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Topic ClosedWhat was it like in the 60's and 70's?

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presdoug View Drop Down
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Direct Link To This Post Posted: October 12 2013 at 20:36
Originally posted by moshkito moshkito wrote:

Originally posted by presdoug presdoug wrote:

^I have known demonic people in my own life, and the saying "Hell exists in the form of people you meet" is a true one.
               When i say demonic, i don't mean members of a satanic cult, but sickening, nonetheless. People that use violence and intimidation as a way of maintaining control over someone.
              
 
"Far worse things, await men, than death!" Count Dracula in the original film with Bela Lugosi
 
I'm also thinking that the discussion on the __________ and the __________ does not belong here. There were a lot of great things in terms of the arts that were far more valuable, in my estimation.
 
It also left behind a much greater history and story is in the arts ... and I always thought that this title and discussion is far more interesting in that area. I will never deny, or think that bad things, or different things didn't happen at all, btw!
 
But I find that getting beat up by some cops in Chicago, was far worse than some of these sad stories. Or being frisked during Kent State by the National Guard in Madison, on your way to work, when you are a sensible teenager and affected by your environment!
I remember hearing that Abbie Hoffman said in an interview years later that as an activist he had to endure having his nose broken about a dozen times.Ouch Boy, violence is not fun.
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Direct Link To This Post Posted: October 12 2013 at 21:21
be jealous....we thrived in the 60'sHug
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Direct Link To This Post Posted: October 13 2013 at 22:03

Moshkito said...."There were a lot of great things in terms of the arts that were far more valuable, In my estimation." I definitely agree with that, but I personally avoided joining in with the drug culture. Not being a member, I pretended I was high to fit in. There was pressure to indulge, it was vast during that time, many casualties, and  other end results to face. It was eaten alive by the media, it was commercialized and everybody (vast), wanted to be in with the "in crowd". Then there was the term "freak". In 1970..lots of kids copped the term "freak" and took on a personality that wasn't real..but invented somehow. They actually imitated the characteristics of what everyone was defining to be a freak. Reserved and eccentric behaviour was suppose to make them cool. Influences like that in the early 70's were not healthy and created breathtaking situations. Every teenager appeared conspicuous if their hair was long and especially if they wore an army jacket with jeans. We still had Richard Nixon to deal with and Watergate was just on the horizon. Many of my friends feared their lives would be cut short during the on going draft.

 
In the early 70's..You were surrounded by great music! The first week Jethro Tull's Aqualung was released, friends gathered together..listening to the album, passing the cover around, and discussing the music and lyrics. This is basically what occured 24/7 with most kids. It was a "sit down". Gather around the banquet table for hours listening to albums. It was a fine experience listening to many people's opinions on songwriting. Friends would often discuss concept albums like fanatics and it opened your mind giving you more awareness. No internet. Just people in their artificial flesh garments educating you. That was a very interesting way of listening to music. I gather that other generations of Prog fanatics continue indulging that way with friends, but unlike the early 70's environment , it has decreased in numbers and become the "old school" method/style of living your life. That took away from the original vastness of it and technology has substituted the experience by creating easy street for the music listener living the modern fast pace life. So..it's easy to understand why it no longer exists on a vast level.
 
 
In 71' and 72' a theatre opened in Vineland N.J. called "The Place In the Sun". This theatre booked acts from the 60's and it was owned by the original drummer of "The 4 Seasons" ..yuk!..however, interestingly enough some of the bands who had once performed at the "Fillmore East" were now performing at "The Place In the Sun". The county tried their best to dispose of him. Landis avenue attracted crowds of hippies and there were local musicians jamming , arts and crafts etc....  The youth were divided into groups and catagorized with a name. If you drove a fast car and greased your hair back with Brylcreem..you were called a "Greaser". If you grew your hair long and wore jeans...you were called a hippie or freak. If you kept your hair short and dressed in bright clothes with checkered pants, you were considered a nerd. If you were none of the above, you were screwed and had to pretend sometimes to be 1 of them just to be accepted. I had long hair and was expected to join in with what I thought of as trappings. I was loved because I played guitar in bands, but I was hated because I wouldn't party and enter "la-la land. I was in my own world or my own la-la land , but pressurized to be someone else because of the times I was living in. Typical peer pressure...but remember it was the 70's and if the environment didn't agree with you...you became an outcast socially. Even though your band was asked to play a private party, you were treated like a misfit if you didn't join in. They might think of you as a Woody Allen type who sneezed and blew all the cocaine laid out on the table into the air.
 
