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silverpot View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote silverpot Quote  Post ReplyReply Direct Link To This Post Posted: February 23 2013 at 16:51
Originally posted by Guldbamsen Guldbamsen wrote:

I'd be most interested in the names of those sites, if you ever find a way to dig em out of the old cabezaBig smile




There's also TheDoctor's podcasts. A veritable goldmine of Floydian concerts.
http://[email protected]
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guldbamsen Quote  Post ReplyReply Direct Link To This Post Posted: February 23 2013 at 18:16
Thanks for the info guys. Great stuff!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jdredfield Quote  Post ReplyReply Direct Link To This Post Posted: March 03 2013 at 20:00
I love pink floyd! I listen to them nightly. I have every album but redundant live releases, although (prepare for blasphemy) I am not really a fan of the ealry years.  I think Floyd was prepubescent  until Atom heart mother.  They cracked the world in two with Echoes and then took a quik break with Obscured by clouds.  Still, more great space rock than any other group I've ever heard. Although I sometimes have a hard time calling them prog...?Shocked
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dellinger Quote  Post ReplyReply Direct Link To This Post Posted: March 04 2013 at 19:01
Originally posted by jdredfield jdredfield wrote:

I love pink floyd! I listen to them nightly. I have every album but redundant live releases, although (prepare for blasphemy) I am not really a fan of the ealry years.  I think Floyd was prepubescent  until Atom heart mother.  They cracked the world in two with Echoes and then took a quik break with Obscured by clouds.  Still, more great space rock than any other group I've ever heard. Although I sometimes have a hard time calling them prog...?Shocked


Yeah, I too am not the biggest fan of their earlier albums. They have some really great stuff, but there are many songs that don't do much to me either. Even on Attom Heart Mother and Meddle. Indeed, it was until Dark Side that they unleashed their full potential. Still, it would seem to me that the real songs from the early Floyd are not the ones the released on their studio albums, but the ones they played live. The studio ones were like watered down versions to satisfy the record companies and the album/singles format, but the live versions were some different kind of monster.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Harold13 Quote  Post ReplyReply Direct Link To This Post Posted: March 06 2013 at 23:04
HUGE fan here, myself and my wife!!! Just got myself my 50th Floyd Shirt in the mail today :D

http://www.catacombscds.com/product/Pink_Floyd_-_The_Wall_Bricks_T-Shirt.html

as i said huge fan!!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Kati Quote  Post ReplyReply Direct Link To This Post Posted: March 06 2013 at 23:10
HugBig smile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote KingCrInuYasha Quote  Post ReplyReply Direct Link To This Post Posted: March 06 2013 at 23:37
Originally posted by Dellinger Dellinger wrote:


Yeah, I too am not the biggest fan of their earlier albums. They have some really great stuff, but there are many songs that don't do much to me either. Even on Attom Heart Mother and Meddle. Indeed, it was until Dark Side that they unleashed their full potential. Still, it would seem to me that the real songs from the early Floyd are not the ones the released on their studio albums, but the ones they played live. The studio ones were like watered down versions to satisfy the record companies and the album/singles format, but the live versions were some different kind of monster.


1. I like their early stuff, even the freakier stuff like the studio side of Ummagumma. Still, I do admit that looking at the non-soundtrack albums between Ummagumma and Dark Side/Wish You Were Here, you can literally hear the band gaining focus, improving upon each album.

2. About the whole live vs. studio thing about early Pink Floyd, something has been tugging at me for years: As excellent as The Piper At The Gates Of Dawn is, would it have been possible for the band to have shaped it as a double album? A part of me wishes that "Astronomy Domine", "Matilda Mother", "Pow. R Toc. H", "Take Up Thy Stethoscope And Walk" and, especially, "Interstellar Overdrive" were expanded the way they eventually were in their live shows.


Edited by KingCrInuYasha - March 06 2013 at 23:41
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Stool Man Quote  Post ReplyReply Direct Link To This Post Posted: March 07 2013 at 08:49
Originally posted by KingCrInuYasha KingCrInuYasha wrote:

