Progarchives.com has always (since 2002) relied on banners ads to cover web hosting fees and all. Please consider supporting us by giving monthly PayPal donations and help keep PA fast-loading and ad-free forever.
Joined: March 19 2008
Location: Sweden
Status: Offline
Points: 841
Posted: September 21 2012 at 13:41
I tend to like them a lot better now than I did then. Mainly because I now hear the good humour in their music. And the wonderful gusto in Lake's singing. I was probably a bit too serious when I was young and found ELP a bit over the top.
Joined: February 18 2004
Location: United Kingdom
Status: Offline
Points: 28029
Posted: September 21 2012 at 14:56
DiamondDog wrote:
I don't disagree with any of that. What I meant by "at the expense of the music" was the ethos was principally about the playing rather than the composition, personal execution was way ahead of the queue. Sometimes, especially early on, that wasn't a great problem, there was a hub of creativity that stood up to the challenge. Later though, the creativity tended to run of space. I still would defend them as a musical unit, and somewhat resent the volume of unfair criticism they attract.
I think it was true of the Karn Evil 9 1st Impression Track which does seem to have one solo after another. Trouble is with ELP its very hard to seperate playing from composition. Some even believe that solos don't really exist as they are just part of the music. So its gets very subjective and depends on what you really want to listen to. Its healthy (imo) to listen to a variety of different things. ELP were just a different thing amongst many different things at the time. I suspect more the issue was that the band was not always pulling in one direction. There does seem to me a lot of musical 'fighting' going on as they push each other but it can be a lot of fun to watch on the DVD's if not so much so on a live CD.
Kar Evil 9 1st Impression is ONE of the most iconic prog rock tracks of all time - it's influenced many a prog track since - and the GOOD thing about ELP is the absence of GOD bothering lyrics and obviously sci-fi influenced KE9.
"Next upon a stool we've a sight to make you drool, seven virgins and a mule - keep it cool - keep it cool" - I've always loved the lyrics....
Joined: January 24 2010
Location: Canada
Status: Offline
Points: 8615
Posted: September 21 2012 at 15:12
richardh wrote:
DiamondDog wrote:
I don't disagree with any of that. What I meant by "at the expense of the music" was the ethos was principally about the playing rather than the composition, personal execution was way ahead of the queue. Sometimes, especially early on, that wasn't a great problem, there was a hub of creativity that stood up to the challenge. Later though, the creativity tended to run of space. I still would defend them as a musical unit, and somewhat resent the volume of unfair criticism they attract.
I think it was true of the Karn Evil 9 1st Impression Track which does seem to have one solo after another. Trouble is with ELP its very hard to seperate playing from composition. Some even believe that solos don't really exist as they are just part of the music. So its gets very subjective and depends on what you really want to listen to. Its healthy (imo) to listen to a variety of different things. ELP were just a different thing amongst many different things at the time. I suspect more the issue was that the band was not always pulling in one direction. There does seem to me a lot of musical 'fighting' going on as they push each other but it can be a lot of fun to watch on the DVD's if not so much so on a live CD.
Yeah, they are something to watch on DVD, i have many with ELP, and never loose interest in them for a second!
Joined: January 24 2010
Location: Canada
Status: Offline
Points: 8615
Posted: September 21 2012 at 15:30
I would recommend Pictures At An Exhibition-Special Edition and Emerson, Lake and Palmer Live at Montreux 1997. The Pictures DVD, has some annoying animated parts in the PAAE performance, but some of it is clear of that, and quite endearing-also included in the PAAE Special Edition is some great footage from Belgium in 1971. The 1997 performance is a lot of fun, and they are in great form. Quite a few of my other ELP DVDs are of bootleg quality, though. Though, even in boot quality, i can still appreciate things.
Joined: June 18 2009
Location: Mexico
Status: Offline
Points: 12732
Posted: September 21 2012 at 18:48
presdoug wrote:
I would recommend Pictures At An Exhibition-Special Edition and Emerson, Lake and Palmer Live at Montreux 1997. The Pictures DVD, has some annoying animated parts in the PAAE performance, but some of it is clear of that, and quite endearing-also included in the PAAE Special Edition is some great footage from Belgium in 1971. The 1997 performance is a lot of fun, and they are in great form. Quite a few of my other ELP DVDs are of bootleg quality, though. Though, even in boot quality, i can still appreciate things.