 
I was mystified by aspects of the Roman Polanski film Rosemary's Baby. I noticed that he displayed certain characters in the elderly witches coven in a total realistic way. Ruth Gordon and the others played characters who were friendly, nosey, and devious. It's hard to believe that in 1966..Polanski had researched these characteristics of wise old cult members. I tend to believe he may have had hands on experiences with sadistic people. I mean...it was too good to be true. It wasn't a pattern realized by the average person living in the 60's, but trust me Polanski was dead on with his concept.  I disliked the closing of the film and found it to be moronic. It was comical to think that anyone in the world could be that delusional and believe in the supernatural. People were vunerable and cult members were cunning....just as Polanski had represented in his film. Think about this for a moment. What would you have said to 1 of your friends if they asked you to help them die? That friend would have to be very persuasive because they often  got their wish and after...their friends walked away from it like nothing ever happened. Do you think you could talk your friends into believing in something supernatural? really? 
 
 
The ability to be a decent musician, but the inability to function socially with a 70's crowd caused more heartache for others in my life than myself actually...which tells me that people , in general....having a reaction of frustration over my inability to join in are and were... part of a plan put in motion. An agreement for everyone to like the same thing. To be part of a scene was to participate entirely.
 
 
 
 


Edited by TODDLER - October 13 2013 at 22:15
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Direct Link To This Post Posted: October 16 2013 at 18:05
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Originally posted by TODDLER TODDLER wrote:

... In the early 70's..You were surrounded by great music! The first week Jethro Tull's Aqualung was released, friends gathered together..listening to the album, passing the cover around, and discussing the music and lyrics. This is basically what occured 24/7 with most kids. It was a "sit down". Gather around the banquet table for hours listening to albums.... 

This had started much earlier for me, with Woodstock, the Doors, Creedence (Foreign Son!), and Janis and Jimi. Even The Beatles earlier.

Actually, even Fairport Convention!

Originally posted by TODDLER TODDLER wrote:

...

That was a very interesting way of listening to music. I gather that other generations of Prog fanatics continue indulging that way with friends, but unlike the early 70's environment , it has decreased in numbers and become the "old school" method/style of living your life. That took away from the original vastness of it and technology has substituted the experience by creating easy street for the music listener living the modern fast pace life. So..it's easy to understand why it no longer exists on a vast level.

 ...

This deserves to be a media study!

And it is what I look at this board for, except that I always end up feeling like I have to wait until all the boys and gilrs have to go to bed from talking about their favorites!

Our discussion in those days was different. although i find it hard to believe that kids today are not intelligent and capable, but they certainly are much more hit/media oriented than otherwise and seriously stoned on top ten andtop numbers! 

It was similar then when my friend had to put up with the same thing at the station. It was just in a different spot or hour of the day!

Originally posted by TODDLER TODDLER wrote:

...
I was mystified by aspects of the Roman Polanski film Rosemary's Baby. I noticed that he displayed certain characters in the elderly witches coven in a total realistic way. 
...

You need to see a film called "Visions of Light" about cinematographers. You will understand Polanski much better then, although I do not think that the acting is anywhere like you mention. The came ra movements are totally different depending on the person! AND, of course, the one biggie ... which should really tell you a lot more about the whole thing than otherwise!


Edited by moshkito - October 16 2013 at 18:10
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Direct Link To This Post Posted: October 17 2013 at 11:41
Originally posted by moshkito moshkito wrote:

Originally posted by TODDLER TODDLER wrote:

... In the early 70's..You were surrounded by great music! The first week Jethro Tull's Aqualung was released, friends gathered together..listening to the album, passing the cover around, and discussing the music and lyrics. This is basically what occured 24/7 with most kids. It was a "sit down". Gather around the banquet table for hours listening to albums.... 

This had started much earlier for me, with Woodstock, the Doors, Creedence (Foreign Son!), and Janis and Jimi. Even The Beatles earlier.

Actually, even Fairport Convention!

