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Topic ClosedSteven Wilson Vs. Roine Stolt

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tamijo View Drop Down
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Direct Link To This Post Posted: August 07 2012 at 07:43
5 solid day, with debating a 7 years old, article, two prog stars, both defenitely not the most inventive in the genre.
 
Why not take it a step further Who is most Prog. "Unexpect" or "Opeth" ?
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No no dont fall in there........ there is no dark side of the Moon - infact its all dark Wink
 
 


Edited by tamijo - August 07 2012 at 07:44
Prog is whatevey you want it to be. So dont diss other peoples prog, and they wont diss yours
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Direct Link To This Post Posted: August 07 2012 at 08:42
Originally posted by Biff Tannen Biff Tannen wrote:

Keep in mind that those comments are all from many years ago, and Wilson has mellowed out about such attitudes in recent years, so while he still might not like modern symphonic prog rock bands like TA and TFK, he'd probably be a lot more diplomatic about it nowadays if asked. 

And for the record, I love PT, TA and TFK, but I think PT is definitely the most progressive of the three in the most literal sense of the word.  TFK and TA are more progressive in the stylistic sense (in that they generally follow the blueprint written by the symphonic prog rock bands of the 70s), while PT is much more modern. 



Well, I would say PT is far LESS progressive in the literal sense than TFK, but that's just me.  Frankly, I think they are both quite derivative, of their own established "style", if nothing else.  But you can't tell me Wilson hasn't drawn heavily on Floyd and "alternative" music (as well as some metal).

Of course, this thread was bound to become what it has........another "what is prog" thread.  I'm just glad we have these two artists (Stolt and Wilson) to create their great music, whatever you want to call it.
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Direct Link To This Post Posted: August 07 2012 at 09:35
Originally posted by M27Barney M27Barney wrote:


Every CD thats produced now is "Derivative" - given the sheer volume of music that has gone before...unless you class the more avante-gard - farting in a bottle type of music which is quite unlistenable to most but the weirdos who like to listen to something that would be anathema to 99.9999999% of other sentient beings....(and thats the attraction for them)....

Only if the word derivative is interpreted very literally, to classify any music that has any trace of influence from an older band as "derivative" (strangely, many comments have attacked Wilson's attempt to supposedly define progressive in the literal sense of the word).  That way, most music has in some way been derivative of something before it.  But just as progressive simply suggests a tendency to embrace rather than reject new ideas, derivative suggests something that is too dependent on its influences.  Which necessarily means both terms are highly subjective and involve a matter of degree rather than something absolute.
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Direct Link To This Post Posted: August 07 2012 at 09:45
Originally posted by richardh richardh wrote:


I downloaded (regrettably) the new TFK album and its just the usual heartless stuff 
"Heartless" Shocked

I think that you will find that Roine and the band put all of their hearts into the latest Flower Kings album.

What is "heartless" is Steven Wilson's obsession with lyrics about isolation, depression, fear, madness and suicide. I enjoy his music but tend to lose heart listening to his lyrics.

Wink


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Direct Link To This Post Posted: August 07 2012 at 09:49
Ok, I was shocked after reading this, don't get me wrong I live SW stuff and he has a point, BUT, I don't think that music with noise and the weird stuff that SW like is NOT the progressive music of the future as he claims it.

I support the fact that the bands he mentioned are truly unique in sound I mean take Tool for example, they have a very established signature sound, and this is good, but the future of prog is not music that tends to sound mainstream and comercial, prog music is what truly is, music with great musicianship!, SW is referring to TFK and Transatlantic as copycats of the prog music of the 70's and he had a point, but SW can't say that b/c what he just did was mix that proggy mainstream stuff and mix it with Pink Floyd and space rock elements, I mean Pink Floyd is better known in the world that Genesis or Yes for example, so he just did that, Pink Floyd/Tool mix.

