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   Hermeto Pascoal's songs are free for download! See this article from Agencia Brasil: http://agenciabrasil.ebc.com.br/new-in-english/2011-07-04/news-english-%E2%80%93-75-hermeto-pascoal-and-his-indescribable-music

Link to the portuguese language version: http://agenciabrasil.ebc.com.br/noticia/2011-07-02/aos-75-anos-hermeto-pascoal-diz-querer-compor-%E2%80%9C-musica-livre-de-adjetivos%E2%80%9D

And read the article in this entirety:

NEWS IN ENGLISH – At 75, Hermeto Pascoal and his indescribable music																		

        04/07/2011 11:07

  	            Brazilian music
Hermeto Paschoal
copyright
national

	Alex Rodrigues and Pedro Peduzzi      Reporters Agência Brasil

	Brasília – Hermeto Pascoal is one of the most colorful Brazilian 
musicians in a country of colorful musicians – not to mention colorful 
music. Born in 1936, in the state of Alagoas, he has been performing in 
public since before he was ten. He was on the radio as a teenager. He 
plays numerous instruments, composes and arranges, and sings. He is 
called a “multi-instrumentalist,” a shallow label that just barely 
scrapes the surface of this deeply inventive and innovative musician who
 has played all over the world with people like Miles Davis, John Lennon
 and Tom Jobim. Hermeto is a musician’s musician, a creative genius 
whose music is regional Brazilian and universal at the same time.

	Hermto says he never really gave a lot of thought to the future. 
Certain that tomorrow would come, he concentrated on living the present 
to the full. And he did that without rushing things. What he did do was 
work on his mission: “making music free of adjectives” (“Hermeto Pascoal
 diz querer compor ‘a música livre de adjetivos’”). Hermeto turned 75 
last week. Recognized in Brazil and around the world as an icon, he has 
had a very successful musical mission.

	During a stopover in Brasilia, on June 25, Hermeto spoke to Agência Brasil.

	“My desire is to make more music each new day. There will always be a 
lot that still has to be done, but one thing I will insist on is 
quality,” he says. “In music, quantity cannot substitute quality. The 
scales don’t lie. Each note has to be a good one. I do not compose to 
please the public. I compose what meets my standards and then I play it 
for the public.”

	It should be noted that Hermeto has been known to write pieces that 
call for live animals – squealing pigs, hens clucking and so forth. He 
is nothing if not earthy and has also been known to use kitchen utensils
 and tools to make music. The translation of “music free of adjectives,”
 seems to be something so original that it cannot be classified.

	SUBVERTING LOGIC - Given his unselfish nature and driving desire to see
 his music performed, it was only natural for Hermeto to be a part of 
what is known as the Free Culture Movement (“Cultura Livre”), a kind of 
free source (“democratizar o acesso à informação e à cultura”), 
anti-commercial organization opposed to the market logic of record 
companies and radio stations.

	Way back even before the end of the last century, around 1995, Hermeto 
stirred up controversy by declaring that he wanted to be “pirated.” He 
said it was the best way to be heard everywhere. In 2009, he began 
“liberating” the rights to some 614 compositions that had been recorded 
on records or CDs. A licensing contract permitting free use of his music
 can be found at his personal site (www.hermetopaschoal.com.br
 ) that mirrors his own Free Spirit: it is handwritten by Hermeto 
himself, addressed to “musicians in Brazil and the world,” and ends with
 a call for everybody to make the best use of his compositions.

	“My music belongs to whoever wants it. The idea is to liberate 
copyrights and let anyone who wants to play my stuff play it,” he 
explains.

	Aline Morena, a 32-year-old musician from Rio Grande do Sul, who has 
lived and worked with Hermeto for the last ten years, after his first 
wife of 46 years died, says that some recording companies do not accept 
Hermeto’s unique licensing contract. “Their business is red tape. Lots 
of it. They want a separate, specific contract for each composition. We 
want to cut the red tape, and let artists come directly to us and get 
free access. When they go to the recording studios or record companies 
they have to pay,” she explains.

	NO FEAR OF PIRATES – “If the recording companies do not send my music 
to radio stations, if my music is not played anywhere, what am I writing
 music for? I have never had and will never have any financial return on
 my work. What I have is pleasure, I have joy and that is what I get. 
Now what I want is for my music to be played. That is why I want my 
stuff to be pirated. That way people will play, hear and get to know my 
work. In my opinion, people who complain about piracy are people who 
write music only to sell it. The value of my work is not in dollar bills
 (“notas”), but in musical notes (“notas”),” says Hermeto.

	According to Aline, out of the 4,000 or so compositions by Hermeto, the
 vast majority has not been recorded. Some 700 can be found at the 
composer’s site. An additional 41 works, never recorded or performed, 
have been digitally prepared by the pianist and arranger, Jovino Santos 
Neto, and made available on the internet as well.

	If someone wants to honor Hermeto Paschoal, he or she can pick out 
something by the composer and just play it, explains Aline. “The idea 
seems to be a success. We get e-mails from all over the world."

	“And don’t forget, I’m still composing,” adds Hermeto.

	[note: Hermeto can be seen and heard on YouTube. Recordings are also available through Google – just type in his name]

	Allen Bennett – translator/editor The News in English