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The Italian Prog Appreciation den

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Sagichim View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Sagichim Quote  Post ReplyReply Direct Link To This Post Posted: October 18 2012 at 11:29
Originally posted by Andrea Cortese Andrea Cortese wrote:

Michele Zarrillo (Semiramis) nowadays...Wink



LOL No way man...
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: October 18 2012 at 11:39
TONY ESPOSITO 1974
 
TONY ESPOSITO 1984
 
Is it the same guy ?
 
 
 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote andrea Quote  Post ReplyReply Direct Link To This Post Posted: October 18 2012 at 13:28
Originally posted by hellogoodbye hellogoodbye wrote:

TONY ESPOSITO 1974
 
TONY ESPOSITO 1984
 
Is it the same guy ?
 
 
 
Yes! By the way, if I'm not wrong the singer with the white hat is Gianluigi Di Franco from Cervello!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: October 18 2012 at 13:42
Yes. I think I already read this on the ancient Den.
 
They are many lives in a life Ying Yang
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Post Options Post Options   Thanks (0) Thanks(0)   Quote AEProgman Quote  Post ReplyReply Direct Link To This Post Posted: October 18 2012 at 20:32
Originally posted by hellogoodbye hellogoodbye wrote:

Do you already know this one, Aep ? This Campo Di Marte's album is one of the best. Very well written and delicate.
It was a hit in Argentina, which is not surprising when you know the argentina's prog. I find that there are many similarities between the music of these two countries.
 
I saw them on the top 100 in RPI and are on my list.  I did not realize the Argentina connection, RPI is such a historical genre that appears to cross many borders.
 
 
Originally posted by TheH TheH wrote:

Still have to get those two, they are on my list for a long time but I always forget to order them.
And by the way it's a swan or to be more precise is the Greek god Zeus and Leda, who didn't had to
take the harsh consequences Europe had to take (really flatening ones) after mating with Zeus in form
of a taurus
Thanks for the interpretation.  The head of the bird sort of had the look of a Sandhill crane that I have seen before, but the body looked like a swan.  Bird watching is a mild hobby of mine and I find it amusing that I was paying more attention to the bird than the woman...LOL.


Edited by AEProgman - October 18 2012 at 20:39
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Sagichim Quote  Post ReplyReply Direct Link To This Post Posted: October 19 2012 at 05:15
After repeated listenings to Egonon's album I must say it's probably the best RPI abum I've heard in the past decade. 
I love everything about it. Guitars are heavy but not metalic, no solos included and I don't seem to miss them. Some beautiful wind instruments passages throughout and excellent melodies which makes this album a real winner for me. Highly recommended to you all.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: October 19 2012 at 05:55
I fly to Florence tomorrow. I'm gonna take the album with me and give it a new chance in its country !
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Sagichim Quote  Post ReplyReply Direct Link To This Post Posted: October 19 2012 at 05:57
^ A new chance? Didn't you like it?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: October 19 2012 at 06:14
I like very much the modern RPI, but very often I have a problem with the sound.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Sagichim Quote  Post ReplyReply Direct Link To This Post Posted: October 19 2012 at 07:03
I know what you mean about the sound, that's why I have a problem getting into new RPI bands. Except for this case of course, Egonon's sound and material is superb!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: October 19 2012 at 07:40
I'll tell you when I come back Smile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Andrea Cortese Quote  Post ReplyReply Direct Link To This Post Posted: October 19 2012 at 10:48
Originally posted by hellogoodbye hellogoodbye wrote:

I fly to Florence tomorrow. I'm gonna take the album with me and give it a new chance in its country !


well, you could take Campo di Marte too, so to give it a spin in his own city (Florence)!!

How many fiorentini will recognize the album? ehehehe
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: October 19 2012 at 11:27
Big smile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote AtomicCrimsonRush Quote  Post ReplyReply Direct Link To This Post Posted: October 20 2012 at 21:54
MASTERPIECE!



Museo Rosenbach Zarathustra album cover

5 stars A milestone RPI album, Museo Rosenbach's "Zarathustra" is brimming over with innovation and inventiveness with some extraordinary compositions and musicianship. The epic title track is a mesmirising masterpiece beginning with quiet reflective vocals in Italian and some weird music until the percussion cracks through and an uptempo sound is heard awash with Mellotron. There are 5 distinct sections to this colossal epic including a gentle piano passage, and flute that floats along a sustained shimmering keyboard motif. The buzzing low synth is heard at about 6 minutes in, and more of the vocals in the distance. Eventually a fast paced rhythm bursts forth and much more aggressive vox and keyboard lines. The 'Superuomo' segment is where I get most interested with its quirky vocals and Hammond lines over strong percussion attacks.

