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Direct Link To This Post Posted: February 17 2012 at 10:14
Originally posted by dennismoore dennismoore wrote:

Originally posted by rogerthat rogerthat wrote:

Originally posted by dennismoore dennismoore wrote:

Originally posted by Smurph Smurph wrote:

1. Mike Patton
2. Cedric Bixler Zavala
3. Francesco Di Gacomo 
4. Scott Baker
5. Mikhael Anderfelt
 
Holy Smokes,Confused
 
I have never heard of any of those people.


Seriously??  You should most definitely get to know Mr.Patton in that case...I mean, his work.  One of the most versatile singers I know of, if not THE.   He has worked with Faith No More, Mr.Bungle, Peeping Tom, Fantomas and some other bands/projects.
He is not a screamer or a mumbler or a yeller?  If no, please do suggest his best recorded work!
So I can check it out.
Smile


Not exactly, but he does use a lot of harsh vocal styles.  He is more or less a metal and alt rock singer but he can sing pretty much the whole length and breadth of styles within those genres.  So I am not sure if that works for you.   Try this for sheer shock value, if nothing else.   Does clean, some rapping and then some sort of growls.






Edited by rogerthat - February 17 2012 at 10:14
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Direct Link To This Post Posted: February 17 2012 at 10:37
Originally posted by rogerthat rogerthat wrote:

 
You should most definitely get to know Mr.Patton in that case...I mean, his work.  One of the most versatile singers I know of, if not THE.   He has worked with Faith No More, Mr.Bungle, Peeping Tom, Fantomas and some other bands/projects.
 
He is not a screamer or a mumbler or a yeller?  If no, please do suggest his best recorded work!
So I can check it out. Smile

Not exactly, but he does use a lot of harsh vocal styles.  He is more or less a metal and alt rock singer but he can sing pretty much the whole length and breadth of styles within those genres.  So I am not sure if that works for you.   Try this for sheer shock value, if nothing else.   Does clean, some rapping and then some sort of growls.

 
Hmm, I actually made it through the entire video. After expressing my love for vocals such as Annie Haslam & Greg Lake,
and you bringing to my attention Mr. Patton:  I feel much akin to a sissy.Embarrassed My other deeply personal fav of Jon Anderson makes me feel downright suicidal for being such a "girly-man".Confused
 
With respect to all tastes, I honestly ask:
 
When did yelling & screaming & talking(rap) become "vocal styles"?  I along with billions of fellow earthlings can do that.
As a musician I don't understand this.
 
If I took my guitar and threw it around stage and ran a rubber chicken up and down the strings... Would that be
"harsh or alternate guitar styles?
 
Please don't answer with "to each his own" cause clearly rubbing a rubber chicken against a guitar is not playing an instrument. (If it was I would do it a lot more often than I do.Wink)
 
Can you edge-a-mah-cate me?
 
Cheers!
 
 
 
 
 


Edited by dennismoore - February 17 2012 at 13:36
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Direct Link To This Post Posted: February 17 2012 at 11:08
I don't know that there is a clearcut answer to that, but I'd say:  ever since the world became industrial.  That saw the birth of a new kind of classical music, which was the first acknowledgment that music would have to evolve to capture the heightened tension and violence of modern society.  And that has gradually extended to vocals too, is my thinking.  

I had posted my own top 5 earlier in this thread and named Annie Haslam and a bunch of other *sissy* singers in the list but I have to say I cannot and would not want to imagine Annie's voice set to the kind of music you heard on that Faith No More track.  On the other hand, I can relate to that type of music and how it is pertinent to our times so if harsh vocal styles are what will befit such music, so be it.  And for me, tasting the harshness only makes gentle singing sound sweeter to my ears (though I know a lot of people are either totally into clean or totally into harsh).  Patton is not right at the top of my favourites for a different set of reasons but I believe harshness now has a place in music, while I fully understand why it is hard to relate to because I didn't like it from the get go either. 
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Direct Link To This Post Posted: February 17 2012 at 11:12
Some harsh vocals actually take some skill too. 
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Direct Link To This Post Posted: February 17 2012 at 11:16
Originally posted by irrelevant irrelevant wrote:

Some harsh vocals actually take some skill too. 

