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list/discuss/rate - your recently watched movies

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Jim Garten View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jim Garten Quote  Post ReplyReply Direct Link To This Post Posted: January 26 2012 at 02:17
Doubt

Beautifully shot & acted; effectively a two-hander between Philip Seymour Hoffman (modernising priest who may or may not have a shady past) and Meryl Streep's staunchly traditional, bitter & twisted nun who will do anything to prove her suspicions correct.

A definite 5 star.

Jon Lord 1941 - 2012
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: January 26 2012 at 02:38
 ^ need to see that, thanks for the remind Jim

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jim Garten Quote  Post ReplyReply Direct Link To This Post Posted: January 26 2012 at 03:01
You'll not be disappointed - it's very nearly a perfect film

Jon Lord 1941 - 2012
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Post Options Post Options   Thanks (0) Thanks(0)   Quote harmonium.ro Quote  Post ReplyReply Direct Link To This Post Posted: February 16 2012 at 11:38
Apocalypse Now - better than I was remembering it, upgraded my rating from 9/10 to 10.

Coco Avant Chanel 6/10 - recommended to Audrey Tautou fans.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Ricochet Quote  Post ReplyReply Direct Link To This Post Posted: February 16 2012 at 18:57
I'm watching Lost in Translation again and this time I'm finding it to be awesome.

I've watched a lot of other stuff, but I'm not staying up until 5am to write about each. I'm rating (sometimes precociously)  every thing I see on IMDb nowadays.

Recent films I really liked: Le gamin au vélo, the Iranian movie A Separation and, why not, The Artist. It'll do, compared to the bunch - mostly referring to the Globes/BAFTA/Oscars lists, which I'm surveying this time around as usual. Overall, even the better films are not what I would call special, memorable.

I've also enjoyed the adaptation of le Carré's Tinker Tailor Soldier Spy. Classy and poignant.

Oldies:
Persona, with a provisional, too-soon-and-too-few-times-seen(-uhm-just-once-!!!!)-to-tell 8/10. Technically my first Bergman, although I now know that I've caught a bit of Shame on TV a few months ago. I didn't knew what it was, but I somehow sensed it has to be a Bergman, and I liked the fragment I saw a lot.
Oh, if anyone knows what the music during the opener [Persona] is, please let me know.

Aand Jean Eustache's La Maman et la Putain. PLUSLONG.

Edited by Ricochet - February 16 2012 at 19:00
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: February 19 2012 at 03:36
Drive

Subdued action/art peppered with splatter flick violence and a 1980s look & score, Drive is almost retro as it recalls To Live and Die in L.A., American Gigolo and other early 80s trendsetters.   But between the unnecessary love interest and lack of strong storyline, the 2011 hit tries hard but doesn't quite get there in its videogame mimicry.   That said, Ryan Gosling is surprisingly strong and much matured as the stuntdriver-by-day getaway man-by -night antihero, but then we wonder why a smart, talented guy would want or need to drive criminals around at the risk of arrest, death or worse.  There are a few good car scenes, the film does capture the grim, gray despair of Los Angeles, and Albert Brooks a surprise in a part against type for him, but the ending is abrupt, predictable and dumb.   Okay entertainment, bad art.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Ricochet Quote  Post ReplyReply Direct Link To This Post Posted: February 19 2012 at 04:24
mmno
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: February 19 2012 at 04:25
oh.. you like?

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Ricochet Quote  Post ReplyReply Direct Link To This Post Posted: February 19 2012 at 04:40
Not oustandingly, now that I've quite made my mind which are the year's finest, but yes, I've certainly liked it, and quite more for the art than the entertainment or the indeed gone overboard action.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: February 19 2012 at 04:42
but does good design make a good movie?

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Ricochet Quote  Post ReplyReply Direct Link To This Post Posted: February 19 2012 at 04:51
i like it m'kay (Embarrassed)
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: February 19 2012 at 04:58
I dig--  probably gonna watch Doubt next, or maybe The Thing preeq
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: February 21 2012 at 00:58
Anonymous

Reasonably satisfying period piece based around the dark fantasy that William Shakespeare was a pen name for one or more writers who generated plays designed to stir-up revolutionary feelings in 16th century England.  Great cast and script in a style partaking of the Bard himself, though midway it starts pacing slow and lacks the spark, riveting drama and music of an Amadeus.  A very good bit of work that just doesn't engage as much as it should have.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote The T Quote  Post ReplyReply Direct Link To This Post Posted: February 21 2012 at 07:51
The Artist - a fantastic movie that pays homage to classics of the silent era and Singing in the Rain, in my view the best movie of the year 10/10
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Ricochet Quote  Post ReplyReply Direct Link To This Post Posted: February 21 2012 at 08:31
Originally posted by The T The T wrote:

The Artist - a fantastic movie that pays homage to classics of the silent era and Singing in the Rain, in my view the best movie of the year 10/10


Arriving here in theaters, I read that signs have been put up warning people that the movie is silent and in black 'n' white. LOL


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Vompatti Quote  Post ReplyReply Direct Link To This Post Posted: February 21 2012 at 08:45
LOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote The T Quote  Post ReplyReply Direct Link To This Post Posted: February 21 2012 at 19:43
^^

Actually,

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Post Options Post Options   Thanks (0) Thanks(0)   Quote TheGazzardian Quote  Post ReplyReply Direct Link To This Post Posted: February 21 2012 at 19:55
I've been checking out Netflix's "Visually Striking Psychological Thriller" section recently, saw a couple of neat ones, Moon and The Game. Neither had the lasting impact on me I hoped but both kept my brain engaged from the beginning which is why I like that kind of movie. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: February 22 2012 at 02:26
Doubt

Intimate and meticulously detailed slice of life at a parochial school in 1964 with a script full of tension, suggestion, foreboding, painstakingly real dialog and human drama, Doubt both addresses and dances around several taboo issues and asks many compelling questions the viewer must answer on his own.  Funny at times, uncomfortable just as often, we can almost smell and feel the heavy air of a religious institution; the stress, sweat, flatulence, bad food, subdued colors and tragic lives; as it wears on these poor people. 

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Ricochet Quote  Post ReplyReply Direct Link To This Post Posted: February 22 2012 at 05:08
Originally posted by Atavachron Atavachron wrote:

Doubt

Intimate and meticulously detailed slice of life at a parochial school in 1964 with a script full of tension, suggestion, foreboding, painstakingly real dialog and human drama, Doubt both addresses and dances around several taboo issues and asks many compelling questions the viewer must answer on his own.  Funny at times, uncomfortable just as often, we can almost smell and feel the heavy air of a religious institution; the stress, sweat, flatulence, bad food, subdued colors and tragic lives; as it wears on these poor people. 



Insightful and to the essence comments after what must have been just several viewings. Clap I myself saw it only twice.

Easily my favourite role by Streep the past years, probably since The Hours. Not that she wouldn't be at her best almost every time. She made me laugh to tears in what was otherwise a syrupy Julie & Julia. But I'm afraid that streak might have ended this year with The Iron Lady. Although ever here you couldn't say that much against what she's trying - but I simply couldn't stand a biopic so dumbfounding, as if made by Thatcher's biggest fanboy or proselyte.
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