My first experience of this was sitting with friends in 1970, Beatles albums spread all over the table in front of us while I showed everyone the Paul is Dead clues Wink

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Direct Link To This Post Posted: October 17 2013 at 12:09
Originally posted by The.Crimson.King The.Crimson.King wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by TODDLER TODDLER wrote:

... In the early 70's..You were surrounded by great music! The first week Jethro Tull's Aqualung was released, friends gathered together..listening to the album, passing the cover around, and discussing the music and lyrics. This is basically what occured 24/7 with most kids. It was a "sit down". Gather around the banquet table for hours listening to albums.... 

This had started much earlier for me, with Woodstock, the Doors, Creedence (Foreign Son!), and Janis and Jimi. Even The Beatles earlier.

Actually, even Fairport Convention!

My first experience of this was sitting with friends in 1970, Beatles albums spread all over the table in front of us while I showed everyone the Paul is Dead clues Wink

Another conspiracy of the 60's.
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Direct Link To This Post Posted: October 17 2013 at 12:29
I often have issues with sceptics who disregard my experiences as tall tales. Either you crossed paths with sadistic morons who wore black cloaks or you didn't...but that's absolutely no reason to insist they don't exist. I've told you this before...if you're jumped and tortured by black hoodies , are you suddenly suppose to believe you weren't because of some close minded person's view? Because so called victims are filmed , make up stories that are  placed on youtube by money hungry shallow people, does that mean there are no victims of S.R.A.?....hERE'S a good one for ya: "Well, if this really happened to you,  you wouldn't be talking about it. Bullsh-t! Everyone involved is either deceased or locked up in a mental ward, so what difference does it make? It's 40 or 45 years old. It occured during the 60's and 70's. What's the big secret? Who cares? It's just observation of the environment back then. Maybe there are victims on this site who care to elaborate on their experiences or maybe there are none at all  which...is probably why it seems so farce to a majority of people anyway.
 
There is a film of The Rolling Stones from the 60's where they are performing "Have You Seen Your Mother Baby, Standing In the Shadow?" At the end , people rush the stage slamming into Jagger....Brian Jones places his hands over his mouth and begins to chuckle as he's being escorted away by a stage hand. That is one of the most hilarious scenes from a 60's concert film ever. It is so natural how he stands there and laughs at Jagger, I almost fall off my chair. I love watching 60's concert footage. It's very unique. 
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Direct Link To This Post Posted: October 17 2013 at 12:56
Originally posted by TODDLER TODDLER wrote:

Originally posted by Prog_Traveller Prog_Traveller wrote:

I was born in 70 so I'm a bit too young to talk about this from a first hand experience. Just about the only rock I knew about in the seventies was Peter Frampton, The Beatles and Elton John. LOL. Also, whatever else was on the radio or my parents played which wasn't a lot. My dad was mostly into jazz.

As far as prog goes there wasn't much of it in the sixties despite what people say. True, I wasn't there but it's just a feeling I have. At least in the US I don't think there was any real prog scene in the sixties especially since the album that people say started prog(or at least made people notice it in a major way)was released in October 1969.
It was widely known to be "Art Rock" in the 60's. The Moody Blues, Family, Procol Harum, The Nice..but it hadn't developed into that definition people later knew as Prog. It wasn't really a Prog scene. It was just about people listening to Art Rock. The Jefferson Airplane released Crown of Creation which featured the song "Lather" . The song creates an atmosphere/style of Syd Barrett's writing. Piper At the Gates of Dawn influenced bands to write differently and some of the ideas for that album were expanded upon in the progressive rock music of the 70's. The Moody Blues influenced Barclay James Harvest and Family influenced Genesis. The ideas and the sounds were later transformed into more complex ..progressive composition.


I see what you're saying. I have heard that the Moody Blues also influenced King Crimson. As for Genesis I think heard that Family and Fairport Convention were influences on them but their biggest influence was probably King Crimson. Apparently Genesis were on the verge of breaking up in the summer of 1969. They decided to retreat to a cottage before they made that decision just to see what would happen. Then bam all of a sudden "In the Court of the Crimson King" was released and it fired them up and motivated them to move on and the result was Trespass. Would Genesis have been as prog without that album? Who knows for sure. Was there prog before ITCOTCK? Well the term often used is "proto prog" which describes some of the bands you mentioned as well as the many English groups such as Cressida, Spring, Beggar's Opera, Gracious etc. There was also a band from the US called Touch who put out an album before KC's first that many feel strongly hinted at prog with long epic songs. Apparently most of the shorter pieces are more in the psych direction though. Crimson's first was certainly the band that officially started the prog genre though in part because it got a lot of attention. Prog wouldn't be the same without it. Before them the Nice might be the closest contender to a real prog band (imo).