Yeah, I have that Pictures DVD... and it would be great if it weren't for those animated parts... I just don't understand what they were thinking about. Indeed the animated parts come only in some parts of the video... but mostly on those parts in which I want to see the band playing the most.
Joined: April 27 2004
Location: Peru
Status: Offline
Points: 19535
Posted: September 22 2012 at 11:06
Dellinger wrote:
presdoug wrote:
I would recommend Pictures At An Exhibition-Special Edition and Emerson, Lake and Palmer Live at Montreux 1997. The Pictures DVD, has some annoying animated parts in the PAAE performance, but some of it is clear of that, and quite endearing-also included in the PAAE Special Edition is some great footage from Belgium in 1971. The 1997 performance is a lot of fun, and they are in great form. Quite a few of my other ELP DVDs are of bootleg quality, though. Though, even in boot quality, i can still appreciate things.
Yeah, I have that Pictures DVD... and it would be great if it weren't for those animated parts... I just don't understand what they were thinking about. Indeed the animated parts come only in some parts of the video... but mostly on those parts in which I want to see the band playing the most.
It was in the early 70's, people was thinking in Psychedelia still.
Joined: June 18 2009
Location: Mexico
Status: Offline
Points: 12732
Posted: September 22 2012 at 14:33
Ivan_Melgar_M wrote:
Dellinger wrote:
presdoug wrote:
I would recommend Pictures At An Exhibition-Special Edition and Emerson, Lake and Palmer Live at Montreux 1997. The Pictures DVD, has some annoying animated parts in the PAAE performance, but some of it is clear of that, and quite endearing-also included in the PAAE Special Edition is some great footage from Belgium in 1971. The 1997 performance is a lot of fun, and they are in great form. Quite a few of my other ELP DVDs are of bootleg quality, though. Though, even in boot quality, i can still appreciate things.
Yeah, I have that Pictures DVD... and it would be great if it weren't for those animated parts... I just don't understand what they were thinking about. Indeed the animated parts come only in some parts of the video... but mostly on those parts in which I want to see the band playing the most.
It was in the early 70's, people was thinking in Psychedelia still.
I got this Genesis video some time ago
The stars are really annoying
Perhaps... but it doesn't make it any less annoying now... for me. So, I don't enjoy it as much as I could. Should give it a new listen though, it was still a great DVD.
Joined: February 18 2004
Location: United Kingdom
Status: Offline
Points: 28029
Posted: September 26 2012 at 01:58
giselle wrote:
Outstanding musicians who were encouraged to take things too far.
I wonder who encouraged them though , the fans? , the record company? They were formed with a purpose and got tagged a 'supergroup' which I suppose left them with something to live up to. It could only go one way really.
Joined: August 15 2011
Location: Chingford
Status: Offline
Points: 144
Posted: September 26 2012 at 11:32
I personally love ELP and don't care what critics say, music is a purely personal thing, and you have to accept that other people will often hate what you like and vice versa. It doesn't mean their opinion is any more valid than your own.
Just out of curiousity, does anybody know what the choir sound at the start of "Tarkus" is? I've heard that Keith did all his non-organ/piano parts with synthesizers and didn't use the Mellotron - it's tricky to get good choral sounds out of an analog synth (especially clear, throaty sounds like this one, as opposed to "Star Trek" vocals,) but then I suppose it would be easier with a modular synth like the big ol' Moog...
I'm really curious, because the E-mu Proteus/1 MIDI module includes a sample that is exactly this sound, and I wonder if they sampled it from Keith, or if they both got it from somewhere else...?
Edited by commodorejohn - June 18 2013 at 01:30
Music, games, computers - I like 'em old, weird, and interesting!
Joined: February 18 2004
Location: United Kingdom
Status: Offline
Points: 28029
Posted: June 18 2013 at 01:39
^Multi layered synths and vocals I believe. Eddie Offord was the real producer imo (although Lake took the credit). Emerson had a well know dislike of the Mellotron so I doubt that was used (although Greg Lake may well have owned one)
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot delete your posts in this forum You cannot edit your posts in this forum You cannot create polls in this forum You cannot vote in polls in this forum
This page was generated in 0.133 seconds.
Donate monthly and keep PA fast-loading and ad-free forever.