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cabalaska
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Posted: August 18 2012 at 21:43 |
It's rather ironic that SW comments in other interviews about his latest solo album as being greatly influenced by his mixing the King Crimson albums and how he tried to capture that spirit--even by adding saxophone.
How is what he did with this latest album anymore about the future than what other prog bands have done, i.e. the ones he deprecates???
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Mirror Image
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Posted: August 18 2012 at 22:56 |
cabalaska wrote:
It's rather ironic that SW comments in other interviews about his latest solo album as being greatly influenced by his mixing the King Crimson albums and how he tried to capture that spirit--even by adding saxophone.
How is what he did with this latest album anymore about the future than what other prog bands have done, i.e. the ones he deprecates??? |
I think he's become a lot more accepting of the term progressive rock lately. We must all keep in mind that this interview that I quoted was done in 2007. I think it's understandable that Wilson was trying to distance himself from the progressive rock tag whereas someone like Stolt really embraces it and has no problem with it. As I said, both PT and TFK aren't really doing anything different. Besides the way their music sounds, both bands incorporate different genres into their music just like the progressive bands of the 70s have done. The main difference is the newer prog bands are incorporating styles that had been developed AFTER progressive rock into their music. The older generation of prog bands were coming from either blues, jazz, or classical backgrounds. The newer generation have a much larger palette that they can draw inspiration from. I see TFK as an extension of what the 70s bands like Genesis and Yes were doing whereas PT are drawing more influences from electronica, Minimalism, metal, and alternative rock. That's the way I look at it anyway.
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“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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freyacat
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Posted: August 20 2012 at 11:56 |
I cannot agree that "The newer generation have a much larger palette that they can draw inspiration from."When the early progressive acts were drawing on Classical, Jazz, and Folk traditions, this was the widest musical palette possible, developed over centuries in the case of Classical, spanning many cultures in the case of folk, and including a variety of styles (rag-time, boogie-woogie, swing, cool, modal, and free) in the case of jazz. These influences brought such a variety of approches to melody, instrumentation, rhythm, song structure, and sonic texture. To compare these to the difference between metal and alternative rock strains credibility. The truth is, today's rock musicians largely lack the background of listening and training that enriched the classic-rock heroes they learned from. That's why the music today is less interesting. Just because Roine Stolt continues along a line of inquiry which began in the late 60's, does not make him less progressive than Steven Wilson. I think that some of his work with the Flower Kings has been the most exciting music going on at the time. They only fall flat when they succumb to the theory that arena-rock guitar cruch equals relevance. There is a reason my 13-year-old friends understand Porcupine Tree right away. It is not that different from the other music they listen to. It plays by basically the same rules, and has a very narrow range of possible variations that might surprise or confuse the listener.
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sad creature nailed upon the coloured door of time
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Mirror Image
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Joined: December 13 2011
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Posted: August 20 2012 at 12:05 |
freyacat wrote:
I cannot agree that "The newer generation have a much larger palette that they can draw inspiration from."When the early progressive acts were drawing on Classical, Jazz, and Folk traditions, this was the widest musical palette possible, developed over centuries in the case of Classical, spanning many cultures in the case of folk, and including a variety of styles (rag-time, boogie-woogie, swing, cool, modal, and free) in the case of jazz. These influences brought such a variety of approches to melody, instrumentation, rhythm, song structure, and sonic texture. To compare these to the difference between metal and alternative rock strains credibility. The truth is, today's rock musicians largely lack the background of listening and training that enriched the classic-rock heroes they learned from. That's why the music today is less interesting. Just because Roine Stolt continues along a line of inquiry which began in the late 60's, does not make him less progressive than Steven Wilson. I think that some of his work with the Flower Kings has been the most exciting music going on at the time. They only fall flat when they succumb to the theory that arena-rock guitar cruch equals relevance. There is a reason my 13-year-old friends understand Porcupine Tree right away. It is not that different from the other music they listen to. It plays by basically the same rules, and has a very narrow range of possible variations that might surprise or confuse the listener. |
Today's musicians have access to all of these styles and genres you mention, which only highlights my point. Thanks for only reiterating what I already said. I do think you don't have a clue as to what you're talking about in regards to musicians of today lacking the listening and training that the older generations have had. I think if anything they have had more. Many of prog's musicians today have extensive training and can easily run circles, technically speaking, around the older guys. But let's not make this a who is better argument, that would just be moronic, I just don't agree with your narrow views of the current crop of prog musicians. I'll leave it at that.
Edited by Mirror Image - August 20 2012 at 12:11
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“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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darkshade
Collaborator
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Posted: August 20 2012 at 12:22 |
^ The only thing younger musicians lack is writing abilities. Sure they can play circles around the older guard, but that don't mean a thing if you can't write interesting music. I sometimes sense it is because they feel everything that can be done has already been done; but sometimes these are the same people that just haven't heard enough music to understand what CAN be done with music, and how to do new things with it.
