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rogerthat View Drop Down
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Direct Link To This Post Posted: February 25 2013 at 01:26
Originally posted by Sumdeus Sumdeus wrote:



I am of the opinion that ones makes any sort of art with the purpose of people experiencing it and reacting to it. I would not care if they experience it for free or after spending money at a store. If your main concern with your art is how you're gonna profit from it you're doing it oh so wrong.


Please explain to me how does the listener not seek profit for himself by only downloading an illegal copy and never buying either a legitimate download or the physical copy.   I can tell you that I've personally met such people, who are proud that they'll never give in to the 'impulse' of wanting to buy because the ought to.   Art cannot be a one way street where it is incumbent on the artist to bear all hardships and misfortune.  It is symbiotic and flourishes when it has an audience that appreciates the effort invested by the artist - with necessary patronage.   The audience greedily devouring on downloads they paid nought for and viciously attacking criticism with cries of self righteousness does not appear to be one such scenario. 

I understand that music is a very badly distributed commodity and I bear the brunt of it, living where I do; everything costs more than it should because it has to be imported.   But I don't understand mass leaks ahead of the official release.  I hope you are quite aware that is what is being discussed here, not merely illegal downloads of an album, but illegal downloads widely in circulation before its release and being used to review the album.   What's with the haste, I wonder.   
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Direct Link To This Post Posted: February 25 2013 at 01:31
Originally posted by Sumdeus Sumdeus wrote:

Because if that was the case then every single musician out there right now would be broke and starving because people download everything.


And what makes you so sure that there aren't many musicians who do struggle to make ends meet?   That was the case even in the 70s because labels used every trick in the book not to pay them royalties.  Now they may have more independence when it comes to recording and releasing their work but less protection of IPR. 

In any case, the decision to download or not need not be argued so strenuously on moral grounds.   Do it at your risk, it's illegal, be prepared to cough up if you get caught.  Bonnek is right, the arguments you have placed here now to defend downloading won't wash in a court of law.  It's not for us to judge if Wilson needs the money.  Pay the price and if you cannot afford it, don't buy it.   Use youtube or other services like spotify if you need to stream the music.  There are even ecommerce services that allow you to download a single song or two, etc of an album, though I don't know if Wilson's albums would be available on it.


Edited by rogerthat - February 25 2013 at 01:35
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Direct Link To This Post Posted: February 25 2013 at 01:52
I never denied that the listener is profiting by illegal downloading, but they are profiting by enjoying music and in my opinion if someone is listening to your music and enjoying it or having whatever reaction to it you are already profiting as an artist and shouldn't be complaining. I also am not trying to say that we should say "to hell with musicians" and never pay them for anything.

The reason I don't think there is an issue with illegal downloading is there will always be people who have the money to pay for the music, as is proven by things like bandcamp where people put up music with the option of free and fans still pay money. Hell, even i've made a little bit of money off bandcamp and i'm just some 18 year recording psych in his bedroom so I think that goes to show that people who can pay for music will always be there.

As well, when I have money I buy music as well, and I do have a record collection. And if I had more money, I would buy tons of more records. But I don't. And if I never illegally downloaded music then my tastes would be incredibly limited and I wager the farthest my musical evolution would be at right now is deathcore/metalcore or some other silly thing like that.

 I am not trying to say there is no purpose to physical copies, just like most of you I will take a vinyl record over an mp3 download any day. But I simply do not see the need to act like illegal downloading is some horrific immoral crime. Your music is being spread which is in no way a bad thing. You get more fans. Maybe they like it enough that they go buy it. Maybe they like it so much they go buy ALL your stuff. Maybe they start going to your gig every time you come to town. I don't see why a musician would want to miss out on that just because of the minimal amount of money they will get from the record sales.

I can understand the bit about mass leaking before release more. although i don't see the issue with early reviews, the mass leaking is not the part I am trying to support or defend. And sure, I can agree that my points obviously won't hold in court, I'm breaking the law and that's that. But I'm not one to care much about a law that I don't think is very necessary and I've been downloading music illegally probably since the age of 11 or 12 so at this point I'm not really worried about any legal issues.

 Really i just felt the need to say my piece in this thread because of all the one-sidedness to people's comments and specifically Dean's rude remarks.

