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richardh View Drop Down
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Direct Link To This Post Posted: June 02 2014 at 09:27
Originally posted by ExittheLemming ExittheLemming wrote:

Originally posted by richardh richardh wrote:

Originally posted by HackettFan HackettFan wrote:

Originally posted by richardh richardh wrote:


The music was defined by the musicians and the musicians that they influenced that came later. The reason keyboards are so closely associated with prog is because it was an easy way to play expansive music in a live arena. You also had new unique sounds that a guitar could not produce. Remember Keith Emerson taking the back off the organ to get different sounds? That is the epitomy of progressive thinking in rock music. 
'Progressive rock' as we know it only existed when it was happening which was about 1969 to maybe 1972. I guess I can expect another lame response to that. After that it became 'prog'. Ian Anderson has talked about this so believe him if you don't want to believe me.


I think the idea that Progressive Rock was keyboard dominated is way overblown. Keith Emerson doing quite cruel things to his organ was easily matched by guitarists like Steve Hackett and Robert Fripp and others. The rise of interesting timbres came really with the increasing use of stompboxes. Guitarists were using them with their guitars. Keyboardists were using them with their organs. Synthesizers of course trickled in late in most cases past your 1972 date. There were bands with keyboardists and no guitarist, but there were bands with guitarists and no keyboardist (e.g. Jade Warrior). Much as I love Ian, I don't think a lot of his comments on Prog(ressive Rock) Tull's relationship to it are terribly cogent.

I wasn't going in the direction that progressive rock was just about keyboards but clearly the most successful bands of the time both creatively and commercially were keyboard dominated. It was only Rush much later that proved you could avoid keyboards to a large extent although even saying that 2112 would not be as good without Geddy's synths and this also very true of Moving Pictures and Permanent Waves. Fripp used the Mellotron extensively of course. Starless without keyboard? I think not!  I would go as far as to say that prog rock would not have anything like the same impact without the keyboard. That was the key instrumentSmile


I have to agree with Hackett fan here as notwithstanding the unresolvable debate about 'most creatively successful' etc we can at least concentrate on the Prog big boys: Floyd, Genesis, Yes, and King Crimson all used keyboards extensively but none of them in my view could be viewed as keyboard dominated bands. (Gilmour, Hackett, Howe and Fripp were demonstrably contrary in that regard)  The only remaining member of the biggies were ELP who were, by dint of comparison, almost an exclusively keyboard dominated band. It should also be borne in mind that three of these bands are unequivocally Symphonic Prog in orientation and no, texture does not dictate content but yeah, perhaps keyboards do hold sway in that sub genre but for the greater Prog realm that ain't necessarily so.

And again I wasn't saying that those bands were 'keyboard dominated'. Just some keyboards can have a much greater impact than a whole lot of guitar.
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Direct Link To This Post Posted: June 02 2014 at 13:01
Greenslade - Another VERY keyboard oriented prog band - two keyboardists in Dave Greenslade and Lawson....
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Direct Link To This Post Posted: June 03 2014 at 09:34
Originally posted by Progosopher Progosopher wrote:

Observations on this thread, for what they are worth: It is obvious there are many ways to approach Prog, and thus many ways to define exactly what it is. Each has its own merits and weaknesses. We will never arrive at a conclusion to this debate because we are trying to create an objective definition through subject means. This does not necessarily mean all will disagree or that there will be no common ground. I still support the admins approach of describing a variety of characteristics which apply to Prog and think that everyone involved with this thread should review those descriptions. These characteristics do not apply exclusively to Prog, though. Note that these derive from both general opinions and informed analysis.   

It was not at all my intention to start a debate with this thread, but I guess that happens when you pose a question like this. I guess what I was trying to ask was "what does prog mean to you?", but not "what does prog mean?". I know my definition includes some characteristics that aren't within the normal, accepted boundaries, but I see that even PA is expanding and broadening what gets included, like Swans. That indicates to me that the popular definition might be getting more similar to my own. 
I wonder if it would have devolved into a debate if I posed the question differently. If I asked: "what is your favorite non-prog music?" Some would mention their favorites and others would probably say "that IS prog!" Tongue
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Direct Link To This Post Posted: June 03 2014 at 09:56
Originally posted by -Radioswim- -Radioswim- wrote:

I could die happy, if not another thread was started about the 'definition of prog'. It's just a tired discussion. Just read the other dozens of threads that have already been beat'n to death, or even better bring them back from the dead! (please don't!)