Art rock is a good term to use. However, a band can be art rock and not prog but since art rock is a more general term all prog is art rock. I think for the sixties "proto prog" is a more applicable term though especially since art rock has come to be known for 70's bands like Bebop Deluxe, 10 CC, Supertramp, and some of the artists associated with glam like David Bowie or Roxy Music.


Edited by Prog_Traveller - October 17 2013 at 13:04
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Direct Link To This Post Posted: October 17 2013 at 13:11
Originally posted by Prog_Traveller Prog_Traveller wrote:

Originally posted by TODDLER TODDLER wrote:

Originally posted by Prog_Traveller Prog_Traveller wrote:

I was born in 70 so I'm a bit too young to talk about this from a first hand experience. Just about the only rock I knew about in the seventies was Peter Frampton, The Beatles and Elton John. LOL. Also, whatever else was on the radio or my parents played which wasn't a lot. My dad was mostly into jazz.

As far as prog goes there wasn't much of it in the sixties despite what people say. True, I wasn't there but it's just a feeling I have. At least in the US I don't think there was any real prog scene in the sixties especially since the album that people say started prog(or at least made people notice it in a major way)was released in October 1969.
It was widely known to be "Art Rock" in the 60's. The Moody Blues, Family, Procol Harum, The Nice..but it hadn't developed into that definition people later knew as Prog. It wasn't really a Prog scene. It was just about people listening to Art Rock. The Jefferson Airplane released Crown of Creation which featured the song "Lather" . The song creates an atmosphere/style of Syd Barrett's writing. Piper At the Gates of Dawn influenced bands to write differently and some of the ideas for that album were expanded upon in the progressive rock music of the 70's. The Moody Blues influenced Barclay James Harvest and Family influenced Genesis. The ideas and the sounds were later transformed into more complex ..progressive composition.


I see what you're saying. I have heard that the Moody Blues also influenced King Crimson. As for Genesis I think heard that Family and Fairport Convention were influences on them but their biggest influence was probably King Crimson. Apparently Genesis were on the verge of breaking up in the summer of 1969. They decided to retreat to a cottage before they made that decision just to see what would happen. Then bam all of a sudden "In the Court of the Crimson King" was released and it fired them up and motivated them to move on and the result was Trespass. Would Genesis have been as prog without that album? Who knows for sure. Was there prog before ITCOTCK? Well the term often used is "proto prog" which describes some of the bands you mentioned as well as the many English groups such as Cressida, Spring, Beggar's Opera, Gracious etc. There was also a band from the US called Touch who put out an album before KC's first that many feel strongly hinted at prog with long epic songs. Apparently most of the shorter pieces are more in the psych direction though. Crimson's first was certainly the band that officially started the prog genre though in part because it got a lot of attention. Prog wouldn't be the same without it. Before them the Nice might be the closest contender to a real prog band (imo).

Art rock is a good term to use. However, a band can be art rock and not prog but since art rock is a more general term all prog is art rock. I think for the sixties "proto prog" is a more applicable term though especially since art rock has come to be known for 70's bands like Bebop Deluxe, 10 CC, Supertramp, and some of the artists associated with glam like David Bowie or Roxy Music.
Interesting post!
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Direct Link To This Post Posted: October 17 2013 at 13:44
Interesting how the band Family were touring in the late 60's prior to the 1968 release of Music In A Doll's House because that opens up a whole new point of view. Take into account that if they were in fact performing a lot of their oddball compositions in 66' and 67',  then it's very possible they may have influenced musicians in the audience who formed Progressive Rock bands in 69' or 70' that became more internationally known than Family. The opening track of Music In A Doll's House is an obvious Genesis sound and style. One track in particular titled "Never Like This" written by Dave Mason is truly reminiscent of the early David Bowie. Other tracks are reminiscent of sections of music on Nursery Crime. There is another track which I fail to recall it's title, but it features violin surrounded by a vamping chord progression very reminiscent of Hawkwind's early style. It might be a freak of nature or something unexplainable, but the album certainly contains musical structures used by the early 70's Progressive Rock bands. Peter Gabriel was influenced by Roger Chapman vocal style...however the instrumentation like the style of the early Genesis. I've always been curious to know if any of the 70's Prog musicians openly admitted that Family were an influence or was this all very non intended?