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Mirror Image
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Posted: August 20 2012 at 12:31 |
darkshade wrote:
^ The only thing younger musicians lack is writing abilities. Sure they can play circles around the older guard, but that don't mean a thing if you can't write interesting music. I sometimes sense it is because they feel everything that can be done has already been done; but sometimes these are the same people that just haven't heard enough music to understand what CAN be done with music, and how to do new things with it.
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If a musician hasn't heard enough music, then it's their own fault, which is why pop music exists. These "musicians" lack the ability to play their instruments and are more concerned with money. I think there's just too much negativity surrounding the newer generation of prog musicians. A lot of the problems stem from the listener's unwillingness to listen to something on it's own terms and let go of the past. Steven Wilson certainly doesn't have any problems writing music. The Mars Volta don't have any problems either. There are always exceptions in every generation and musicians that stand out above the others because they're doing something different and unique. It might not be Yes, Genesis, or King Crimson, but why get hung up on the past? This is exactly the attitude that is killing music IMHO.
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“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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darkshade
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Posted: August 20 2012 at 12:40 |
^ I agree that a problem with some prog acts is that, even though we have the internet now, many bands don't get the exposure they deserve, because there are just soooo many bands past and present, and they have to be really doing something special to get some recognition. Older bands from the 70s, or prog acts still active from the 90s/early 2000s are still immensely more popular than any new band formed in the last 8-9 years.
It is possible though. Haken has gotten pretty popular recently, and they only have 2 albums out right now, and formed about 5 years ago.
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HarbouringTheSoul
Forum Senior Member
Joined: May 21 2010
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Posted: August 20 2012 at 15:15 |
Mirror Image wrote:
If a musician hasn't heard enough music, then it's their own fault, which is why pop music exists. These "musicians" lack the ability to play their instruments and are more concerned with money. |
This is utterly ignorant. For one thing, all progressive rock is pop music. For another, I think you vastly underrate the artistic integrity of just about anybody who writes their own music. Very few pop musicians who write their own music are concerned with money more than their music. Those that don't write and only interpret other people's music for a living... well. that's another thing. And of course, a lack of ability to play your instruments doesn't necessarily stop you from making good music and technical incompetence is very rare in any kind of music that is actually popular anyway.
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Mirror Image
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Posted: August 20 2012 at 15:28 |
HarbouringTheSoul wrote:
Mirror Image wrote:
If a musician hasn't heard enough music, then it's their own fault, which is why pop music exists. These "musicians" lack the ability to play their instruments and are more concerned with money. |
This is utterly ignorant. For one thing, all progressive rock is pop music. For another, I think you vastly underrate the artistic integrity of just about anybody who writes their own music. Very few pop musicians who write their own music are concerned with money more than their music. Those that don't write and only interpret other people's music for a living... well. that's another thing.
And of course, a lack of ability to play your instruments doesn't necessarily stop you from making good music and technical incompetence is very rare in any kind of music that is actually popular anyway.
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“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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Mirror Image
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Posted: August 20 2012 at 15:38 |
I believe this thread has officially ran it's course. I have nothing more to add other than that opinions are like a****les, we all have them. Isn't that right, HarbouringTheSoul?
Edited by Mirror Image - August 20 2012 at 15:39
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“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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stonebeard
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Posted: August 20 2012 at 15:42 |
Oh gosh. A musician came across a bit self-righteous in an interview? Stop the presses.
That's my opinion on this non-thing.
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Mirror Image
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Posted: August 20 2012 at 15:52 |
stonebeard wrote:
Oh gosh. A musician came across a bit self-righteous in an interview? Stop the presses.
That's my opinion on this non-thing. |
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“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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HarbouringTheSoul
Forum Senior Member
Joined: May 21 2010
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Points: 1199
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Posted: August 20 2012 at 15:53 |
Mirror Image wrote:
I believe this thread has officially ran it's course. I have nothing more to add other than that opinions are like a****les, we all have them. Isn't that right, HarbouringTheSoul?
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Absolutely right and absolutely irrelevant. We might as well cease all discussion about anything by that logic. Hey, how about we all just say our things and never reply to another post?
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Mirror Image
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Posted: August 20 2012 at 15:55 |
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“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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Ambient Hurricanes
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Joined: December 25 2011
Location: internet
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Posted: August 20 2012 at 17:44 |
Mirror Image wrote:
freyacat wrote:
I cannot agree that "The newer generation have a much larger palette that they can draw inspiration from."When the early progressive acts were drawing on Classical, Jazz, and Folk traditions, this was the widest musical palette possible, developed over centuries in the case of Classical, spanning many cultures in the case of folk, and including a variety of styles (rag-time, boogie-woogie, swing, cool, modal, and free) in the case of jazz. These influences brought such a variety of approches to melody, instrumentation, rhythm, song structure, and sonic texture. To compare these to the difference between metal and alternative rock strains credibility. The truth is, today's rock musicians largely lack the background of listening and training that enriched the classic-rock heroes they learned from. That's why the music today is less interesting. Just because Roine Stolt continues along a line of inquiry which began in the late 60's, does not make him less progressive than Steven Wilson. I think that some of his work with the Flower Kings has been the most exciting music going on at the time. They only fall flat when they succumb to the theory that arena-rock guitar cruch equals relevance. There is a reason my 13-year-old friends understand Porcupine Tree right away. It is not that different from the other music they listen to. It plays by basically the same rules, and has a very narrow range of possible variations that might surprise or confuse the listener. |
Today's musicians have access to all of these styles and genres you mention, which only highlights my point. Thanks for only reiterating what I already said. I do think you don't have a clue as to what you're talking about in regards to musicians of today lacking the listening and training that the older generations have had. I think if anything they have had more. Many of prog's musicians today have extensive training and can easily run circles, technically speaking, around the older guys. But let's not make this a who is better argument, that would just be moronic, I just don't agree with your narrow views of the current crop of prog musicians. I'll leave it at that.
