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Joined: March 08 2007
Location: United States
Status: Offline
Points: 2755
Posted: August 29 2011 at 13:19
Catcher10 wrote:
^ Well I think we all appreciate the song as a whole.........I just think people are expressing their feelings about certain parts, which can be interesting too.
Maybe Yes's 5th most interesting epic.
It falls behind
Awakening
Close To The Edge
Ritual
The Revealing Science of God
Mind Drive and The Remembering would give it a good run for it's money as well.
Edited by ghost_of_morphy - August 29 2011 at 13:20
Joined: June 18 2009
Location: Mexico
Status: Offline
Points: 12810
Posted: August 29 2011 at 18:50
I really love that song too. It's all great. I wouldn't like it so much if any part was removed... though the particular "war section" may be chaotic (and I would certainly not be interested in hearing it outside the context of the song), it's still an integral part of the song, and the song just wouldn't do without it (and as is often the case with this chaotic sections, the return to melody is all the better because of them). The "Soon" section is sublime just as it is. However, for me this song is so much better on the Symphonic Live album... just amazing stuff, I never need to listen to the original version having the symphonic one instead.
Joined: February 18 2004
Location: United Kingdom
Status: Offline
Points: 29372
Posted: August 30 2011 at 01:21
Conor Fynes wrote:
Its so chaotic.. i love it!
the chaos is completely deliberate. Prior to recording the album Anderson played the main riff on a piano to the rest of the band and they thought he was nuts! (so everything normal)
Joined: June 22 2004
Location: England
Status: Offline
Points: 16130
Posted: February 13 2012 at 05:26
richardh wrote:
One of my favourite prog tracks after Suppers Ready and Karn Evil 9. Can't agree with others about Soon. This is essential to me. Light and Shade.
I agree, regarding Soon. Lovely track.
Relayer overall is a Yes album that took me ages to get into. Just recently I've been playing it a lot, and it's on track to being one of my top prog albums. I'm learning to love the chaos of G.O.D.
It's very different to the albums that went before. I love the production too!
For those who enjoy Relayer, i suggest you to listen to the latest cd from Simon Says "Tartigrade" who was influenced by Relayer in some songs. (brother where you bound)Great Stuff! You can check here that it is clear in the guitar work especially :
Joined: June 17 2005
Location: Finland
Status: Offline
Points: 4828
Posted: February 16 2012 at 01:06
I personally think the epics of Yes from Close to The Edge till Relayer albums are fine - even though some of the live versions are yet much better than the studio recordings. The only problem for me with the "Soon" coda is the overusage of it due the single release. Edit: For clarification, I otherwise think it is great part of the composition, bringing celestial ending to the chaotic war sequences. Truncating pieces like this is similar from classical music as arias are cut off as hits from complete plays. Well. Don't miss Wakeman's presence here, Moraz was a fine player also, different from his approach though. I believe the change was logical if Tales from Topographic Ocean was a wrong direction for him.
Catcher10 wrote:
I just finished listening to Side 1 of Relayer
Hurry to the second side, getting ever better there!
Edited by Eetu Pellonpää - February 16 2012 at 16:56
Joined: February 02 2004
Location: South England
Status: Offline
Points: 14693
Posted: February 16 2012 at 06:35
frippism wrote:
I think that Moraz seriously kinda beats Wakeman and I sorta wish he stayed because the synth sounds Wakeman made in the late 70s... God the man had no boundaries to cheesiness.
Take a listen to the Yesshows album - recorded during the transitional phase, so you get both Wakeman & Moraz: iknteresting comparison & a great live album.
As to 'Gates...' in my opinion, a faultless track on a great album.
Joined: April 19 2011
Location: America
Status: Offline
Points: 877
Posted: February 16 2012 at 07:54
Catcher10 wrote:
I just finished listening to Side 1 of Relayer, I dunno for maybe the gazillionth time. Anyhow I was wondering if there is any part of this Yes epic that you do not like?
Yes, the part where anybody would have the unmittigated audacity to criticize any part whatsoever of this absolute
masterpiece!
I would say though that the mastering or overall recording of the record sounds a bit thin & a bit shrill.
Have you heard the nice stereo Holmdel, New Jersey show with Igor on keys? That version of Gates is much warmer.
"Yeah, people are unhappy about that - but you know what, it's still Yes." - Chris Squire
Joined: February 18 2004
Location: United Kingdom
Status: Offline
Points: 29372
Posted: February 16 2012 at 14:41
dennismoore wrote:
Catcher10 wrote:
I just finished listening to Side 1 of Relayer, I dunno for maybe the gazillionth time. Anyhow I was wondering if there is any part of this Yes epic that you do not like?
Yes, the part where anybody would have the unmittigated audacity to criticize any part whatsoever of this absolute
masterpiece!
I would say though that the mastering or overall recording of the record sounds a bit thin & a bit shrill.
Have you heard the nice stereo Holmdel, New Jersey show with Igor on keys? That version of Gates is much warmer.
Also a great version on Yes Symphonic with Brislin on keys
Joined: June 18 2009
Location: Mexico
Status: Offline
Points: 12810
Posted: February 16 2012 at 19:14
I do like much better the version on the Symphonic album. Haven't notice much about the keyboards being lower in the mix... but that orchestra, I just don't want to hear that song without orchestra again, it becomes so much more beautiful, and perfectly complements the band, without overwhelming it, nor being used as merely background. Also, the version of Close to the Edge on this CD/DVD is really great. Oh, and another thing I love about that DVD is that, unlike other videos with orchestras acompaning bands, the orchestra really looks like they are enjoying being part of the concert, instead of being seated and serious without showing any emotion.
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