Edited by Sumdeus - February 25 2013 at 01:54
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Direct Link To This Post Posted: February 25 2013 at 01:57
Originally posted by Sumdeus Sumdeus wrote:

  Really i just felt the need to say my piece in this thread because of all the one-sidedness to people's comments and specifically Dean's rude remarks.
My remarks are not rude. they are honest and sincere observations. You however are making pathetic and extremely silly excuses rather than being honest.
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Direct Link To This Post Posted: February 25 2013 at 02:05
I don't really mind how you personally feel about downloading and people who downloading but saying something like "Some may even be stupid enough to argue this in public." is obviously rude. If you really think i am "making pathetic and extremely silly excuses" then I figure I'll just drop this then, this must be just a matter of huge differences in perspectives or a generation gap or something if you really read my last post and think i'm just making up excuses and not being honest with myself.
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Direct Link To This Post Posted: February 25 2013 at 02:10
Originally posted by Sumdeus Sumdeus wrote:

I don't really mind how you personally feel about downloading and people who downloading but saying something like "Some may even be stupid enough to argue this in public." is obviously rude. If you really think i am "making pathetic and extremely silly excuses" then I figure I'll just drop this then, this must be just a matter of huge differences in perspectives or a generation gap or something if you really read my last post and think i'm just making up excuses and not being honest with myself.
If you don't want to wear the Stupid Enough Hat then you should not have put it on. I made the remark before you chose to post, the choice was yours. I made the comment because I knew someone would. Well done - you won the Stupid Enough Hat lottery, wear it with pride.
 
This has nothing to do with the generation gap. It is everything to do with Artists rights, which you have arbitrarily decided are not worth a damn.


Edited by Dean - February 25 2013 at 02:11
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Direct Link To This Post Posted: February 25 2013 at 02:12
aah, some more honest and sincere observations, lovely!
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Direct Link To This Post Posted: February 25 2013 at 02:21
Originally posted by Sumdeus Sumdeus wrote:

I never denied that the listener is profiting by illegal downloading, but they are profiting by enjoying music and in my opinion if someone is listening to your music and enjoying it or having whatever reaction to it you are already profiting as an artist and shouldn't be complaining. I also am not trying to say that we should say "to hell with musicians" and never pay them for anything. 



Ah, but I am not so much interested in the profit of 'enjoyment'.   Wilson is very much in support of that as he has expressed the hope that "however you choose to hear our music, we hope you enjoy it".  I am talking of the $ profit to the listener for every album he chooses to 'acquire' in illegal download for 'free' and does not replace with a legitimate copy.   Is that not an excess of consumerism, a desire to raid a freebie or discount, at the end of the day?  So is it then not one sided to accuse the artist of being greedy and seeking to profit from art when that is what downloaders may be doing as well?


Originally posted by Sumdeus Sumdeus wrote:


The reason I don't think there is an issue with illegal downloading is there will always be people who have the money to pay for the music, as is proven by things like bandcamp where people put up music with the option of free and fans still pay money. Hell, even i've made a little bit of money off bandcamp and i'm just some 18 year recording psych in his bedroom so I think that goes to show that people who can pay for music will always be there.


Has it perhaps occurred to you that the animosity you perceive in this thread is being expressed by people who always pay for the music?   If everybody said somebody would pay for the music and nobody did, why would anybody want to make a career in music? Is an artist supposed to a celibate aesthetic?  Going by your arguments, he'd have to be for why should he risk the lives of those dependent on him if he cannot seek any earnings from his life as a musician?  Unfortunately, many, including some that are my good friends, are happily married and need to run a household so they may not be so sympathetic to your arguments. 


Originally posted by Sumdeus Sumdeus wrote:


As well, when I have money I buy music as well, and I do have a record collection. And if I had more money, I would buy tons of more records. But I don't. And if I never illegally downloaded music then my tastes would be incredibly limited and I wager the farthest my musical evolution would be at right now is deathcore/metalcore or some other silly thing like that.


Yes, this is the familiar argument proposed in favour of downloads.  And my question is, does it matter?  Does one really have to get one up on the others on music tastes?  What, are you afraid the music will just disappear and not be accessible to future generations?  It won't be if enough people bought it.     


