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Topic ClosedWho IS Frank Zappa

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darkshade View Drop Down
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Direct Link To This Post Posted: February 13 2013 at 10:12
^ For me, I disagree. While the quality of his rock albums at that time went down a little, albums like You Are What You Is, Ship Arriving Too Late..., and Tinseltown Rebellion are great. Maybe a questionable song here or there, but I think they're classic albums. Man From Utopia, Them Or Us, and other 80s albums that came after are hit or miss for sure, but they do include those other classic tunes you mentioned.

Frank Zappa Meets The Mothers of Prevention is interesting because it mixes the rock tunes with synclavier pieces, and I think it's an interesting experiment. I also think those pieces are cool, so I like Jazz From Hell and The Perfect Stranger, which is what he was more focused on at that time anyway; the classical albums. London Symphony Orchestra sounds great, and features, IMO, a great rendition of Strictly Genteel.

Of course, I've always thought the '88 band was the best thing he did since the Roxy Band. All three albums are fire. I really hope the ZFT releases a new '88 band album, full of songs yet unreleased from that lineup.
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Direct Link To This Post Posted: February 13 2013 at 01:49
Originally posted by darkshade darkshade wrote:

Apparently, it has a slightly better sound than the 1996 Ryko with the cow on the cover.

Nope, it's the same master. At best the volume might be slightly louder.

Originally posted by darkshade darkshade wrote:

Does Humor Belong In Music? is a very fun album. Great renditions of classics, some new songs, and overall great rock and jazz soloing going on. The versions of Zoot Allures and Trouble Every Day on there might be my new favorite versions. That album is one of those Zappa albums I listened to once when I first got into his music, but I was too focused on the 72-79 era that I completely overlooked it.

People rag on the 80s albums, but I think to appreciate them, you have to be a bit of a Zappa veteran of sorts, and for me, get tired of the mid-late 70s albums, and the 60s Mothers, and want more Zappa; as I find almost everything from the 80s in Zappa's catalog to be enjoyable. I always liked some stuff here and there, but never explored it deeply as I have been doing recently.

I think Zappa put out a lot of garbage in the 80s, but there are some real gems (mostly instrumental) too. "Drowning Witch", "Möggio", "Sinister Footwear II", "Alien Orifice", "What's New in Baltimore?" and "Let's Move to Cleveland" are among his best compositions. Too bad they're situated on albums where you have to sort through a lot of fluff. DHBIM is pretty cool despite featuring the '84, which singlehandedly ruins YCDTOSA3. Somehow Zappa managed to select exactly the right tracks. I'm especially fond of "Hot-Plate Heaven", which sounds miles ahead of the '88 version. "Let's Move to Cleveland" is great for the most part, but Allan Zavod's solo is just really, really dull. I much prefer the Best Band version. But aside from that and the always stupid "Tinseltown Rebellion" it's a surprisingly good album.
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Direct Link To This Post Posted: February 12 2013 at 23:40
I think I read about that. Is it the same lyrics??

Let's Move To Cleveland is a stand-out tune, it's like the 80s answer to King Kong.
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Direct Link To This Post Posted: February 12 2013 at 23:26
That's my favorite version of Zoot Allures too, and also my favorite version of Tinsel Town Rebellion.  The Whipping Post isn't too shabby either.

By the way, did you know that "Co***&$kers Ball" an old doo wop cover?  I flipped when I heard that.

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Direct Link To This Post Posted: February 12 2013 at 22:43
Does Humor Belong In Music? is a very fun album. Great renditions of classics, some new songs, and overall great rock and jazz soloing going on. The versions of Zoot Allures and Trouble Every Day on there might be my new favorite versions. That album is one of those Zappa albums I listened to once when I first got into his music, but I was too focused on the 72-79 era that I completely overlooked it.

People rag on the 80s albums, but I think to appreciate them, you have to be a bit of a Zappa veteran of sorts, and for me, get tired of the mid-late 70s albums, and the 60s Mothers, and want more Zappa; as I find almost everything from the 80s in Zappa's catalog to be enjoyable. I always liked some stuff here and there, but never explored it deeply as I have been doing recently.
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Direct Link To This Post Posted: February 10 2013 at 12:37
Originally posted by HolyMoly HolyMoly wrote:

The GTOs album actually was on CD for a very short time, on the Enigma "Retro" label in the late 80s or early 90s.  I had a copy.  I thought it was a pretty bad album so I got rid of it, but then it quickly went out of print and has never returned. So I wish I'd kept it now.Unhappy  I never get rid of anything anymore!   The Wild Man Fischer album has never had an official CD release, though I have a bootleg CD of it which almost looks legit, not that I was fooled by it.  I just figured it might be my only chance to hear it.
 
