatever. It's still a bitchin' site
Joined: May 12 2009
Location: Coolwood
Status: Offline
Points: 6467
Posted: December 09 2014 at 00:24
brainstormer wrote:
seems the main thing is the generation. miles davis and dave brubeck are an older generation than rtf, mahavishnu, weather report, and their generation of players. sun ra is also in the older generation, but
did some things that sound like rock.
Let's not forget that Chick Corea and Airto (RTF), John McLaughlin and Billy Cobham (Mahavishnu Orchestra), Joe Zawinul and Wayne Shorter (Weather Report), as well as Herbie Hancock, John Scofield, and Tony Williams, all listed on PA as J/R Fusion artists, were all players for Miles.
The world of sound is certainly capable of infinite variety and, were our sense developed, of infinite extensions. -- George Santayana, "The Sense of Beauty"
Joined: December 20 2010
Location: Tomorrowland
Status: Offline
Points: 11597
Posted: December 09 2014 at 00:38
If we accept that Jazzrock-fusion has a place on a progressive rock site there's no way Miles Davis doesn't belong here.
And it would be ignorant not to accept it as Jazz fused with rock is an essential ingredient of practically every single subgenre on PA (except Progressive Electronic and maybe Progmetal) and probably the main approach in Zeuhl, Canterbury, RIO, Krautrock and Indo Raga.
Listen to Bitches Brew, Fig Fun, Miles In The Sky, Get Up With It, Filles De Kilimanjaro, In A Silent Way, A Tribute to Jack Johnson, On The Corner, Get Up With It, Agharta, Pangaea, Black Magus, Water Babies, Live-Evil and tell me he doesn't belong in Jazzrock-fusion. Not only does he belong in JR-F - Miles is the genres no. 1 most important artist.
He recorded this 33 minute long Jazzrock-masterpiece in 1967!
Joined: March 08 2007
Location: United States
Status: Offline
Points: 2755
Posted: December 09 2014 at 02:42
The.Crimson.King wrote:
From the PA home page:
"PROG ARCHIVES intends to be the most complete and powerful progressive rock resource."
Based on that, I never thought Miles should be here...
LOL. PA is the king of saying one thing and doing another. But like I said earlier, it is nice to have a resource for these albums even if they are not prog. My complaint is that this inclusiveness is selective.
Joined: March 08 2007
Location: United States
Status: Offline
Points: 2755
Posted: December 09 2014 at 02:45
TODDLER wrote:
The real connection to Miles Davis and Progressive Rock began when Miles hired very young musicians Herbie Hancock, John McLaughlin, Billy Cobham, and Tony Williams later worked with Alan Holdsworth in Tony Williams Lifetime and Holdsworth had worked in Progressive Rock bands. All of these musicians went on to forming Jazz Fusion bands like Weather Report, Mahavishnu Orchestra, Return To Forever, and loads of solo efforts of their own.
LOL. So let me get this straight... are you saying that Miles's prog credentials are almost as legit as those of Phil Collins?????
The similarity between Miles and Brubeck is that both of these men pushed jazz beyond it's traditional boundaries. Like the prog pioneers, they broke the barriers that were limiting their genre.
The difference is that one of the things Miles did was legitimize the use of the rock rhythm section in jazz, which, from the jazz side, was the foundation of fusion. Brubeck, on the other hand, was more interested in odd time changes (a staple of the prog sound), and a blending of classical and jazz. Hence, Miles belongs in the fusion subgenre, Brubeck does not.
I'm so glad you're on the fusion team Scott!
If Miles doesn't belong here, then we might as well throw out the entire jazz rock/fusion subgenre.
I agree, that it's irritating to have an album like Kind of Blue adorning the top 100, but just because the software can't tell the difference between a Bop record and a prog album doesn't mean we should remove the artist responsible for the Bop. He's here because he basically started fusion. There would be no Mahavishnu, Weather Report or Mwandishi if the players hadn't all met up during the Bitches Brew sessions.
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Joined: June 04 2012
Location: Virginia
Status: Offline
Points: 1413
Posted: December 09 2014 at 06:12
Saperlipopette! wrote:
He recorded this 33 minute long Jazzrock-masterpiece in 1967!
Or maybe just jazz so avant-garde, broad-minded and complex that one can find in it (or imagine into it) references to a couple of dozen genres and styles?
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