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Topic ClosedHave new prog fans too commercial tastes?

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darkshade View Drop Down
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Direct Link To This Post Posted: July 08 2011 at 12:34
Originally posted by Henry Plainview Henry Plainview wrote:



Yes, because that's what all prog sounds like.  (Nothing against those bands, but they're not what immediately comes to mind when I think of "prog".  Kids...

At least he didn't say Dream Theater...
[/QUOTE]

I would much prefer that. At least DT have 'some' respect in the overall prog commmunity Tongue
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Direct Link To This Post Posted: July 08 2011 at 12:34
Originally posted by madmike madmike wrote:

Originally posted by Slartibartfast Slartibartfast wrote:

For me younger prog fans are too much into metal. LOL

Was telling somebody that I was a prog fan the other day, and they said, I kid you not, "oh, you mean like TesseracT and Andromeda?"

*facepalm*

Yes, because that's what all prog sounds like.  (Nothing against those bands, but they're not what immediately comes to mind when I think of "prog".  Kids...

If someone I knew or thought was a fan of metal told be they were a prog fan, I would assume they were talking about Progressive Metal. 

Also, this topic is so dumb. Basically just because you are almost COMPLETELY talking out of your arse. The poll of 1000 is no were near representative, and the bands that won are not particularly artistically lacking (well, that's all opinion). Oh yeah, not to mention that this is a POLL - it's not really a good measure of WHAT prog fans listen to, it's just a measure of which albums were liked the most. What I'm saying is, that really, a lot of people who voted in that poll may have liked albums you are more accepting of. There might of just not been enough crossover in the different styles of prog fans for them to come out first. 

You just come across as a silly elitist snob.  
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Direct Link To This Post Posted: July 08 2011 at 12:39
Quote The cathiness and accessibility is probably the key attribute to be succesful in new, young prog circles.

The same thing was true for the new, young prog circles in the 1970s. 
 
Not exactly true, Yes or ELP were more successful than VdGG or Gentle Giant thanks to Roundabout, resp.Lucky Man, but still VdGG and Gentle Giant or Crimson with very little commercial potencial were quite successful.
 
For sure more succesful than Gargamel or Areknames, in terms of style VdGG of modern era.

Quote
And that’s what I regret most : these bands are living on the fringe of average progfans interest.

Nobody cares. 
[/QUOTE]
 
You should care a little bit, if you want to hear in next years something else than progmetal + neoprog + crossoverprog.


Edited by undercover_man - July 08 2011 at 12:41
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Direct Link To This Post Posted: July 08 2011 at 12:41
I can't tell at all what is going on in that post above mine.

P.S. the avant-prog scene is flourishing as much as ever.


Edited by Triceratopsoil - July 08 2011 at 12:41
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Direct Link To This Post Posted: July 08 2011 at 12:45
Originally posted by undercover_man undercover_man wrote:

You should care a little bit, if you want to hear in next years something else than progmetal + neoprog + crossoverprog.

The past decade has been very, very good for avant-prog (especially the Japanese scene), jazz fusion, symphonic prog, zeuhl... if you're not picking up on this, you're being willfully blind for the sake of making a point that simply isn't there.

If you're simply looking at trying to find the modern successor to VDGG, you need to stop living in the past and accept the modern musical landscape for what it is, for its advantages and its pitfalls.  (Heck, even VDGG isn't much of anything post-reunion.)
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Direct Link To This Post Posted: July 08 2011 at 12:45
Originally posted by Triceratopsoil Triceratopsoil wrote:

I can't tell at all what is going on in that post above mine



And I can't tell what's going on in the post above yours

Edited by darkshade - July 08 2011 at 12:46
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Direct Link To This Post Posted: July 08 2011 at 12:48
Originally posted by Triceratopsoil Triceratopsoil wrote:

the avant-prog scene is flourishing as much as ever.
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Direct Link To This Post Posted: July 08 2011 at 12:48
Originally posted by Henry Plainview Henry Plainview wrote:

 
Originally posted by The T corrected The T corrected wrote:

For me prog fans in general are too much into saying stupid things

But I like saying stupid things. :(  

We make stereotypes a reality 
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Direct Link To This Post Posted: July 08 2011 at 12:58
I think new prog fans should be fairly offended by this thread, if I'm reading the OP right.

EDIT: You meant new by young, I am offended.


Edited by The Truth - July 08 2011 at 13:00
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Direct Link To This Post Posted: July 08 2011 at 13:03
Originally posted by The Truth The Truth wrote:

I think new prog fans should be fairly offended by this thread, if I'm reading the OP right.

EDIT: You meant new by young, I am offended.