Kill this thread, for the love of all things Zappa.

Since I started the thread, do I have that capability? It went in a very different direction than I wanted it to.  A lot of bickering going on. I simply wanted to find out about music that may have flown under my radar that appeals to prog fans that might not fit neatly into the classic definition of prog. I didn't get what I was looking for.
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Direct Link To This Post Posted: June 03 2014 at 12:39
Prog is like an "inner beauty contest". Everybody is encouraged to enter. But the winners are still the ones that tend to have it going on in the traditional sense. (analogy adapted from an "Arrested Development" quip)
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Direct Link To This Post Posted: June 03 2014 at 14:29
As an old school progger, that started out with King Crimson's ITCOCK in 1969, my definition of prog is pure musical innovation that was intrinsic to that era. Something new coming along all the time. That does not mean that innovative music, rock or other genres, is not being produced today. I am particularly impressed with the prog/tech metal band Cynic from Florida at the moment as they seem to be trying to break the boundaries of their genre. Now that's innovation!!
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Direct Link To This Post Posted: June 04 2014 at 08:29
Originally posted by Tapfret Tapfret wrote:

Prog is like an "inner beauty contest". Everybody is encouraged to enter. But the winners are still the ones that tend to have it going on in the traditional sense. (analogy adapted from an "Arrested Development" quip)


An inspired observation. It's that pesky swimwear section that always lets Prog down.
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Direct Link To This Post Posted: June 07 2014 at 02:12
In the late 60's / early 70's, rock was being fused with every other genre which resulted in the most innovative era of popular music. Progressive rock was it's fusion with classical music. If you include minimalism in 'classical' then you can include krautrock and post-rock, but personally I see cause for a distinction there. If you include too many disparate things under one header, it tends to muddle the meaning of it.
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Direct Link To This Post Posted: June 07 2014 at 13:36

Originally posted by Altairius Altairius wrote:


... If you include too many disparate things under one header, it tends to muddle the meaning of it.

And that's the new challenge for the future when it comes to determining a definition for various music's and styles. In the past, it was accepted that only one thing existed, and no one argues with the various periods of "classical music" at all.

Today, the media, has shown us that there is music everywhere, and it was likely to also exist 500 years ago, but there is/was no record of any of it. We do know that China and Japan have a rich musical history, but even for them, it is so strict and specific to one thing, that it is weird/hard to believe that a 1,000 years only has something like this in them!

Somewhere along the way, a lot of this will get dwindled down to something that makes sense. In general, for me, it was about stretching the "known" music's that are taught in schools and such. The compositional elements of those pieces are MASSIVE ... but our simplified, and individualized concepts of "solo" that both rock and jazz (and blues!) have defined, are the part that music was really missing before, as it seems to have been taken as a composed entity only.

Not many writers discuss the history of music and say something about the violin solo's, even in things like Violin Concerto's and the like, separated from the piece itself, and rock music has basically taken something that is more "individual" and not necessarily "composed" many times to give you something special that most of us love. One of the most famous duets in the history of rock music, was accidental, and not composed! And we love it, because it is magnificent.

In many ways, I always did not like some of the descriptions in the notes of so many classical music albums, this is a symphony about this and that and the passages are about this and that. Rock music, has replaced that with lyrics, which I tend to not enjoy as much since a whole lot of these lyrics are completely way off the music anyway! And some of them try to create a Hollywood "make-belief" kinda of thing with the words, which I, personally, do not enjoy at all. I will admit that cardboard pink and colored backgrounds are not my idea of fantasies and ideologies at all!

The known fact is that you and I won't be around to know what the result will be. For my part I consider a lot of the music/arts in the 1960's and 1970's the highest point of my generation, and as such I believe it is important, valid and quite on par with any artistic scene in the past 500/600 years.