Actually, I would say if you want to be doing harsh vocals as a professional and perform them day in day out, it is much harder to find a safe technique.  Whereas, it is really not that hard to learn to sing like McCartney or Lennon, technically speaking. I am not trying to demean them but they sing in a comfortable pitch that you can also emulate without hurting your voice but you have to be very, very careful if you want to check out the growls on the next death metal album yourself.  
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Direct Link To This Post Posted: February 17 2012 at 11:34
Originally posted by dennismoore dennismoore wrote:

 
Hmm, I actually made it through the entire video. After expressing my love for vocals such as Annie Haslam & Greg Lake,
and you bringing to my attention Mr. Patton:  I feel much akin to a sissy.Embarrassed My other deeply personal fav of Jon Anderson makes me feel downright suicidal for being such a "girly-man".Confused
 
With respect to all tastes, I honestly ask:
 
When did yelling & screaming & talking(rap) become "vocal styles"?  I along with billions of fellow earthlings can do that.
As a musician I don't understand this.
 
If I took my guitar and threw it around stage and ran a rubber chicken up and down the strings... Would that be
"harsh or alternate guitar styles?
 
Please don't answer with "to each his own" cause cleary rubbing a rubber chicken against a guitar is not playing an instrument. (If it was I would do it a lot more often than I do.Wink)
 
Can you edge-a-mah-cate me?
 
Cheers!
 


Millions of people can sing too. Raw talent to play an instrument means little. You can go on Youtube and find very talented players everywhere. It's much more about what you can do with your instrument. With that said, there are very few people who can emulate what Patton does. There are very few people who have a good enough feel for rhythm to be a stellar rapper.

Your critique is just silly and comes from an unnecessarily narrow view of music. Stravinsky caused riots when he turned string instruments into percussion. John Cage pushed that further with his prepared piano. Screaming quite naturally expands this to the voice and allows you to use the medium to produce additional percussion.

Another analogue could be something like Penderecki's work. When you hear something, to pick the cliche piece, like Threnody for the Victims of Hiroshima, you're not supposed to respond thinking how pleasant and beautiful the music is. It's meant to disturb you. Music aims at expressing different emotions aside from the traditional romantic ones. The violence of a scream pushes the boundaries forward. You're focusing on things irrelevant to the aim of the musicians.
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Direct Link To This Post Posted: February 17 2012 at 14:13
Originally posted by rogerthat rogerthat wrote:

I don't know that there is a clearcut answer to that, but I'd say:  ever since the world became industrial.  That saw the birth of a new kind of classical music, which was the first acknowledgment that music would have to evolve to capture the heightened tension and violence of modern society.  And that has gradually extended to vocals too, is my thinking.  

I had posted my own top 5 earlier in this thread and named Annie Haslam and a bunch of other *sissy* singers in the list but I have to say I cannot and would not want to imagine Annie's voice set to the kind of music you heard on that Faith No More track.  On the other hand, I can relate to that type of music and how it is pertinent to our times so if harsh vocal styles are what will befit such music, so be it.  And for me, tasting the harshness only makes gentle singing sound sweeter to my ears (though I know a lot of people are either totally into clean or totally into harsh).  Patton is not right at the top of my favourites for a different set of reasons but I believe harshness now has a place in music, while I fully understand why it is hard to relate to because I didn't like it from the get go either. 
Hi rogerthat,
 
Thanks,Smile  
 
I think you make a clear & concise case.  I find your point of view on this illuminating.  I suppose, while some desire music
to reflect more violent & modern standards I would defer to that unknown poet who said: Music To Soothe The Savage Breast ("Music has charms to soothe a savage breast," - William Congreve)
 
I do not buy the "modern" or "harsh times" call for harsher music argument.  Why?  Most plantiff or "punk" or RAP bands rally against what they perceive as dark or "bad times".  Well compared to how life has been historically, we live in a calm, love-fest of an era in relative terms.  For some reason, "lower class" or very base actions have been introduced into music and have been acepted.(Ex. MTV showing a concert of a band who gave themselves enemas and the band collectively deficated on the audience in the front few rows.)  Why would people do this and be part of this?(At a musical level silly, not some wild porn driven fantasy, involving super-models..Wink.)
 
There seems to be a fine line with singing, as I really enjoy Roger Daltry & Geddy Lee.  But I guess they are first singers (something you can track with a musical pitch.) versus mostly yelling & screaming.  Am I to juge?  Certainly not, who knows???  I just know that using violence or corruption in society is not a valid reason to be violent or vulgar in art.  You can just run get into Politics if violence & vulgarity interest you!Wink
 
I am not judging or considering this from my preferences or opinions.  Example: I HATE & can't stand Opera singers.
The piercing constant screaming is pure pain for me.  But I validate opera singers as being of the finest musicians,
as it takes YEARS of training & practice to get to their level.
 
