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Tom Ozric
Prog Reviewer Joined: September 03 2005 Location: Olympus Mons Status: Offline Points: 15921 |
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^ Jose, I don't know how to post pics, I've tried once, but it failed......
I'm using my iPod so I may need to download an uploading app. (Or something like this??) |
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17847 |
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I keep all my pics on photobucket, it creates a link for web posting. But yea you have to first load to your PC then upload to photobucket.
At least that is what I do. |
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17847 |
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Need to further investigate but really sounds interesting, of course to fully appreciate mono recordings on vinyl its best to have a mono cartridge. I would not spend the money for mono a cartridge as I have so very few mono albums. Although they do sound glorious.
http://www.analogplanet.com/content/monochrome-recordings-takes-vinyl-exclusivity-new-extremes MONOCHROME Recordings Takes Vinyl Exclusivity to New Extremes By Michael Fremer • Posted: Aug 19, 2014 Monochrome Recordings is a new vinyl label with a seriously exclusive business model. The live performances will be "...captured entirely with velocity microphones through Altec pre-amplification." The sessions will then be mixed to a Full-Track Ampex recorder with Westinghouse tube circuitry on Scotch Dynarange tape. Mastering will be via a Scully Lathe and Westrex cutter head with pressing done on a Finebilt hand loaded vinyl press. While the first release originated as a 24 bit digital recording, future recordings will be done on a restored tubed Ampex full-track recorder. The producer also says that all sessions are recorded in stereo in the digital domain using a pair of Neumann SDC's through Grace pre-amplification. Only 100 copies of each record will be sold at a price that has yet to be announced. The label recently announced its first vinyl issue: a solo piano recording by jazz pianist Doug Carn whose 1970's albums on the Black Jazz Records label are now considered cult classics by jazz aficionados. Carn has worked with Shirley Horn, Stanley Turrentine, and Lou Donaldson among others. In 1971 at age 23 Carn released Infant Eyes and a year later issued Spirit of the New Land a Lee Morgan tribute. In 1973 came Revelation. But the vital energy and creativity resulting from his partnership with Jean Carn quickly faded. Now Carn is back. The solo piano recording was produced at Hamilton Stage Studios in the new Rahway Arts District. To pre-order or to bitch and moan email: [email protected] |
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Meltdowner
Special Collaborator Honorary Collaborator Joined: June 25 2013 Location: Portugal Status: Offline Points: 10232 |
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I never understood what's special about mono albums
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17847 |
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Well some jazz albums are pretty sweet in mono. Miles Davis Round About Midnight is pretty amazing.
But in general I am not a mono fan... |
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smartpatrol
Forum Senior Member Joined: April 15 2012 Location: My Bedroom Status: Offline Points: 14169 |
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As long as both of the mixes are well done I usually don't care. But if I had to choose I'll choose Stereo for most albums.
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Gerinski
Prog Reviewer Joined: February 10 2010 Location: Barcelona Spain Status: Offline Points: 5154 |
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^ I guess they are OK for people who can only afford one speaker or who do not clean their ears
Edited by Gerinski - August 22 2014 at 01:38 |
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HolyMoly
Special Collaborator Retired Admin Joined: April 01 2009 Location: Atlanta Status: Offline Points: 26138 |
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There's nothing inherently good about mono as opposed to stereo - however, in the 60s, mono recordings often offered a more believable sound. In the case of the Beatles, for example, the stereo mix was more of an afterthought, and the main work went into the mono mix (this according to Geoff Emerick, engineer on many of the Beatles' albums). Stereo imaging in those days was not as sophisticated as it was just a few years later - the hard left/right panning of the instruments was very noticeable and not really representative of what the band actually sounded like. So when I'm offered a choice between mono and stereo for an album recorded during that time, I'll... aw hell I'll just get both.
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My other avatar is a Porsche
It is easier for a camel to pass through the eye of a needle if it is lightly greased. -Kehlog Albran |
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Dean
Special Collaborator Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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When stereo became popular in the 1960s many mono recordings were electronically enhanced to make a pseudo stereophonic image (called pseudo-stereo, quasi-stereo or rechanneled stereo) since they were recorded and mixed in monophonic, the result was never satisfactory.Just as a stereo recording for CD pressing will be different to that for an LP pressing, the balance and EQ of a mono mix is different to a stereo mix.
