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Eddy View Drop Down
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Direct Link To This Post Posted: November 28 2004 at 14:10

cans drum solo on tago mago on augm is pure awsomeness

steve howe's gfuitar solo on awaken is sweet, its my favorite song too!

the keyboard solo goes to elp emerson. pratically all the songs are solo's, but tarkus being the best.

um bass solo um goes to the kool parts in fish out of water by chris squire.

vocal solo goes to the song by yes starship trooper thats an awsome vocal solo!



Edited by Eddy
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Direct Link To This Post Posted: November 28 2004 at 14:11
hmm....awesomeness....that is Eddyspeak for REALLY NEAT!!
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Direct Link To This Post Posted: November 28 2004 at 14:20
Originally posted by Eddy Eddy wrote:

cans drum solo on tago mago on augm is pure awsomeness

steve howe's gfuitar solo on awaken is sweet, its my favorite song too!

the keyboard solo goes to elp emerson. pratically all the songs are solo's, but tarkus being the best.

um bass solo um goes to the kool parts in fish out of water by chris squire.

vocal solo goes to the song by yes starship trooper thats an awsome vocal solo!

Eddy-are you sure your keyboard has all its keys?



Edited by Reed Lover



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Direct Link To This Post Posted: November 28 2004 at 15:15
on bass I'd have to say the solos on "yyz" and "la villa strangiato" by rush are quite wikid.

for keyboard, I'd say "riding the scree" by genesis has a kick ass solo by good ol tony
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Direct Link To This Post Posted: November 28 2004 at 16:16
The bass work is not really soloing on La Villa, rather just fills much like Akkerman's giutar work on Hocus Pocus as well as  Van der Linden's drum fills. Expertly executed I must admit.
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Direct Link To This Post Posted: November 28 2004 at 23:09
Hmm the only input i have to make is for a  bass solo that no ones mentioned, Bouree by Jethro Tull has an awesome bass solo.
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Direct Link To This Post Posted: November 28 2004 at 23:46

Guitar: David Gilmour (anything) but especially that second CN solo on Pulse...

Drums: Carl Palmer - Toccata

Keyboards: Keith Emerson (anything) but especially The Three Fates, Trilogy,

Bass: well its not a solo, but I love the bass work on 21st Century Schizoid Man

Vocals: oh gee.. .wonder who??  Greg Lake on anything...

THIS IS ELP
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Direct Link To This Post Posted: November 29 2004 at 03:33
Originally posted by frenchie frenchie wrote:

also check out "the three ep's" by the beta band for some spectacular bass parts.


There's a band I never expected to see referenced on here - nice to know there's another fan out there!

Back on thread, and as with any of these 'favorite' type threads, the following list would probably be totally different if done tomorrow:

Guitar - Steve Hacket on 'Firth Of Fifth'

Keyboards - Keith Emmerson's Moog solo at the end of 'Tarkus'

Drums - Neil Peart 'O Baterista' (I think I spelt that wrong )

Bass Guitar - Jaco Pastorius 'Slang' (not prog, I know - so shoot me)

Edit - just a small point; personally, I would have preferred it had this thread been named 'favorite solos' rather than 'best solos'; it's just a personal thing, you understand, but 'best' and 'favorite' are two completely different things - it hasn't happened yet, but describing "so & so's" nose flute solo as 'best' can bring down the wrath of those to whom "so & so" was just sooooo derivative of "whatsisname", whereas "favorite" is an obvious personal taste choice, and we all have a right to our personal opinions - however wrong everybody else may be!



Edited by Jim Garten

Jon Lord 1941 - 2012
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Direct Link To This Post Posted: November 29 2004 at 03:48

Drums - La Villa Strangiato & the solo on Exit Stage Left - Neil Peart

Guitar - This changes frequently!! At the moment its Andy Latimers playing on 'Chord Change' and 'Lunar Sea' from 'Moonmadness' by Camel.

Bass - Hate bass solos. Best peformances will always be from Geddy Lee IMO. Especially on 'La Villa..' 'YYZ' and 'Freewill'

Keyboards - Tony Banks!!! Performance on 'In the cage' 'Cinema Show' from 'Seconds Out' Its not just TB's soloing technique but his ability to generate atmosphere using strange and original chord sequences, and such lovely melody. His playing never fell into cliches.