Yes, these modern rock screamers need to protect their voices and not yell all the time, but it is not really that hard,
many people talk loud and yell all the time and they keep their voices until their other parts wear down.Wink
 
Cheers!
"Yeah, people are unhappy about that - but you know what, it's still Yes." - Chris Squire
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Direct Link To This Post Posted: February 17 2012 at 14:47
Originally posted by Equality 7-2521 Equality 7-2521 wrote:

When did yelling & screaming & talking(rap) become "vocal styles"?   
 
Can you edge-a-mah-cate me?
  


Millions of people can sing too. Raw talent to play an instrument means little. You can go on Youtube and find very talented players everywhere. It's much more about what you can do with your instrument. With that said, there are very few people who can emulate what Patton does. There are very few people who have a good enough feel for rhythm to be a stellar rapper.

Your critique is just silly and comes from an unnecessarily narrow view of music. Stravinsky caused riots when he turned string instruments into percussion. John Cage pushed that further with his prepared piano. Screaming quite naturally expands this to the voice and allows you to use the medium to produce additional percussion.

Another analogue could be something like Penderecki's work. When you hear something, to pick the cliche piece, like Threnody for the Victims of Hiroshima, you're not supposed to respond thinking how pleasant and beautiful the music is. It's meant to disturb you. Music aims at expressing different emotions aside from the traditional romantic ones. The violence of a scream pushes the boundaries forward. You're focusing on things irrelevant to the aim of the musicians.
[/QUOTE]
 
Hi Equality 7-2521,
 
If you enjoy Mr. patton as an artist, that is as good as anybody enjoying any other artist, including myself.  However....
 
There are just so many things wrong with your argument.  First, millions of people can NOT sing.  Proper singing is very difficult. First is pitch.  Most people think they can sing but are shocked to learn how off key they are.  Oh and there is breath control and dynamics and projection....  Yeah man, you couldn't be more wrong here. Talent with an external instrument or a human voice is "everything" you just made my case for me. Many very wealthy & famous rock bands actually have little talent.  Talent is not emphasized in today's corporate music business. In addition, nobody needs to emulate Mr. Patton, as everyone has their own timbre in their voice.  What he does with his voice? Different story and it is quite simple to bark & talk with a mic. If he is popular? I can not judge or speak against that.  That is down to individule choice.
 
You spoke of Stravinsky.  He innovated, which should happen in music.    Keith Emerson stuck knives in his keyboard, but he still actually played his keyboard.  He is judged for what he played not his stage antics.
 
You wrote: "There are very few people who have a good enough feel for rhythm to be a stellar rapper.
You are kidding right???  All RAP is spoken(not sung) in the same basic cadence. Millions of millitary servicemen
"RAP" in a cadence as they march.  It is probably the most basic musical element that probably 98% of the Earth's population can do.  I think you misread the mega-corporate music industry.  The industry is not about promoting
hundreds or artists based on talent like in the past.  It is about MEGA-Promoting a few RAP, Alternative, Metal, etc.. bands.  Just because the band is No.1 does not mean they are any good or earned their way there.  It simply means they are the ones the industry chooses to promote at the time.  I don't think I am breaking any new ground here.
 
i dare to mention the great Tiny Tim. http://en.wikipedia.org/wiki/Tiny_Tim_(musician)  He was wildly popular & famous
for making the strangest sounds with his voice.  That did not make him a great singer.
 
You like what you like that is cool.  Please do not call my arguments "silly".  The only thing remotely silly about my musical affinities is my undying enjoyment of 1969-1976 Elton John albums, oh and Three Dog Night.Wink
 
Dude!  Check out Three Dog Night singer Chuck Negron,  That dude can sing and he had talent and I can't think
of a better example to show what an actual singer is. Smile

Cheers!

 
DM


 
 
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Direct Link To This Post Posted: February 18 2012 at 00:07
Originally posted by dennismoore dennismoore wrote:

Hi rogerthat,
 
Thanks,Smile  
 
I think you make a clear & concise case.  I find your point of view on this illuminating.  I suppose, while some desire music
to reflect more violent & modern standards I would defer to that unknown poet who said: Music To Soothe The Savage Breast ("Music has charms to soothe a savage breast," - William Congreve) 


I understand this viewpoint but I will just build on this thought.  Ok, so I would like to know what are your preferences in music outside rock?   Do you like folk...as in not folk rock, just pure folk without even a lot of percussion?  Can you live with just stuff like folk or classical and no rock?  My point is that we have come to desire some amount of tension in music, no matter what.  At least in my age group, I don't know too many people who believe otherwise.  And it is ultimately a question of the extent of tension, and in turn harshness, one is prepared to embrace. 
 