I do know that some folks disagree, and they think it is just pop music. I think it is much more than that, and the fact that some things have survived almost 90 years already, thanks to film and other arts, is something to consider. Rock music, or jazz music is not likely to be forgotten, and will be considered more and more in music history. But, from a manuscript/score study, both of these pieces are likely to get dismissed as just pop music (as Dean suggests -- and I agree!), but I doubt that what it brought with it, which was the feeling and the emotion that was missing before, which we believed to be imaginary, is now right here ... in front of you ... and very valid.

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Direct Link To This Post Posted: June 07 2014 at 19:24
Originally posted by moshkito moshkito wrote:

  I think it is much more than that, and the fact that some things have survived almost 90 years already, thanks to film and other arts, is something to consider. Rock music, or jazz music is not likely to be forgotten, and will be considered more and more in music history.


Interesting point. It could be argued that what has been preserved for posterity in the arts goes some way towards being a measure of its value. Maybe the biggest difference in measuring value from the digital age onwards (circa '81) is that we no longer have to choose what survives i.e. via data storage mediums, we can immortalize the wheat and the chaff. Memory alone is the most precarious and unreliable quality control there is.
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Direct Link To This Post Posted: June 14 2014 at 10:00
My definition of progressive music is probably not unique. I will freely admit that so far I have not read every single reply in this thread. However, my personal definition is music that combines elements in an interesting way and has some complexity to it. That's why Eclectic Prog is probably my favorite category. I also don't care for bands that are heavily keyboard-dominated.
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Direct Link To This Post Posted: June 16 2014 at 10:38
Originally posted by richardh richardh wrote:

...
And again I wasn't saying that those bands were 'keyboard dominated'. Just some keyboards can have a much greater impact than a whole lot of guitar.
 
Although I think that the rock/jazz and most 20th century music will be defined by the recording and the electric guitar more than anything else.
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Direct Link To This Post Posted: June 16 2014 at 11:07
Originally posted by ExittheLemming ExittheLemming wrote:

Originally posted by moshkito moshkito wrote:

  I think it is much more than that, and the fact that some things have survived almost 90 years already, thanks to film and other arts, is something to consider. Rock music, or jazz music is not likely to be forgotten, and will be considered more and more in music history.


Interesting point. It could be argued that what has been preserved for posterity in the arts goes some way towards being a measure of its value. Maybe the biggest difference in measuring value from the digital age onwards (circa '81) is that we no longer have to choose what survives i.e. via data storage mediums, we can immortalize the wheat and the chaff. Memory alone is the most precarious and unreliable quality control there is.
 
Now you know, why I say that history is changing right before our eyes ... the visibility of many of these things, from wars, and this and that, will prevent a lot of history from being "hidden", and the future of it all is ahead of us (scary, ins't it?), and this is the reality that is really tough for all of us.
 
The fact that a "Guernica" is also a snapshot of what was happening in the streets of Madrid 80 years ago, is a perfect example of how the arts and the history are coming together, and in the end, "historians" will have no say or opinions, like these visuals will! And I think the music, just like anything else, will also add to it all. I always thought that "Foreign Son" (CCR) says it all ... and it was massive, because it made a country generation also realize that they were involved in all this, and so on. It never stops. It has always been there but Americana also hid Woody Guthrie best it could, right?
 
In many ways, this will hurt the design and promoting ability for the "progressive", and is one of the reasons why I would like to see our definition of the term be more inclusive to its influences other than just music itself, as a way to validate the art form and period in time. I believe in the "progressive" idea, and it is far more developed and got way bigger, than even the surrealistic thing did, but unfortunately my name is not Bretton or Bunuel or Dali and my manifesto is not heeded very well here. I do think that the totality of this, when put together will validate what we do a lot more than we think. And hopefully it won't be work wasted by all of us.


Edited by moshkito - June 16 2014 at 11:20
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Direct Link To This Post Posted: June 16 2014 at 11:13
Originally posted by moshkito moshkito wrote:

But, from a manuscript/score study, both of these pieces are likely to get dismissed as just pop music (as Dean suggests -- and I agree!), 
No I didn't. I never said that, nor did I ever infer it. 