Edited by TODDLER - October 17 2013 at 13:46
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Direct Link To This Post Posted: October 17 2013 at 13:45
Not as interesting as yours. ;)
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Direct Link To This Post Posted: October 17 2013 at 13:54
I am familiar with the first two Family albums which I think are both great especially "Music from a doll's house" which I consider to be a true classic. I'm not sure which song on that album you were referring to unless maybe it's the one with the screechy sound towards the end. I always thought that was a bit annoying but it doesn't really ruin the album for me.

Anyway, I think Family were mainly a British phenomena. They are even to this day barely known in the US and not even that widely known in prog circles. I think of them more as an art rock band(or proto prog) but like the Moody Blues they had an influence on later prog bands. How big was their influence? It's hard to say. I know that Jon Anderson mentioned them as a band that YES strived to become(as well as King Crimson). Jon said something like "as long as we can become as well known as Family we'll be happy(in regards to the early days of YES).

Let's also not forget to mention Frank Zappa and the Mothers of Invention. Some of that stuff was ahead of the curve and pretty daring musically and lyrically. I know Frank isn't often thought of as being strictly prog and in all fairness he wasn't(he was more than that)but a lot of his stuff(with and without MOI)was certainly very progressive.


Edited by Prog_Traveller - October 17 2013 at 13:55
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Direct Link To This Post Posted: October 17 2013 at 17:36
Originally posted by Prog_Traveller Prog_Traveller wrote:

I am familiar with the first two Family albums which I think are both great especially "Music from a doll's house" which I consider to be a true classic. I'm not sure which song on that album you were referring to unless maybe it's the one with the screechy sound towards the end. I always thought that was a bit annoying but it doesn't really ruin the album for me.

Anyway, I think Family were mainly a British phenomena. They are even to this day barely known in the US and not even that widely known in prog circles. I think of them more as an art rock band(or proto prog) but like the Moody Blues they had an influence on later prog bands. How big was their influence? It's hard to say. I know that Jon Anderson mentioned them as a band that YES strived to become(as well as King Crimson). Jon said something like "as long as we can become as well known as Family we'll be happy(in regards to the early days of YES).

Let's also not forget to mention Frank Zappa and the Mothers of Invention. Some of that stuff was ahead of the curve and pretty daring musically and lyrically. I know Frank isn't often thought of as being strictly prog and in all fairness he wasn't(he was more than that)but a lot of his stuff(with and without MOI)was certainly very progressive.
Very informative! I wasn't aware of Jon Anderson's statements. I know Ian Anderson credited Family as a influence over the music of Jethro Tull. Frank Zappa was/is like a musical God to me. I probably own close to 70 Zappa cd's and I am a fanatic.
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Direct Link To This Post Posted: October 17 2013 at 17:42
Originally posted by The.Crimson.King The.Crimson.King wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by TODDLER TODDLER wrote:

... In the early 70's..You were surrounded by great music! The first week Jethro Tull's Aqualung was released, friends gathered together..listening to the album, passing the cover around, and discussing the music and lyrics. This is basically what occured 24/7 with most kids. It was a "sit down". Gather around the banquet table for hours listening to albums.... 

This had started much earlier for me, with Woodstock, the Doors, Creedence (Foreign Son!), and Janis and Jimi. Even The Beatles earlier.

Actually, even Fairport Convention!