Originally posted by dennismoore dennismoore wrote:


I do not buy the "modern" or "harsh times" call for harsher music argument.  Why?  Most plantiff or "punk" or RAP bands rally against what they perceive as dark or "bad times".  Well compared to how life has been historically, we live in a calm, love-fest of an era in relative terms.  For some reason, "lower class" or very base actions have been introduced into music and have been acepted.(Ex. MTV showing a concert of a band who gave themselves enemas and the band collectively deficated on the audience in the front few rows.)  Why would people do this and be part of this?(At a musical level silly, not some wild porn driven fantasy, involving super-models..Wink.) 



I don't agree with much of this.  First off, I don't think this is a calm era.  I guess it depends on where you live. What if you live in a country where there is at least one major terrorist strike every year?  And I still live in India, as opposed to strife-prone countries like Syria and I don't live in Kashmir or the Indian NorthEast where there is frequent civilian-army conflict resulting from so called encounter killings.  Er, I don't want to divert this discussion to an unpleasant direction but maybe the world seems peaceful and loving and all that in Europe or America, but definitely not in Central and South Asia.   Economically too, there is turmoil as the next great depression looms large on the horizon. 

Lower class elements...I guess dictatorship of the proletariat has been the rule in music for the last 50-60 years now?  So it's not really something new.  I am sure the reaction of classical purists to the first wave of rock would have been similar to yours to harsh vocals.  I for one refuse to judge music as vulgar or classy or base, etc.  My favourite composer said once, "What is music?  Even a dog's bark can be music."  and I remind myself of that rule if ever I feel I am getting judgmental about music.

Originally posted by dennismoore dennismoore wrote:


There seems to be a fine line with singing, as I really enjoy Roger Daltry & Geddy Lee.  But I guess they are first singers (something you can track with a musical pitch.) versus mostly yelling & screaming.  Am I to juge?  Certainly not, who knows???  I just know that using violence or corruption in society is not a valid reason to be violent or vulgar in art.  You can just run get into Politics if violence & vulgarity interest you!Wink


Well, with reference to that Mike Patton, he is in fact singing in several patches there.  It may not be a style of singing you really like, but he IS hitting notes, he is carrying a tune.  And that is definitely not something he cannot do. 
 
Originally posted by dennismoore dennismoore wrote:

I am not judging or considering this from my preferences or opinions.  Example: I HATE & can't stand Opera singers.
The piercing constant screaming is pure pain for me.  But I validate opera singers as being of the finest musicians,
as it takes YEARS of training & practice to get to their level.


Um, in that case, if difficulty is the only criterion, then I assure you extreme vocals ARE difficult to pull off day in day out.  Not that I personally attach much importance to technicality.  Yes, what opera singers do is tough but their singing usually doesn't speak to me emotionally. So, therefore...
 
 
Originally posted by dennismoore dennismoore wrote:


Yes, these modern rock screamers need to protect their voices and not yell all the time, but it is not really that hard,
many people talk loud and yell all the time and they keep their voices until their other parts wear down.Wink
 


I won't really respond to this other than that this is ill informed.  
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Direct Link To This Post Posted: February 18 2012 at 20:30
Originally posted by rogerthat rogerthat wrote:

I think you make a clear & concise case.  I find your point of view on this illuminating.  I suppose, while some desire musicto reflect more violent & modern standards I would defer to that unknown poet who said: Music To Soothe The Savage Breast ("Music has charms to soothe a savage breast," - William Congreve) 


I understand this viewpoint but I will just build on this thought.  Ok, so I would like to know what are your preferences in music outside rock?   Do you like folk...as in not folk rock, just pure folk without even a lot of percussion?  Can you live with just stuff like folk or classical and no rock?  My point is that we have come to desire some amount of tension in music, no matter what.  At least in my age group, I don't know too many people who believe otherwise.  And it is ultimately a question of the extent of tension, and in turn harshness, one is prepared to embrace. 

Hi rogerthat, one thing first, I do not think age plays a part in this. Plenty of teenagers have similar musical preferences to me, and I know older people who once enjoyed the calmer 1970's prog and now prefer the most violent & loud basic rock artists.  It goes both ways.  For me, I enjoy bluegrass, folk, classical, rock, jazz, as long as it is "musical".  I have leaned that no artist is "saving the world" and it is all about selling tickets, so I don't fall for that "We're not gonna take it" rhetoric that much modern music pretends to fight for....
 