There is some stuff that I would never consider "important" in terms of music per se, but they are massive, and important in another area. If you ever saw the film "The Groupies", it was a documentary about those ladies ... that film has been hidden and someone is preventing it from being sent out ... it is a lousy movie and badly shot, with no budget whatsoever, just like the album in question here ...but it gave us an absolutely GREAT snapshot of the time and place (London and LA mostly, btw!!!!) and some of the things that helped create teh myth of the start to a different degree than we are allowed to see, understand or ... appreciate.
 
When you combine this film, with this album, with 200 Motels ... a lot of things make sense of the whole weird trip and experience. The time and place "come alive" ... very differently ... and help explain the music a lot more.
 
It's the same thing, if you ever read Patti Smith's book about her time with the well known artist ... it clarifies the NY scene really well, and why so many "smaller" artists could not make it! And the kind of thing that hurts new and more experimental, or progressive, musicians at the time!
 
London also had its own (VERY) salacious scenes, though there is a lot of silence around them as some folks are either feeling like ... that was not them at the time ... but both Mick and Keith know a lot more than they will ever tell anyone!  You can catch things like "Tonite We All Love in London" and realize that the movie does not show it all, but there was a previous version of the stuff in it that had Julie Christie, Michael Caine, Lee Marvin, Alan Ginsburg, Pink Floyd with Syd Barrett at the time, Soft Machine (whose work was never shown in that film and I believe it was where the famous ABC started up and came about!), Yoko Ono, John Lennon and many others. That was NOT a coincidence and many of these people were connected in various ways, up to and including the big house that no one talks about but Daevid Allen has already suggested a couple of times, that Buroughs wanted to have sex with him when he was living in that house!
 
It helps clarify the "open-ness" in the artistic design of things in London. In LA it helps clarify the incredible groupie scene that made LA famous for its concerts and was a very special place for bands like Led Zeppelin!
 
All in all, any of this stuff, separately, is not that great and or that clear, and the creativity is not always ... up front, as to where it came from. Think about it ... the Gong Trilogy only makes sense if you are stoned senseless and are trying to give up the drugs! ... and that is NOT the only thing that the whole Trilogy is about at all! It becomes very deceptive, but very much so in the Burroughs, Hesse and various other writers style of work at the time!
 
Another example of a song that discusses the general sentiment of things at the time, would be Guru Guru's Tango Fango album when you listen to the last cut ... and realize that the "East" won't allow rock'n'roll to come in (it was considered bad!) and the "West" was trying to help the other folks their age, get the same cultural feeling and excitement from the "new Gods" ... !!! And this was 1974, BEFORE the wall came down ... here is a piece about "bringing the Germanies together again" which Mani states in English on purpose I bet! Very political behind the mask of satire and comedy! ... and beautifully done ... but not progressive for folks that ... don't get it!


Edited by moshkito - February 10 2013 at 12:41
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Direct Link To This Post Posted: February 10 2013 at 09:57
Originally posted by Daysbetween Daysbetween wrote:

The only 2012 version that I have bought so far is Lather as I didn't already own it. Only realised after it arrived that it didn't have the bonus tracks Thumbs Down I do intend to buy more when funds allow but have vinyl & CD copies of most already.


Apparently, it has a slightly better sound than the 1996 Ryko with the cow on the cover. It's the only reason I'm eventually going to get it (also so I have all the 2012 reissues, 'cause I'm crazy).

I personally never listen to the bonus tracks anyway, as Knick-Knack People and Leather Goods are throwaway tracks, and Time Is Money is on Sleep Dirt. The remix of Regyptian Strut is nothing spectacular and could be throwaway too.


Edited by darkshade - February 10 2013 at 09:57
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Direct Link To This Post Posted: February 10 2013 at 09:54
Originally posted by Canterzeuhl Canterzeuhl wrote:

Originally posted by HolyMoly HolyMoly wrote:

I just bought my first Zappa 2012 reissue today: Hot Rats.  I don't think I've heard the vinyl mix since I was a child.  this should be fun.