Ultimately bored by endless ecstasy!
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Direct Link To This Post Posted: November 29 2004 at 13:04
Originally posted by Jim Garten Jim Garten wrote:


Edit - just a small point; personally, I would have preferred it had this thread been named 'favorite solos' rather than 'best solos'; it's just a personal thing, you understand, but 'best' and 'favorite' are two completely different things - it hasn't happened yet, but describing "so & so's" nose flute solo as 'best' can bring down the wrath of those to whom "so & so" was just sooooo derivative of "whatsisname", whereas "favorite" is an obvious personal taste choice, and we all have a right to our personal opinions - however wrong everybody else may be!



This is very true, and in retrospect, I probably should've named this "favourite solos", but what's done is done.  Also, Hangedman, Bouree by Tull is indeed incredible.
Listen:
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Direct Link To This Post Posted: November 30 2004 at 04:31
I also really like the Barrimore Barlow drum solo on the live Jethro Tull album Brsting Out. Ilove the way he uses the roto-toms.
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Direct Link To This Post Posted: November 30 2004 at 04:48

Mellotron???

For using the mellotron musically in an innovative way:

Robert Wyatt (as leader of Matching Mole): Oh Caroline

For using the Mellotron mechanically in an innovative way:

10cc: I'm Not In Love

 

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Direct Link To This Post Posted: November 30 2004 at 05:19
Originally posted by Dick Heath Dick Heath wrote:

Mellotron???


For using the mellotron musically in an innovative way:


Robert Wyatt (as leader of Matching Mole): Oh Caroline


For using the Mellotron mechanically in an innovative way:


10cc: I'm Not In Love


 



I recently listened to an interview with Graham Gouldman
who listed the intruments used on I'm Not in Love.
Amazingly,there isn't a *mellotron (of sorts)* on that
track.The instruments used were:-
Moog drum setting
Rickenbaker bass guitar
*multi-layered vocals* (not mellotron tapes)
Other than lead vocal that's it!

They used to credit a self-built instrument called a
Gizmo,whatever that was.

Edited by Man Erg

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Direct Link To This Post Posted: November 30 2004 at 05:59

GUITAR - HOWE on Awaken/Yours in no disgrace/Topographic (few)/Gates of Delirium or HACKETT (FOF, End of Salmacis, End of The lamia, Lots of Solo stuff)

KEYBOARDS - WAKEMAN on Yessongs (medley) - Wakeman on "Journey" - Quite a few BANKS maybe sneaking in (EMERSON - Old castle and GREENSLADE - Drum folk)

BASS - Lots of Geddy Lee, Squire.

DRUMS - YYZ - Peart

Vocals "Can you tell me where my Country lies........"

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Dick Heath View Drop Down
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Direct Link To This Post Posted: November 30 2004 at 08:41

Originally posted by Man Erg Man Erg wrote:

I recently listened to an interview with Graham Gouldman
who listed the intruments used on I'm Not in Love.
Amazingly,there isn't a *mellotron (of sorts)* on that
track.The instruments used were:-
Moog drum setting
Rickenbaker bass guitar
*multi-layered vocals* (not mellotron tapes)
Other than lead vocal that's it!

They used to credit a self-built instrument called a
Gizmo,whatever that was.

 

Thanks for that.  I've assumed because of what I heard them say, when I'm Not In Love was first released as a single, that they must have modified a Mellotron. Apparently they had members of the band tape 'Ah', each singing in a series of pitches to create a couple or more of octaves, each note sustained for 10 seconds or more - took 30 hours apparently by the time they made and strung the tape loops into whatever to allow them to play that choir effect. That smacks of the way a Mellotron originally worked.

The Gizmo was patented by Godley & Creme and ultimately caused 10cc to split. The Gizmo was 6 rotors mounted on the fret board of a guitar (above or below the strings???), and individual keys were depressed so that  a bowed effect was created. The triple vinyl album, the first as Godley & Creme, Consequences started as a demo that G&C intended to play to interested musical instrument companies with the hope of  licensing out the Gizmo. But the project grew like Topsy, while the planned 10cc LP recording was being neglected by G&C.

Consequences is a bit of flawed masterpiece - some 'wow factor' with the innovation (e.g. the track which starts with a dripping tap - in fact the Gizmo),  but more the case of 'too much twiddling' without making great music , It was claimed virtually all the effects created came from the Gizmo and some studio technology. The great, late and lamented British comedian Peter Cook can be heard. It took a long time for somebody to issue Consequences on CD, e.g.

http://www.amazon.co.uk/exec/obidos/ASIN/B00005LNJH/qid=1101 822239/sr=1-8/ref=sr_1_11_8/026-7682140-5975614

 However, the vinyl version as a boxed set could be found remaindered and in dumper bins very cheap in the UK through the 80's, when I bought my copy. 

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