Originally posted by dennismoore dennismoore wrote:


I do not buy the "modern" or "harsh times" call for harsher music argument.  Why?  Most plantiff or "punk" or RAP bands rally against what they perceive as dark or "bad times".  Well compared to how life has been historically, we live in a calm, love-fest of an era in relative terms.  For some reason, "lower class" or very base actions have been introduced into music and have been acepted.(Ex. MTV showing a concert of a band who gave themselves enemas and the band collectively deficated on the audience in the front few rows.)  Why would people do this and be part of this?(At a musical level silly, not some wild porn driven fantasy, involving super-models..Wink.) 



I don't agree with much of this.  First off, I don't think this is a calm era. 

You make great points, but I did not mean to say that America has it better then Asia, etc..  I mean in general.
My grandfather & his peers worldwide had a 6 day work week, NO medical insurance, no benefits.  My father
lived through a World War where entire cities were destroyed. Their parents lived in a world that 1 in 3 mothers died in childbirth because of more primitive medicine, "that" is what I meant.  Times have ALWAYS been tough and frankly much tougher for past generations.  Yes, you are right today we have many problems too, global economic mess, corporate corruption, etc...   Well said.  I still say things were in fact much tougher in prior generations.
I just read a bit about the Ottoman Empire, things were pretty damn hard in Turkey prior to 1910!  Modern Turks have it considerably better, for sure.  So there is still no reason to run around like Curt Cobain saying how horrible life is.
It just isn't in relative terms to how humans have always needed to struggle. 


If some rock star takes off his shirt and yells and screams it will not fix any of this.



Well, with reference to that Mike Patton, he is in fact singing in several patches there.  It may not be a style of singing you really like, but he IS hitting notes, he is carrying a tune. 

Yes, Mr. Patton certainly is above the punk rock screamers, yet you said it best "he is carrying a tune" that is about it.
People confuse mega popularity with mega talent. I do thank that is the case with Mr. Patton.  Can he sing? ok, sure.
Just because many people like him that does not make him talented.


Um, in that case, if difficulty is the only criterion, then I assure you extreme vocals ARE difficult to pull off day in day out.  Not that I personally attach much importance to technicality.  Yes, what opera singers do is tough but their singing usually doesn't speak to me emotionally. So, therefore...

I think our whole argument is summed up when say you don't attach " importance to technicality" like technicality is a bad thing or a not needed bonus thing.  Talent, practice and technical proficiency are everything in music,
unless you want to be the next "pop rock" sensation.

 
 
Originally posted by dennismoore dennismoore wrote:


Yes, these modern rock screamers need to protect their voices and not yell all the time, but it is not really that hard,
many people talk loud and yell all the time and they keep their voices until their other parts wear down.Wink
 


I won't really respond to this other than that this is ill informed.  

My above comment about "not that hard" was in relation to a real professional singer(not you & I).
If you think these yellers & rap artists are on par with real singers as far as what they need to maintain their voice, I find that unbelievable and I do think it is a "generation" thing.  Kinda "my generation" is as good as your old generation. An artist is not "talented" or professionally competent because a generation declares him that.
His/her art is self evident. Generations not withstanding.  And there are tried and true measures to define that talent, regardless what the "pop" culture claims.




[/QUOTE]
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Direct Link To This Post Posted: February 18 2012 at 20:58
Originally posted by dennismoore dennismoore wrote:

 
Hi Equality 7-2521,
 
If you enjoy Mr. patton as an artist, that is as good as anybody enjoying any other artist, including myself.  However....
 
There are just so many things wrong with your argument.  First, millions of people can NOT sing.  Proper singing is very difficult. First is pitch.  Most people think they can sing but are shocked to learn how off key they are.  Oh and there is breath control and dynamics and projection....  Yeah man, you couldn't be more wrong here. Talent with an external instrument or a human voice is "everything" you just made my case for me. Many very wealthy & famous rock bands actually have little talent.  Talent is not emphasized in today's corporate music business. In addition, nobody needs to emulate Mr. Patton, as everyone has their own timbre in their voice.  What he does with his voice? Different story and it is quite simple to bark & talk with a mic. If he is popular? I can not judge or speak against that.  That is down to individule choice.
 
You spoke of Stravinsky.  He innovated, which should happen in music.    Keith Emerson stuck knives in his keyboard, but he still actually played his keyboard.  He is judged for what he played not his stage antics.
 