In mono pressings the music is reproduced in the horizontal movement of the stylus in the groove with no vertical movement, whereas the stereo reproduces the (L+R) in the horizontal and (L-R) in the vertical... that is the stereo grooves are cut at an angle of 45° so when you play a mono pressing with a stereo cartridge you only reproduce a (L+R) signal. Which is all well and good. The problem with playing mono sources on modern stereo equipment is any differences (noise + distortion) between left and right are exaggerated since any vertical movement caused by dust and scratches is still reproduced. Back in the day a mono recording would generally sound better when you pushed the "Mono" button on the pre-amp as this ensured that both channels received the same signal.
Edited by Dean - August 22 2014 at 06:20 |
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What?
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17847 |
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Some real nice covers here, so far the standout is ABBAs The Day Before You Came....Prince's Sign O the Times is electronic and some distorted guitar, very nice.
The surprise so far was Alanis Morrisette's Thank You, very plain acoustic but his singing is excellent. As usual the KScope issue is brilliantly pressed in Germany with a detail and clarity on par with his best, especially since these songs are heavy acoustic surface noise is almost non-existent. |
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17847 |
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Addicted.....yup!
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Sheavy
Special Collaborator Honorary Collaborator Joined: March 28 2010 Location: Alabama Status: Offline Points: 2866 |
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Isn't that a logo for a record company? Can't remember the name.
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17847 |
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Hmmm...not sure, if it is one I have never seen don't think, now I gotta go look! |
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17847 |
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Just arrived on my doorstep
Pressed in Germany, issued by InsideOut Music. So the pressing quality is very good, the sound quality is fantastic, which a bit of surprise since this is originally from 2000. The mastering to vinyl is very good....obviously. I ordered early enough to get Neal Morse signature, not the best you can tell he was in a hurry I have another signature from him on my T2 Deluxe Box set which is super nice but that one he gave me as he was leaving the restroom, another story! Very good issue for sure... |
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17847 |
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Nice article on Nashville as the "capitol of vinyl", just more reporting of what we already know is going on in music and recording.
http://www.theguardian.com/world/2014/aug/30/nashville-record-presses-vinyl-boom |
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17847 |
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The picture discs are just ok, friends have told me they are not that great sound wise.
But now we get black vinyl 180gram reissues from original analogue master tapes. I'm in for a few of these.... http://www.ironmaiden.com/classic-80s-vinyl-reissues-on-the-way.html |
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Meltdowner
Special Collaborator Honorary Collaborator Joined: June 25 2013 Location: Portugal Status: Offline Points: 10232 |
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^ Half my Facebook feed is about 180g vinyl reissues
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Tom Ozric
Prog Reviewer Joined: September 03 2005 Location: Olympus Mons Status: Offline Points: 15921 |
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I just received my Yes 'Heaven And Earth' 2LP Aqua colour. Shame I'm so lame I can't post pics, but let me tell you - it does look better than the quality of the music composed here. The sounds/production are pristine and do bring out a fine balance between all the performers, but after spinning this album twice in a row, I reached for Glass Hammer's only LP (so far) 'Perilous'. It was much better. I love Yes with all my heart, but this is sounding way too contrived. So far, I prefer the SQUACKETT album to H&E. I need to brainwash myself to like it more than I do......not even close, give me Fly From Here any day.
Edited by Tom Ozric - September 02 2014 at 00:54 |
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Catcher10
Forum Senior Member VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 17847 |
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You are resonating what most people say about the new album. There is a post in the new Prog Magazine about the album, essentially saying it is just to bland, a few bright spots but bland. I am happy with my digital download, if I see it in the used bins I would buy it...at a used price of course. |
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progbethyname
Forum Senior Member Joined: July 30 2012 Location: HiFi Headmania Status: Offline Points: 7849 |
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Goddamn Jośe. This is pretty sweet. What a sight. I got a nice copy of V via cd to pair with the almighty DAC. This album is wonderful. One of the Beard's best. Definitely has a leg up on Snow. Enjoy man. Looking good. |
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Gimmie my headphones now!!! 🎧🤣
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