Originally posted by Sumdeus Sumdeus wrote:


 I am not trying to say there is no purpose to physical copies, just like most of you I will take a vinyl record over an mp3 download any day. But I simply do not see the need to act like illegal downloading is some horrific immoral crime. Your music is being spread which is in no way a bad thing. You get more fans. Maybe they like it enough that they go buy it. Maybe they like it so much they go buy ALL your stuff. Maybe they start going to your gig every time you come to town. I don't see why a musician would want to miss out on that just because of the minimal amount of money they will get from the record sales. 


Here's the thing, the artist does not know there are all these fans until they buy them.   When Wilson brought Porcupine Tree to India a few years back, he was asked why had he taken so long and he pointed to the album sales of PT in say Canada vis a vis India.  Fair enough, I say.   I assume a concert ticket is going to cost money and they usually cost a lot more than an album, so the question of affordability gets a bit suspect here.   Is it a question of priorities, more than anything?  I know that I have to justify my music purchases, especially because they could so easily be substituted by downloads, but because I am not a tech freak and don't hog brands either, it gets tough for family to resist my one guilty pleasure.


You mentioned something about libraries before.  Well, actual video, music and book libraries would survive more if people used them as regularly as they once did instead of depending on illegal downloads.   A library subscription is nominal so, again, is it about affordability or is it because you feel foolish to buy a copy when you could just as easily get it for free off the net?  I also have to ask that if the artist is so abominably greedy and judgmental to ask people not to download, why do you listen to his works at all?  You ought to protest it by boycotting his concerts and organise signature campaigns around it. 
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Direct Link To This Post Posted: February 25 2013 at 03:25
I agree with S.W.'s way of thinking.
I am also not a guilty party regarding D/L's because A) - I hate CD's, especially some un-labelled, disposable wafer with nothing to read and no cover/booklet with it. B) - I always wait patiently for a vinyl release of an album coz I rarely bother with CD's (I miss out on a lot but I can live with that.......). 
There's a difference with art and sh*t - Art (S.W.'s case) should be of value and genuinely appreciated, usually by an artist that deserves to get a least some profit.  And sh*t (let's just say Black Eyed Peas) who couldn't give a toss that millions d/l their songs, as long as they are getting their name out there (disposable, generic sh*t, worthless pus) and they get rich regardless.................
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Direct Link To This Post Posted: February 25 2013 at 04:18
The sacred object : Peter Blegvad & Andy Partridge
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Direct Link To This Post Posted: February 25 2013 at 09:01
Well my opinion is... Steven Wilson is one of the most known musicians in the prog scene, so why is he begging? He releases thousand of versions of an album, like Deluxe Edition, Special Edition, DVD Audio, CD, LP, etc. He is a producer and mixed albums from Jethro Tull, Caravan, King Crimson, etc. Do people really think he desperately needs money? From my view, he is f**king rich.

Other point: Not all people can afford to buy everything they like. Shouldn't they have the right to listen music for free? Or to listen music at all? I have really a lot of albums in mp3 and I don't buy them because I don't like them enough to buy. But.. in the majority's opinion.. we should buy everything to "support" the artists. How much money do you think he makes just touring? God.. if it was an underground band it would be all right, but Steven Wilson...
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Direct Link To This Post Posted: February 25 2013 at 09:13
Originally posted by Junges Junges wrote:

Shouldn't they have the right to listen music for free? Or to listen music at all?
Ermm No. And No.
 
You have no "right" to music.
 
Whatever makes you think that you do?
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Direct Link To This Post Posted: February 25 2013 at 09:15
Originally posted by Junges Junges wrote:

I have really a lot of albums in mp3 and I don't buy them because I don't like them enough to buy.
Then delete them. If you don't like them enough to buy them then delete them.
 
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Direct Link To This Post Posted: February 25 2013 at 09:21
Originally posted by Junges Junges wrote:

How much money do you think he makes just touring? God.. if it was an underground band it would be all right, but Steven Wilson...
Not as much as you think he does.
 
What gives you the "right" to demand that he performs for you like some trained monkey? Just so he can earn enough money to finance the albums you download for free?
 