[QUOTE=Dellinger]
About the whole live vs. studio thing about early Pink Floyd, something has been tugging at me for years: As excellent as The Piper At The Gates Of Dawn is, would it have been possible for the band to have shaped it as a double album? A part of me wishes that "Astronomy Domine", "Matilda Mother", "Pow. R Toc. H", "Take Up Thy Stethoscope And Walk" and, especially, "Interstellar Overdrive" were expanded the way they eventually were in their live shows.
By waiting a few months, they could possibly have added these:
(2.47) Candy & A Currant Bun.
(2.51) Arnold Layne.
(2.53) See Emily Play.
(3.33) Paintbox
(3.08) Apples and Oranges
(2.23) Vegetable Man.
(4.30) Scream Thy Last Scream.
(11.50) Nick's Boogie.
This adds up to about 35 minutes, which is just enough for a second disc.  But waiting those extra months would mean missing the Summer Of Love boat.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guldbamsen Quote  Post ReplyReply Direct Link To This Post Posted: March 07 2013 at 09:00
Thought about those little, often overlooked, gems from the Floyd catalogue, and realised that many of em actually are among my favourite ones. Tracks like Any Colour You Like, Cirrus Minor, Biding My Time, The Narrow Way pt.lll, Childhood's End and Remember A Day. 

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Post Options Post Options   Thanks (0) Thanks(0)   Quote KingCrInuYasha Quote  Post ReplyReply Direct Link To This Post Posted: March 07 2013 at 09:48
Originally posted by Stool Man Stool Man wrote:

Originally posted by KingCrInuYasha KingCrInuYasha wrote:

[QUOTE=Dellinger]
About the whole live vs. studio thing about early Pink Floyd, something has been tugging at me for years: As excellent as The Piper At The Gates Of Dawn is, would it have been possible for the band to have shaped it as a double album? A part of me wishes that "Astronomy Domine", "Matilda Mother", "Pow. R Toc. H", "Take Up Thy Stethoscope And Walk" and, especially, "Interstellar Overdrive" were expanded the way they eventually were in their live shows.
By waiting a few months, they could possibly have added these:
(2.47) Candy & A Currant Bun.
(2.51) Arnold Layne.
(2.53) See Emily Play.
(3.33) Paintbox
(3.08) Apples and Oranges
(2.23) Vegetable Man.
(4.30) Scream Thy Last Scream.
(11.50) Nick's Boogie.
This adds up to about 35 minutes, which is just enough for a second disc.  But waiting those extra months would mean missing the Summer Of Love boat.


Not necessarily. Let's assume that the band by this point had expanded the length to some of their numbers (I've read that "Arnold Layne" lasted for 10 to 15 minutes in concert before it was released as a single) and had been given free reign to do so in the studio. I could easily see Piper shaped like this:

Side One
Astronomy Domine  - 7:30
Nick's Boogie - 11:50

Side Two
Lucifer Sam - 3:07
Matilda Mother - 7:00
Pow R. Toc H. - 4:26
Take Up Thy Stethoscope And Walk  - 6:30

Side Three
Interstellar Overdrive - 16:46
The Gnome - 2:13

Side Four

Chapter 24 - 3:42
Flaming - 2:46
Arnold Layne - 2:52
Candy And A Currant Bun - 2:52
See Emily Play - 2:52
The Scarecrow - 2:11
Bike - 3:21




Edited by KingCrInuYasha - March 07 2013 at 09:48
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dean Quote  Post ReplyReply Direct Link To This Post Posted: March 07 2013 at 12:23
Originally posted by KingCrInuYasha KingCrInuYasha wrote:

Originally posted by Stool Man Stool Man wrote:

Originally posted by KingCrInuYasha KingCrInuYasha wrote:

[QUOTE=Dellinger]
About the whole live vs. studio thing about early Pink Floyd, something has been tugging at me for years: As excellent as The Piper At The Gates Of Dawn is, would it have been possible for the band to have shaped it as a double album? A part of me wishes that "Astronomy Domine", "Matilda Mother", "Pow. R Toc. H", "Take Up Thy Stethoscope And Walk" and, especially, "Interstellar Overdrive" were expanded the way they eventually were in their live shows.
By waiting a few months, they could possibly have added these:
(2.47) Candy & A Currant Bun.
(2.51) Arnold Layne.
(2.53) See Emily Play.
(3.33) Paintbox
(3.08) Apples and Oranges
(2.23) Vegetable Man.
(4.30) Scream Thy Last Scream.
(11.50) Nick's Boogie.
This adds up to about 35 minutes, which is just enough for a second disc.  But waiting those extra months would mean missing the Summer Of Love boat.