The Mellotron takes over on the next track 'Degli uomini' that is at first instrumental. It has a smooth texture of organ and heavy guitar with percussion blasts. It changes in mood as the piece develops. The lead guitar is a dominant feature, and it has some grinding organ sounding like Procol Harum in places or Focus. Vocals finally join the sound just before it all goes quiet.

'Della natura' is a faster piece with odd meters and frenetic organ shimmers. The vocals are again Italian and rather gentle coming in when the music dies down. A great polyrhythmic meter locks in as Mellotron bellows out over powerhouse drumming and bass motifs. The rhythms increase in pace and break away as more vocals blaze away, and then chiming vibes are heard on organ, sounding like Manzarek's style of The Doors. It is a dramatic song in every respect, with lots of twists and turns and definitely one of the highlights.

The last track is 'Dell'eterno ritorno', a heavy guitar driven rocker, with some chaotic figures on keyboards, bass and percussion. It is a grand way to end such a classic album, going out with a bang not a whimper. It settles into a dreamy section and the vocals are multi tracked and emotional. Eventually it returns to the spasmodic fractured melody and then a striking percussive march over an organ phrase.

This one really lives up to its massive reputation as yet another one shot album that blows the doors off conventional musicianship. It is up there with Dun's "Eros", Anglagard's "Hybris", Bubu's "Anabelas" and Yezda Urfa's self titled debut. Check it out even if you are not into jazz, as this album has a lot going on and is well worth the effort.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Andrea Cortese Quote  Post ReplyReply Direct Link To This Post Posted: October 21 2012 at 15:16
Wonderful review, Scott.Clap

It's one of the stronger releases from Italy and a contender for the best 1973 record.


Edited by Andrea Cortese - October 21 2012 at 15:18
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Post Options Post Options   Thanks (0) Thanks(0)   Quote AEProgman Quote  Post ReplyReply Direct Link To This Post Posted: October 21 2012 at 21:43
Added Le Orme -Collage and Latte E Miele- Passio Secundum Mattheum over the weekend. 
Collage was instantly good, I really like Aldo's vocals in every thing I have heard so far.  The album by Latte was more interesting and challenging but no less good.  Odd how some of the songs suddenly would end or fade out and fade back in different movements.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Aussie-Byrd-Brother Quote  Post ReplyReply Direct Link To This Post Posted: October 23 2012 at 18:08
Has anyone heard the recent Italian release `COURT - TWENTY FLYING KINGS'?

http://www.progarchives.com/album.asp?id=38343 (the URL option doesn't seem to be working at the moment?)

Just that I added it to my upcoming order with Greg Walker's Syn-phonic Records blindly, not knowing too much about it. I was simply struck by the cover, and the one or two reviews I've read seem to instill me with hope!

I just thought I'd ask the `experts' in this thread, I trust their opinion and suggestions!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Todd Quote  Post ReplyReply Direct Link To This Post Posted: October 23 2012 at 18:33
^ ABB, I did the same thing, but not on the strength of the cover but because I really enjoy their last album, Watermelon. 

^^AEP, you've got some of the classics there! And some of the earliest ones, too. Love them both. 
"I have seen the broken sky turn blue."



My Gnosis Ratings

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Aussie-Byrd-Brother Quote  Post ReplyReply Direct Link To This Post Posted: October 23 2012 at 18:42
Thanks, Todd, I think I was more interested because a review I read mentioned that the band uses instruments like the recorder and oboe, which I thought sounded different! The cover just kind of sealed the deal for me!

Cheers for your recommendation of the band!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: October 28 2012 at 18:58
Late at night. Just come back from Florence. Wondefull for the eyes, but not only ...  I also met a guy in a strange record shop, Via dell Oriuolo, close to the Duomo. The owner, an old gentleman, sold records, instruments and many other stuffs. I bought him the rare Hopo's Senti CD and we talked about RPI, specially the 1975 - 1979 period. In the conversation, I learned that he had produced  the Kay Hoffman's album Floret Silva recorded with members of Pierrot Lunaire. He showed me old photos of his sudio with Jacqueline Darby, Gaio Chocchio, and even Donella del Monaco. Mister Maurizio Pieri, that's his name, talked to me of these wondefull times. It was great to meet someone who was there. Suddenly everything was more real, more magical. There are so many things we don't know yet, so much music that was born in those years. And the guy was so happy to learn that his work had not fallen into oblivion. Feel free to write to him if you appreciate this record : [email protected]
 
 
 
 
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