My first experience of this was sitting with friends in 1970, Beatles albums spread all over the table in front of us while I showed everyone the Paul is Dead clues Wink

I remember someone pulling out the poster inside the White Album and pointing out a photo of a guy that looked  like Paul, but according to friends wasn't..and a replacement for Paul. lol! This was a rumour spreading up and down the east coast of the U.S.  I don't know if it was a rumour that went cross country, but it surely seemed quite foolish at the time.
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Direct Link To This Post Posted: October 17 2013 at 19:25
In the 70's it was difficult to obtain import albums. Even though ..you might take a trip to Philadelphia to browse through sections of Third Street Jazz & Rock for a Guru, Guru, or David Bedford album, it was a free for all and a contest of who got there first. Record stores in Philadelphia and N.Y.C. didn't usually carry more than 2 or 3 copies of the specific album of your choice. There would definitely be a section for bands like Camel, Gong, Passport, Jade Warrior, but the title you were searching for was sold out. DJ's would often buy them in the morning when the store opened and then later play them on after hours Progressive Rock stations like WXPN for example.
 
My solution was to contact Jem Records on Kennedy Blvd in North and South Plainfield N.J. It was a mail order distribution company that specialized in European underground Progressive Rock. It was a warehouse often visited by record store owners on the east coast. The first time I saw Lotus by Santana it was a Japanese import sold by Jem Records. Guru, Guru albums, Can, Man, Hawkwind, Robert Calvert, Amon Dull II, Ashra Tempel, Eloy and page after page of the Jem Records catalog listed just loads of bands/artists. Jem Records was originally pioneered by a chap named Marty who began his business by selling the import albums out of the back of his station wagon. On the west coast was Greenworld. Greenworld sold Progressive Rock and Electronic. Archie Patterson was one of the great pioneers who promoted this music and made every solid attempt for it to be readily available to Prog and Electronic fans of the world. He also interviewed Prog innovators, obscure Prog bands and Electronic artists of the day. His magazine Eurock was exceptionally interesting.
 
Andy Garbaldi wrote reviews on underground music and promoted Prog and Electronic for years. He forced vital information to surface for poor souls like us who had Stadium Rock and Disco in our face 24/7. Locating Progressive music of the underground during the 70's was a tedious task that was grinding endlessly to complete. Domestic releases of the more internationally known Progressive Rock bands were easily obtainable..but imports were another story. Can you imagine? no internet? ..and these guys practically gave up their life to push this music and make it available in America. In 1980..Wayside Music surfaced with a catalog listing bands from Belgium, France, and surprisingly enough...the U.S.   Great bands from Mexico...where there was a progressive music scene. Sometimes you could locate their mail order address in the back of Goldmine magazine. It was a blessing that these guys helped us find great music during the analog age. If it hadn't been for the existence of Jem Records, I wouldn't have discovered Hatfield and the North, National Health, Robert Wyatt, or Camel. In the 70's ..research sources were limited to a telephone and a hand written or typed letter sent off to Brian Gatland in England. Time consuming. 
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Direct Link To This Post Posted: October 17 2013 at 19:55
Originally posted by TODDLER TODDLER wrote:

Originally posted by The.Crimson.King The.Crimson.King wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by TODDLER TODDLER wrote:

... In the early 70's..You were surrounded by great music! The first week Jethro Tull's Aqualung was released, friends gathered together..listening to the album, passing the cover around, and discussing the music and lyrics. This is basically what occured 24/7 with most kids. It was a "sit down". Gather around the banquet table for hours listening to albums.... 

This had started much earlier for me, with Woodstock, the Doors, Creedence (Foreign Son!), and Janis and Jimi. Even The Beatles earlier.

Actually, even Fairport Convention!

My first experience of this was sitting with friends in 1970, Beatles albums spread all over the table in front of us while I showed everyone the Paul is Dead clues Wink

I remember someone pulling out the poster inside the White Album and pointing out a photo of a guy that looked  like Paul, but according to friends wasn't..and a replacement for Paul. lol! This was a rumour spreading up and down the east coast of the U.S.  I don't know if it was a rumour that went cross country, but it surely seemed quite foolish at the time.

Ya, this was supposedly one William Campbell who had won a Paul look-alike contest in '65.  The short version is that Paul "blew his mind out in a car" crash on 11/9/66 and rather than fold up shop and lose billions of pounds, the record company and the boys conspired to bring in a replacement.  

Have a look at this and join in the fun Evil Smile

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Direct Link To This Post Posted: October 17 2013 at 21:40
^hey, Johnny, have you ever heard the seventies jazz-rock/krautrock band Dzyan? They are outasite!
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Direct Link To This Post Posted: October 18 2013 at 00:53
[Progressive Rock stations like WXPN for example.]

