Forum Home Forum Home > Other music related lounges > General Music Discussions
  New Posts New Posts RSS Feed - fade out or end
  FAQ FAQ  Forum Search   Events   Register Register  Login Login

Topic Closedfade out or end

 Post Reply Post Reply Page  <1 234
Author
Message
thehallway View Drop Down
Prog Reviewer
Prog Reviewer
Avatar

Joined: April 13 2010
Location: Dorset, England
Status: Offline
Points: 1433
Direct Link To This Post Posted: September 11 2011 at 15:03
Originally posted by Syzygy Syzygy wrote:

Without bothering to read through the entire thread, in at least 9 cases out of 10 when I hear a song fade out I want to shout at the artist 'finish writing the Censoreding thing before you release it!'.
 
If a fade out has to be used, I like to hear done with class - 'Hey Jude' has a fade out that lasts longer than the song itself.

That's highly unfair.

Read the rest of the thread to see why.



Back to Top
Syzygy View Drop Down
Special Collaborator
Special Collaborator
Avatar
Honorary Collaborator

Joined: December 16 2004
Location: United Kingdom
Status: Offline
Points: 7003
Direct Link To This Post Posted: September 11 2011 at 15:04
Originally posted by darkshade darkshade wrote:


I remember reading somewhere that many classical composers attempted, or would have liked to have attempted, fade-outs before recording technology existed, so I would say it is usually used for effect. I don't see a reason for it 99% of the time, but it has it's place in rare cases (as with the Neal Morse album I mentioned before).
Holst's Planets Suite fades out - there are instructions in the score for how it is to be achieved in performance.
 
Then there's John Cage's 4'33", which I suppose is technically nothing but a fade out...
'Like so many of you
I've got my doubts about how much to contribute
to the already rich among us...'

Robert Wyatt, Gloria Gloom


Back to Top
Jake Kobrin View Drop Down
Prog Reviewer
Prog Reviewer


Joined: September 20 2008
Status: Offline
Points: 1303
Direct Link To This Post Posted: September 11 2011 at 15:11
There aren't enough cadences in prog rock. 
Back to Top
Gerinski View Drop Down
Prog Reviewer
Prog Reviewer
Avatar

Joined: February 10 2010
Location: Barcelona Spain
Status: Offline
Points: 5154
Direct Link To This Post Posted: September 11 2011 at 15:29
Don't have my CD's at hand right now, but if I remember well in The Lamb's The Waiting Room, after the initial experimental noises part, the "proper musical part" comes with a fade in, and then fades out leaving the way for the lovely piano beginning of Anyway. With music like this I don't care for fade in's or out's.
Back to Top
sleeper View Drop Down
Prog Reviewer
Prog Reviewer
Avatar

Joined: October 09 2005
Location: Entropia
Status: Offline
Points: 16449
Direct Link To This Post Posted: September 11 2011 at 16:10
Originally posted by thehallway thehallway wrote:

Originally posted by sleeper sleeper wrote:

Originally posted by thehallway thehallway wrote:

Originally posted by Prometej Prometej wrote:

I don't mind fade-out, and I never really quite understood why people get so bent out-of-shape over them.  As long it's not just a sloppily-done afterthought, there's nothing inherently musically offensive about a fade-out to end a song.

Exactly.

So people, please stop referring to anything that isn't a fade-out as a "proper ending".......... you might as well say that any chord sequences you don't like aren't "proper" chords, or that bad lyrics aren't "proper lyrics".

The demand by fans on any music with the word 'progressive' attached to it, which is never attached by the musicians themselves anyway, is getting ridiculously high. 


No, I'll still refer to anything with a fade out as a cop out. The main reason I dont like them is that there's nothing remotely interesting about a fade-out, I just cant help wondering "what could have been done there to make it more effective".

And I aply this to all genres of music, why do you assume that I only apply it to prog?

I don't make that assumption........ but I've seen in this forum the other expectations people make regarding prog music, and this only adds to it........ hence my comment about the high demand on prog. 

As for the question   "what could have been done there to make it more effective?"....... well, that question can be asked about any element or section of a song....... the beginning, middle, or end. Even something seemingly perfect to one person won't please everyone. So, picking on the fade-out in particular seems random, if your only criticism is that there might have been a better way of doing it, because that very well applies to most parts of most songs. ...............And I'm pretty sure that when an artist can answer that question, they proceed to improve their composition. So, what about considering the fact that a fade-out isn't always, without question, evidence of the artist not being able to improve..... but rather that the fade-out may well be the artist's answer to the question. Because unlike you, the artists probable doesn't unconditionally categorise the fade-out as a cop-out, but may see it as a perfectly viable artistic decision, and one that may even improve upon an abrupt or "proper" ending.