Not necessarily. Let's assume that the band by this point had expanded the length to some of their numbers (I've read that "Arnold Layne" lasted for 10 to 15 minutes in concert before it was released as a single) and had been given free reign to do so in the studio. I could easily see Piper shaped like this:

Side One
Astronomy Domine  - 7:30
Nick's Boogie - 11:50

Side Two
Lucifer Sam - 3:07
Matilda Mother - 7:00
Pow R. Toc H. - 4:26
Take Up Thy Stethoscope And Walk  - 6:30

Side Three
Interstellar Overdrive - 16:46
The Gnome - 2:13

Side Four

Chapter 24 - 3:42
Flaming - 2:46
Arnold Layne - 2:52
Candy And A Currant Bun - 2:52
See Emily Play - 2:52
The Scarecrow - 2:11
Bike - 3:21


In 1967 at EMI this simply could not have happened, no band would have been allowed a double album as their debut release - unlike today, double albums were more expensive than single albums, few people would have bought them. Pink Floyd were also aware that at that time the long improvisations only worked at the UFO club where they essentially had a residency, they didn't work at other gigs out of London where they were unknown. By all accounts Norman Smith was not an aggressive producer who demanded they did things a set way, he could be persuasive, but at that time the band knew they had to stick to the shorter "pop" format of Syd's songs as he had originally written them. Remember that Syd was very much in control during Piper, he was the singer, song writer and lead guitarist, all Smith ever did was guide him in the right direction. The split with Smith over "hit singles" came much later (he produced them up to and including Atom Heart Mother) after Syd had departed.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote infandous Quote  Post ReplyReply Direct Link To This Post Posted: March 07 2013 at 13:39
Originally posted by Dellinger Dellinger wrote:

Originally posted by jdredfield jdredfield wrote:

I love pink floyd! I listen to them nightly. I have every album but redundant live releases, although (prepare for blasphemy) I am not really a fan of the ealry years.  I think Floyd was prepubescent  until Atom heart mother.  They cracked the world in two with Echoes and then took a quik break with Obscured by clouds.  Still, more great space rock than any other group I've ever heard. Although I sometimes have a hard time calling them prog...?Shocked


Yeah, I too am not the biggest fan of their earlier albums. They have some really great stuff, but there are many songs that don't do much to me either. Even on Attom Heart Mother and Meddle. Indeed, it was until Dark Side that they unleashed their full potential. Still, it would seem to me that the real songs from the early Floyd are not the ones the released on their studio albums, but the ones they played live. The studio ones were like watered down versions to satisfy the record companies and the album/singles format, but the live versions were some different kind of monster.



There is no question that they were not the most accomplished musicians in their early days (especially the first couple years after Syd was sacked), and there was a fair amount of groping in the dark for ideas.  That said, there is just something otherworldly about that early stuff, it just sends me into the clouds and beyond.  Psychedelic music at it's finest, if you ask me.  It's also enjoyable to hear their progress through each album as they build towards their more "signature" sound of the Dark Side and later albums.

For me, it's just more satisfying music.  No question the live arena was where they shined the most back then, without the time constraints of vinyl and commercial considerations.  Which is why it's all the more surprising that they never really released an official live album in their entire career (of the original lineup after Syd, anyway).
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Post Options Post Options   Thanks (0) Thanks(0)   Quote KingCrInuYasha Quote  Post ReplyReply Direct Link To This Post Posted: March 07 2013 at 16:08
Originally posted by Dean Dean wrote:

In 1967 at EMI this simply could not have happened, no band would have been allowed a double album as their debut release - unlike today, double albums were more expensive than single albums, few people would have bought them. Pink Floyd were also aware that at that time the long improvisations only worked at the UFO club where they essentially had a residency, they didn't work at other gigs out of London where they were unknown. By all accounts Norman Smith was not an aggressive producer who demanded they did things a set way, he could be persuasive, but at that time the band knew they had to stick to the shorter "pop" format of Syd's songs as he had originally written them. Remember that Syd was very much in control during Piper, he was the singer, song writer and lead guitarist, all Smith ever did was guide him in the right direction. The split with Smith over "hit singles" came much later (he produced them up to and including Atom Heart Mother) after Syd had departed.


So in short, the circumstances surrounding such a project would have financially and commercially put an end to Pink Floyd had they attempted it. Oh well.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dellinger Quote  Post ReplyReply Direct Link To This Post Posted: March 07 2013 at 18:51
Originally posted by Guldbamsen Guldbamsen wrote:

Thought about those little, often overlooked, gems from the Floyd catalogue, and realised that many of em actually are among my favourite ones. Tracks like Any Colour You Like, Cirrus Minor, Biding My Time, The Narrow Way pt.lll, Childhood's End and Remember A Day. 