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I think that freyacat has a point in that, although musicians today definitely have a larger pool of music to draw influence from, the rock scene has become so large in that there's a tendency to only draw influence from previous rock bands and not to listen to the blues, jazz, and classical greats who the original prog artists drew inspiration from. I don't think this applies to most modern prog musicians, though, only to some of them.
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I love dogs, I've always loved dogs
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Ambient Hurricanes
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Joined: December 25 2011
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Posted: August 20 2012 at 17:54 |
HarbouringTheSoul wrote:
Mirror Image wrote:
If a musician hasn't heard enough music, then it's their own fault, which is why pop music exists. These "musicians" lack the ability to play their instruments and are more concerned with money. |
This is utterly ignorant. For one thing, all progressive rock is pop music. For another, I think you vastly underrate the artistic integrity of just about anybody who writes their own music. Very few pop musicians who write their own music are concerned with money more than their music. Those that don't write and only interpret other people's music for a living... well. that's another thing.
And of course, a lack of ability to play your instruments doesn't necessarily stop you from making good music and technical incompetence is very rare in any kind of music that is actually popular anyway.
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Progressive rock is only "pop music" in the very loosest definition of the term. If you're using "pop" in the way I think you are, that is, in it's literal sense where it refers to all popular music, you could definitely call Rush or Yes "pop music" but you couldn't say the same thing about RIO or Zheul or any of the more obscure prog music that doesn't have any traits or sights set on popularity or mass appeal. I would imagine that most people who write their own music start off with a desire to do what they love and that money is a secondary concern for them. But, once you taste fame and fortune, it's hard to resist it. Money can corrupt artistic integrity and basically anything else. Technical incompetence is not rare in popular music, in fact it's quite common in top 40 pop music. A lot of singers in top 40 pop music cannot actually sing well and were only chosen by the record companies for their charisma and sex appeal. There are talented people in this style of music, but there are also those, like Katy Perry and Brittany Spears, who are relatively untalented singers and rely on vocal manipulation and lip-synching to make their vocals sound good.
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I love dogs, I've always loved dogs
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stonebeard
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Posted: August 20 2012 at 17:54 |
Mirror Image wrote:
stonebeard wrote:
Oh gosh. A musician came across a bit self-righteous in an interview? Stop the presses.
That's my opinion on this non-thing. |
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Funny, that's the same emoticon I'd use for all the useless "progressive" wordw**k in this thread.
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Ambient Hurricanes
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Posted: August 20 2012 at 17:55 |
Please tell me again exactly what HTS said to you that made you refer to him with such a vulgar synecdoche? The fact that someone disagrees with you does not make them an "a****le."
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I love dogs, I've always loved dogs
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rogerthat
Prog Reviewer
Joined: September 03 2006
Location: .
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Posted: August 20 2012 at 20:05 |
freyacat wrote:
Just because Roine Stolt continues along a line of inquiry which began in the late 60's, does not make him less progressive than Steven Wilson. |
In the mid-20th century thereabouts, Holst was considered as lacking something new compared to the serialists like Schoenberg. Around the same time in the world of literature Maugham was derided as a boring writer with, again, nothing new to offer (according to critics, not saying that is true or false) and the likes of Joyce and Woolf were more celebrated. So, how old one's 'line of inquiry' is, is highly relevant. Wilson doesn't just play in any one or the other established music genres; his music is an amalgam of several more contemporary musical styles built around a 70s rock and 80s post punk base.
Now, that is going to open up the 'prog v/s progressive' debate again so I am not going to build any further arguments around it but I just wanted to refute that point. I agree that Wilson isn't exactly the epitome of uber-progressive innovative either, but I don't agree with your line of reasoning.
Edited by rogerthat - August 20 2012 at 20:06
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Mirror Image
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Posted: August 20 2012 at 20:11 |
Ambient Hurricanes wrote:
Please tell me again exactly what HTS said to you that made you refer to him with such a vulgar synecdoche?
The fact that someone disagrees with you does not make them an "a****le."
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I don't mind somebody that disagrees with me. It's his attitude towards me that I found a problem with.
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“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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