You wrote: "There are very few people who have a good enough feel for rhythm to be a stellar rapper.
You are kidding right???  All RAP is spoken(not sung) in the same basic cadence. Millions of millitary servicemen
"RAP" in a cadence as they march.  It is probably the most basic musical element that probably 98% of the Earth's population can do.  I think you misread the mega-corporate music industry.  The industry is not about promoting
hundreds or artists based on talent like in the past.  It is about MEGA-Promoting a few RAP, Alternative, Metal, etc.. bands.  Just because the band is No.1 does not mean they are any good or earned their way there.  It simply means they are the ones the industry chooses to promote at the time.  I don't think I am breaking any new ground here.
 
i dare to mention the great Tiny Tim. http://en.wikipedia.org/wiki/Tiny_Tim_(musician)  He was wildly popular & famous
for making the strangest sounds with his voice.  That did not make him a great singer.
 
You like what you like that is cool.  Please do not call my arguments "silly".  The only thing remotely silly about my musical affinities is my undying enjoyment of 1969-1976 Elton John albums, oh and Three Dog Night.Wink
 
Dude!  Check out Three Dog Night singer Chuck Negron,  That dude can sing and he had talent and I can't think
of a better example to show what an actual singer is. Smile

Cheers!

DM


Well since the entire idea of singing seems to be producing noises with your vocal chords, Mike Patton is able to produce sounds that few others can. I'm not really sure what your argument is. The only thing you're saying is that you do not enjoy Patton, but you try to dress it up in verbiage to make it seem like your opinion is correct.

Are you suggesting that those who took screaming or rap and made them popular devices did not innovate? Or that somehow they're not actually singing?

What does cadence have to do with rap? It's about the manipulation of rhythm. You're trying to interpret everything from your narrow view of music. I don't know what the point of arguing with you is. I think you've never heard a rap artist outside of the mainstream.

Mike Patton is just as talented as a singer as Chuck Negron. Patton is just more dynamic.
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Direct Link To This Post Posted: February 18 2012 at 21:39
Originally posted by dennismoore dennismoore wrote:


Hi rogerthat, one thing first, I do not think age plays a part in this. Plenty of teenagers have similar musical preferences to me, and I know older people who once enjoyed the calmer 1970's prog and now prefer the most violent & loud basic rock artists.  It goes both ways.  For me, I enjoy bluegrass, folk, classical, rock, jazz, as long as it is "musical".  I have leaned that no artist is "saving the world" and it is all about selling tickets, so I don't fall for that "We're not gonna take it" rhetoric that much modern music pretends to fight for....



You have missed the point.  Why do you listen to rock at all?  Strictly speaking, music is capable of expression without amplification, electric guitar and drums.  It just adds a different dimension.  And the extreme end of rock music simply pushes this distortion to a, well, extreme.  It is just another means of expression, not a corruption of music's 'purity'.
 
Originally posted by dennismoore dennismoore wrote:



You make great points, but I did not mean to say that America has it better then Asia, etc..  I mean in general.
My grandfather & his peers worldwide had a 6 day work week, NO medical insurance, no benefits.  My father
lived through a World War where entire cities were destroyed. Their parents lived in a world that 1 in 3 mothers died in childbirth because of more primitive medicine, "that" is what I meant.  Times have ALWAYS been tough and frankly much tougher for past generations.  Yes, you are right today we have many problems too, global economic mess, corporate corruption, etc...   Well said.  I still say things were in fact much tougher in prior generations.
I just read a bit about the Ottoman Empire, things were pretty damn hard in Turkey prior to 1910!  Modern Turks have it considerably better, for sure.  So there is still no reason to run around like Curt Cobain saying how horrible life is.
It just isn't in relative terms to how humans have always needed to struggle. 


If some rock star takes off his shirt and yells and screams it will not fix any of this.


I was not comparing America and Asia.  I just pointed out that there is in fact conflict and strife in Asia.   I am sorry but I don't recall even the British empire opening fire on innocent civilians in Mumbai's busiest railway station.  So if people believe that the times are far more comfortable today, that is perhaps because they feel insulated from such violence (because there are no world wars now) and have become apathetic to the world's problems. 

EDIT:
Also, the point that has got sidetracked in this discussion about which era was more comfortable is, I had originally said music evolved to depict modern, industrial sounds and moods.   In 1910, Turkey wouldn't have been bustling with so many automobiles on the street, there were fewer high rises, fewer aeroplanes etc.  The increase in the pace of our lives needs to find expression in music as well and that happens in many different ways. 