Yeah, I really like those songs a lot too. Except perhaps Biding my Time and Childhood's End. But once again, I like much more the version of Any Colour you Like that was released on the live CD of the new edition of Dark Side.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Stool Man Quote  Post ReplyReply Direct Link To This Post Posted: March 08 2013 at 10:10
My favourite 'almost' album was The Man & The Journey.  Later live versions were more song-based than the early versions.  I would have liked a pristine sounding album of the early version, instead of Ummagumma.  (and Ummagumma is my favourite Floyd album)
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guldbamsen Quote  Post ReplyReply Direct Link To This Post Posted: March 08 2013 at 10:14
Originally posted by Dellinger Dellinger wrote:

Originally posted by Guldbamsen Guldbamsen wrote:

Thought about those little, often overlooked, gems from the Floyd catalogue, and realised that many of em actually are among my favourite ones. Tracks like Any Colour You Like, Cirrus Minor, Biding My Time, The Narrow Way pt.lll, Childhood's End and Remember A Day. 


Yeah, I really like those songs a lot too. Except perhaps Biding my Time and Childhood's End. But once again, I like much more the version of Any Colour you Like that was released on the live CD of the new edition of Dark Side.


You mean the one Roger Waters did? If so, I don't agreeTongue I need Gilmour in there, and there was just something about the way he played during those first ten years he played for them. He's still got magic, but the more aggressive and unpredictable Gilmour always was my fave. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote infandous Quote  Post ReplyReply Direct Link To This Post Posted: March 08 2013 at 10:28
Originally posted by Stool Man Stool Man wrote:

My favourite 'almost' album was The Man & The Journey.  Later live versions were more song-based than the early versions.  I would have liked a pristine sounding album of the early version, instead of Ummagumma.  (and Ummagumma is my favourite Floyd album)


Would have loved that.  I had an LP of the whole thing long ago, but the sound quality left much to be desired (plus, there was some "dead time" while they were doing various things on stage in relation to the piece).
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dellinger Quote  Post ReplyReply Direct Link To This Post Posted: March 08 2013 at 18:04
Originally posted by Guldbamsen Guldbamsen wrote:


Originally posted by Dellinger Dellinger wrote:

Originally posted by Guldbamsen Guldbamsen wrote:

Thought about those little, often overlooked, gems from the Floyd catalogue, and realised that many of em actually are among my favourite ones. Tracks like Any Colour You Like, Cirrus Minor, Biding My Time, The Narrow Way pt.lll, Childhood's End and Remember A Day. 


Yeah, I really like those songs a lot too. Except perhaps Biding my Time and Childhood's End. But once again, I like much more the version of Any Colour you Like that was released on the live CD of the new edition of Dark Side.

You mean the one Roger Waters did? If so, I don't agreeTongue I need Gilmour in there, and there was just something about the way he played during those first ten years he played for them. He's still got magic, but the more aggressive and unpredictable Gilmour always was my fave. 


No, from the new re-release campaign Pink Floyd just did last year. With the Discovery, Immersion and so on editions. The regular edition was just the albums remastered (once again). But the middle and top editions had extra material. I got the middle one for Dark Side, and it included the live version of the album (Wembley 74), played by classic Floyd, with Gilmour and Waters and all. The version of Any Colour you Like is a 8 min one, really great, with more Gilmour and more Wright than the original one. I just love it. Previously my favourite one was the one on PULSE, but now I like this one better. I still haven't got Water's show where he did Dark Side, I didn't even realize he had already released it until a short while ago, but I'm not sure if it's a completley official release because of how little difussion it was given.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Stool Man Quote  Post ReplyReply Direct Link To This Post Posted: March 09 2013 at 07:10
I'd like to hear (from anyone who has it) about the different versions in the Immersion set. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Dellinger Quote  Post ReplyReply Direct Link To This Post Posted: March 09 2013 at 11:32
Me too. I didn't go for it because it was way too expensive, and wasn't sure what it added was worth it. With the price of the immersion sets I could buy about 10 regular albums, and there are so many albums I want to buy that I'd better go for those. I know there were a few songs, included in the immersion sets that weren't part of the middle one (I keep forgetting how they called those middle sets), but the bulk of unreleased material was on the middle ones anyway (I still think they should have released the Wembley material as a new live album, and not as part of the new releases of the albums, that would have been more honest... though perhaps not so profitable). I'm still hoping they will still release the "Echoes" from that same concert somewhere (perhaps some expanded editions from Meddle), and I guess Ummagumma should have some material for expanded editions too, I believe from the same recordings that the live disc of Ummagumma came, there was a recording of "Interstellar Overdrive"... that would be great. Plus, I believe there should be some studio outakes too. And from more, there's at least a song called "seabirds", I think, or something like that. I once heard it, and it was cool, but it had quiet a bit of the movie's dialogs and that didn't work so well.
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