If you cannot understand a single bloody word I say stop quoting made-up crap I never said. Better still, stop reading my posts, you clearly read into them things that simply are not there and that is an insult to me.
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Direct Link To This Post Posted: June 16 2014 at 11:30
Originally posted by Dean Dean wrote:

Originally posted by moshkito moshkito wrote:

But, from a manuscript/score study, both of these pieces are likely to get dismissed as just pop music (as Dean suggests -- and I agree!), 
No I didn't. I never said that, nor did I ever infer it. 

If you cannot understand a single bloody word I say stop quoting made-up crap I never said. Better still, stop reading my posts, you clearly read into them things that simply are not there and that is an insult to me.
 
I'm the one that has been trying to raise the profile of the music ... and you have, for a long time, and in many posts always disagreed with that idea, presumably because a lot of it is just pop music!
 
Music, like any art, pop or not (ie Warhol!), literature, all of it will be the history of the 20th century and the 21st century, and the books will all differ. No longer can an "elite" class define music, or you or I. It's all of us!!!! And I, may not like it, but I'm actually OK with it for once, even if a reaction to an autocratic concept.
 
The wording may not be exact, but the sentiment is correct.


Edited by moshkito - June 16 2014 at 11:40
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Direct Link To This Post Posted: June 16 2014 at 11:42
Originally posted by moshkito moshkito wrote:

Originally posted by Dean Dean wrote:

Originally posted by moshkito moshkito wrote:

But, from a manuscript/score study, both of these pieces are likely to get dismissed as just pop music (as Dean suggests -- and I agree!), 
No I didn't. I never said that, nor did I ever infer it. 

If you cannot understand a single bloody word I say stop quoting made-up crap I never said. Better still, stop reading my posts, you clearly read into them things that simply are not there and that is an insult to me.
 
I'm the one that has been trying to raise the profile of the music ... and you have, for a long time, and in many posts always trashed that idea, because in the end you did not think that pop music has little, if any value. The wording may not be exact, but the sentiment is correct.
Incorrect. That's what you want to think I said. It isn't what I said. To you pop music is a low-value word, to me it is not. Just because it is not high-art it does not mean it is worthless. Raising the profile of music by pretending it is something it is not is simply dumb.
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Direct Link To This Post Posted: June 16 2014 at 11:51
Originally posted by Dean Dean wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by Dean Dean wrote:

Originally posted by moshkito moshkito wrote:

But, from a manuscript/score study, both of these pieces are likely to get dismissed as just pop music (as Dean suggests -- and I agree!), 
No I didn't. I never said that, nor did I ever infer it. 

If you cannot understand a single bloody word I say stop quoting made-up crap I never said. Better still, stop reading my posts, you clearly read into them things that simply are not there and that is an insult to me.
 
I'm the one that has been trying to raise the profile of the music ... and you have, for a long time, and in many posts always trashed that idea, because in the end you did not think that pop music has little, if any value. The wording may not be exact, but the sentiment is correct.
Incorrect. That's what you want to think I said. It isn't what I said. To you pop music is a low-value word, to me it is not. Just because it is not high-art it does not mean it is worthless. Raising the profile of music by pretending it is something it is not is simply dumb.
 
Just like bringing it down is also dumb!
 
Warhol, for me, is no different than the Rolling Stones. It is what it is! It's pop! Becuase my preference is Amon Duul 2 does not mean that pop music is below it ... I just don't have as animated wording for them as I do AD2. It's not, EVER, meant to demean pop music, since that it the one thing that helped so much to bring music up from the old standards, going back to the Pirate Ships in your country playing Kinks, Beatles and Rolling Stones, when everyone else in business was saying it was garbage. "POP" music is a very important part of the birth of what we love so much!
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Direct Link To This Post Posted: June 16 2014 at 11:57
Originally posted by Dean Dean wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by Dean Dean wrote:

Originally posted by moshkito moshkito wrote:

But, from a manuscript/score study, both of these pieces are likely to get dismissed as just pop music (as Dean suggests -- and I agree!), 
No I didn't. I never said that, nor did I ever infer it. 