Originally posted by dennismoore dennismoore wrote:




Yes, Mr. Patton certainly is above the punk rock screamers, yet you said it best "he is carrying a tune" that is about it.
People confuse mega popularity with mega talent. I do thank that is the case with Mr. Patton.  Can he sing? ok, sure.
Just because many people like him that does not make him talented.
  


Um, Patton sings, raps, growls on just this song apart from assimilating several other styles over the course of his career.  I honestly do not know of any other singer who uses all these styles of vocals regularly...there may well be, but he is certainly in a small minority in any case.  Which is why I referred to him as one of the most versatile singers in rock. 
Originally posted by dennismoore dennismoore wrote:



I think our whole argument is summed up when say you don't attach " importance to technicality" like technicality is a bad thing or a not needed bonus thing.  Talent, practice and technical proficiency are everything in music,
unless you want to be the next "pop rock" sensation.
 


Once again, it takes a lot of practice to get right a harsh vocal technique and then be able to produce it every time in concert, over loud, distorted guitars.  The key here is to note that a 'screamer' or a 'shouter' is not actually screaming or shouting.  If you really did scream or shout all the time, you'd damage your voice very quickly.  What they are doing, in terms of voice production, is controlled and deliberate in just the same way as a singer carrying a tune; the only difference is in the harsh, violent effect. 

So my point was simply that technicality alone does not make a great singer.  Technical accomplishment gives a singer more options, ability to cover more material, hit a wider span of pitches.  But it is down to the singer's skills in emotional interpretation whether he/she can make something memorable with it.  Annie Haslam and Mariah Carey can both sing in the sixth octave and in fact, Carey can hit notes in the seventh.  And yet, how much does that necessarily say about them?  Christina Aguilera can do runs and melismas I haven't heard Stevie Wonder pull off but the ones he does are far more tasteful and add so much more to the music.  Tasteful...is that not a very subjective quality?  Is that not more perceptive than technical? 

I recall that Miles Davis quote, "Why play all the notes?  Only play the ones that are good."   Technicality gives the singer the ability to hit all the notes, in a manner of speaking, but art is about interpretation and presentation, not just technical skill.
 
 
Originally posted by dennismoore dennismoore wrote:



My above comment about "not that hard" was in relation to a real professional singer(not you & I).
If you think these yellers & rap artists are on par with real singers as far as what they need to maintain their voice, I find that unbelievable and I do think it is a "generation" thing.  Kinda "my generation" is as good as your old generation. An artist is not "talented" or professionally competent because a generation declares him that.
His/her art is self evident. Generations not withstanding.  And there are tried and true measures to define that talent, regardless what the "pop" culture claims.






No, I am sorry, you are very much mistaken there.  First of all, you are again generalizing yellers and rap artists as if they are all the same.  Each harsh vocal technique is different and, frequently, a singer cannot master them all.   If anything, even with a 'safe' technique, singers using harsh technique are  more prone to vocal strain than somebody who sings cleanly.  If you are just singing cleanly without using a wide  range, you don't need any significant voice maintenance.  My father is 55 and his voice hasn't lost much even though he hardly practices and has to attend to business tours frequently.   If you want to sing like Annie Haslam and maintain 3/4ths of that level till you are 64, then yes, that is specialized.  But how many, clean or harsh, can do that?  Not Lake, Daltrey,  Geddy, Gillan or other rock greats.  That is my point.  Contrary to your argument, even the great rock singers were more about expression and personality than technical skill.  Ronnie James Dio was another who kept belting magnificently until his last breath, but such singers are rare in rock.    


Edited by rogerthat - February 18 2012 at 23:02
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Direct Link To This Post Posted: February 18 2012 at 22:06
dennismoore,

Coming from the perspective of someone who once hated harsh vocals and then grew to appreciate them, I think it's important to realize that growls/harsh vocals are one component of the music and don't define an entire artist/piece. There's a difference between "noise music" and noise in music.  Add to that the fact that harsh vocals aren't just noise; because they are made by a human voice, they can have quite a bit of emotional clout.  Portraying negative emotions in music can help listeners to restrain those emotions in real life and keep them in their proper bounds and proper direction.  This happens when the listener puts himself in the place of the performer and relates to his emotions, and it's called catharsis.  Also, harsh vocals can function as a kind of percussion; think of them as melodic percussion, in that they flow like a melody but have a percussive timbre.

