Japanese Progressive Rock presented by DamoX |
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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Thanks all progressive rock freaks, especially Michael (Aussie-Byrd-Brother) for appreciating a promising Japanese progressive rock unit STELLA LEE JONES! Stella Lee Jones
A Floating Place (2011) - STELLA LEE JONES’ debut album A Japanese rock septet STELLA LEE JONES founded Satoshi HIRATA as a frontman / guitarist / composer have released a superb debut album "A Floating Place" in late 2011. Based upon jazz rock, experimental, and artistic music, they played complex music structure sometimes with mysterious atmosphere, sometimes with pungent rhythm lines, and sometimes with heartwarming story telling. Guess their musical fundamentals have got formed mainly with 70s British progressive rock, but around them is not only the scene but also various essence and innovation that he's got from his rock experience especially on stage. Although this album has no attraction as a unified complete fairy tale, each tune has well-constructed structure with magnificent battles amongst all instruments and three rhythm creators get crystallized perfectly. And amazingly, regardless of polyrhythmic, complex and bizarre melody / rhythm lines, their play battle sounds tremendously matured and intriguingly intersected without any annoyance ... this sound phenomena remind me their shoegaze pattern with playing a lone hand, and cannot let me feel sentimental journey enough for my palpitation. Suppose it’s great for us to enjoy their playing on stage as the audience, but I cannot help feeling a bit regret this album doesn't have dramatic appearance but completely harmonized sessions with splendid skills, all of which should make me look forward to their newer creation. A great debut shot, nonetheless. Thank you for reading this blog.
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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Hi there, and sorry for my belated "A happy new progressive year"!
I've listened to an EP "MelloW" released last autumn, by a Japanese "promising" rock combo The BROWN. They, founded a decade ago, have been pretty active around Osaka Japan, and fantastically gigged with Djamra in Nov. 2013. Sadly I could not attend this gig but Masaharu (Djamra) has let me know their info and recommended their EP. Thanks Masaharu! the brown ... an Osakan superb rock combo Another 'eavy fanaticism has come ... I'm sure you can really understand my pleasure. "MelloW", released in October 2013, is the newest EP of The BROWN, a Japanese rock quartet founded by Saitoh.N (drums, percussion), Takanori.Y (bass), eye (voices), and Atari.K (guitar) in 2003. They played with Djamra on stage in Nakatsu Vi-Code last autumn, and it's a pity I could not attend this fantastic gig battle, let me say. MelloW (2013) - The BROWN At a first listening, fuzzy psychedelic guitar lightning splits our neuron. Eye's keen, clear but flexible voices dance around an alternative sound turf based upon heavy, eccentric riffs created by a deep rhythm party. Their phantasmagoric beat sounds mystic and natural, that can invade our inner mind smoothly. Hot, bloody and scarlet indeed. Whilst this beginning "Modern Play" should be only one of their multiple appearances ... can realize just when we listen to the following track "Mori Ni Hisomu (hidden in a deep forest)". As heavy, sharp-edged as the previous one but more dramatic and more enthusiastic. The melody line is pop and easily digestive but at the same time leaning toward hardcore fuzz buzz. Powerful but a bit gracious chorus knocks us easily ... exactly reminds us something like Rush / Geddy's virtuoso falsetto (sorry eye is a cute lady though). Followed by another mystery "Dear K. C". This track has tough chilling sound ice that would frostbite our ear directly. Kinda killa is an instrumental battle with each other in the middle part, as if colourful flavours of a whisky would be spread in our mouth and nose, that can be thought as another appearance of theirs. Modern Play "Low And Low" is one of their superb pop songs. Ruppa's saxophone as a vanguard, and the four talented artists shoot their excellent musical personality and their sincere feeling out ... not got beaten by the saxophonic passion but matured perfectly. Their mellow appearance (unexpectedly!) can be heard in a short poetry "Kumo No Ito (Spider's intention)", featuring the duo of beautiful keyboard moonshine and delightful voice sunshine. Very fascinating. Oh God, "Discharge" is characterized by eye's splendid vocal flexibility. Letting us feel free, easy, and comfortably. Complex drumming and bluesy bass quake cannot get freakout but to our surprise, strict and loud really. The last "Your Red", the longest one in this EP, notifies us what they would go forward as a musical goal ... Heavy Progressive Rock like Haken, The Mars Volta, and Rush ... their melody core is generally pop and catchy but simultaneously has a rigid basis of versatile elements and innovative strategies. Sweet but bitter, cool but fanatic. Quite suitable for them, such a phrase should be. Recommended with drinking bloody strong absinthe (toxic). Thank you for reading this blog. |
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Utnapishtim
Forum Senior Member Joined: December 15 2013 Location: Italy Status: Offline Points: 260 |
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It is just so! ... This could be an example of how Japanese people are good in many fields. Certainly the language couldn't be like Italian for obvious phonetic settings, but it is a curious "event to remember".
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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In Japan are lots of RPI fans / freaks.
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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The violinist Keisuke says they're working for 2nd album (featuring a over-40-minute suite!) now ... cannot wait!
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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Utnapishtim
Forum Senior Member Joined: December 15 2013 Location: Italy Status: Offline Points: 260 |
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Hi to all.
I love Japanese style in Prog Rock, is so mental and complex. Especially for Psychedelic Rock. The first band I heard is Far East Family Band, for the many analogies with Pink Floyd (the first band I ever listened). After a surprise. Ballettirosadimacchia wich deal for German-Italian but surely they'll be Japanese ... |
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Tom Ozric
Prog Reviewer Joined: September 03 2005 Location: Olympus Mons Status: Offline Points: 15921 |
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Any love for Japanese mob 'Flied Egg' ??