In fact, Roine is one of the top contemporary figures, he is REALLY a musician (not in the sense of SW that he doesn't even know the name of the chords and intervals) and for me the opinion of Roine have more weight. Another thing that bothered me was that he say that TFK and Transatlantic are pompous but THAT WAS THE APPROACH HE TOOK IN HIS SOLO RECORD!! he just made that album with a pompous point of view and let's face it is a cool and good album but, he can't say that it is entirely UNIQUE as he claims that band like TFK and Transatlantic copy so much from ELP, Yes, Genesis and the like, Wilson rip off Crimson and Floyd stuff all the time!!!

I don't know, I'm a big Steven Wilson fan, but this thing got me low...really...in his film Insurgentes he talk about this, about that is heartbreaking that people destroy what you do as a musician b/c is a extension of your soul and expression, but lets face it!!! HE IS DESTROYING THE OTHER MUSICIANS EXPRESSION AND ART!! with all this!!


Edited by CrimsonWolf - August 07 2012 at 09:50
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Direct Link To This Post Posted: August 07 2012 at 09:50
I like lyrics about isolation or fear in ROCK.  If I really wanted to hear 'positivity', I would listen to the last Stevie Wonder album.  A song like Don't Leave Me Now is so powerful to me.  With that said, I don't find Wilson's lyrics nearly as impactful as those of Roger Waters or Fish or other angry men of rock/prog.
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Direct Link To This Post Posted: August 07 2012 at 09:53
I agree with you!! do you think that just "music" with noise and drone is not heartless???

The new album by the TFK has one of the most interesting themes right now, about the NWO and how the monetary system work to control people! that is quite amazing to me!

But as I say it, I don't hate SW stuff I just respect every work that a musician makes, it's art and pure expression!

For the tastes, there are colors!
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Direct Link To This Post Posted: August 07 2012 at 10:06
Originally posted by CrimsonWolf CrimsonWolf wrote:

I agree with you!! do you think that just "music" with noise and drone is not heartless???


I think noise and drone is as much a valid means of expression as consonant melody.  Anything in moderation tends to mirror our lives and is, potentially, more impressive, imo, and anything in extremes potentially gets boring.  The problem right now is I find people either veer all the way to melody and structure or all the way to dissonance and chaos without much in between.  Not that I have a problem with listeners having fragmented tastes; but this fragmentation extends to artists as well.  I prefer balance and a well rounded worldview. 


Edited by rogerthat - August 07 2012 at 10:06
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Direct Link To This Post Posted: August 07 2012 at 10:08
Originally posted by rogerthat rogerthat wrote:

Originally posted by CrimsonWolf CrimsonWolf wrote:

I agree with you!! do you think that just "music" with noise and drone is not heartless???


I think noise and drone is as much a valid means of expression as consonant melody.  Anything in moderation tends to mirror our lives and is, potentially, more impressive, imo, and anything in extremes potentially gets boring.  The problem right now is I find people either veer all the way to melody and structure or all the way to dissonance and chaos without much in between.  Not that I have a problem with listeners having fragmented tastes; but this fragmentation extends to artists as well.  I prefer balance and a well rounded worldview. 

Yeah! balance is great, but noise is something, dissonant is another thing! and don't get me wrong I love dissonant stuff and melodic stuff too! it is like you say, It's all about a good balance!
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Direct Link To This Post Posted: August 07 2012 at 10:15
Not really, noise is just the easiest and most crude way to establish dissonance because it immediately breaks up the pattern.   LOL  But of course, you are talking about noise the genre, which I agree is a different subject altogether, and the problem in studying these genres for an entire album's length is it can get very predictable.  At least from what I know of the genre; if there are noise albums with a lot of depth and variety, I would like to explore those.  But I remember I initially liked the sound of drone but couldn't really sit through entire albums of it.    