I find the vinyl mix odd since I've listened to the Ryko version to death, especially on Little Umbrellas.
When the little flute solo doesn't come in I feel cheated, abused and forlorn.


Same. I was so used to the Hot Rats remix, especially for Peaches. I do enjoy the choice now, as they're almost like completely different albums.
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Direct Link To This Post Posted: February 10 2013 at 08:47
The only 2012 version that I have bought so far is Lather as I didn't already own it. Only realised after it arrived that it didn't have the bonus tracks Thumbs Down I do intend to buy more when funds allow but have vinyl & CD copies of most already.
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Direct Link To This Post Posted: February 10 2013 at 00:50
Originally posted by HolyMoly HolyMoly wrote:

I just bought my first Zappa 2012 reissue today: Hot Rats.  I don't think I've heard the vinyl mix since I was a child.  this should be fun.

I find the vinyl mix odd since I've listened to the Ryko version to death, especially on Little Umbrellas.
When the little flute solo doesn't come in I feel cheated, abused and forlorn.
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Direct Link To This Post Posted: February 09 2013 at 21:14
I just bought my first Zappa 2012 reissue today: Hot Rats.  I don't think I've heard the vinyl mix since I was a child.  this should be fun.
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Direct Link To This Post Posted: February 09 2013 at 20:14
Originally posted by darkshade darkshade wrote:

I'll get Yellow Shark, SUAPYG, and Thing-Fish next. I wish I could get 200 Motels. They better re-issue that one soon on UMe.


I think this would be my choices as well.
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Direct Link To This Post Posted: February 09 2013 at 19:05
You will eventually need to get a copy of Thing-Fish, for better or worse. Might as well get it now. Don't worry, it'll grow on ya.
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Direct Link To This Post Posted: February 09 2013 at 14:22
Mothermania, by the way, is interesting because it contains different mixes/edits from the album versions in a lot of cases.  Like they were created for possible airplay (ha!).  It doesn't really hurt nor improve them, it's just different.  I have the LP.

Edited by HolyMoly - February 09 2013 at 14:22
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Direct Link To This Post Posted: February 09 2013 at 13:37
Well I just bought Buffalo, I'll let you know what I think whence it arrives.
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Direct Link To This Post Posted: February 09 2013 at 13:23
My purchases have also been based on the prices on Amazon, and how I can avoid paying shipping rates. It seems most of the remaining albums from the core catalog are cheaper from other sellers and the posthumous albums on the Barfko Swill shop are pricey, to say the least.

I want Thing-Fish, the only song I know from that one is "He's So Gay".

I think I've decided. I'll get Yellow Shark, SUAPYG, and Thing-Fish next. I wish I could get 200 Motels. They better re-issue that one soon on UMe.
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Direct Link To This Post Posted: February 09 2013 at 13:18
I'd say go ahead and get Thing-Fish then, since that's one of the few regular-catalog items you still don't have.  It's actually good in its own way.  You certainly haven't heard anything like it before.
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Direct Link To This Post Posted: February 09 2013 at 13:16
I've heard some tracks from Buffalo, and they do rip. That Keep It Greasy is insane. AGH I can't decide. Maybe Yellow Shark, Monkies, and Buffalo? I want to complete the main catalog though. 1st-world problems...
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Direct Link To This Post Posted: February 09 2013 at 13:12
I think Buffalo is one of the best live releases Zappa has ever done, up there with Helsinki and the '88 sets.  It's a '80 show with Vinnie on drums who absolutely tears.  On top of that, I think Zappa was at his peak as a guitar soloist around this time.  It's hard to compare to other live albums of course because it's a completely different stylistic focus than, say, the Roxy band, but for its time period, it's as great as you would expect and then some.
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Direct Link To This Post Posted: February 09 2013 at 13:11
Originally posted by HarbouringTheSoul HarbouringTheSoul wrote:

If you like Zappa as a guitarist, you should get SUAPYG too. If you're anything like me, you'll never get through more than two tracks in one go, but you'll appreciate it nonetheless.


I used to have just the first one as it's own album, and liked it (this was years ago). But they only sell the full 3 album set, so I'd probably only listen to chunks, or each LP one at a time. I've been meaning to get it for some time. I remember liking Trace-Fusion more.
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