'Dr Siegel's Fried Egg Shooting Machine' is soooo much fun - very well done with lots of variety and occasional flashes of complexity. Great album. |
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Aussie-Byrd-Brother
Special Collaborator Honorary Collaborator Joined: October 12 2011 Location: Melb, Australia Status: Offline Points: 7951 |
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Good to see some attention given to that PTF band a few weeks ago, thank you Keishiro! A fine album, I think I might give it a play now, my first album of 2014!
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octopus-4
Special Collaborator RIO/Avant/Zeuhl,Neo & Post/Math Teams Joined: October 31 2006 Location: Italy Status: Offline Points: 14117 |
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We have to wait 8 hours more here in Rome.
Happy new year
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I stand with Roger Waters, I stand with Joan Baez, I stand with Victor Jara, I stand with Woody Guthrie. Music is revolution
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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A happy new year from Japan, where we can get a new year's cry earlier than you. |
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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^ Hey Frank, thanks for your appreciation!
Sorry not known if there's a streaming of this album or not, but upon iTunes you can listen to samples. https://itunes.apple.com/ie/album/percept-from.../id618653077 |
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infocat
Forum Senior Member VIP Member Joined: June 10 2011 Location: Colorado, USA Status: Offline Points: 4671 |
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^ is this album available for streaming anywhere? I listened to "Purple Mist" on youtube and would like to hear more.
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--
Frank Swarbrick Belief is not Truth. |
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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So glad to introduce such a promising outfit ... a Japanese symphonic jazz rock combo ptf and their debut creation "percept from ...". ptf ... (left to right) Hiroyuki ITO, Yusuke SEKI, Keisuke TAKASHIMA, and Takeya KITO
percept from ... (2013) - PTF The key word for them is "stability", that should be a hope at the same time, I'd like to say. ptf are a Japanese jazz rock quartet featuring keyboards, bass, drums, and violin. Through the entire album, we can feel theatrical agency here and there, based upon strict jazz-heavy-mixed rhythm stream. Their debut album "percept from ..." can be thought as a compilation featuring almost all of their works since their formation in 2009. Their good point is that the listeners or the audience cannot feel eccentricity via their complex song structure completely veiled with natural artificial music science. This phenomenon reminds me Trevor Horn mentioned about Yes that their wrong way to create music magically sounds natural. ptf perfectly squeeze dramatic symphony constructed with only four instruments into our heart. Yusuke's jazz-oriented drum comfort and Hiroyuki's deep, steady bass curtain are the core of ptf soundgarden. Takeya's keyboard, piano works sometimes stand on the front and sometimes behind, with his clearly crystallized sound gems. And Keisuke's violin - one of the key instruments of all - alters the vibe itself dramatically for situations. Sometimes sounds like a dancer to a groove, like a sharp knife edge or a cold ice (reminds me David Cross' cool violin sounds in "The Night Watch"), and sometimes like a noble lady walking quietly. On the basis of jazz symphonic, their scape can be easy to absorb, despite of a bit long (about 10 minute) song theatres. Their strong intention for this album is obvious ... we can find easily in the first track "Arc Tailor", where the mixture of pop phrases created with Keisuke’s violin winds and innovative sensations along with their deep rhythm section. Sounds like their innovation is heard as simpler, smoother one rather than "progressive". "Firefly Effect" sounds like a flood of critical phases and magnificent blue, bluesy atmosphere, that can be well-expressed with their fantastic instrumental explosion. "Fair Wind" is an aggressive speedy symphonic heavy rock, that can get popular amongst almost all progressive freaks, methinks. On the contrary, a slow ballad (featuring keenly electronic violin shoots in the middle part) "Chromatic Rays", filled with safe and sound, wraps our lonesomeness up with their hearty rays. Until the last dramatic versatility "Seaward Meteor", their sound compilation "kaleidoscopic wind of change", they launch drastic dramatic music rebellion. Whilst to be honest, there might be a problem in their promising album, let me point out. They play smartly "art rock" with well-balanced instrumental formation so that complex rhythms or eccentric riffs are not needed. Some inorganic polyrhythmic riffs can be heard but they are too artificial (not artistic) to be fit for their musical basis. Looks like they overreacted for digesting progressive rock in their stomach, and disturbed the smooth surface of their soundscape ... it's a pity for me. Yeah hope they would shout they are progressive rock haters (lol). ...Joking aside, they should go ahead as an jazz / art rock project, not as a "non-innovative" progressive rock one, because they are so artistic enough to impress us. Thank you for reading this blog.
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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Off-topic.
Not progressive really but in Japan was such an addictive, amazing psychedelic pop song ... "Umi No Soko De Utau Uta (Sing The Song At The Bottom Of The Sea)" (1969) by Moco Beaver Olive. Imagine that lovers come across at the bottom of the sea and sing the song together ... with gazing at each other. What a psychedelia the pair of lovers launch. |
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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DamoXt7942
Special Collaborator Joined: October 15 2008 Location: Okayama, Japan Status: Offline Points: 17493 |
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Sheavy
Special Collaborator Honorary Collaborator Joined: March 28 2010 Location: Alabama Status: Offline Points: 2866 |
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Just want to drop in with a quick suggestion to listen to mr. Takehisa kosugi's solo album catch wave. I think this is something you would immensely enjoy.
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