I wouldn't say noise per se is a mainstream sound or style, by the way.  Because, that way, the 70s rock sound is also very mainstream.   You can in fact hear 70s jazz rock like workouts even on Jamiroquai albums.   I totally get what you are driving at, though; Wilson tends to draw contemporary elements without putting much of an original spin on it and simply blends it with some 70s influences.  It works superbly at times; I like that approach on No Part of Me, for instance. 
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Direct Link To This Post Posted: August 07 2012 at 10:53
Originally posted by M27Barney M27Barney wrote:

stolte's guitar solos are anything but "Heartless"....BoE (And I bought direct from the FK's site to support the band).
is very derivative...but derivative from all that was good about mid 70's prog,,,thus you have an absolute stonker of a CD that will be very hard to beat this year IMO....
Every CD thats produced now is "Derivative" - given the sheer volume of music that has gone before...unless you class the more avante-gard - farting in a bottle type of music which is quite unlistenable to most but the weirdos who like to listen to something that would be anathema to 99.9999999% of other sentient beings....(and thats the attraction for them)....

Roine Stolt's guitar solos aren't 'heartless' at all. Maybe the member just didn't feel anything from his playing and that's perfectly fine, but he's one of the best guitarists around in progressive music IMHO. You mentioning bands being derivative and I suppose that's why I think Steven Wilson's comments weren't grounded in logic. Porcupine Tree are as derivative as The Flower Kings. I think the biggest difference, IMHO, is that The Flower Kings are just all around better musicians and can play in so many more styles and have dabbled with just about everything: classical, jazz, rock, folk, ambient/electronica, etc. and they have been using different styles in their music before Porcupine Tree were as well. Porcupine Tree started off as very Pink Floyd-influenced then they became Radiohead-influenced and now they seem to be a mixture of Floyd, Radiohead, and Tool. So Wilson isn't doing anything new and if he thinks he is, then he needs to seriously go get his head checked for egomania. This is why Wilson has no argument for me and I just thought he was a hypocritical jerk in the interview for degrading bands like TFK and Transatlantic for the very things he does himself.


Edited by Mirror Image - August 07 2012 at 10:54
“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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Direct Link To This Post Posted: August 07 2012 at 10:58
Originally posted by Mirror Image Mirror Image wrote:


So Wilson isn't doing anything new and if he thinks he is, then he needs to seriously go get his head checked for egomania. This is why Wilson has no argument for me and I just thought he was a hypocritical jerk in the interview for degrading bands like TFK and Transatlantic for the very things he does himself.


Actually Wilson hasn't claimed to be doing anything new himself in the part of the interview that you have quoted.  He has mentioned bands that he considers progressive and those that he considers the antithesis of progressive but he has not referred to PT as one of the progressive bands like Radiohead or Tool (which he, not myself, has claimed are the future of progressive bands).   I agree his position is hypocritical to say the least but you might just be inferring things here that he hasn't actually spelt out.
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Direct Link To This Post Posted: August 07 2012 at 11:10
They both made some pretty bold and accusative statements. The whole thing is actually really immature and kind of embarrassing to read
I'm so mad that you enjoy a certain combination of noises that I don't
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Direct Link To This Post Posted: August 07 2012 at 11:13
Originally posted by rogerthat rogerthat wrote:



Actually Wilson hasn't claimed to be doing anything new himself in the part of the interview that you have quoted.  He has mentioned bands that he considers progressive and those that he considers the antithesis of progressive but he has not referred to PT as one of the progressive bands like Radiohead or Tool (which he, not myself, has claimed are the future of progressive bands).   I agree his position is hypocritical to say the least but you might just be inferring things here that he hasn't actually spelt out.