I'm not offended, look at my avatar. I took it as 'young' as well, not necessarily 'new'

If he meant "young" then the OP is ignorant, which is not my problem
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Direct Link To This Post Posted: July 08 2011 at 13:07
 
Originally posted by undercover_man undercover_man wrote:

Not exactly true, Yes or ELP were more successful than VdGG or Gentle Giant thanks to Roundabout, resp.Lucky Man, but still VdGG and Gentle Giant or Crimson with very little commercial potencial were quite successful.
 
For sure more succesful than Gargamel or Areknames, in terms of style VdGG of modern era.
GG and VDGG were not very successful. Both of them pretty much broke up for financial reasons. I had never heard of those bands, but that is because they are from Norway and Italy, and America has never cared about foreign bands outside of the UK. Sorry, that is just the way it is. If you want to compare success you should compare them to someone on a real record label in the US/UK like VDGG and GG. Also, Gargamel should not have named themselves after the wizard in the Smurfs, especially when there's already a relatively successful (and fairly bad) metal band with that name. And Areknames is hard to spell. Making yourself impossible to Google will hinder your success. 
 
Originally posted by undercover_man undercover_man wrote:

You should care a little bit, if you want to hear in next years something else than progmetal + neoprog + crossoverprog.

Nope, I still don't care.   


Edited by Henry Plainview - July 08 2011 at 13:13
if you own a sodastream i hate you
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Direct Link To This Post Posted: July 08 2011 at 13:19
I certainly don't have too commercial tastes.....in fact the only reason I came in here was because I just had my music referred to as noise (live Henry Cow) and saw this and thought "hey I'm kinda a new prog fan."  I've been into it for five years or so but I mean I'm only 19, so compared to some of those here........
Which of you to gain me, tell, will risk uncertain pains of hell?
I will not forgive you if you will not take the chance.
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Direct Link To This Post Posted: July 08 2011 at 13:25
Nothing wrong with liking commercial music anyway. Besides the fact that some consider Yes, Genesis, Jethro Tull, and Pink Floyd commercial (maybe to a degree), I am proud to say I am a fan of James Brown, Steely Dan, Foo Fighters, Eric Clapton, The Beatles, Jay-Z, Eminem, B.I.G., Stevie Wonder, and many more I can't think of right now.
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Direct Link To This Post Posted: July 08 2011 at 13:29
Originally posted by undercover_man undercover_man wrote:

Youngins these days ... In my day we had to walk ten miles up a hill and through the snow just to listen to prog. That's how inaccessible it was! 


Interesting. 

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Direct Link To This Post Posted: July 08 2011 at 13:43
Originally posted by Slartibartfast Slartibartfast wrote:

For me younger prog fans are too much into metal. LOL




AND prog metal is one of the more commercial prog subgenres...


i would agree to some point, as young prog lover who is more into experimental stuff and krautrock (Can, Magma, King Crimson, early Pink Floyd are my favs)

But there is also quite a cult following all those Post Rock bands which doesn't seem so commercial to me 
www.myspace.com/rasayanaband
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Direct Link To This Post Posted: July 08 2011 at 13:46
I'm glad somebody finally acknowledged how commercial metal is.  People say that it isn't because of it's "heavy" nature, but really it's poppy still.  It usually has an incredibly formula oriented structure, vocals throughout except during the "guitar solo."  It is easily my least respected prog for the fact that it's rarely progressive. 
Which of you to gain me, tell, will risk uncertain pains of hell?
I will not forgive you if you will not take the chance.
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Direct Link To This Post Posted: July 08 2011 at 13:49
Yes. They have. But this doesnt matter at all. I dont like "commercial prog" and i seek good taste. Thats what matters.
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Direct Link To This Post Posted: July 08 2011 at 13:50
Originally posted by himtroy himtroy wrote:

I'm glad somebody finally acknowledged how commercial metal is.  People say that it isn't because of it's "heavy" nature, but really it's poppy still.  It usually has an incredibly formula oriented structure, vocals throughout except during the "guitar solo."  It is easily my least respected prog for the fact that it's rarely progressive. 


I agree, with some exceptions, those being the big names like Dream Theater, Opeth, Riverside, Liquid Tension Experiment, Planet X, and maybe Symphony X. They are; or at least were progressive.
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Direct Link To This Post Posted: July 08 2011 at 14:00
Dream Theater is extremely commecial.  Exceptions are more like Meshuggah, Gorguts, Neurosis, Negura Bunget etc. and yes, I don't care that they are in the "extreme metal" subgenre here they are still metal that is progressive.
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Direct Link To This Post Posted: July 08 2011 at 14:05
OP:


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