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Joined: June 13 2007
Location: United Kingdom
Status: Offline
Points: 3834
Posted: August 28 2013 at 13:26
Horizons wrote:
They plan to have influences before 60's and 70's prog, like the last record, here we will have Mikael scat singing over a brass quartet - with special guests: Dizzy Gillespie, Buddy Rich, and Mingus.
They plan to have influences before 60's and 70's prog, like the last record, here we will have Mikael scat singing over a brass quartet - with special guests: Dizzy Gillespie, Buddy Rich, and Mingus.
Joined: June 18 2009
Location: Mexico
Status: Offline
Points: 12775
Posted: August 28 2013 at 14:33
Padraic wrote:
Dellinger wrote:
Padraic wrote:
I'd have to listen to it again, but certainly Heritage did not impact me anywhere close to the level of Blackwater Park or Deliverance. That it harkens back to a "prog rock" sound of yesteryear means nothing to me. It's the album Mikael wanted to make and that's absolutely fine, but it's an album devoid of the things that drew me into listening to Opeth in the first place.
Well, I can easily understand why someone who fell in love with Opeth with his all metal grunting songs wouldn't like Heritage at all. However, I feel it's all right if he feels the need to change his sound, if he has already done all the best he could do with the extreme metal sound, what's the point on going with more of the same? Really, he runs the risk of losing some of his fanbase, but also has the possibility of winning some different kind of fanbase. I found Heritage very enjoyable, though not a masterpiece. I could hardly find a masterpiece with Opeth, though, given that I don't really like grunting. Perhaps now that he's staying away from that kind of singing he'll end up doing some album I can really love.
I don't even know if I disagree with that. I didn't dislike the album, but there was nothing there that would want to make me listen to it on a regular basis.
Well, for me at least the song "Folklore" is one I like to revisit. Some other nice parts, and the flutes are pretty nice too (though nothing to do with Jethro Tull, as some people have sugested). But if we are talking about this kind of music, I guess I much prefere "Grace for Drowning".
Joined: June 13 2007
Location: United Kingdom
Status: Offline
Points: 3834
Posted: August 28 2013 at 15:30
Horizons wrote:
The Pessimist wrote:
Horizons wrote:
They plan to have influences before 60's and 70's prog, like the last record, here we will have Mikael scat singing over a brass quartet - with special guests: Dizzy Gillespie, Buddy Rich, and Mingus.
Joined: May 27 2005
Location: NE Indiana
Status: Offline
Points: 28057
Posted: September 06 2013 at 12:36
AtomicCrimsonRush wrote:
top reminiscing about the past - it's dead and buried - Opeth have moved on and a good job too!
That's a lot easier to do if you like their new stuff. I'm in the "losing a fan" stage of Opeth fandom. And it's not like I'm even a big metalhead or anything.
Joined: November 19 2005
Location: New Jersey
Status: Offline
Points: 10964
Posted: September 11 2013 at 09:34
I enjoyed Heritage. In fact, a lot more than Watershed or Damnation. I'm quite curious to see where they go. I heard some heaviness will return, but that was months ago.
Joined: September 29 2013
Location: UK
Status: Offline
Points: 179
Posted: October 31 2013 at 14:13
I think I'll just continue pretending WATERSHED was their final album. I had to check the cover several times to check Heritage was a Opeth album. They were one of my favourite bands but I'm worried they are on a downward spiral
Joined: November 19 2005
Location: New Jersey
Status: Offline
Points: 10964
Posted: January 14 2014 at 17:28
Dellinger wrote:
I liked how he ended with "hopefully it won't be a mess"... not many artists are so honest about what they are working with.
I remember during the Deliverance/Damnation days, I read Mikael's blog on the Opeth site, not sure if it's still there, but I recall he would talk about recording each album, and how it was hell each time, and that he was very modest about the recordings, and even called the early albums bad, as far as production and vocals were concerned.
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