If you cannot understand a single bloody word I say stop quoting made-up crap I never said. Better still, stop reading my posts, you clearly read into them things that simply are not there and that is an insult to me.
 
I'm the one that has been trying to raise the profile of the music ... and you have, for a long time, and in many posts always trashed that idea, because in the end you did not think that pop music has little, if any value. The wording may not be exact, but the sentiment is correct.
Incorrect. That's what you want to think I said. It isn't what I said. To you pop music is a low-value word, to me it is not. Just because it is not high-art it does not mean it is worthless. Raising the profile of music by pretending it is something it is not is simply dumb.

Of course Pop can be high-art as same as any other genre as well. For example, Mr Bowie did do a lot of Pop albums who are high-art without a question.


Edited by Svetonio - June 16 2014 at 11:57
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Direct Link To This Post Posted: June 16 2014 at 12:03
Originally posted by moshkito moshkito wrote:

Originally posted by Dean Dean wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by Dean Dean wrote:

Originally posted by moshkito moshkito wrote:

But, from a manuscript/score study, both of these pieces are likely to get dismissed as just pop music (as Dean suggests -- and I agree!), 
No I didn't. I never said that, nor did I ever infer it. 

If you cannot understand a single bloody word I say stop quoting made-up crap I never said. Better still, stop reading my posts, you clearly read into them things that simply are not there and that is an insult to me.
 
I'm the one that has been trying to raise the profile of the music ... and you have, for a long time, and in many posts always trashed that idea, because in the end you did not think that pop music has little, if any value. The wording may not be exact, but the sentiment is correct.
Incorrect. That's what you want to think I said. It isn't what I said. To you pop music is a low-value word, to me it is not. Just because it is not high-art it does not mean it is worthless. Raising the profile of music by pretending it is something it is not is simply dumb.
 
Just like bringing it down is also dumb!
 
Warhol, for me, is no different than the Rolling Stones. It is what it is! It's pop! Becuase my preference is Amon Duul 2 does not mean that pop music is below it ... I just don't have as animated wording for them as I do AD2. It's not, EVER, meant to demean pop music, since that it the one thing that helped so much to bring music up from the old standards, going back to the Pirate Ships in your country playing Kinks, Beatles and Rolling Stones, when everyone else in business was saying it was garbage. "POP" music is a very important part of the birth of what we love so much!
No one is bringing it down. But now you are contradicting yourself: you cannot see [rock and/or jazz] music "dismissed as pop" without demeaning the value of pop music.
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Direct Link To This Post Posted: June 16 2014 at 12:08
Originally posted by Svetonio Svetonio wrote:

Originally posted by Dean Dean wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by Dean Dean wrote:

Originally posted by moshkito moshkito wrote:

But, from a manuscript/score study, both of these pieces are likely to get dismissed as just pop music (as Dean suggests -- and I agree!), 
No I didn't. I never said that, nor did I ever infer it. 

If you cannot understand a single bloody word I say stop quoting made-up crap I never said. Better still, stop reading my posts, you clearly read into them things that simply are not there and that is an insult to me.
 
I'm the one that has been trying to raise the profile of the music ... and you have, for a long time, and in many posts always trashed that idea, because in the end you did not think that pop music has little, if any value. The wording may not be exact, but the sentiment is correct.
Incorrect. That's what you want to think I said. It isn't what I said. To you pop music is a low-value word, to me it is not. Just because it is not high-art it does not mean it is worthless. Raising the profile of music by pretending it is something it is not is simply dumb.

Of course Pop can be high-art as same as any other genre as well. For example, Mr Bowie did do a lot of Pop albums who are high-art without a question.
Not the "text-book" definition of high-art, but nice try. Bowie is art, art rock and art pop, but he is not high-art or art music. These words and noun-phrases are not interchangeable and you cannot throw them around with gay abandon or without regard. If you start doing that then the language we used to describe music becomes meaningless. (It's fast becoming meaningless as it is, let us not help it along its way to utter gibberish too quickly)
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