XPN a progressive rock station? LOL Hey, that's a good one. Back in the day they had a prog program called diaspera but I don't think it was ever a progressive rock station at least not the way we understand prog rock these days. Maybe it was a progressive station that played rock. These days they throw us prog fans a bone on the first weekend of the new year with a prog marathon but that's about it. It's the only time during the year you'll hear "obscure" prog bands on there like Van der Graaf Generator, Caravan, Gentle Giant, Camel, Strawbs or whoever but it's only seventies stuff they play.


Edited by Prog_Traveller - October 18 2013 at 00:53
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Direct Link To This Post Posted: October 18 2013 at 04:37
Originally posted by TODDLER TODDLER wrote:

I often have issues with sceptics who disregard my experiences as tall tales. Either you crossed paths with sadistic morons who wore black cloaks or you didn't...but that's absolutely no reason to insist they don't exist. I've told you this before...if you're jumped and tortured by black hoodies , are you suddenly suppose to believe you weren't because of some close minded person's view? Because so called victims are filmed , make up stories that are  placed on youtube by money hungry shallow people, does that mean there are no victims of S.R.A.?....hERE'S a good one for ya: "Well, if this really happened to you,  you wouldn't be talking about it. Bullsh-t! Everyone involved is either deceased or locked up in a mental ward, so what difference does it make? It's 40 or 45 years old. It occured during the 60's and 70's. What's the big secret? Who cares? It's just observation of the environment back then. Maybe there are victims on this site who care to elaborate on their experiences or maybe there are none at all  which...is probably why it seems so farce to a majority of people anyway.
Any sceptic who disregards the experiences you relate as tall-tales would be wrong because the events you have described most certainly happened: Patrick Michael Newell, the kid who was bound with duct tape and drowned in a pond by two of his friends in 1971 really did drown in a pond in what was described at the time as "an assisted suicide" and as "a Satanic Ritual". That's evidence and a sceptic would never disregard evidence. That Newell dabbled in the occult is also considered to be evidence and no sceptic would dispute that. Where sceptics draw the line is in any conclusions drawn from that event that are not evidence-based, such as the connecting of unrelated events as being symptomatic of a wider conspiracy (née secret) of systematic (satanic) ritual abuse. Sceptics also question the belief that these events are the work of a devil, demon or any other supernatural phenomenon (such as demonic possesion) since that also lacks any evidence - sadistic morons in black cloaks are sadistic morons in black cloaks - in true Scooby Doo fashion, the only factual evidence is they are the janitor or the park-keeper or a local business man in fancy dress. That does not make them any less sadistic (or moronic).
 
What?
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Direct Link To This Post Posted: October 18 2013 at 06:58
Originally posted by Prog_Traveller Prog_Traveller wrote:

[Progressive Rock stations like WXPN for example.]

XPN a progressive rock station? LOL Hey, that's a good one. Back in the day they had a prog program called diaspera but I don't think it was ever a progressive rock station at least not the way we understand prog rock these days. Maybe it was a progressive station that played rock. These days they throw us prog fans a bone on the first weekend of the new year with a prog marathon but that's about it. It's the only time during the year you'll hear "obscure" prog bands on there like Van der Graaf Generator, Caravan, Gentle Giant, Camel, Strawbs or whoever but it's only seventies stuff they play.
 

 
Here is a list of bands played regularly on the old Diaspera show.

Univers Zero
Art Zoyd
Van Der Graff Generator
Jade Warrior
Camel
Omega
King Crimson
Rare Bird
Curved Air
Happy the Man
Nektar
Guru, Guru
Amon Dull II
Can
Hawkwind
The Residents
Triumvirat
Pulsar
Ange
Goblin
PFM
.............and defintely more that I can't recall. WXPN plays tape recordings of the old shows on the weekend, possibly once a month. I actually called the station asking if they intended on playing Prog Rock/Space Rock/Chamber Rock on a regular basis and the DJ laughed saying...."Oh no, this is just once a month that we play the tapes of the old Diaspera show". I then said...maybe you should play this type of music more often, like you used to in the 70's and early 80's. He then stated...."Buddy , people don't listen to this kind of music anymore!" "It's dated and people don't want to hear it!". I said...."Dated? Univers Zero is dated?" "I though that was timeless music or music of the future?"
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