I think your missing the fact that this entire debate comes down to personal preferance and taste in music, and every single time I will personally much prefer almost any type of ending over a fade out. A fade-out may very well be the musicians personal answer in how to conclude the piece, but I'll always consider it to be the wrong answer as I want to here a conclusion, a real end, to the music I'm listening to, something to give it closure that a fade-out seems to rob from it for me. Every song I've ever heard that fades out leaves me feeling that its unfinished, that there's something missing (and please note that I'm completely diregarding the part in the OP about sudden ends, why does it have to be sudden, that could be completely wrong for the music).

So yes, I dont doubt that you or whoever will find any given piece of music to be served perfectly fine by a fade-out, but I never will. Its in the same way that some people will never like extreme vocals.

The real irony is that despite how hard I'm arguing against them, fade-outs dont actually make me "mark down" a song and on my list of musical pet hates they are a very long way down. I just havnt had a good argument on here in a long while!LOL
Spending more than I should on Prog since 2005

Back to Top
thehallway View Drop Down
Prog Reviewer
Prog Reviewer
Avatar

Joined: April 13 2010
Location: Dorset, England
Status: Offline
Points: 1433
Direct Link To This Post Posted: September 11 2011 at 16:17
^ Well I'm at least glad about that last part......... because obviously people's opinions aren't what bothers me, it's the result of them on musicians. It's good that, no matter how much you might hate fade-outs, they don't totally ruin a song for you........ because that is a bit silly after all.


Back to Top
sleeper View Drop Down
Prog Reviewer
Prog Reviewer
Avatar

Joined: October 09 2005
Location: Entropia
Status: Offline
Points: 16449
Direct Link To This Post Posted: September 11 2011 at 16:20
^Yeah. As much as I dont like the fade-outs, songs like The Drapery Falls, Sript for a Jesters tear and Suppers ready are still amongst the best pieces ever written. A collective 30 seconds of music (or lack there-of) is not going to ruin the other 40+ minutes of music in those three songs.
Spending more than I should on Prog since 2005

Back to Top
infocat View Drop Down
Forum Senior Member
Forum Senior Member
Avatar
VIP Member

Joined: June 10 2011
Location: Colorado, USA
Status: Offline
Points: 4671
Direct Link To This Post Posted: September 11 2011 at 19:58
Best fade out ever: "I Want You (She's So Heavy)".  Smile

You know what's worse than fade-outs in songs?  Fade-outs to end scenes in TV shows.  Melodramatic nonsense, usually.  I much prefer the quick-cut stop.  Buffy the Vampire Slayer was the master of these!

--
Frank Swarbrick
Belief is not Truth.
Back to Top
TODDLER View Drop Down
Forum Senior Member
Forum Senior Member
Avatar
VIP Member

Joined: August 28 2009
Location: Vineland, N.J.
Status: Offline
Points: 3126
Direct Link To This Post Posted: September 11 2011 at 21:16
Then there was the old 60's fade-out which faded back in and freaked kids out. "Helter Skelter" and I'm sure there were others. Strawberry Fields Forever comes to mind, but it seems like other bands were doing it as well.
Back to Top
Man With Hat View Drop Down
Collaborator
Collaborator
Avatar
Jazz-Rock/Fusion/Canterbury Team

Joined: March 12 2005
Location: Neurotica
Status: Offline
Points: 166183
Direct Link To This Post Posted: September 13 2011 at 23:14
An ending for sure. The only time a fade out properly works, IMO, is if there is a very ambient/atmospheric ending where not much is happening anyway and the sound just slips away.
 
I mostly hate fade outs because alot of the time there is some interesting musical element (guitar solo, drum fills, etc) that is extremely hard to hear and appreciate when there the sound isn't loud.
Dig me...But don't...Bury me
I'm running still, I shall until, one day, I hope that I'll arrive
Warning: Listening to jazz excessively can cause a laxative effect.
Back to Top
 Post Reply Post Reply Page  <1 234

Forum Jump Forum Permissions View Drop Down



This page was generated in 0.191 seconds.
Donate monthly and keep PA fast-loading and ad-free forever.