With regards to the debate over modern era vs. the old days, it was neither better nor worse back then than it is now.  Each age has its own joys and sorrows, conveniences and challenges.  Technological advances have, in ways, made life better, but they also have pitfalls, including the way in which they encourage individualistic thinking.  It's chronological snobbery to try and elevate one era as better than another.

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Just off the top of my head (and sticking to prog)...
1. Peter Gabriel
2. Jon Anderson
3. Joanne Hogg
4. Geddy Lee
5. Toby Driver

But tomorrow it will probably be completely different
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Direct Link To This Post Posted: February 18 2012 at 22:11
Originally posted by rogerthat rogerthat wrote:

 
Annie Haslam and Mariah Carey can both sing in the sixth octave and in fact, Carey can hit notes in the seventh.  

Wow, I didn't know that.
That's awesome.
I can get up to an A5 (and I'm a guy) but I don't think you ever want to hear it Embarrassed
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Direct Link To This Post Posted: February 18 2012 at 22:33
Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:

Originally posted by rogerthat rogerthat wrote:

 
Annie Haslam and Mariah Carey can both sing in the sixth octave and in fact, Carey can hit notes in the seventh.  

Wow, I didn't know that.
That's awesome.
I can get up to an A5 (and I'm a guy) but I don't think you ever want to hear it Embarrassed


That's impressive,  especially if you are in fact hitting it in head voice.  Well, I am not sure I really want to hear Mariah's F#7s  Wink, come to think of it, but she's going to hit them anyway.
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Direct Link To This Post Posted: February 18 2012 at 23:12
Originally posted by rogerthat rogerthat wrote:

Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:

Originally posted by rogerthat rogerthat wrote:

 
Annie Haslam and Mariah Carey can both sing in the sixth octave and in fact, Carey can hit notes in the seventh.  

Wow, I didn't know that.
That's awesome.
I can get up to an A5 (and I'm a guy) but I don't think you ever want to hear it Embarrassed


That's impressive,  especially if you are in fact hitting it in head voice.  Well, I am not sure I really want to hear Mariah's F#7s  Wink, come to think of it, but she's going to hit them anyway.
 
You mean chest voice?  I actually just go into falsetto and reach up as high as I possibly can.  This usually results in people either laughing at me or begging me to stop before their eardrums pop LOL
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Direct Link To This Post Posted: February 18 2012 at 23:16
Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:

Originally posted by rogerthat rogerthat wrote:

Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:

Originally posted by rogerthat rogerthat wrote:

 
Annie Haslam and Mariah Carey can both sing in the sixth octave and in fact, Carey can hit notes in the seventh.  

Wow, I didn't know that.
That's awesome.
I can get up to an A5 (and I'm a guy) but I don't think you ever want to hear it Embarrassed


That's impressive,  especially if you are in fact hitting it in head voice.  Well, I am not sure I really want to hear Mariah's F#7s  Wink, come to think of it, but she's going to hit them anyway.
 
You mean chest voice?  I actually just go into falsetto and reach up as high as I possibly can.  This usually results in people either laughing at me or begging me to stop before their eardrums pop LOL


No, I do mean head voice.  Or, THAT note Geoff Tate hits on Take Hold of the Flame, that's head.  LaBrie's F5 - I think - in Learning to Live, again head voice. In falsetto, it is easier though not everyone can hit A5 in even falsetto.  I don't think I have ever heard anyone hit A5 in chest voice and don't know if it is even possible. Shocked


Edited by rogerthat - February 18 2012 at 23:18
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Direct Link To This Post Posted: February 18 2012 at 23:23

I think Geddy Lee can hit an F5 in chest voice; he does it in some of his recent live performances of Freewill (most notably on Snakes and Arrows Live).  At least I think it's chest voice; I'm no vocal expert so it could be a different technique.

He also hit the Bb5 on Cygnus X-1...
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Direct Link To This Post Posted: February 18 2012 at 23:28
Not Geddy...never watched him live, mind, but at least what I have heard on CD doesn't sound like chest voice.  And Cygnus is definitely falsetto.  You CAN hit a very full and open throated high note in head voice which might seem like it's off the chest.  Bruce Dickinson hits D5 on Hallowed Be Thy Name, for example. Opera singers can do that or rather have to, for instance, because they have to sing without amplification in a fairly large theater.


Edited by rogerthat - February 18 2012 at 23:31
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Direct Link To This Post Posted: February 18 2012 at 23:39
I can't believe I forgot Dagmar on my list



Cool
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