"Well Mr Record Company I'm not going to pay for this album of music but I insist that your monkey boy dances for me at my earliest convenience!"
 
And were do you draw the line? At what point does an underground band start earning enough money to justfy your stealing their music? Are you some latter day Robin Hood that buys from bands that are not successful and only steals from the rich? Or do you just steal their albums anyway on the assumption that they'll be big enough one day to earn some money touring?
 
 
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Direct Link To This Post Posted: February 25 2013 at 09:41
In all honesty, I downloaded the leak. I didn't download it a couple weeks ago, I got it the week after Christmas. And it sounds pretty good! I loved the record and have been sitting on it now for almost two months, gotten my fair share of it and moved on, but I'm a die hard Wilson fan and I bought a hard copy (hasn't arrived yet, but I'm pretty excited).

Someone's gotta speak from a downloaders perspective. I'm 21 years old, and I have been born and raised indoctrinated into a download culture. When I was 10 I remember going on napster and getting backstreet boys, going on Limewire when I was 14 or 15, and now I use torrent sites to get my music. Just as there is a certain nostalgia to going into a record store in the 70s and smelling the incense and buying a record and investing your time and money into it, there's a feeling that I think is similar for all of those who download something before it's release. There's that giddy excitement when you see that the files are there, and when you download it and think "I'm one of the first who's going to hear this." I know what you're probably thinking, that giddy feeling is the feeling all thieves have when they get away with stealing, and you're right. Every downloader knows in their hearts that they are stealing.

It's just the way the culture is now. Even if I don't buy or download it, a friend of mine will, and he'll upload the CD and send me the tracks. There's so much music out there that for all of it to be appreciated, not all of it can be bought. Wilson himself is a great example, as most of his music was probably found through filesharing means. This file sharing turned into fans, who went out to his concerts (which makes more money than the records anyway) and a lot of those people became bigger fans who are now willing to buy the CD's.

The amount of music that's readily available at the click of a button is a blessing that comes at the price of a sin. For true music lovers, this isn't too much of an issue, because their willing to dish out the bucks on the artists that they love and are willing to support, because the product is usually better quality, and they like supporting an artist. Wilson can bitch and moan about how people steal his music and how he can't eat, and he has a right to, but he should be even more grateful that he's one of the view honest musicians who's able to make a living doing what he loves because he has the overwhelming support from the fans who are willing to buy his $80 double vinyl blue ray photography book edition. He's a lucky a man.

There, I've said my piece.
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Direct Link To This Post Posted: February 25 2013 at 10:00
My two cents....

When you can't afford to buy something/anything, I guess there are two general choices. 

a. I'll just steal it. 
b. I'll save up my dough for a while and when I can afford it, I'll buy it. 

Choice "b" is what was pretty common when I was a kid, silly us, we didn't sit around crafting sob stories about why we should get free music, man....We didn't whine about "those rich guys", who incidentally probably worked very hard for what they have.  We just had a little patience and eventually we managed to save up and buy some music, books, whatever....

There's no debate here, no grey area.  You can either steal someone's work, then try 20 different angles to justify your thievery, or, you save your money and purchase your stuff at the offered price.  One choice is right, one borders on a****le territory.  And if you think otherwise, then you'll be perfectly accepting and happy when someone steals something of value from you, from your home, your car,  your computer. If you agree you wouldn't mind being ripped off, then I can at least give you points for consistency.  Because, hey, that guy who took your Ipod  couldn't afford to buy one!  Should he be denied the ability to have one? 

Last there are TONS of free music choices out there people can stream with permission.  The idea that people who can't afford to buy music "will have no music to enjoy" is as daft as any comment I've read in this forum in years. 
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Direct Link To This Post Posted: February 25 2013 at 10:02
Originally posted by Floydian42 Floydian42 wrote:

In all honesty, I downloaded the leak. I didn't download it a couple weeks ago, I got it the week after Christmas. And it sounds pretty good! I loved the record and have been sitting on it now for almost two months, gotten my fair share of it and moved on, but I'm a die hard Wilson fan and I bought a hard copy (hasn't arrived yet, but I'm pretty excited).