No, he didn't but by him calling TFK and Transatlantic the DEATH of progressive rock and pointing fingers, he's opening himself up for some harsh criticism from others. As I said, I don't listen to PT nor do I think Wilson is a remarkable musician, but reading his opinion here I just can't respect anything that comes out of his mouth and it doesn't matter if this was so many years ago because this is a glimpse into the kind of person he is: one that doesn't respect musicians that have had just as much success as he has had. He comes across as an insecure person that can't stand not being in the spotlight. He simply can't admit that there are better musicians around than him. Not very humble at all.
“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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Direct Link To This Post Posted: August 07 2012 at 11:18
Originally posted by Mirror Image Mirror Image wrote:


No, he didn't but by him calling TFK and Transatlantic the DEATH of progressive rock and pointing fingers, he's opening himself up for some harsh criticism from others. As I said, I don't listen to PT nor do I think Wilson is a remarkable musician, but reading his opinion here I just can't respect anything that comes out of his mouth and it doesn't matter if this was so many years ago because this is a glimpse into the kind of person he is: one that doesn't respect musicians that have had just as much success as he has had. He comes across as an insecure person that can't stand not being in the spotlight. He simply can't admit that there are better musicians around than him. Not very humble at all.


I don't disagree with most of that; I just pointed out that you, like Stolt, have simply attributed to Wilson things that he hasn't said.  I think his interview pretty much invites criticism without even reading between the lines, so it's not necessary.
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Direct Link To This Post Posted: August 07 2012 at 14:35
Originally posted by Nov Nov wrote:

Originally posted by richardh richardh wrote:


I downloaded (regrettably) the new TFK album and its just the usual heartless stuff 
"Heartless" Shocked

I think that you will find that Roine and the band put all of their hearts into the latest Flower Kings album.

What is "heartless" is Steven Wilson's obsession with lyrics about isolation, depression, fear, madness and suicide. I enjoy his music but tend to lose heart listening to his lyrics.

Wink


I know I should leave this alone but oh wellLOL
 
''Heartless''. I get the feeling if you fed all the symphonic prog albums of the seventies (even the not great ones) into some giant computer and asked it to create the ultimate prog music it would likely come up with something like the Flower Kings latest album
 
Now that could be a compliment , that could be a criticism. Depends where you stand. I struggle to understand though what it is that Roine is trying to communicate.
I also asked earlier-In what areas have TFK evolved over the last 16 years. No one even bothered to try and answer it and I get the impression that no one actually cares (which does seem a little odd to me)
 
Wilson has of course been found guilty of making negative comments about other bands. Suggesting they might be the ''death of progressive rock'' was a stupid thing to say and we can all agree with that. However the stupid thing about it was not the negativity aspect but simply that Steven presumed to know what 'progressive rock' is. Roine pulled him up over that and rightly so but also admitted that Steven could have whatever opinion about them he liked (so that is not the issue).
 
As I see it all musicians feed from the same trough. They want to be appreciated and the fact is they need to sell units to be able to carry on what they are doing. Otherwise its just a hobby. So there are hidden agendas. Steven wants to push what he does and Roine wants to push what he does so is naturally defensive.
 
Did Steven's comments actually hurt Roine in any tangible way? Has anyone actually contemplated that? At the very least he has entrenched fans of TFK who will likely be even more supportive of their favourite band.Will it have stopped anyone else at least given TFK a listen and coming to their own opinion? Prog fans are pretty independent minded in general and have their own opinions. So I guess this is more about the battle for hearts and minds of the younger fans who might be looking in a different direction. Roine hasn't got much chance there has he? PT are a much more likely starting point for a young person than a third or fourth generation symph prog band.The media have been sticking the boot in anyway for decades to overtly complex sounding prog bands so Roine knows his fanbase can never be that big. So I come to the conclusion that no actual harm has been done except to those with fragile egos.
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Direct Link To This Post Posted: August 07 2012 at 15:39
Originally posted by richardh richardh wrote:

I know I should leave this alone but oh wellLOL
 
''Heartless''. I get the feeling if you fed all the symphonic prog albums of the seventies (even the not great ones) into some giant computer and asked it to create the ultimate prog music it would likely come up with something like the Flower Kings latest album
 
Now that could be a compliment , that could be a criticism. Depends where you stand. I struggle to understand though what it is that Roine is trying to communicate.
I also asked earlier-In what areas have TFK evolved over the last 16 years. No one even bothered to try and answer it and I get the impression that no one actually cares (which does seem a little odd to me)
 
Wilson has of course been found guilty of making negative comments about other bands. Suggesting they might be the ''death of progressive rock'' was a stupid thing to say and we can all agree with that. However the stupid thing about it was not the negativity aspect but simply that Steven presumed to know what 'progressive rock' is. Roine pulled him up over that and rightly so but also admitted that Steven could have whatever opinion about them he liked (so that is not the issue).
 