Someone's gotta speak from a downloaders perspective. I'm 21 years old, and I have been born and raised indoctrinated into a download culture. When I was 10 I remember going on napster and getting backstreet boys, going on Limewire when I was 14 or 15, and now I use torrent sites to get my music. Just as there is a certain nostalgia to going into a record store in the 70s and smelling the incense and buying a record and investing your time and money into it, there's a feeling that I think is similar for all of those who download something before it's release. There's that giddy excitement when you see that the files are there, and when you download it and think "I'm one of the first who's going to hear this." I know what you're probably thinking, that giddy feeling is the feeling all thieves have when they get away with stealing, and you're right. Every downloader knows in their hearts that they are stealing.

It's just the way the culture is now. Even if I don't buy or download it, a friend of mine will, and he'll upload the CD and send me the tracks. There's so much music out there that for all of it to be appreciated, not all of it can be bought.
Thank you for being so frank and not trying to justify your actions with stupid excuses.
 
 
Originally posted by Floydian42 Floydian42 wrote:

Wilson himself is a great example, as most of his music was probably found through filesharing means. This file sharing turned into fans, who went out to his concerts (which makes more money than the records anyway) and a lot of those people became bigger fans who are now willing to buy the CD's.
But at what cost - what was the actual cost of that - How many albums get downloaded every day that the downloader eventually buys on CD - and what of all those less successful artists who see their entire stock sitting unsold while the download count ticks away like a kitchen timer?
Originally posted by Floydian42 Floydian42 wrote:

The amount of music that's readily available at the click of a button is a blessing that comes at the price of a sin. For true music lovers, this isn't too much of an issue, because their willing to dish out the bucks on the artists that they love and are willing to support, because the product is usually better quality, and they like supporting an artist. Wilson can bitch and moan about how people steal his music and how he can't eat, and he has a right to, but he should be even more grateful that he's one of the view honest musicians who's able to make a living doing what he loves because he has the overwhelming support from the fans who are willing to buy his $80 double vinyl blue ray photography book edition. He's a lucky a man.

Unfortunately this is not your right to make this choice on behalf of the artist, it is for him to decide how his music is distrubuted, it is his property after all. Regardless of the aledged benefits that people claim can result from illegal downloading, there is little actual evidence to support this.

Originally posted by Floydian42 Floydian42 wrote:

There, I've said my piece.
You did.


Edited by Dean - February 25 2013 at 10:07
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Direct Link To This Post Posted: February 25 2013 at 10:06
Originally posted by Floydian42 Floydian42 wrote:

  I know what you're probably thinking, that giddy feeling is the feeling all thieves have when they get away with stealing, and you're right. Every downloader knows in their hearts that they are stealing.

It's just the way the culture is now



Omg, this is such a sad statement and the general mentality overflows into other areas of society....that we are helpless to resist something we know in our hearts is wrong. 

Floydian, though i find your "perspective" to be seriously wrong, I sincerely appreciate your honesty to put it as bluntly as you did.  I understood your case even if we don't agree.


Edited by Finnforest - February 25 2013 at 10:39
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Direct Link To This Post Posted: February 25 2013 at 10:11
i think part of the decrease in music sales is precisely because people download.  to some extent this has cause lost revenue, but also burst the music bubble.  CD prices never went down, we bought CDs for one song etc.  now people can download or listen to music before buying it...as a result, some stuff just isn't going to get bought.  my sense is that most of the downloading is for pop artists by teens who don't have the cash to buy a CD or download.  they just get the songs they want from a torrent site or whatever.  at the same time, these pop stars are RICH!  what gives?

i think what's going to happen is that folks will make music as a part time thing.  if they get heard and build a buzz, then they can maintain a paying audience like radiohead or these kickstarter bands.  
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Direct Link To This Post Posted: February 25 2013 at 10:17
Originally posted by lazland lazland wrote:


Originally posted by Barbu Barbu wrote:

Downloaders beware :


I am not in favour of downloading, but I am sorry, I regard this as being in the most ridiculous bad taste.
Whatever else they are, rock artists are not victims in the same manner as the poor wretches who inhabited these shocking places.
Also, although wrong, downloaders do not, I feel, warrant a gas chamber for their crimes.
I am generally against censorship, but think it might be an idea if a friendly admin removed this

Calm down, Dude! This is called cynical exaggeration. Now that's a crime.
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