As I see it all musicians feed from the same trough. They want to be appreciated and the fact is they need to sell units to be able to carry on what they are doing. Otherwise its just a hobby. So there are hidden agendas. Steven wants to push what he does and Roine wants to push what he does so is naturally defensive.
 
Did Steven's comments actually hurt Roine in any tangible way? Has anyone actually contemplated that? At the very least he has entrenched fans of TFK who will likely be even more supportive of their favourite band.Will it have stopped anyone else at least given TFK a listen and coming to their own opinion? Prog fans are pretty independent minded in general and have their own opinions. So I guess this is more about the battle for hearts and minds of the younger fans who might be looking in a different direction. Roine hasn't got much chance there has he? PT are a much more likely starting point for a young person than a third or fourth generation symph prog band.The media have been sticking the boot in anyway for decades to overtly complex sounding prog bands so Roine knows his fanbase can never be that big. So I come to the conclusion that no actual harm has been done except to those with fragile egos.
 
Roine Stolt has just as much a fighting chance of being recognized as one of the greatest progressive rock musicians of all-time just like Steven Wilson does. Both of these guys' music affects people in vastily different ways. Some people prefer one over the other and some like both of them. That will never change. What irks me about Wilson's comments is that he believes that The Flower Kings aren't important, but the reality is this is an ignorant comment because The Flower Kings are doing very, very well and have done well for a very long time. Wilson simply doesn't want to acknowledge how successful TFK or Transatlantic are. Notice how he didn't pick on Dream Theater. That would have upset a lot fans, but Dream Theater are just as guilty as Porcupine Tree, Marillion, IQ, TFK, etc. from borrowing from the past. As you said all of these bands and to paraphrase: swim in the same pool, they just all do it differently.


Edited by Mirror Image - August 07 2012 at 15:39
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Direct Link To This Post Posted: August 07 2012 at 15:46
He also probably couldn't pick on Dream Theater because, whether you like them or not, were (are) progressive, and influenced countless prog-metal bands in the modern age, particularly with their Scenes From A Memory album, I'd say. They also progressed their sound since 1989. Of course they were influenced by 70s prog and jazz-fusion, and 80s thrash/heavy metal, but everyone has their influences.
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Direct Link To This Post Posted: August 07 2012 at 15:52
Originally posted by darkshade darkshade wrote:

He also probably couldn't pick on Dream Theater because, whether you like them or not, were (are) progressive, and influenced countless prog-metal bands in the modern age, particularly with their Scenes From A Memory album, I'd say. They also progressed their sound since 1989. Of course they were influenced by 70s prog and jazz-fusion, and 80s thrash/heavy metal, but everyone has their influences.
 
He could have easily picked on Dream Theater just like he could have easily picked on Marillion, Pendragon, or IQ. The only problem he needs to critically evaluate his own music before he can anyone else's. He borrows from the same pot that all of them do.
“Music is enough for a lifetime but a lifetime is not enough for music.” - Sergei Rachmaninov
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Direct Link To This Post Posted: August 07 2012 at 19:53
Originally posted by Mirror Image Mirror Image wrote:

 
 
Roine Stolt has just as much a fighting chance of being recognized as one of the greatest progressive rock musicians of all-time just like Steven Wilson does. 

Which is, basically, not much of a chance in all likelihood.

And I agree with darkshade about Dream Theater.  They are hugely responsible for an entire subculture within prog coming into being and that is something neither of these bands can claim to have achieved.   
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